<SPAN name="startofbook"></SPAN>
<hr class="full" />
<p class="figcenter">
<SPAN href="images/cover_lg.jpg">
<ANTIMG src="images/cover.jpg" width-obs="327" height-obs="500" alt="image of the book's cover" title="image of the book's cover" /></SPAN></p>
<p class="figcenter">
<SPAN name="FRONT" id="FRONT"></SPAN>
<SPAN href="images/ill_pg_frontispiece_lg.jpg">
<ANTIMG src="images/ill_pg_frontispiece_sml.jpg" width-obs="351" height-obs="500" alt="From stereograph copyright—1904, by Underwood & Underwood, N. Y. AT THE GATE With tickets fastened to coats and dresses, the immigrants pass out through the gate to enter into their new inheritance, and become our fellow citizens." title="AT THE GATE" /></SPAN>
<br/>
<span class="caption">From stereograph copyright—1904, by Underwood & Underwood, N. Y.<br/>
AT THE GATE<br/>
With tickets fastened to coats and dresses, the immigrants pass out
through the gate to enter into their new inheritance, and become our
fellow citizens.</span></p>
<p><SPAN name="page_001" id="page_001"></SPAN></p>
<p class="cb">ON THE TRAIL<br/>
OF<br/>
THE IMMIGRANT</p>
<p><SPAN name="page_002" id="page_002"></SPAN></p>
<div class="boxx">
<p class="c">
<big><big>EDWARD A. STEINER’S</big><br/>
Studies of Immigration</big><br/>
————<br/>
<i>From Alien to Citizen</i><br/>
The Story of My Life in America<br/>
Illustrated net $1.50<br/>
<br/>
In this interesting autobiography we see Professor Steiner<br/>
pressing ever forward and upward to a position of international<br/>
opportunity and influence.<br/>
<br/>
<i>The wonderful varied Life-story of the author of<br/>
“On the Trail of the Immigrant.”</i><br/>
<br/>
<i>The Broken Wall</i><br/>
Stories of the Mingling Folk.<br/>
Illustrated net $1.00<br/>
<br/>
“A big heart and a sense of humor go a long way toward making<br/>
a good book. Dr. Edward A. Steiner has both these qualifications<br/>
and a knowledge of immigrants’ traits and character.”<br/>
—<i>Outlook.</i><br/>
<br/>
<i>Against the Current</i><br/>
Simple Chapters from a Complex Life.<br/>
12mo, cloth net $1.25<br/>
<br/>
“As frank a bit of autobiography as has been published for<br/>
many a year. The author has for a long time made a close<br/>
study of the problems of immigration, and makes a strong<br/>
appeal to the reader.”—<i>The Living Age.</i><br/>
<br/>
<i>The Immigrant Tide—Its Ebb and Flow</i><br/>
Illustrated, 8vo, cloth net $1.50<br/>
“May justly be called an epic of present day immigration,<br/>
and is a revelation that should set our country thinking.”<br/>
—<i>Los Angeles Times.</i><br/>
<br/>
<i>On the Trail of The Immigrant</i><br/>
Illustrated, 12mo, cloth net $1.50<br/>
<br/>
“Deals with the character, temperaments, racial traits, aspirations<br/>
and capabilities of the immigrant himself. Cannot<br/>
fail to afford excellent material for the use of students of immigrant<br/>
problems.”—<i>Outlook.</i><br/>
<br/>
<i>The Mediator</i><br/>
A Tale of the Old World and the New.<br/>
Illustrated, 12mo, cloth net $1.25<br/>
<br/>
“A graphic story, splendidly told.”—<span class="smcap">Robert Watchorn</span>,<br/>
<i>Former Commissioner of Immigration</i>.<br/>
<br/>
<i>Tolstoy, the Man and His Message</i><br/>
A Biographical Interpretation.<br/>
<i>Revised and enlarged.</i> Illustrated, 12mo, cloth net $1.50<br/></p>
</div>
<p><SPAN name="page_003" id="page_003"></SPAN></p>
<div class="boxx">
<div class="boxx2">
<h1> ON THE TRAIL<br/> <small>OF</small><br/> THE IMMIGRANT</h1>
<hr /><br/>
<p class="cb">EDWARD A. STEINER<br/>
<i>Professor in Iowa College, Grinnell, Iowa</i><br/>
<br/>
<i>ILLUSTRATED</i><br/>
<br/><br/>
<ANTIMG src="images/colophon.jpg" width-obs="105" height-obs="71" alt="colophon" title="colophon" />
