<p>CHAPTER XXXVIII.</p>
<p>Making them pens was a distressid tough job, and so was the saw; and Jim
allowed the inscription was going to be the toughest of all. That’s
the one which the prisoner has to scrabble on the wall. But he had
to have it; Tom said he’d <i>got</i> to; there warn’t no case
of a state prisoner not scrabbling his inscription to leave behind, and
his coat of arms.</p>
<p>“Look at Lady Jane Grey,” he says; “look at Gilford
Dudley; look at old Northumberland! Why, Huck, s’pose it <i>is</i>
considerble trouble?—what you going to do?—how you going to
get around it? Jim’s <i>got</i> to do his inscription and coat
of arms. They all do.”</p>
<p>Jim says:</p>
<p>“Why, Mars Tom, I hain’t got no coat o’ arm; I hain’t
got nuffn but dish yer ole shirt, en you knows I got to keep de journal on
dat.”</p>
<p>“Oh, you don’t understand, Jim; a coat of arms is very
different.”</p>
<p>“Well,” I says, “Jim’s right, anyway, when he says
he ain’t got no coat of arms, because he hain’t.”</p>
<p>“I reckon I knowed that,” Tom says, “but you bet he’ll
have one before he goes out of this—because he’s going out <i>right</i>,
and there ain’t going to be no flaws in his record.”</p>
<p>So whilst me and Jim filed away at the pens on a brickbat apiece, Jim
a-making his’n out of the brass and I making mine out of the spoon,
Tom set to work to think out the coat of arms. By and by he said he’d
struck so many good ones he didn’t hardly know which to take, but
there was one which he reckoned he’d decide on. He says:</p>
<p>“On the scutcheon we’ll have a bend <i>or</i> in the dexter
base, a saltire <i>murrey</i> in the fess, with a dog, couchant, for
common charge, and under his foot a chain embattled, for slavery, with a
chevron <i>vert</i> in a chief engrailed, and three invected lines on a
field <i>azure</i>, with the nombril points rampant on a dancette
indented; crest, a runaway nigger, <i>sable</i>, with his bundle over his
shoulder on a bar sinister; and a couple of gules for supporters, which is
you and me; motto, <i>Maggiore Fretta, Minore Otto.</i> Got it out
of a book—means the more haste the less speed.”</p>
<p>“Geewhillikins,” I says, “but what does the rest of it
mean?”</p>
<p>“We ain’t got no time to bother over that,” he says;
“we got to dig in like all git-out.”</p>
<p>“Well, anyway,” I says, “what’s <i>some</i> of it?
What’s a fess?”</p>
<p>“A fess—a fess is—<i>you</i> don’t need to know
what a fess is. I’ll show him how to make it when he gets to
it.”</p>
<p>“Shucks, Tom,” I says, “I think you might tell a person.
What’s a bar sinister?”</p>
<p>“Oh, I don’t know. But he’s got to have it. All
the nobility does.”</p>
<p>That was just his way. If it didn’t suit him to explain a
thing to you, he wouldn’t do it. You might pump at him a week,
it wouldn’t make no difference.</p>
<p>He’d got all that coat of arms business fixed, so now he started in
to finish up the rest of that part of the work, which was to plan out a
mournful inscription—said Jim got to have one, like they all done.
He made up a lot, and wrote them out on a paper, and read them off,
so:</p>
<p>1. Here a captive heart busted. 2. Here a poor prisoner,
forsook by the world and friends, fretted his sorrowful life. 3. Here
a lonely heart broke, and a worn spirit went to its rest, after
thirty-seven years of solitary captivity. 4. Here, homeless and
friendless, after thirty-seven years of bitter captivity, perished a noble
stranger, natural son of Louis XIV.</p>
<p>Tom’s voice trembled whilst he was reading them, and he most broke
down. When he got done he couldn’t no way make up his mind which one
for Jim to scrabble on to the wall, they was all so good; but at last he
allowed he would let him scrabble them all on. Jim said it would
take him a year to scrabble such a lot of truck on to the logs with a
nail, and he didn’t know how to make letters, besides; but Tom said
he would block them out for him, and then he wouldn’t have nothing
to do but just follow the lines. Then pretty soon he says:</p>
<p>“Come to think, the logs ain’t a-going to do; they don’t
have log walls in a dungeon: we got to dig the inscriptions into a
rock. We’ll fetch a rock.”</p>
<p>Jim said the rock was worse than the logs; he said it would take him such
a pison long time to dig them into a rock he wouldn’t ever get out.
