<p>He ran over the headings of his speech: Irish hospitality, sad memories,
the Three Graces, Paris, the quotation from Browning. He repeated to
himself a phrase he had written in his review: "One feels that one is
listening to a thought-tormented music." Miss Ivors had praised the
review. Was she sincere? Had she really any life of her own behind all her
propagandism? There had never been any ill-feeling between them until that
night. It unnerved him to think that she would be at the supper-table,
looking up at him while he spoke with her critical quizzing eyes. Perhaps
she would not be sorry to see him fail in his speech. An idea came into
his mind and gave him courage. He would say, alluding to Aunt Kate and
Aunt Julia: "Ladies and Gentlemen, the generation which is now on the wane
among us may have had its faults but for my part I think it had certain
qualities of hospitality, of humour, of humanity, which the new and very
serious and hypereducated generation that is growing up around us seems to
me to lack." Very good: that was one for Miss Ivors. What did he care that
his aunts were only two ignorant old women?</p>
<p>A murmur in the room attracted his attention. Mr. Browne was advancing
from the door, gallantly escorting Aunt Julia, who leaned upon his arm,
smiling and hanging her head. An irregular musketry of applause escorted
her also as far as the piano and then, as Mary Jane seated herself on the
stool, and Aunt Julia, no longer smiling, half turned so as to pitch her
voice fairly into the room, gradually ceased. Gabriel recognised the
prelude. It was that of an old song of Aunt Julia's—Arrayed for the
Bridal. Her voice, strong and clear in tone, attacked with great spirit
the runs which embellish the air and though she sang very rapidly she did
not miss even the smallest of the grace notes. To follow the voice,
without looking at the singer's face, was to feel and share the excitement
of swift and secure flight. Gabriel applauded loudly with all the others
at the close of the song and loud applause was borne in from the invisible
supper-table. It sounded so genuine that a little colour struggled into
Aunt Julia's face as she bent to replace in the music-stand the old
leather-bound songbook that had her initials on the cover. Freddy Malins,
who had listened with his head perched sideways to hear her better, was
still applauding when everyone else had ceased and talking animatedly to
his mother who nodded her head gravely and slowly in acquiescence. At
last, when he could clap no more, he stood up suddenly and hurried across
the room to Aunt Julia whose hand he seized and held in both his hands,
shaking it when words failed him or the catch in his voice proved too much
for him.</p>
<p>"I was just telling my mother," he said, "I never heard you sing so well,
never. No, I never heard your voice so good as it is tonight. Now! Would
you believe that now? That's the truth. Upon my word and honour that's the
truth. I never heard your voice sound so fresh and so... so clear and
fresh, never."</p>
<p>Aunt Julia smiled broadly and murmured something about compliments as she
released her hand from his grasp. Mr. Browne extended his open hand
towards her and said to those who were near him in the manner of a showman
introducing a prodigy to an audience:</p>
<p>"Miss Julia Morkan, my latest discovery!"</p>
<p>He was laughing very heartily at this himself when Freddy Malins turned to
him and said:</p>
<p>"Well, Browne, if you're serious you might make a worse discovery. All I
can say is I never heard her sing half so well as long as I am coming
here. And that's the honest truth."</p>
<p>"Neither did I," said Mr. Browne. "I think her voice has greatly
improved."</p>
<p>Aunt Julia shrugged her shoulders and said with meek pride:</p>
<p>"Thirty years ago I hadn't a bad voice as voices go."</p>
<p>"I often told Julia," said Aunt Kate emphatically, "that she was simply
thrown away in that choir. But she never would be said by me."</p>
<p>She turned as if to appeal to the good sense of the others against a