<br/>
<br/><br/></p>
<hr />
<p class="cb">N<small>EW</small> Y<small>ORK</small> C<small>HICAGO</small> T<small>ORONTO</small><br/>
Fleming H. Revell Company<br/>
L<small>ONDON AND</small> E<small>DINBURGH</small></p>
</div>
</div>
<p class="c"><SPAN name="page_004" id="page_004"></SPAN><br/>
<small>Copyright, 1906, by<br/>
FLEMING H. REVELL COMPANY</small></p>
<p class="c"> <br/><br/><br/>
New York: 158 Fifth Avenue<br/>
Chicago: 125 No. Wabash Ave.<br/>
Toronto: 25 Richmond Street, W.<br/>
London: 21 Paternoster Square<br/>
Edinburgh: 100 Princes Street<br/></p>
<p> <SPAN name="page_005" id="page_005"></SPAN> </p>
<p> </p>
<p> </p>
<div class="dedic">
<p class="c">
<i>This book is affectionately dedicated to<br/>
“The Man at the Gate”<br/>
R<small>OBERT</small> W<small>ATCHORN</small>,<br/>
United States Commissioner of Immigration<br/>
at the<br/>
Port of New York:</i></p>
<p><i>Who, in the exercise of his office has been loyal to the interests
of his country, and has dealt humanely, justly and without
prejudice, with men of “Every kindred and tongue and people and
nation.”</i></p>
</div>
<p><SPAN name="page_006" id="page_006"></SPAN></p>
<p> </p>
<p> </p>
<div class="dedic"><p class="c"><i>ACKNOWLEDGMENT</i></p>
<p><i>Cordial recognition is tendered to the editors of The Outlook for
their courtesy in permitting the use of certain portions of this
book which have already appeared in that journal.</i><SPAN name="page_007" id="page_007"></SPAN></p>
</div>
<h2><SPAN name="CONTENTS" id="CONTENTS"></SPAN>CONTENTS</h2>
<table border="0" cellpadding="3" cellspacing="0" summary="">
<tr><td valign="top"><SPAN href="#I">I.</SPAN></td><td><span class="smcap">By Way of Introduction</span> </td><td align="right" valign="bottom"><SPAN href="#page_009">9</SPAN></td></tr>
<tr><td valign="top"><SPAN href="#II">II.</SPAN></td><td><span class="smcap">The Beginning of the Trail</span></td><td align="right" valign="bottom"><SPAN href="#page_016">16</SPAN></td></tr>
<tr><td valign="top"><SPAN href="#III">III.</SPAN></td><td><span class="smcap">The Fellowship of the Steerage</span></td><td align="right" valign="bottom"><SPAN href="#page_030">30</SPAN></td></tr>
<tr><td valign="top"><SPAN href="#IV">IV.</SPAN></td><td><span class="smcap">Land, Ho!</span></td><td align="right" valign="bottom"><SPAN href="#page_048">48</SPAN></td></tr>
<tr><td valign="top"><SPAN href="#V">V.</SPAN></td><td><span class="smcap">At the Gateway</span></td><td align="right" valign="bottom"><SPAN href="#page_064">64</SPAN></td></tr>
<tr><td valign="top"><SPAN href="#VI">VI.</SPAN></td><td><span class="smcap">“The Man at the Gate”</span></td><td align="right" valign="bottom"><SPAN href="#page_078">78</SPAN></td></tr>
<tr><td valign="top"><SPAN href="#VII">VII.</SPAN></td><td><span class="smcap">The German in America</span></td><td align="right" valign="bottom"><SPAN href="#page_094">94</SPAN></td></tr>
<tr><td valign="top"><SPAN href="#VIII">VIII.</SPAN></td><td><span class="smcap">The Scandinavian Immigrant</span></td><td align="right" valign="bottom"><SPAN href="#page_112">112</SPAN></td></tr>
<tr><td valign="top"><SPAN href="#IX">IX.</SPAN></td><td><span class="smcap">The Jew in His Old World Home</span></td><td align="right" valign="bottom"><SPAN href="#page_126">126</SPAN></td></tr>
<tr><td valign="top"><SPAN href="#X">X.</SPAN></td><td><span class="smcap">The New Exodus</span></td><td align="right" valign="bottom"><SPAN href="#page_143">143</SPAN></td></tr>
<tr><td valign="top"><SPAN href="#XI">XI.</SPAN></td><td><span class="smcap">In the Ghettos of New York</span></td><td align="right" valign="bottom"><SPAN href="#page_154">154</SPAN></td></tr>