But Tom said he would let me help him do it. Then he took a
look to see how me and Jim was getting along with the pens. It was
most pesky tedious hard work and slow, and didn’t give my hands no
show to get well of the sores, and we didn’t seem to make no
headway, hardly; so Tom says:</p>
<p>“I know how to fix it. We got to have a rock for the coat of
arms and mournful inscriptions, and we can kill two birds with that same
rock. There’s a gaudy big grindstone down at the mill, and we’ll
smouch it, and carve the things on it, and file out the pens and the saw
on it, too.”</p>
<p><br/> <br/> <br/> <br/> <SPAN name="c38-327" id="c38-327"></SPAN><br/> <br/></p>
<div class="fig"> <ANTIMG alt="c38-327.jpg (73K)" src="images/c38-327.jpg" style="width:100%;" /><br/>
</div>
<p><br/> <br/> <br/></p>
<p>It warn’t no slouch of an idea; and it warn’t no slouch of a
grindstone nuther; but we allowed we’d tackle it. It warn’t
quite midnight yet, so we cleared out for the mill, leaving Jim at work.
We smouched the grindstone, and set out to roll her home, but it was
a most nation tough job. Sometimes, do what we could, we couldn’t
keep her from falling over, and she come mighty near mashing us every
time. Tom said she was going to get one of us, sure, before we got
through. We got her half way; and then we was plumb played out, and
most drownded with sweat. We see it warn’t no use; we got to
go and fetch Jim. So he raised up his bed and slid the chain off of the
bed-leg, and wrapt it round and round his neck, and we crawled out through
our hole and down there, and Jim and me laid into that grindstone and
walked her along like nothing; and Tom superintended. He could
out-superintend any boy I ever see. He knowed how to do everything.</p>
<p>Our hole was pretty big, but it warn’t big enough to get the
grindstone through; but Jim he took the pick and soon made it big enough.
Then Tom marked out them things on it with the nail, and set Jim to
work on them, with the nail for a chisel and an iron bolt from the rubbage
in the lean-to for a hammer, and told him to work till the rest of his
candle quit on him, and then he could go to bed, and hide the grindstone
under his straw tick and sleep on it. Then we helped him fix his
chain back on the bed-leg, and was ready for bed ourselves. But Tom
thought of something, and says:</p>
<p>“You got any spiders in here, Jim?”</p>
<p>“No, sah, thanks to goodness I hain’t, Mars Tom.”</p>
<p>“All right, we’ll get you some.”</p>
<p>“But bless you, honey, I doan’ <i>want</i> none. I’s
afeard un um. I jis’ ’s soon have rattlesnakes aroun’.”</p>
<p>Tom thought a minute or two, and says:</p>
<p>“It’s a good idea. And I reckon it’s been done.