refractory child while Aunt Julia gazed in front of her, a vague smile of
reminiscence playing on her face.</p>
<p>"No," continued Aunt Kate, "she wouldn't be said or led by anyone, slaving
there in that choir night and day, night and day. Six o'clock on Christmas
morning! And all for what?"</p>
<p>"Well, isn't it for the honour of God, Aunt Kate?" asked Mary Jane,
twisting round on the piano-stool and smiling.</p>
<p>Aunt Kate turned fiercely on her niece and said:</p>
<p>"I know all about the honour of God, Mary Jane, but I think it's not at
all honourable for the pope to turn out the women out of the choirs that
have slaved there all their lives and put little whipper-snappers of boys
over their heads. I suppose it is for the good of the Church if the pope
does it. But it's not just, Mary Jane, and it's not right."</p>
<p>She had worked herself into a passion and would have continued in defence
of her sister for it was a sore subject with her but Mary Jane, seeing
that all the dancers had come back, intervened pacifically:</p>
<p>"Now, Aunt Kate, you're giving scandal to Mr. Browne who is of the other
persuasion."</p>
<p>Aunt Kate turned to Mr. Browne, who was grinning at this allusion to his
religion, and said hastily:</p>
<p>"O, I don't question the pope's being right. I'm only a stupid old woman
and I wouldn't presume to do such a thing. But there's such a thing as
common everyday politeness and gratitude. And if I were in Julia's place
I'd tell that Father Healey straight up to his face..."</p>
<p>"And besides, Aunt Kate," said Mary Jane, "we really are all hungry and
when we are hungry we are all very quarrelsome."</p>
<p>"And when we are thirsty we are also quarrelsome," added Mr. Browne.</p>
<p>"So that we had better go to supper," said Mary Jane, "and finish the
discussion afterwards."</p>
<p>On the landing outside the drawing-room Gabriel found his wife and Mary
Jane trying to persuade Miss Ivors to stay for supper. But Miss Ivors, who
had put on her hat and was buttoning her cloak, would not stay. She did
not feel in the least hungry and she had already overstayed her time.</p>
<p>"But only for ten minutes, Molly," said Mrs. Conroy. "That won't delay
you."</p>
<p>"To take a pick itself," said Mary Jane, "after all your dancing."</p>
<p>"I really couldn't," said Miss Ivors.</p>
<p>"I am afraid you didn't enjoy yourself at all," said Mary Jane hopelessly.</p>
<p>"Ever so much, I assure you," said Miss Ivors, "but you really must let me
run off now."</p>
<p>"But how can you get home?" asked Mrs. Conroy.</p>
<p>"O, it's only two steps up the quay."</p>
<p>Gabriel hesitated a moment and said:</p>
<p>"If you will allow me, Miss Ivors, I'll see you home if you are really
obliged to go."</p>
<p>But Miss Ivors broke away from them.</p>
<p>"I won't hear of it," she cried. "For goodness' sake go in to your suppers
and don't mind me. I'm quite well able to take care of myself."</p>
<p>"Well, you're the comical girl, Molly," said Mrs. Conroy frankly.</p>
<p>"Beannacht libh," cried Miss Ivors, with a laugh, as she ran down the
staircase.</p>
<p>Mary Jane gazed after her, a moody puzzled expression on her face, while
Mrs. Conroy leaned over the banisters to listen for the hall-door. Gabriel
asked himself was he the cause of her abrupt departure. But she did not
seem to be in ill humour: she had gone away laughing. He stared blankly
down the staircase.</p>
<p>At the moment Aunt Kate came toddling out of the supper-room, almost
wringing her hands in despair.</p>
<p>"Where is Gabriel?" she cried. "Where on earth is Gabriel? There's
everyone waiting in there, stage to let, and nobody to carve the goose!"</p>
<p>"Here I am, Aunt Kate!" cried Gabriel, with sudden animation, "ready to
carve a flock of geese, if necessary."</p>
<p>A fat brown goose lay at one end of the table and at the other end, on a
bed of creased paper strewn with sprigs of parsley, lay a great ham,
stripped of its outer skin and peppered over with crust crumbs, a neat
paper frill round its shin and beside this was a round of spiced beef.