<tr><td valign="top"><SPAN href="#XII">XII.</SPAN></td><td><span class="smcap">The Slavs at Home</span></td><td align="right" valign="bottom"><SPAN href="#page_179">179</SPAN></td></tr>
<tr><td valign="top"><SPAN href="#XIII">XIII.</SPAN></td><td><span class="smcap">The Slavic Invasion</span></td><td align="right" valign="bottom"><SPAN href="#page_198">198</SPAN></td></tr>
<tr><td valign="top"><SPAN href="#XIV">XIV.</SPAN></td><td><span class="smcap">Drifting with the “Hunkies”</span></td><td align="right" valign="bottom"><SPAN href="#page_213">213</SPAN></td></tr>
<tr><td valign="top"><SPAN href="#XV">XV.</SPAN></td><td><span class="smcap">The Bohemian Immigrant</span></td><td align="right" valign="bottom"><SPAN href="#page_225">225</SPAN></td></tr>
<tr><td valign="top"><SPAN href="#XVI">XVI.</SPAN></td><td><span class="smcap">Little Hungary</span></td><td align="right" valign="bottom"><SPAN href="#page_238">238</SPAN></td></tr>
<tr><td valign="top"><SPAN href="#XVII">XVII.</SPAN></td><td><span class="smcap">The Italian at Home</span></td><td align="right" valign="bottom"><SPAN href="#page_252">252</SPAN></td></tr>
<tr><td valign="top"><SPAN href="#XVIII">XVIII.</SPAN></td><td><span class="smcap">The Italian in America</span></td><td align="right" valign="bottom"><SPAN href="#page_262">262</SPAN></td></tr>
<tr><td valign="top"><SPAN href="#XIX">XIX.</SPAN></td><td><span class="smcap">Where Greek Meets Greek</span></td><td align="right" valign="bottom"><SPAN href="#page_282">282</SPAN></td></tr>
<tr><td valign="top"><SPAN href="#XX">XX.</SPAN></td><td><span class="smcap">The New American and the New Problem</span></td><td align="right" valign="bottom"><SPAN href="#page_292">292</SPAN></td></tr>
<tr><td valign="top"><SPAN href="#XXI">XXI.</SPAN></td><td><span class="smcap">The New American and Old Problems</span></td><td align="right" valign="bottom"><SPAN href="#page_309">309</SPAN></td></tr>
<tr><td valign="top"><SPAN href="#XXII">XXII.</SPAN></td><td><span class="smcap">Religion and Politics</span></td><td align="right" valign="bottom"><SPAN href="#page_321">321</SPAN></td></tr>
<tr><td valign="top"><SPAN href="#XXIII">XXIII.</SPAN></td><td><span class="smcap">Birds of Passage</span></td><td align="right" valign="bottom"><SPAN href="#page_334">334</SPAN></td></tr>
<tr><td valign="top"><SPAN href="#XXIV">XXIV.</SPAN></td><td><span class="smcap">In the Second Cabin</span></td><td align="right" valign="bottom"><SPAN href="#page_347">347</SPAN></td></tr>
<tr><td valign="top"><SPAN href="#XXV">XXV.</SPAN></td><td><span class="smcap">Au Revoir</span></td><td align="right" valign="bottom"><SPAN href="#page_359">359</SPAN></td></tr>
<tr><td> </td><td><span class="smcap"><SPAN href="#APPENDIX">Appendix</SPAN></span></td><td align="right" valign="bottom"><SPAN href="#page_365">365</SPAN></td></tr>
<tr><td> </td><td><span class="smcap"><SPAN href="#INDEX">Index</SPAN></span></td><td align="right" valign="bottom"><SPAN href="#page_371">371</SPAN></td></tr>
</table>
<p><SPAN name="page_008" id="page_008"></SPAN></p>
<h2><SPAN name="LIST_OF_ILLUSTRATIONS" id="LIST_OF_ILLUSTRATIONS"></SPAN>LIST OF ILLUSTRATIONS</h2>
<table border="0" cellpadding="3" cellspacing="0" summary="">
<tr><td align="right" colspan="2"><i>Facing page</i></td></tr>
<tr><td><span class="smcap">At the Gate</span>
</td><td align="right"><i><SPAN href="#FRONT">Title</SPAN></i></td></tr>
<tr><td><span class="smcap">As Seen by My Lady of the First Cabin</span></td><td align="right" valign="bottom"><SPAN href="#page_010">10</SPAN></td></tr>
