<h2><SPAN name="page51"></SPAN><span class="pagenum"></span>THE TROUBADOUR</h2>
<p class="poetry">A <span class="smcap">Troubadour</span> he
played<br/>
Without a castle wall,<br/>
Within, a hapless maid<br/>
Responded to his call.</p>
<p class="poetry">“Oh, willow, woe is me!<br/>
Alack and well-a-day!<br/>
If I were only free<br/>
I’d hie me far away!”</p>
<p class="poetry">Unknown her face and name,<br/>
But this he knew right well,<br/>
The maiden’s wailing came<br/>
From out a dungeon cell.</p>
<p class="poetry">A hapless woman lay<br/>
Within that dungeon grim—<br/>
That fact, I’ve heard him say,<br/>
Was quite enough for him.</p>
<p class="poetry">“I will not sit or lie,<br/>
Or eat or drink, I vow,<br/>
Till thou art free as I,<br/>
Or I as pent as thou.”</p>
<p class="poetry">Her tears then ceased to flow,<br/>
Her wails no longer rang,<br/>
And tuneful in her woe<br/>
The prisoned maiden sang:</p>
<p class="poetry">“Oh, stranger, as you play,<br/>
I recognize your touch;<br/>
And all that I can say<br/>
Is, thank you very much.”</p>
<p class="poetry">He seized his clarion straight,<br/>
And blew thereat, until<br/>
A warden oped the gate.<br/>
“Oh, what might be your will?”</p>
<p class="poetry">“I’ve come, Sir Knave, to see<br/>
The master of these halls:<br/>
A maid unwillingly<br/>
Lies prisoned in their walls.”’</p>
<p class="poetry">With barely stifled sigh<br/>
That porter drooped his head,<br/>
With teardrops in his eye,<br/>
“A many, sir,” he said.</p>
<p class="poetry">He stayed to hear no more,<br/>
But pushed that porter by,<br/>
And shortly stood before<br/>
<span class="smcap">Sir Hugh de Peckham
Rye</span>.</p>
<p class="poetry"><span class="smcap">Sir Hugh</span> he darkly
frowned,<br/>
“What would you, sir, with me?”<br/>
The troubadour he downed<br/>
Upon his bended knee.</p>
<p class="poetry">“I’ve come, <span class="smcap">de
Peckham Rye</span>,<br/>
To do a Christian task;<br/>
You ask me what would I?<br/>
It is not much I ask.</p>
<p class="poetry">“Release these maidens, sir,<br/>
Whom you dominion o’er—<br/>
Particularly her<br/>
Upon the second floor.</p>
<p class="poetry">“And if you don’t, my
lord”—<br/>
He here stood bolt upright,<br/>
And tapped a tailor’s sword—<br/>
“Come out, you cad, and fight!”</p>
<p class="poetry"><span class="smcap">Sir Hugh</span> he
called—and ran<br/>
The warden from the gate:<br/>
“Go, show this gentleman<br/>
The maid in Forty-eight.”</p>
<p class="poetry">By many a cell they past,<br/>
And stopped at length before<br/>
A portal, bolted fast:<br/>
The man unlocked the door.</p>
<p class="poetry">He called inside the gate<br/>
With coarse and brutal shout,<br/>
“Come, step it, Forty-eight!”<br/>
And Forty-eight stepped out.</p>
<p class="poetry">“They gets it pretty hot,<br/>
The maidens what we cotch—<br/>
Two years this lady’s got<br/>
For collaring a wotch.”</p>
<p class="poetry">“Oh, ah!—indeed—I
see,”<br/>
The troubadour exclaimed—<br/>
“If I may make so free,<br/>
How is this castle named?”</p>
<p class="poetry">The warden’s eyelids fill,<br/>
And sighing, he replied,<br/>
“Of gloomy Pentonville<br/>
This is the female side!”</p>
<p class="poetry">The minstrel did not wait<br/>
The Warden stout to thank,<br/>
But recollected straight<br/>
He’d business at the Bank.</p>
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