Between these rival ends ran parallel lines of side-dishes: two little
minsters of jelly, red and yellow; a shallow dish full of blocks of
blancmange and red jam, a large green leaf-shaped dish with a stalk-shaped
handle, on which lay bunches of purple raisins and peeled almonds, a
companion dish on which lay a solid rectangle of Smyrna figs, a dish of
custard topped with grated nutmeg, a small bowl full of chocolates and
sweets wrapped in gold and silver papers and a glass vase in which stood
some tall celery stalks. In the centre of the table there stood, as
sentries to a fruit-stand which upheld a pyramid of oranges and American
apples, two squat old-fashioned decanters of cut glass, one containing
port and the other dark sherry. On the closed square piano a pudding in a
huge yellow dish lay in waiting and behind it were three squads of bottles
of stout and ale and minerals, drawn up according to the colours of their
uniforms, the first two black, with brown and red labels, the third and
smallest squad white, with transverse green sashes.</p>
<p>Gabriel took his seat boldly at the head of the table and, having looked
to the edge of the carver, plunged his fork firmly into the goose. He felt
quite at ease now for he was an expert carver and liked nothing better
than to find himself at the head of a well-laden table.</p>
<p>"Miss Furlong, what shall I send you?" he asked. "A wing or a slice of the
breast?"</p>
<p>"Just a small slice of the breast."</p>
<p>"Miss Higgins, what for you?"</p>
<p>"O, anything at all, Mr. Conroy."</p>
<p>While Gabriel and Miss Daly exchanged plates of goose and plates of ham
and spiced beef Lily went from guest to guest with a dish of hot floury
potatoes wrapped in a white napkin. This was Mary Jane's idea and she had
also suggested apple sauce for the goose but Aunt Kate had said that plain
roast goose without any apple sauce had always been good enough for her
and she hoped she might never eat worse. Mary Jane waited on her pupils
and saw that they got the best slices and Aunt Kate and Aunt Julia opened
and carried across from the piano bottles of stout and ale for the
gentlemen and bottles of minerals for the ladies. There was a great deal
of confusion and laughter and noise, the noise of orders and
counter-orders, of knives and forks, of corks and glass-stoppers. Gabriel
began to carve second helpings as soon as he had finished the first round
without serving himself. Everyone protested loudly so that he compromised
by taking a long draught of stout for he had found the carving hot work.
Mary Jane settled down quietly to her supper but Aunt Kate and Aunt Julia
were still toddling round the table, walking on each other's heels,
getting in each other's way and giving each other unheeded orders. Mr.
Browne begged of them to sit down and eat their suppers and so did Gabriel
but they said there was time enough, so that, at last, Freddy Malins stood
up and, capturing Aunt Kate, plumped her down on her chair amid general
laughter.</p>
<p>When everyone had been well served Gabriel said, smiling:</p>
<p>"Now, if anyone wants a little more of what vulgar people call stuffing
let him or her speak."</p>
<p>A chorus of voices invited him to begin his own supper and Lily came
forward with three potatoes which she had reserved for him.</p>
<p>"Very well," said Gabriel amiably, as he took another preparatory draught,
"kindly forget my existence, ladies and gentlemen, for a few minutes."</p>
<p>He set to his supper and took no part in the conversation with which the
table covered Lily's removal of the plates. The subject of talk was the
opera company which was then at the Theatre Royal. Mr. Bartell D'Arcy, the
tenor, a dark-complexioned young man with a smart moustache, praised very
highly the leading contralto of the company but Miss Furlong thought she
had a rather vulgar style of production. Freddy Malins said there was a
Negro chieftain singing in the second part of the Gaiety pantomime who had
one of the finest tenor voices he had ever heard.</p>
<p>"Have you heard him?" he asked Mr. Bartell D'Arcy across the table.</p>
<p>"No," answered Mr. Bartell D'Arcy carelessly.</p>
<p>"Because," Freddy Malins explained, "now I'd be curious to hear your
opinion of him. I think he has a grand voice."</p>
<p>"It takes Teddy to find out the really good things," said Mr. Browne
familiarly to the table.</p>
<p>"And why couldn't he have a voice too?" asked Freddy Malins sharply. "Is
it because he's only a black?"</p>
<p>Nobody answered this question and Mary Jane led the table back to the
legitimate opera. One of her pupils had given her a pass for Mignon. Of
course it was very fine, she said, but it made her think of poor Georgina
Burns. Mr. Browne could go back farther still, to the old Italian
companies that used to come to Dublin—Tietjens, Ilma de Murzka,
Campanini, the great Trebelli, Giuglini, Ravelli, Aramburo. Those were the