It <i>must</i> a been done; it stands to reason. Yes, it’s
a prime good idea. Where could you keep it?”</p>
<p>“Keep what, Mars Tom?”</p>
<p>“Why, a rattlesnake.”</p>
<p>“De goodness gracious alive, Mars Tom! Why, if dey was a
rattlesnake to come in heah I’d take en bust right out thoo dat log
wall, I would, wid my head.”</p>
<p>“Why, Jim, you wouldn’t be afraid of it after a little. You
could tame it.”</p>
<p>“<i>Tame</i> it!”</p>
<p>“Yes—easy enough. Every animal is grateful for kindness
and petting, and they wouldn’t <i>think</i> of hurting a person that
pets them. Any book will tell you that. You try—that’s
all I ask; just try for two or three days. Why, you can get him so, in a
little while, that he’ll love you; and sleep with you; and won’t
stay away from you a minute; and will let you wrap him round your neck and
put his head in your mouth.”</p>
<p>“<i>Please</i>, Mars Tom—<i>doan</i>’ talk so! I
can’t <i>stan</i>’ it! He’d <i>let</i> me shove
his head in my mouf—fer a favor, hain’t it? I lay he’d
wait a pow’ful long time ’fo’ I <i>ast</i> him. En
mo’ en dat, I doan’ <i>want</i> him to sleep wid me.”</p>
<p>“Jim, don’t act so foolish. A prisoner’s <i>got</i>
to have some kind of a dumb pet, and if a rattlesnake hain’t ever
been tried, why, there’s more glory to be gained in your being the
first to ever try it than any other way you could ever think of to save
your life.”</p>
<p>“Why, Mars Tom, I doan’ <i>want</i> no sich glory. Snake
take ’n bite Jim’s chin off, den <i>whah</i> is de glory?
No, sah, I doan’ want no sich doin’s.”</p>
<p>“Blame it, can’t you <i>try</i>? I only <i>want</i> you
to try—you needn’t keep it up if it don’t work.”</p>
<p>“But de trouble all <i>done</i> ef de snake bite me while I’s
a tryin’ him. Mars Tom, I’s willin’ to tackle mos’
anything ’at ain’t onreasonable, but ef you en Huck fetches a
rattlesnake in heah for me to tame, I’s gwyne to <i>leave</i>, dat’s
<i>shore</i>.”</p>
<p>“Well, then, let it go, let it go, if you’re so bull-headed
about it. We can get you some garter-snakes, and you can tie some
buttons on their tails, and let on they’re rattlesnakes, and I
reckon that ’ll have to do.”</p>
<p><br/> <br/> <br/> <br/> <SPAN name="c38-329" id="c38-329"></SPAN><br/> <br/></p>
<div class="fig"> <ANTIMG alt="c38-329.jpg (41K)" src="images/c38-329.jpg" style="width:100%;" /><br/>
</div>
<p><br/> <br/> <br/></p>
<p>“I k’n stan’ <i>dem</i>, Mars Tom, but blame’
’f I couldn’ get along widout um, I tell you dat. I
never knowed b’fo’ ’t was so much bother and trouble to
be a prisoner.”</p>
<p>“Well, it <i>always</i> is when it’s done right. You got
any rats around here?”</p>
<p>“No, sah, I hain’t seed none.”</p>
<p>“Well, we’ll get you some rats.”</p>
<p>“Why, Mars Tom, I doan’ <i>want</i> no rats. Dey’s
de dadblamedest creturs to ’sturb a body, en rustle roun’ over
’im, en bite his feet, when he’s tryin’ to sleep, I ever
see. No, sah, gimme g’yarter-snakes, ’f I’s got to
have ’m, but doan’ gimme no rats; I hain’ got no use f’r
um, skasely.”</p>
<p>“But, Jim, you <i>got</i> to have ’em—they all do.
So don’t make no more fuss about it. Prisoners ain’t
ever without rats. There ain’t no instance of it. And
they train them, and pet them, and learn them tricks, and they get to be
as sociable as flies. But you got to play music to them. You
got anything to play music on?”</p>
<p>“I ain’ got nuffn but a coase comb en a piece o’ paper,
en a juice-harp; but I reck’n dey wouldn’ take no stock in a
juice-harp.”</p>
<p>“Yes they would <i>they</i> don’t care what kind of music
’tis. A jews-harp’s plenty good enough for a rat. All
animals like music—in a prison they dote on it. Specially,
painful music; and you can’t get no other kind out of a jews-harp.
