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<p> </p>
<h4>CHAPTER LIII.</h4>
<h3>UNLOOKED-FOR ARRIVALS.<br/> </h3>
<p>Robinson opened the door for Molly almost before the carriage had
fairly drawn up at the Hall, and told her that the Squire had been
very anxious for her return, and had more than once sent him to an
upstairs window, from which a glimpse of the hill-road between
Hollingford and Hamley could be caught, to know if the carriage was
not yet in sight. Molly went into the drawing-room. The Squire was
standing in the middle of the floor awaiting her—in fact, longing to
go out and meet her, but restrained by a feeling of solemn etiquette,
which prevented his moving about as usual in that house of mourning.
He held a paper in his hands, which were trembling with excitement
and emotion; and four or five open letters were strewed on a table
near him.</p>
<p>"It's all true," he began; "she's his wife, and he's her husband—was
her husband—that's the word for it—was! Poor lad! poor lad! it's
cost him a deal. Pray God, it wasn't my fault. Read this, my dear.
It's a certificate. It's all regular—Osborne Hamley to Marie-Aimée
Scherer,—parish-church and all, and witnessed. Oh, dear!" He sate
down in the nearest chair and groaned. Molly took a seat by him, and
read the legal paper, the perusal of which was not needed to convince
her of the fact of the marriage. She held it in her hand after she
had finished reading it, waiting for the Squire's next coherent
words; for he kept talking to himself in broken sentences. "Ay, ay!
that comes o' temper, and crabbedness. She was the only one as
could,—and I've been worse since she was gone. Worse! worse! and see
what it has come to! He was afraid of me—ay—afraid. That's the
truth of it—afraid. And it made him keep all to himself, and care
killed him. They may call it heart-disease—O my lad, my lad, I know
better now; but it's too late—that's the sting of it—too late, too
late!" He covered his face, and moved himself backward and forward
till Molly could bear it no longer.</p>
<p>"There are some letters," said she: "may I read any of them?" At
another time she would not have asked; but she was driven to it now
by her impatience of the speechless grief of the old man.</p>
<p>"Ay, read 'em, read 'em," said he. "Maybe you can. I can only pick
out a word here and there. I put 'em there for you to look at; and
tell me what is in 'em."</p>
<p>Molly's knowledge of written French of the present day was not so
great as her knowledge of the French of the <i>Mémoires de Sully</i>, and
neither the spelling nor the writing of the letters was of the best;
but she managed to translate into good enough colloquial English some
innocent sentences of love, and submission to Osborne's will—as if
his judgment was infallible,—and of faith in his purposes,—little
sentences in "little language" that went home to the Squire's heart.
Perhaps if Molly had read French more easily she might not have
translated them into such touching, homely, broken words. Here and
there, there were expressions in English; these the hungry-hearted
Squire had read while waiting for Molly's return. Every time she
stopped, he said, "Go on." He kept his face shaded, and only repeated
those two words at every pause. She got up to find some more of
Aimée's letters. In examining the papers, she came upon one in
particular. "Have you seen this, sir? This certificate of baptism"
(reading aloud) "of Roger Stephen Osborne Hamley, born June 21,
183—, child of Osborne Hamley and Marie-Aimée his
<span class="nowrap">wife—"</span></p>
<p>"Give it me," said the Squire, his voice breaking now, and stretching
forth his eager hand. "'Roger,' that's me, 'Stephen,' that's my poor
old father: he died when he was not so old as I am; but I've always
thought on him as very old. He was main and fond of Osborne, when he
was quite a little one. It's good of the lad to have thought on my
father Stephen. Ay! that was his name. And Osborne—Osborne Hamley!
