<p><span class="pagenum"><SPAN name="Page_95" id="Page_95">[ 95]</SPAN></span></p>
<hr style="width: 85%;" />
<h2>At the Military Tournament.</h2>
<p><span class="smcap">Scene</span>—<i>The Agricultural Hall. Tent-pegging going on.</i></p>
<p><span class="smcap">Stentorian Judge</span> (<i>in Arena</i>). Corporal Binks! (<i>The Assistants
give a finishing blow to the peg, and fall back.</i> Corporal <span class="smcap">Binks</span> <i>gallops in,
misses the peg, and rides off, relieving his feelings by whirling his lance
defiantly in the air</i>.) Corporal Binks—nothing!</p>
<p><span class="smcap">A Gushing Lady.</span> Poor dear thing! I <i>do</i> wish he'd struck it! He
did look so disappointed, and so did that sweet horse!</p>
<p><span class="smcap">The Judge.</span> Sergeant Spanker! (Sergeant S. <i>gallops in, spears the peg
neatly, and carries it off triumphantly on the point of the lance, after which he
rides back and returns the peg to the Assistants as a piece of valuable property
of which he has accidentally deprived them.</i>) Sergeant Spanker—eight!
(<i>Applause; the Assistants drive in another peg.</i>) Corporal Cutlash!
(Corporal C. <i>enters, strikes the peg, and dislodges without securing it.
Immense applause from the Crowd.</i>) Corporal Cutlash—two!</p>
<p><span class="smcap">The Gushing Lady.</span> Only two, and when he really did hit the peg!
I do call that a shame. I should have given him more marks than the
other man—he has such a <i>much</i> nicer face!</p>
<p><span class="smcap">A Child with a Thirst for Information.</span> Uncle, why do they
call it <i>tent</i>-pegging?</p>
<p><span class="smcap">The Uncle.</span> Why? Well, because those pegs are what they fasten
down tents with.</p>
<p><span class="smcap">The Child.</span> But why isn't there a tent now?</p>
<p><span class="smcap">Uncle.</span> Because there's no use for one.</p>
<p><span class="smcap">Child.</span> Why?<span class="pagenum"><SPAN name="Page_96" id="Page_96">[ 96]</SPAN></span></p>
<p><span class="smcap">Uncle.</span> Because all they want to do is to pick up the peg with the
point of their lance.</p>
<p><span class="smcap">Child.</span> Yes, but why <i>should</i> they want to do it?</p>
<p><span class="smcap">Uncle.</span> Oh, to amuse their horses. (<i>The</i> <span class="smcap">Child</span> <i>ponders upon this
answer with a view to a fresh catechism upon the equine passion for entertainment,
and the desirability, or otherwise, of gratifying it</i>.)</p>
<p><span class="smcap">A Chatty Man in the Promenade</span> (<i>to his</i> <span class="smcap">Neighbour</span>). Takes
a deal of practice to strike them pegs fair and full.</p>
<p><span class="smcap">His Neighbour</span> (<i>who holds advanced Socialistic opinions</i>). Ah, I
dessay—and a pity they can't make no better use o' their time! Spoiling
good wood, <i>I</i> call it. I don't see no point in it myself.</p>
<p><span class="smcap">The Chatty Man.</span> Well, it shows they can <i>ride</i>, at any rate.</p>
<p><span class="smcap">The Socialist.</span> Ride? O' course they can <i>ride</i>—we pay enough for
'aving 'em taught, don't we? But you mark my words, the People won't
put up with this state of things much longer—keepin' a set of 'ired
murderers in luxury and hidleness. I tell yer, wherever I come across one
of these great lanky louts strutting about in his red coat, as if he was one
of the lords of the hearth, well—it makes my nose bleed, ah—it <i>does</i>!</p>
<p><span class="smcap">The Chatty Man.</span> If that's the way you talk to him, I ain't surprised
if it do.</p>
<p><span class="smcap">The Judge.</span> Sword <i>versus</i> Sword! Come in there! (<i>Two mounted
Combatants, in leather jerkins and black visors, armed with swordsticks, enter
the ring</i>; <span class="smcap">Judge</span> <i>introduces them to audience with the aid of a flag</i>.) Corporal
<span class="smcap">Jones</span>, of the Wessex Yeomanry; Sergeant <span class="smcap">Smith</span>, of the Manx Mounted
