<p><SPAN name="link2H_4_0013" id="link2H_4_0013"></SPAN></p>
<h2> XIII </h2>
<p>THE Town Hall was crowded and exceedingly hot. As Charity marched into it
third in the white muslin file headed by Orma Fry, she was conscious
mainly of the brilliant effect of the wreathed columns framing the
green-carpeted stage toward which she was moving; and of the unfamiliar
faces turning from the front rows to watch the advance of the procession.</p>
<p>But it was all a bewildering blur of eyes and colours till she found
herself standing at the back of the stage, her great bunch of asters and
goldenrod held well in front of her, and answering the nervous glance of
Lambert Sollas, the organist from Mr. Miles's church, who had come up from
Nettleton to play the harmonium and sat behind it, his conductor's eye
running over the fluttered girls.</p>
<p>A moment later Mr. Miles, pink and twinkling, emerged from the background,
as if buoyed up on his broad white gown, and briskly dominated the bowed
heads in the front rows. He prayed energetically and briefly and then
retired, and a fierce nod from Lambert Sollas warned the girls that they
were to follow at once with "Home, Sweet Home." It was a joy to Charity to
sing: it seemed as though, for the first time, her secret rapture might
burst from her and flash its defiance at the world. All the glow in her
blood, the breath of the summer earth, the rustle of the forest, the fresh
call of birds at sunrise, and the brooding midday languors, seemed to pass
into her untrained voice, lifted and led by the sustaining chorus.</p>
<p>And then suddenly the song was over, and after an uncertain pause, during
which Miss Hatchard's pearl-grey gloves started a furtive signalling down
the hall, Mr. Royall, emerging in turn, ascended the steps of the stage
and appeared behind the flower-wreathed desk. He passed close to Charity,
and she noticed that his gravely set face wore the look of majesty that
used to awe and fascinate her childhood. His frock-coat had been carefully
brushed and ironed, and the ends of his narrow black tie were so nearly
even that the tying must have cost him a protracted struggle. His
appearance struck her all the more because it was the first time she had
looked him full in the face since the night at Nettleton, and nothing in
his grave and impressive demeanour revealed a trace of the lamentable
figure on the wharf.</p>
<p>He stood a moment behind the desk, resting his finger-tips against it, and
bending slightly toward his audience; then he straightened himself and
began.</p>
<p>At first she paid no heed to what he was saying: only fragments of
sentences, sonorous quotations, allusions to illustrious men, including
the obligatory tribute to Honorius Hatchard, drifted past her inattentive
ears. She was trying to discover Harney among the notable people in the
front row; but he was nowhere near Miss Hatchard, who, crowned by a
pearl-grey hat that matched her gloves, sat just below the desk, supported
by Mrs. Miles and an important-looking unknown lady. Charity was near one
end of the stage, and from where she sat the other end of the first row of
seats was cut off by the screen of foliage masking the harmonium. The
effort to see Harney around the corner of the screen, or through its
interstices, made her unconscious of everything else; but the effort was
unsuccessful, and gradually she found her attention arrested by her
guardian's discourse.</p>
<p>She had never heard him speak in public before, but she was familiar with
the rolling music of his voice when he read aloud, or held forth to the
selectmen about the stove at Carrick Fry's. Today his inflections were
richer and graver than she had ever known them: he spoke slowly, with
pauses that seemed to invite his hearers to silent participation in his
thought; and Charity perceived a light of response in their faces.</p>
<p>He was nearing the end of his address... "Most of you," he said, "most of
you who have returned here today, to take contact with this little place
for a brief hour, have come only on a pious pilgrimage, and will go back
presently to busy cities and lives full of larger duties. But that is not
the only way of coming back to North Dormer. Some of us, who went out from
here in our youth... went out, like you, to busy cities and larger
duties... have come back in another way—come back for good. I am one
of those, as many of you know...." He paused, and there was a sense of
suspense in the listening hall. "My history is without interest, but it
has its lesson: not so much for those of you who have already made your
lives in other places, as for the young men who are perhaps planning even
now to leave these quiet hills and go down into the struggle. Things they
cannot foresee may send some of those young men back some day to the
little township and the old homestead: they may come back for good...." He
looked about him, and repeated gravely: "For GOOD. There's the point I
want to make... North Dormer is a poor little place, almost lost in a
mighty landscape: perhaps, by this time, it might have been a bigger
place, and more in scale with the landscape, if those who had to come back
had come with that feeling in their minds—that they wanted to come
back for GOOD... and not for bad... or just for indifference....</p>
<p>"Gentlemen, let us look at things as they are. Some of us have come back
to our native town because we'd failed to get on elsewhere. One way or
other, things had gone wrong with us... what we'd dreamed of hadn't come
true. But the fact that we had failed elsewhere is no reason why we should
fail here. Our very experiments in larger places, even if they were
unsuccessful, ought to have helped us to make North Dormer a larger
place... and you young men who are preparing even now to follow the call
of ambition, and turn your back on the old homes—well, let me say
this to you, that if ever you do come back to them it's worth while to
come back to them for their good.... And to do that, you must keep on
loving them while you're away from them; and even if you come back against
your will—and thinking it's all a bitter mistake of Fate or
Providence—you must try to make the best of it, and to make the best
of your old town; and after a while—well, ladies and gentlemen, I
give you my recipe for what it's worth; after a while, I believe you'll be
able to say, as I can say today: 'I'm glad I'm here.' Believe me, all of
you, the best way to help the places we live in is to be glad we live
there."</p>
<p>He stopped, and a murmur of emotion and surprise ran through the audience.