One Osborne Hamley lies dead on his bed—and t'other—t'other I've
never seen, and never heard on till to-day. He must be called
Osborne, Molly. There is a Roger—there's two for that matter; but
one is a good-for-nothing old man; and there's never an Osborne any
more, unless this little thing is called Osborne; we'll have him
here, and get a nurse for him; and make his mother comfortable for
life in her own country. I'll keep this, Molly. You're a good lass
for finding it. Osborne Hamley! And if God will give me grace, he
shall never hear a cross word from me—never! He shan't be afeard of
me. Oh, <i>my</i> Osborne, <i>my</i> Osborne" (he burst out), "do you know now
how bitter and sore is my heart for every hard word as I ever spoke
to you? Do you know now how I loved you—my boy—my boy?"</p>
<p>From the general tone of the letters, Molly doubted if the mother
would consent, so easily as the Squire seemed to expect, to be parted
from her child; the letters were not very wise, perhaps (though of
this Molly never thought), but a heart full of love spoke tender
words in every line. Still, it was not for Molly to talk of this
doubt of hers just then; but rather to dwell on the probable graces
and charms of the little Roger Stephen Osborne Hamley. She let the
Squire exhaust himself in wondering as to the particulars of every
event, helping him out in conjectures; and both of them, from their
imperfect knowledge of possibilities, made the most curious,
fantastic, and improbable guesses at the truth. And so that day
passed over, and the night came.</p>
<p>There were not many people who had any claim to be invited to the
funeral, and of these Mr. Gibson and the Squire's hereditary man of
business had taken charge. But when Mr. Gibson came, early on the
following morning, Molly referred the question to him, which had
suggested itself to her mind, though apparently not to the Squire's,
what intimation of her loss should be sent to the widow, living
solitary near Winchester, watching and waiting, if not for his coming
who lay dead in his distant home, at least for his letters. One from
her had already come, in her foreign handwriting, to the post-office
to which all her communications were usually sent, but of course they
at the Hall knew nothing of this.</p>
<p>"She must be told," said Mr. Gibson, musing.</p>
<p>"Yes, she must," replied his daughter. "But how?"</p>
<p>"A day or two of waiting will do no harm," said he, almost as if he
was anxious to delay the solution of the problem. "It will make her
anxious, poor thing, and all sorts of gloomy possibilities will
suggest themselves to her mind—amongst them the truth; it will be a
kind of preparation."</p>
<p>"For what? Something must be done at last," said Molly.</p>
<p>"Yes; true. Suppose you write, and say he's very ill; write
to-morrow. I daresay they've indulged themselves in daily postage,
and then she'll have had three days' silence. You say how you come to
know all you do about it; I think she ought to know he is very
ill—in great danger, if you like: and you can follow it up next day
with the full truth. I wouldn't worry the Squire about it. After the
funeral we will have a talk about the child."</p>
<p>"She will never part with it," said Molly.</p>
<p>"Whew! Till I see the woman I can't tell," said her father; "some
women would. It will be well provided for, according to what you say.
And she is a foreigner, and may very likely wish to go back to her
own people and kindred. There's much to be said on both sides."</p>
<p>"So you always say, papa. But in this case I think you'll find I'm
right. I judge from her letters; but I think I'm right."</p>
<p>"So you always say, daughter. Time will show. So the child is a boy?
Mrs. Gibson told me particularly to ask. It will go far to
reconciling her to Cynthia's dismissal of Roger. But indeed it is
quite as well for both of them, though of course he will be a long
time before he thinks so. They were not suited to each other. Poor
Roger! It was hard work writing to him yesterday; and who knows what
may have become of him! Well, well! one has to get through the world
somehow. I'm glad, however, this little lad has turned up to be the
heir. I shouldn't have liked the property to go to the Irish Hamleys,
who are the next heirs, as Osborne once told me. Now write that
letter, Molly, to the poor little Frenchwoman out yonder. It will
prepare her for it; and we must think a bit how to spare her the
shock, for Osborne's sake."</p>
<p>The writing this letter was rather difficult work for Molly, and she
tore up two or three copies before she could manage it to her
satisfaction; and at last, in despair of ever doing it better, she
sent it off without re-reading it. The next day was easier; the fact
of Osborne's death was told briefly and tenderly. But when this
second letter was sent off, Molly's heart began to bleed for the poor
creature, bereft of her husband, in a foreign land, and he at a
distance from her, dead and buried without her ever having had the
chance of printing his dear features on her memory by one last long
lingering look. With her thoughts full of the unknown Aimée, Molly
talked much about her that day to the Squire. He would listen for
ever to any conjecture, however wild, about the grandchild, but
perpetually winced away from all discourse about "the Frenchwoman,"
as he called her; not unkindly, but to his mind she was simply the
Frenchwoman—chattering, dark-eyed, demonstrative, and possibly even
rouged. He would treat her with respect as his son's widow, and would
try even not to think upon the female inveiglement in which he
believed. He would make her an allowance to the extent of his duty:
but he hoped and trusted he might never be called upon to see her.