days, he said, when there was something like singing to be heard in
Dublin. He told too of how the top gallery of the old Royal used to be
packed night after night, of how one night an Italian tenor had sung five
encores to Let me like a Soldier fall, introducing a high C every time,
and of how the gallery boys would sometimes in their enthusiasm unyoke the
horses from the carriage of some great prima donna and pull her themselves
through the streets to her hotel. Why did they never play the grand old
operas now, he asked, Dinorah, Lucrezia Borgia? Because they could not get
the voices to sing them: that was why.</p>
<p>"Oh, well," said Mr. Bartell D'Arcy, "I presume there are as good singers
today as there were then."</p>
<p>"Where are they?" asked Mr. Browne defiantly.</p>
<p>"In London, Paris, Milan," said Mr. Bartell D'Arcy warmly. "I suppose
Caruso, for example, is quite as good, if not better than any of the men
you have mentioned."</p>
<p>"Maybe so," said Mr. Browne. "But I may tell you I doubt it strongly."</p>
<p>"O, I'd give anything to hear Caruso sing," said Mary Jane.</p>
<p>"For me," said Aunt Kate, who had been picking a bone, "there was only one
tenor. To please me, I mean. But I suppose none of you ever heard of him."</p>
<p>"Who was he, Miss Morkan?" asked Mr. Bartell D'Arcy politely.</p>
<p>"His name," said Aunt Kate, "was Parkinson. I heard him when he was in his
prime and I think he had then the purest tenor voice that was ever put
into a man's throat."</p>
<p>"Strange," said Mr. Bartell D'Arcy. "I never even heard of him."</p>
<p>"Yes, yes, Miss Morkan is right," said Mr. Browne. "I remember hearing of
old Parkinson but he's too far back for me."</p>
<p>"A beautiful, pure, sweet, mellow English tenor," said Aunt Kate with
enthusiasm.</p>
<p>Gabriel having finished, the huge pudding was transferred to the table.
The clatter of forks and spoons began again. Gabriel's wife served out
spoonfuls of the pudding and passed the plates down the table. Midway down
they were held up by Mary Jane, who replenished them with raspberry or
orange jelly or with blancmange and jam. The pudding was of Aunt Julia's
making and she received praises for it from all quarters. She herself said
that it was not quite brown enough.</p>
<p>"Well, I hope, Miss Morkan," said Mr. Browne, "that I'm brown enough for
you because, you know, I'm all brown."</p>
<p>All the gentlemen, except Gabriel, ate some of the pudding out of
compliment to Aunt Julia. As Gabriel never ate sweets the celery had been
left for him. Freddy Malins also took a stalk of celery and ate it with
his pudding. He had been told that celery was a capital thing for the
blood and he was just then under doctor's care. Mrs. Malins, who had been
silent all through the supper, said that her son was going down to Mount
Melleray in a week or so. The table then spoke of Mount Melleray, how
bracing the air was down there, how hospitable the monks were and how they
never asked for a penny-piece from their guests.</p>
<p>"And do you mean to say," asked Mr. Browne incredulously, "that a chap can
go down there and put up there as if it were a hotel and live on the fat
of the land and then come away without paying anything?"</p>
<p>"O, most people give some donation to the monastery when they leave." said
Mary Jane.</p>
<p>"I wish we had an institution like that in our Church," said Mr. Browne
candidly.</p>
<p>He was astonished to hear that the monks never spoke, got up at two in the
morning and slept in their coffins. He asked what they did it for.</p>
<p>"That's the rule of the order," said Aunt Kate firmly.</p>
<p>"Yes, but why?" asked Mr. Browne.</p>
<p>Aunt Kate repeated that it was the rule, that was all. Mr. Browne still
seemed not to understand. Freddy Malins explained to him, as best he
could, that the monks were trying to make up for the sins committed by all
the sinners in the outside world. The explanation was not very clear for
Mr. Browne grinned and said:</p>
<p>"I like that idea very much but wouldn't a comfortable spring bed do them
as well as a coffin?"</p>
<p>"The coffin," said Mary Jane, "is to remind them of their last end."</p>
<p>As the subject had grown lugubrious it was buried in a silence of the
table during which Mrs. Malins could be heard saying to her neighbour in
an indistinct undertone:</p>
<p>"They are very good men, the monks, very pious men."</p>
<p>The raisins and almonds and figs and apples and oranges and chocolates and
sweets were now passed about the table and Aunt Julia invited all the
guests to have either port or sherry. At first Mr. Bartell D'Arcy refused
to take either but one of his neighbours nudged him and whispered
something to him upon which he allowed his glass to be filled. Gradually
as the last glasses were being filled the conversation ceased. A pause
followed, broken only by the noise of the wine and by unsettlings of
chairs. The Misses Morkan, all three, looked down at the tablecloth.