It always interests them; they come out to see what’s the
matter with you. Yes, you’re all right; you’re fixed
very well. You want to set on your bed nights before you go to
sleep, and early in the mornings, and play your jews-harp; play ‘The
Last Link is Broken’—that’s the thing that ’ll
scoop a rat quicker ’n anything else; and when you’ve played
about two minutes you’ll see all the rats, and the snakes, and
spiders, and things begin to feel worried about you, and come. And
they’ll just fairly swarm over you, and have a noble good time.”</p>
<p>“Yes, <i>dey</i> will, I reck’n, Mars Tom, but what kine er
time is <i>Jim</i> havin’? Blest if I kin see de pint. But I’ll
do it ef I got to. I reck’n I better keep de animals
satisfied, en not have no trouble in de house.”</p>
<p>Tom waited to think it over, and see if there wasn’t nothing else;
and pretty soon he says:</p>
<p>“Oh, there’s one thing I forgot. Could you raise a
flower here, do you reckon?”</p>
<p>“I doan know but maybe I could, Mars Tom; but it’s tolable
dark in heah, en I ain’ got no use f’r no flower, nohow, en
she’d be a pow’ful sight o’ trouble.”</p>
<p>“Well, you try it, anyway. Some other prisoners has done it.”</p>
<p>“One er dem big cat-tail-lookin’ mullen-stalks would grow in
heah, Mars Tom, I reck’n, but she wouldn’t be wuth half de
trouble she’d coss.”</p>
<p>“Don’t you believe it. We’ll fetch you a little
one and you plant it in the corner over there, and raise it. And don’t
call it mullen, call it Pitchiola—that’s its right name when
it’s in a prison. And you want to water it with your tears.”</p>
<p>“Why, I got plenty spring water, Mars Tom.”</p>
<p>“You don’t <i>want</i> spring water; you want to water it with
your tears. It’s the way they always do.”</p>
<p>“Why, Mars Tom, I lay I kin raise one er dem mullen-stalks twyste
wid spring water whiles another man’s a <i>start’n</i> one wid
tears.”</p>
<p><br/> <br/> <br/> <br/> <SPAN name="c38-331" id="c38-331"></SPAN><br/> <br/></p>
<div class="fig"> <ANTIMG alt="c38-331.jpg (36K)" src="images/c38-331.jpg" style="width:100%;" /><br/>
</div>
<p><br/> <br/> <br/></p>
<p>“That ain’t the idea. You <i>got</i> to do it with
tears.”</p>
<p>“She’ll die on my han’s, Mars Tom, she sholy will; kase
I doan’ skasely ever cry.”</p>
<p>So Tom was stumped. But he studied it over, and then said Jim would
have to worry along the best he could with an onion. He promised he
would go to the nigger cabins and drop one, private, in Jim’s
coffee-pot, in the morning. Jim said he would “jis’ ’s
soon have tobacker in his coffee;” and found so much fault with it,
and with the work and bother of raising the mullen, and jews-harping the
rats, and petting and flattering up the snakes and spiders and things, on
top of all the other work he had to do on pens, and inscriptions, and
journals, and things, which made it more trouble and worry and
responsibility to be a prisoner than anything he ever undertook, that Tom
most lost all patience with him; and said he was just loadened down with
more gaudier chances than a prisoner ever had in the world to make a name
for himself, and yet he didn’t know enough to appreciate them, and
they was just about wasted on him. So Jim he was sorry, and said he
wouldn’t behave so no more, and then me and Tom shoved for bed.</p>
<p><br/> <br/> <br/></p>
<hr />
<p><br/> <br/> <br/> <SPAN name="c39-333" id="c39-333"></SPAN><br/> <br/> <SPAN name="c39" id="c39"></SPAN></p>
<div class="fig"> <ANTIMG alt="c39-333.jpg (161K)" src="images/c39-333.jpg" style="width:100%;" /><br/>
</div>
<div style="break-after:column;"></div><br />