His solicitor, Gibson, anybody and everybody, should be called upon
to form a phalanx of defence against that danger.</p>
<p>And all this time a little young grey-eyed woman was making her
way,—not towards him, but towards the dead son, whom as yet she
believed to be her living husband. She knew she was acting in
defiance of his expressed wish; but he had never dismayed her with
any expression of his own fears about his health; and she, bright
with life, had never contemplated death coming to fetch away one so
beloved. He was ill—very ill, the letter from the strange girl said
that; but Aimée had nursed her parents, and knew what illness was.
The French doctor had praised her skill and neat-handedness as a
nurse, and even if she had been the clumsiest of women, was he not
her husband—her all? And was she not his wife, whose place was by
his pillow? So, without even as much reasoning as has been here
given, Aimée made her preparations, swallowing down the tears that
would overflow her eyes, and drop into the little trunk she was
packing so neatly. And by her side, on the ground, sate the child,
now nearly two years old; and for him Aimée had always a smile and a
cheerful word. Her servant loved her and trusted her; and the woman
was of an age to have had experience of humankind. Aimée had told her
that her husband was ill, and the servant had known enough of the
household history to be aware that as yet Aimée was not his
acknowledged wife. But she sympathized with the prompt decision of
her mistress to go to him directly, wherever he was. Caution comes
from education of one kind or another, and Aimée was not dismayed by
warnings; only the woman pleaded hard for the child to be left. "He
was such company," she said; "and he would so tire his mother in her
journeyings; and maybe his father would be too ill to see him." To
which Aimée replied, "Good company for you, but better for me. A
woman is never tired with carrying her own child" (which was not
true; but there was sufficient truth in it to make it believed by
both mistress and servant), "and if Monsieur could care for anything,
he would rejoice to hear the babble of his little son." So Aimée
caught the evening coach to London at the nearest cross-road, Martha
standing by as chaperon and friend to see her off, and handing her in
the large lusty child, already crowing with delight at the sight of
the horses. There was a "lingerie" shop, kept by a Frenchwoman, whose
acquaintance Aimée had made in the days when she was a London
nursemaid, and thither she betook herself, rather than to an hotel,
to spend the few night-hours that intervened before the Birmingham
coach started at early morning. She slept or watched on a sofa in the
parlour, for spare-bed there was none; but Madame Pauline came in
betimes with a good cup of coffee for the mother, and of "soupe
blanche" for the boy; and they went off again into the wide world,
only thinking of, only seeking the "him," who was everything human to
both. Aimée remembered the sound of the name of the village where
Osborne had often told her that he alighted from the coach to walk
home; and though she could never have spelt the strange uncouth word,
yet she spoke it with pretty slow distinctness to the guard, asking
him in her broken English when they should arrive there? Not till
four o'clock. Alas! and what might happen before then! Once with him
she would have no fear; she was sure that she could bring him round;
but what might not happen before he was in her tender care? She was a
very capable person in many ways, though so childish and innocent in
others. She made up her mind to the course she should pursue when the
coach set her down at Feversham. She asked for a man to carry her
trunk, and show her the way to Hamley Hall.</p>
<p>"Hamley Hall!" said the innkeeper. "Eh! there's a deal o' trouble
there just now."</p>
<p>"I know, I know," said she, hastening off after the wheelbarrow in
which her trunk was going, and breathlessly struggling to keep up
with it, her heavy child asleep in her arms. Her pulses beat all over
her body; she could hardly see out of her eyes. To her, a foreigner,
the drawn blinds of the house, when she came in sight of it, had no
significance; she hurried, stumbled on.</p>
<p>"Back door or front, missus?" asked the boots from the inn.</p>
<p>"The most nearest," said she. And the front door was "the most
nearest." Molly was sitting with the Squire in the darkened
drawing-room, reading out her translations of Aimée's letters to her
husband. The Squire was never weary of hearing them; the very sound
of Molly's voice soothed and comforted him, it was so sweet and low.