Someone coughed once or twice and then a few gentlemen patted the table
gently as a signal for silence. The silence came and Gabriel pushed back
his chair.</p>
<p>The patting at once grew louder in encouragement and then ceased
altogether. Gabriel leaned his ten trembling fingers on the tablecloth and
smiled nervously at the company. Meeting a row of upturned faces he raised
his eyes to the chandelier. The piano was playing a waltz tune and he
could hear the skirts sweeping against the drawing-room door. People,
perhaps, were standing in the snow on the quay outside, gazing up at the
lighted windows and listening to the waltz music. The air was pure there.
In the distance lay the park where the trees were weighted with snow. The
Wellington Monument wore a gleaming cap of snow that flashed westward over
the white field of Fifteen Acres.</p>
<p>He began:</p>
<p>"Ladies and Gentlemen,</p>
<p>"It has fallen to my lot this evening, as in years past, to perform a very
pleasing task but a task for which I am afraid my poor powers as a speaker
are all too inadequate."</p>
<p>"No, no!" said Mr. Browne.</p>
<p>"But, however that may be, I can only ask you tonight to take the will for
the deed and to lend me your attention for a few moments while I endeavour
to express to you in words what my feelings are on this occasion.</p>
<p>"Ladies and Gentlemen, it is not the first time that we have gathered
together under this hospitable roof, around this hospitable board. It is
not the first time that we have been the recipients—or perhaps, I
had better say, the victims—of the hospitality of certain good
ladies."</p>
<p>He made a circle in the air with his arm and paused. Everyone laughed or
smiled at Aunt Kate and Aunt Julia and Mary Jane who all turned crimson
with pleasure. Gabriel went on more boldly:</p>
<p>"I feel more strongly with every recurring year that our country has no
tradition which does it so much honour and which it should guard so
jealously as that of its hospitality. It is a tradition that is unique as
far as my experience goes (and I have visited not a few places abroad)
among the modern nations. Some would say, perhaps, that with us it is
rather a failing than anything to be boasted of. But granted even that, it
is, to my mind, a princely failing, and one that I trust will long be
cultivated among us. Of one thing, at least, I am sure. As long as this
one roof shelters the good ladies aforesaid—and I wish from my heart
it may do so for many and many a long year to come—the tradition of
genuine warm-hearted courteous Irish hospitality, which our forefathers
have handed down to us and which we in turn must hand down to our
descendants, is still alive among us."</p>
<p>A hearty murmur of assent ran round the table. It shot through Gabriel's
mind that Miss Ivors was not there and that she had gone away
discourteously: and he said with confidence in himself:</p>
<p>"Ladies and Gentlemen,</p>
<p>"A new generation is growing up in our midst, a generation actuated by new
ideas and new principles. It is serious and enthusiastic for these new
ideas and its enthusiasm, even when it is misdirected, is, I believe, in
the main sincere. But we are living in a sceptical and, if I may use the
phrase, a thought-tormented age: and sometimes I fear that this new
generation, educated or hypereducated as it is, will lack those qualities
of humanity, of hospitality, of kindly humour which belonged to an older
day. Listening tonight to the names of all those great singers of the past
it seemed to me, I must confess, that we were living in a less spacious
age. Those days might, without exaggeration, be called spacious days: and
if they are gone beyond recall let us hope, at least, that in gatherings
such as this we shall still speak of them with pride and affection, still
cherish in our hearts the memory of those dead and gone great ones whose
fame the world will not willingly let die."</p>
<p>"Hear, hear!" said Mr. Browne loudly.</p>
<p>"But yet," continued Gabriel, his voice falling into a softer inflection,