<tr><td><span class="smcap">The Beginning of the Trail</span></td><td align="right" valign="bottom"><SPAN href="#page_026">26</SPAN></td></tr>
<tr><td><span class="smcap">Will They Let Me In?</span></td><td align="right" valign="bottom"><SPAN href="#page_050">50</SPAN></td></tr>
<tr><td><span class="smcap">The Sheep and the Goats</span></td><td align="right" valign="bottom"><SPAN href="#page_066">66</SPAN></td></tr>
<tr><td><span class="smcap">Back To the Fatherland</span></td><td align="right" valign="bottom"><SPAN href="#page_092">92</SPAN></td></tr>
<tr><td><span class="smcap">Farewell to Home and Friends</span></td><td align="right" valign="bottom"><SPAN href="#page_114">114</SPAN></td></tr>
<tr><td><span class="smcap">Israelites Indeed</span></td><td align="right" valign="bottom"><SPAN href="#page_140">140</SPAN></td></tr>
<tr><td><span class="smcap">The Ghetto of the New World</span></td><td align="right" valign="bottom"><SPAN href="#page_156">156</SPAN></td></tr>
<tr><td><span class="smcap">From the Black Mountain</span></td><td align="right" valign="bottom"><SPAN href="#page_180">180</SPAN></td></tr>
<tr><td><span class="smcap">Without the Pale</span></td><td align="right" valign="bottom"><SPAN href="#page_208">208</SPAN></td></tr>
<tr><td><span class="smcap">Ho for the Prairie!</span></td><td align="right" valign="bottom"><SPAN href="#page_246">246</SPAN></td></tr>
<tr><td><span class="smcap">The Boss</span></td><td align="right" valign="bottom"><SPAN href="#page_270">270</SPAN></td></tr>
<tr><td><span class="smcap">In an Evening School, New York</span></td><td align="right" valign="bottom"><SPAN href="#page_294">294</SPAN></td></tr>
<tr><td><span class="smcap">A Slav of the Balkans</span></td><td align="right" valign="bottom"><SPAN href="#page_302">302</SPAN></td></tr>
<tr><td><span class="smcap">On the Day of Atonement</span></td><td align="right" valign="bottom"><SPAN href="#page_330">330</SPAN></td></tr>
</table>
<p><SPAN name="page_009" id="page_009"></SPAN></p>
<h1>ON THE TRAIL OF<br/> THE IMMIGRANT</h1>
<h2><SPAN name="I" id="I"></SPAN>I<br/><br/> BY WAY OF INTRODUCTION</h2>
<p class="nind"><i>My Dear Lady of the First Cabin</i>:</p>
<p>O<small>N</small> the fourth morning out from Hamburg, after your maid had disentangled
you from your soft wrappings of steamer rugs, and leaning upon her arm,
you paced the deck for the first time, the sun smiled softly upon the
smooth sea, and its broken reflections came back hot upon your pale
cheeks. Then your gentle eyes wandered from the illimitable sea back to
the steamer which carried you. You saw the four funnels out of which
came pouring clouds of smoke trailing behind the ship in picturesque
tracery; you watched the encircling gulls which had been your fellow
travellers ever since we left the white cliffs of Albion; and then your
eyes rested upon those mighty Teutons who stood on the bridge, and whose
blue eyes searched the sea for danger, or rested upon the compass for
direction.</p>
<p>From below came the sweet notes of music, gentle and wooing, one of the
many ways in which the steamship company tried to make life<SPAN name="page_010" id="page_010"></SPAN> pleasant
for you, to bring back your “Bon appétit” to its tempting tables. Then
suddenly, you stood transfixed, looking below you upon the deck from
which came rather pronounced odours and confused noises. The notes of a
jerky harmonica harshly struck your ears attuned to symphonies; and the
song which accompanied it was gutteral and unmusical.</p>
<p>The deck which you saw, was crowded by human beings; men, women and
children lay there, many of them motionless, and the children, numerous
as the sands of the sea,—unkempt and unwashed, were everywhere in