And he pulled her up, much as a child does, if on a second reading of
the same letter she substituted one word for another. The house was
very still this afternoon,—still as it had been now for several
days; every servant in it, however needlessly, moving about on
tiptoe, speaking below the breath, and shutting doors as softly as
might be. The nearest noise or stir of active life was that of the
rooks in the trees, who were beginning their spring chatter of
business. Suddenly, through this quiet, there came a ring at the
front-door bell that sounded, and went on sounding, through the
house, pulled by an ignorant vigorous hand. Molly stopped reading;
she and the Squire looked at each other in surprised dismay. Perhaps
a thought of Roger's sudden (and impossible) return was in the mind
of each; but neither spoke. They heard Robinson hurrying to answer
the unwonted summons. They listened; but they heard no more. There
was little more to hear. When the old servant opened the door, a lady
with a child in her arms stood there. She gasped out her
ready-prepared English
<span class="nowrap">sentence,—</span></p>
<p>"Can I see Mr. Osborne Hamley? He is ill, I know; but I am his wife."</p>
<p>Robinson had been aware that there was some mystery, long suspected
by the servants, and come to light at last to the master,—he had
guessed that there was a young woman in the case; but when she stood
there before him, asking for her dead husband as if he were living,
any presence of mind Robinson might have had forsook him; he could
not tell her the truth,—he could only leave the door open, and say
to her, "Wait awhile, I'll come back," and betake himself to the
drawing-room where Molly was, he knew. He went up to her in a flutter
and a hurry, and whispered something to her which turned her white
with dismay.</p>
<p>"What is it? What is it?" said the Squire, trembling with excitement.
"Don't keep it from me. I can bear it.
<span class="nowrap">Roger—"</span></p>
<p>They both thought he was going to faint; he had risen up and come
close to Molly; suspense would be worse than anything.</p>
<p>"Mrs. Osborne Hamley is here," said Molly. "I wrote to tell her her
husband was very ill, and she has come."</p>
<p>"She does not know what has happened, seemingly," said Robinson.</p>
<p>"I can't see her—I can't see her," said the Squire, shrinking away
into a corner. "You will go, Molly, won't you? You'll go."</p>
<p>Molly stood for a moment or two, irresolute. She, too, shrank from
the interview. Robinson put in his word: "She looks but a weakly
thing, and has carried a big baby, choose how far, I didn't stop to
ask."</p>
<p>At this instant the door softly opened, and right into the midst of
them came the little figure in grey, looking ready to fall with the
weight of her child.</p>
<p>"You are Molly," said she, not seeing the Squire at once. "The lady
who wrote the letter; he spoke of you sometimes. You will let me go
to him."</p>
<p>Molly did not answer, except that at such moments the eyes speak
solemnly and comprehensively. Aimée read their meaning. All she said
was,—"He is not—oh, my husband—my husband!" Her arms relaxed, her
figure swayed, the child screamed and held out his arms for help.
That help was given him by his grandfather, just before Aimée fell
senseless on the floor.</p>
<p>"Maman, maman!" cried the little fellow, now striving and fighting to
get back to her, where she lay; he fought so lustily that the Squire
had to put him down, and he crawled to the poor inanimate body,
behind which sat Molly, holding the head; whilst Robinson rushed away
for water, wine, and more womankind.</p>
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<p>"Poor thing, poor thing!" said the Squire, bending over her, and
crying afresh over her suffering. "She is but young, Molly, and she
must ha' loved him dearly."</p>
<p>"To be sure!" said Molly, quickly. She was untying the bonnet, and
taking off the worn, but neatly mended gloves; there was the soft
luxuriant black hair, shading the pale, innocent face,—the little
notable-looking brown hands, with the wedding-ring for sole ornament.