It was not in the least what they had expected, but it moved them more
than what they had expected would have moved them. "Hear, hear!" a voice
cried out in the middle of the hall. An outburst of cheers caught up the
cry, and as they subsided Charity heard Mr. Miles saying to someone near
him: "That was a MAN talking——" He wiped his spectacles.</p>
<p>Mr. Royall had stepped back from the desk, and taken his seat in the row
of chairs in front of the harmonium. A dapper white-haired gentleman—a
distant Hatchard—succeeded him behind the goldenrod, and began to
say beautiful things about the old oaken bucket, patient white-haired
mothers, and where the boys used to go nutting... and Charity began again
to search for Harney....</p>
<p>Suddenly Mr. Royall pushed back his seat, and one of the maple branches in
front of the harmonium collapsed with a crash. It uncovered the end of the
first row and in one of the seats Charity saw Harney, and in the next a
lady whose face was turned toward him, and almost hidden by the brim of
her drooping hat. Charity did not need to see the face. She knew at a
glance the slim figure, the fair hair heaped up under the hat-brim, the
long pale wrinkled gloves with bracelets slipping over them. At the fall
of the branch Miss Balch turned her head toward the stage, and in her
pretty thin-lipped smile there lingered the reflection of something her
neighbour had been whispering to her....</p>
<p>Someone came forward to replace the fallen branch, and Miss Balch and
Harney were once more hidden. But to Charity the vision of their two faces
had blotted out everything. In a flash they had shown her the bare reality
of her situation. Behind the frail screen of her lover's caresses was the
whole inscrutable mystery of his life: his relations with other people—with
other women—his opinions, his prejudices, his principles, the net of
influences and interests and ambitions in which every man's life is
entangled. Of all these she knew nothing, except what he had told her of
his architectural aspirations. She had always dimly guessed him to be in
touch with important people, involved in complicated relations—but
she felt it all to be so far beyond her understanding that the whole
subject hung like a luminous mist on the farthest verge of her thoughts.
In the foreground, hiding all else, there was the glow of his presence,
the light and shadow of his face, the way his short-sighted eyes, at her
approach, widened and deepened as if to draw her down into them; and,
above all, the flush of youth and tenderness in which his words enclosed
her.</p>
<p>Now she saw him detached from her, drawn back into the unknown, and
whispering to another girl things that provoked the same smile of
mischievous complicity he had so often called to her own lips. The feeling
possessing her was not one of jealousy: she was too sure of his love. It
was rather a terror of the unknown, of all the mysterious attractions that
must even now be dragging him away from her, and of her own powerlessness
to contend with them.</p>
<p>She had given him all she had—but what was it compared to the other
gifts life held for him? She understood now the case of girls like herself
to whom this kind of thing happened. They gave all they had, but their all
was not enough: it could not buy more than a few moments....</p>
<p>The heat had grown suffocating—she felt it descend on her in
smothering waves, and the faces in the crowded hall began to dance like
the pictures flashed on the screen at Nettleton. For an instant Mr.
Royall's countenance detached itself from the general blur. He had resumed
his place in front of the harmonium, and sat close to her, his eyes on her
face; and his look seemed to pierce to the very centre of her confused
sensations.... A feeling of physical sickness rushed over her—and
then deadly apprehension. The light of the fiery hours in the little house
swept back on her in a glare of fear....</p>
<p>She forced herself to look away from her guardian, and became aware that
the oratory of the Hatchard cousin had ceased, and that Mr. Miles was
again flapping his wings. Fragments of his peroration floated through her
bewildered brain.... "A rich harvest of hallowed memories.... A sanctified
hour to which, in moments of trial, your thoughts will prayerfully
return.... And now, O Lord, let us humbly and fervently give thanks for
this blessed day of reunion, here in the old home to which we have come
back from so far. Preserve it to us, O Lord, in times to come, in all its
homely sweetness—in the kindliness and wisdom of its old people, in
the courage and industry of its young men, in the piety and purity of this
group of innocent girls——" He flapped a white wing in their
direction, and at the same moment Lambert Sollas, with his fierce nod,
struck the opening bars of "Auld Lang Syne." ...Charity stared straight
ahead of her and then, dropping her flowers, fell face downward at Mr.
Royall's feet.</p>
<div style="break-after:column;"></div><br />