evidence.</p>
<p>You felt great pity for the little ones, and you threw chocolate cakes
among them, smiling as you saw them in their tangled struggle to get
your sweet bounty.</p>
<p>You pitied them all; the frowsy headed, ill clothed women, the men who
looked so hungry and so greedy, and above all you pitied, you said
so,—do you remember?—you said you pitied your own country for having
to receive such a conglomerate of human beings, so near to the level of
the beasts. I well recall it; for that day they did look like animals.
It was the day after the storm and they had all been seasick; they had
neither the spirit nor the appliances necessary for cleanliness. The
toilet rooms were small and hard to reach, and sea water as you well
know is not a good cleanser. They<SPAN name="page_011" id="page_011"></SPAN> were wrapped in gray blankets which
they had brought from their bunks, and you were right; they did look
like animals, but not half so clean as the cattle which one sees so
often on an outward journey; certainly not half so comfortable.</p>
<p class="figcenter">
<SPAN href="images/ill_pg_010_lg.jpg">
<ANTIMG src="images/ill_pg_010_sml.jpg" width-obs="351" height-obs="500" alt="From stereograph copyright—1905, by Underwood & Underwood, N. Y. AS SEEN BY MY LADY OF THE FIRST CABIN. The fellowship of the steerage makes good comrades, where no barriers exist and introductions are neither possible nor necessary." title="AS SEEN BY MY LADY OF THE FIRST CABIN" /></SPAN>
<br/>
<span class="caption">From stereograph copyright—1905, by Underwood &
Underwood, N. Y.<br/>
AS SEEN BY MY LADY OF THE FIRST CABIN.<br/>
The fellowship of the steerage makes good comrades, where no barriers
exist and introductions are neither possible nor necessary.</span></p>
<p>You were taken aback when I spoke to you. I took offense at your
suspecting us to be beasts, for I was one of them; although all that
separated you and me was a little iron bar, about fifteen or twenty
rungs of an iron ladder, and perhaps as many dollars in the price of our
tickets.</p>
<p>You were amazed at my temerity, and did not answer at once; then you
begged my pardon, and I grudgingly forgave you. One likes to have a
grudge against the first cabin when one is travelling steerage.</p>
<p>The next time you came to us, it was without your maid. You had quite
recovered and so had we. The steerage deck was more crowded than ever,
but we were happy, comparatively speaking; happy in spite of the fact
that the bread was so doughy that we voluntarily fed the fishes with it,
and the meat was suspiciously flavoured.</p>
<p>Again you threw your sweetmeats among us, and asked me to carry a basket
of fruit to the women and children. I did so; I think to your
satisfaction. When I returned the empty basket, you wished to know all
about us, and I proceeded to tell you many things—who the Slavs are,
and I brought you fine specimens of<SPAN name="page_012" id="page_012"></SPAN> Poles, Bohemians, Servians and
Slovaks,—men, women and children: and they began to look to you like
men, women and children, and not like beasts. I introduced to you,
German, Austrian and Hungarian Jews, and you began to understand the
difference. Do you remember the group of Italians, to whom you said
good-morning in their own tongue, and how they smiled back upon you all
the joy of their native land? And you learned to know the difference
between a Sicilian and a Neapolitan, between a Piedmontese and a
Calabrian. You met Lithuanians, Greeks, Magyars and Finns; you came in
touch with twenty nationalities in an hour, and your sympathetic smile
grew sweeter, and your loving bounty increased day by day.</p>