The child clustered his fingers round one of hers, and nestled up
against her with his plaintive cry, getting more and more into a
burst of wailing: "Maman, maman!" At the growing acuteness of his
imploring, her hand moved, her lips quivered, consciousness came
partially back. She did not open her eyes, but great heavy tears
stole out from beneath her eyelashes. Molly held her head against her
own breast; and they tried to give her wine,—which she shrank
from—water, which she did not reject; that was all. At last she
tried to speak. "Take me away," she said, "into the dark. Leave me
alone."</p>
<p>So Molly and the woman lifted her up and carried her away, and laid
her on the bed, in the best bed-chamber in the house, and darkened
the already shaded light. She was like an unconscious corpse herself,
in that she offered neither assistance nor resistance to all that
they were doing. But just before Molly was leaving the room to take
up her watch outside the door, she felt rather than heard that Aimée
spoke to her.</p>
<p>"Food—bread and milk for baby." But when they brought her food
herself, she only shrank away and turned her face to the wall without
a word. In the hurry, the child had been left with Robinson and the
Squire. For some unknown, but most fortunate reason, he took a
dislike to Robinson's red face and hoarse voice, and showed a most
decided preference for his grandfather. When Molly came down she
found the Squire feeding the child, with more of peace upon his face
than there had been for all these days. The boy was every now and
then leaving off taking his bread and milk to show his dislike to
Robinson by word and gesture: a proceeding which only amused the old
servant, while it highly delighted the more favoured Squire.</p>
<p>"She is lying very still, but she will neither speak nor eat. I don't
even think she is crying," said Molly, volunteering this account, for
the Squire was for the moment too much absorbed in his grandson to
ask many questions.</p>
<p>Robinson put in his word: "Dick Hayward, he's Boots at the Hamley
Arms, says the coach she come by started at five this morning from
London, and the passengers said she'd been crying a deal on the road,
when she thought folks were not noticing; and she never came in to
meals with the rest, but stopped feeding her child."</p>
<p>"She'll be tired out; we must let her rest," said the Squire. "And I
do believe this little chap is going to sleep in my arms. God bless
him."</p>
<p>But Molly stole out, and sent off a lad to Hollingford with a note to
her father. Her heart had warmed towards the poor stranger, and she
felt uncertain as to what ought to be the course pursued in her case.</p>
<p>She went up from time to time to look at the girl, scarce older than
herself, who lay there with her eyes open, but as motionless as
death. She softly covered her over, and let her feel the sympathetic
presence from time to time; and that was all she was allowed to do.
The Squire was curiously absorbed in the child, but Molly's supreme
tenderness was for the mother. Not but what she admired the sturdy,
gallant, healthy little fellow, whose every limb, and square inch of
clothing, showed the tender and thrifty care that had been taken of
him. By-and-by the Squire said in a
<span class="nowrap">whisper,—</span></p>
<p>"She's not like a Frenchwoman, is she, Molly?"</p>
<p>"I don't know. I don't know what Frenchwomen are like. People say
Cynthia is French."</p>
<p>"And she didn't look like a servant? We won't speak of Cynthia since
she's served my Roger so. Why, I began to think, as soon as I could
think after <i>that</i>, how I would make Roger and her happy, and have
them married at once; and then came that letter! I never wanted her
for a daughter-in-law, not I. But he did, it seems; and he wasn't one
for wanting many things for himself. But it's all over now; only we
won't talk of her; and maybe, as you say, she was more French than
English. This poor thing looks like a gentlewoman, I think. I hope
she's got friends who'll take care of her,—she can't be above
twenty. I thought she must be older than my poor lad!"</p>
<p>"She's a gentle, pretty creature," said Molly. "But—but I sometimes
think it has killed her; she lies like one dead." And Molly could not
keep from crying softly at the thought.</p>
<p>"Nay, nay!" said the Squire. "It's not so easy to break one's heart.
Sometimes I've wished it were. But one has to go on living—'all the
appointed days,' as it says in the Bible. But we'll do our best for
her. We'll not think of letting her go away till she's fit to
travel."</p>
<p>Molly wondered in her heart about this going away, on which the
Squire seemed fully resolved. She was sure that he intended to keep
the child; perhaps he had a legal right to do so;—but would the
mother ever part from it? Her father, however, would solve the
difficulty,—her father, whom she always looked to as so clear-seeing
and experienced. She watched and waited for his coming. The February
evening drew on; the child lay asleep in the Squire's arms till his
grandfather grew tired, and laid him down on the sofa: the large
square-cornered yellow sofa upon which Mrs. Hamley used to sit,
supported by pillows in a half-reclining position. Since her time it
had been placed against the wall, and had served merely as a piece of
furniture to fill up the room. But once again a human figure was
lying upon it; a little human creature, like a cherub in some old
Italian picture. The Squire remembered his wife as he put the child
down. He thought of her as he said to
<span class="nowrap">Molly,—</span></p>
<p>"How pleased she would have been!" But Molly thought of the poor
young widow upstairs. Aimée was her "she" at the first moment.
Presently,—but it seemed a long long time first,—she heard the
quick prompt sounds which told of her father's arrival. In he
came—to the room as yet only lighted by the fitful blaze of the
fire.</p>
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