"there are always in gatherings such as this sadder thoughts that will
recur to our minds: thoughts of the past, of youth, of changes, of absent
faces that we miss here tonight. Our path through life is strewn with many
such sad memories: and were we to brood upon them always we could not find
the heart to go on bravely with our work among the living. We have all of
us living duties and living affections which claim, and rightly claim, our
strenuous endeavours.</p>
<p>"Therefore, I will not linger on the past. I will not let any gloomy
moralising intrude upon us here tonight. Here we are gathered together for
a brief moment from the bustle and rush of our everyday routine. We are
met here as friends, in the spirit of good-fellowship, as colleagues, also
to a certain extent, in the true spirit of camaraderie, and as the guests
of—what shall I call them?—the Three Graces of the Dublin
musical world."</p>
<p>The table burst into applause and laughter at this allusion. Aunt Julia
vainly asked each of her neighbours in turn to tell her what Gabriel had
said.</p>
<p>"He says we are the Three Graces, Aunt Julia," said Mary Jane.</p>
<p>Aunt Julia did not understand but she looked up, smiling, at Gabriel, who
continued in the same vein:</p>
<p>"Ladies and Gentlemen,</p>
<p>"I will not attempt to play tonight the part that Paris played on another
occasion. I will not attempt to choose between them. The task would be an
invidious one and one beyond my poor powers. For when I view them in turn,
whether it be our chief hostess herself, whose good heart, whose too good
heart, has become a byword with all who know her, or her sister, who seems
to be gifted with perennial youth and whose singing must have been a
surprise and a revelation to us all tonight, or, last but not least, when
I consider our youngest hostess, talented, cheerful, hard-working and the
best of nieces, I confess, Ladies and Gentlemen, that I do not know to
which of them I should award the prize."</p>
<p>Gabriel glanced down at his aunts and, seeing the large smile on Aunt
Julia's face and the tears which had risen to Aunt Kate's eyes, hastened
to his close. He raised his glass of port gallantly, while every member of
the company fingered a glass expectantly, and said loudly:</p>
<p>"Let us toast them all three together. Let us drink to their health,
wealth, long life, happiness and prosperity and may they long continue to
hold the proud and self-won position which they hold in their profession
and the position of honour and affection which they hold in our hearts."</p>
<p>All the guests stood up, glass in hand, and turning towards the three
seated ladies, sang in unison, with Mr. Browne as leader:</p>
<p>For they are jolly gay fellows,<br/>
For they are jolly gay fellows,<br/>
For they are jolly gay fellows,<br/>
Which nobody can deny.<br/></p>
<p>Aunt Kate was making frank use of her handkerchief and even Aunt Julia
seemed moved. Freddy Malins beat time with his pudding-fork and the
singers turned towards one another, as if in melodious conference, while
they sang with emphasis:</p>
<p>Unless he tells a lie,<br/>
Unless he tells a lie.<br/></p>
<p>Then, turning once more towards their hostesses, they sang:</p>
<p>For they are jolly gay fellows,<br/>
For they are jolly gay fellows,<br/>
For they are jolly gay fellows,<br/>
Which nobody can deny.<br/></p>
<p>The acclamation which followed was taken up beyond the door of the
supper-room by many of the other guests and renewed time after time,
Freddy Malins acting as officer with his fork on high.</p>
<p>The piercing morning air came into the hall where they were standing so
that Aunt Kate said:</p>
<p>"Close the door, somebody. Mrs. Malins will get her death of cold."</p>
<p>"Browne is out there, Aunt Kate," said Mary Jane.</p>
<p>"Browne is everywhere," said Aunt Kate, lowering her voice.</p>
<p>Mary Jane laughed at her tone.</p>
<p>"Really," she said archly, "he is very attentive."</p>
<p>"He has been laid on here like the gas," said Aunt Kate in the same tone,
"all during the Christmas."</p>