<p>You wondered how I happened to know these people so well; and I told you
jokingly, that it was my Social nose which over and over again, had led
me steerage way across the sea, back to the villages from which the
immigrants come and onward with them into the new life in America.</p>
<p>You suspected that it was not a Social nose but a Social heart; that I
was led by my sympathies and not by my scientific sense, and I did not
dispute you. You urged me to write what I knew and what I felt, and now
you see, I have written. I have tried to tell it in this book as I told
it to you on board of ship. I told you much<SPAN name="page_013" id="page_013"></SPAN> about the Jews and the
Slavs because they are less known and come in larger numbers. When I had
finished telling you just who these strangers are, and something of
their life at home and among us, in the strange land, you grew very
sympathetic, without being less conscious how great is the problem which
these strangers bring with them.</p>
<p>If I succeed in accomplishing this for my larger audience, the public, I
shall be content.</p>
<p>You were loth to listen to figures; for you said that statistics were
not to your liking and apt to be misleading; so I leave them from these
pages and crowd them somewhere into the back of the book, where the
curious may find them if they delight in them.</p>
<p>My telling deals only with life; all I attempt to do is to tell what I
have lived among the immigrants, and not much of what I have counted.
Here and there I have dropped a story which you said might be worth
re-telling; and I tell it as I told it to you—not to earn the smile
which may follow, but simply that it may win a little more sympathy for
the immigrant.</p>
<p>If here and there I stop to moralize, it is largely from force of habit;
and not because I am eager to play either preacher or prophet. If I
point out some great problems, I do it because I love America with a
love passing your own; because<SPAN name="page_014" id="page_014"></SPAN> you are home-born and know not the lot
of the stranger.</p>
<p>You may be incredulous if I tell you that I do not realize that I was
not born and educated here; that I am not thrilled by the sight of my
cradle home, nor moved by my country’s flag.</p>
<p>I know no Fatherland but America; for after all, it matters less where
one was born, than where one’s ideals had their birth; and to me,
America is not the land of mighty dollars, but the land of great ideals.</p>
<p>I am not yet convinced that the peril to these ideals lies in those who
come to you, crude and unfinished; if I were, I would be the first one
to call out: “Shut the gates,” and not the last one to exile myself for
your country’s good.</p>
<p>I think that the peril lies more in the first cabin than in the
steerage; more in the American colonies in Monte Carlo and Nice than in
the Italian colonies in New York and Chicago. Not the least of the peril
lies in the fact that there is too great a gulf between you and the
steerage passenger, whose virtues you will discover as soon as you learn
to know him.</p>
<p>I send out this book in the hope that it will mediate between the first
cabin and the steerage; between the hilltop and lower town; between the
fashionable West side and the Ghetto.</p>
<p>Do you remember my Lady of the First Cabin,<SPAN name="page_015" id="page_015"></SPAN> what those Slovaks said to
you as you walked down the gangplank in Hoboken? What they said to you,
I now say to my book: “Z’Boghem,”<SPAN name="page_016" id="page_016"></SPAN> “The Lord be with thee.”</p>
<div style="break-after:column;"></div><br />