<p>She laughed herself this time good-humouredly and then added quickly:</p>
<p>"But tell him to come in, Mary Jane, and close the door. I hope to
goodness he didn't hear me."</p>
<p>At that moment the hall-door was opened and Mr. Browne came in from the
doorstep, laughing as if his heart would break. He was dressed in a long
green overcoat with mock astrakhan cuffs and collar and wore on his head
an oval fur cap. He pointed down the snow-covered quay from where the
sound of shrill prolonged whistling was borne in.</p>
<p>"Teddy will have all the cabs in Dublin out," he said.</p>
<p>Gabriel advanced from the little pantry behind the office, struggling into
his overcoat and, looking round the hall, said:</p>
<p>"Gretta not down yet?"</p>
<p>"She's getting on her things, Gabriel," said Aunt Kate.</p>
<p>"Who's playing up there?" asked Gabriel.</p>
<p>"Nobody. They're all gone."</p>
<p>"O no, Aunt Kate," said Mary Jane. "Bartell D'Arcy and Miss O'Callaghan
aren't gone yet."</p>
<p>"Someone is fooling at the piano anyhow," said Gabriel.</p>
<p>Mary Jane glanced at Gabriel and Mr. Browne and said with a shiver:</p>
<p>"It makes me feel cold to look at you two gentlemen muffled up like that.
I wouldn't like to face your journey home at this hour."</p>
<p>"I'd like nothing better this minute," said Mr. Browne stoutly, "than a
rattling fine walk in the country or a fast drive with a good spanking
goer between the shafts."</p>
<p>"We used to have a very good horse and trap at home," said Aunt Julia
sadly.</p>
<p>"The never-to-be-forgotten Johnny," said Mary Jane, laughing.</p>
<p>Aunt Kate and Gabriel laughed too.</p>
<p>"Why, what was wonderful about Johnny?" asked Mr. Browne.</p>
<p>"The late lamented Patrick Morkan, our grandfather, that is," explained
Gabriel, "commonly known in his later years as the old gentleman, was a
glue-boiler."</p>
<p>"O, now, Gabriel," said Aunt Kate, laughing, "he had a starch mill."</p>
<p>"Well, glue or starch," said Gabriel, "the old gentleman had a horse by
the name of Johnny. And Johnny used to work in the old gentleman's mill,
walking round and round in order to drive the mill. That was all very
well; but now comes the tragic part about Johnny. One fine day the old
gentleman thought he'd like to drive out with the quality to a military
review in the park."</p>
<p>"The Lord have mercy on his soul," said Aunt Kate compassionately.</p>
<p>"Amen," said Gabriel. "So the old gentleman, as I said, harnessed Johnny
and put on his very best tall hat and his very best stock collar and drove
out in grand style from his ancestral mansion somewhere near Back Lane, I
think."</p>
<p>Everyone laughed, even Mrs. Malins, at Gabriel's manner and Aunt Kate
said:</p>
<p>"O, now, Gabriel, he didn't live in Back Lane, really. Only the mill was
there."</p>
<p>"Out from the mansion of his forefathers," continued Gabriel, "he drove
with Johnny. And everything went on beautifully until Johnny came in sight
of King Billy's statue: and whether he fell in love with the horse King
Billy sits on or whether he thought he was back again in the mill, anyhow
he began to walk round the statue."</p>
<p>Gabriel paced in a circle round the hall in his goloshes amid the laughter
of the others.</p>
<p>"Round and round he went," said Gabriel, "and the old gentleman, who was a
very pompous old gentleman, was highly indignant. 'Go on, sir! What do you
mean, sir? Johnny! Johnny! Most extraordinary conduct! Can't understand
the horse!'"</p>
<p>The peal of laughter which followed Gabriel's imitation of the incident
was interrupted by a resounding knock at the hall door. Mary Jane ran to
open it and let in Freddy Malins. Freddy Malins, with his hat well back on
his head and his shoulders humped with cold, was puffing and steaming
after his exertions.</p>
<p>"I could only get one cab," he said.</p>
<p>"O, we'll find another along the quay," said Gabriel.</p>
<p>"Yes," said Aunt Kate. "Better not keep Mrs. Malins standing in the
draught."</p>
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