Infantry. (<i>Their swords are chalked by the Assistants.</i>) Are you ready? Left
turn! Countermarch! Engage! (<i>The Combatants wheel round and face one
another, each vigorously spurring his horse and prodding cautiously at the other;
the two horses seem determined not to be drawn into the affair themselves on
any account, and take no personal interest in the conflict; the umpires skip and
dodge at the rear of the horses, until one of the Combatants gets in with a
rattling blow on the other's head, to the intense delight of audience. Both men
are brushed down, and their weapons re-chalked, whereupon they engage once
more—much to the disgust of their horses, who had evidently been hoping it
was all over. After the contest is finally decided, a second pair of Combatants</i><span class="pagenum"><SPAN name="Page_97" id="Page_97">[ 97]</SPAN></span>
<i>enter; one is mounted on a black horse, the other on a chestnut, who refuses to
lend himself to the business on any terms, and bolts on principle; while the
rider of the black horse remains in stationary meditation.</i>) Go on—that
black horse—go on! (<i>The chestnut is at length brought up to the scratch
snorting, but again flinches, and retires with his rider.</i>)</p>
<p><span class="smcap">The Crowd</span> (<i>to rider of black horse</i>). Go on, now's your chance! 'It
him! (<i>The recipient of these counsels pursues his antagonist, and belabours
him and his horse with impartial good-will until separated by the Umpires,
who examine the chalk-marks with a professional scrutiny.</i>)</p>
<p><span class="smcap">The Judge.</span> Here, you on the black horse, you mustn't hit that other
horse about the head. (<i>The man addressed appears rebuked and surprised
under his black-wired visor.</i>) <span class="smcap">The Judge</span> (<i>reassuringly</i>). It's all <i>right</i>, you
know; only, don't do it again, that's all! (<i>The Combatant sits up again.</i>)</p>
<p><span class="smcap">The Gushing Lady.</span> Oh, I can't bear to look on, really. I'm <i>sure</i>
they oughtn't to hit so hard—<i>how</i> their poor dear heads must ache!
Isn't that chestnut a <i>duck</i>? I'm sure he's trying to save his master from
getting hurt—they're such sensible creatures, horses are! (<i>Artillery teams
drive in, and gallop between the posts; the Crowd going frantic with delight
when the posts remain upright, and roaring with laughter when one is
knocked over.</i>)</p>
<p class="center">DURING THE MUSICAL RIDE.</p>
<p><span class="smcap">The Gushing Lady.</span> Oh, they're simply too <i>sweet</i>! How those
horses are enjoying it—aren't they pets? and how perfectly they keep step
to the music, don't they?</p>
<p><span class="smcap">Her Friend.</span> (<i>who is beginning to get a trifle tired by her enthusiasm</i>).
Yes; but then they're all trained by Madame Katti Lanner, of Drury Lane,
you see.</p>
<p><span class="smcap">The Gushing Lady.</span> What pains she must have taken with them;
but you can teach a horse <i>anything</i>, can't you?</p>
<p><span class="smcap">Her Friend.</span> Oh, that's nothing; next year they're going to have a
horse who'll dance the Highland Fling.</p>
<p><span class="smcap">The Socialist.</span> A pretty sight? Cost a pretty sight o' the People's<span class="pagenum"><SPAN name="Page_98" id="Page_98">[ 98]</SPAN></span>
money, I know that. Tomfoolery, that's what it is; a set of dressed-up
bullies dancin' quadrilles on 'orseback; <i>that</i> ain't military manoeuvrin'.
It's sickenin' the way fools applaud such goin's on. And cuttin' off the
Saracen's 'ed, too; I'd call it plucky if the Saracen 'ad a gun in his 'and.
Bah, I 'ate the 'ole business!</p>
<p><span class="smcap">His Neighbour.</span> Got anybody along with you, Mate?</p>
<p><span class="smcap">The Socialist.</span> No, I don't want anybody along with <i>me</i>, I don't.</p>
<p><span class="smcap">His Neighbour.</span> That's a pity, that is. A sweet-tempered, pleasant-spoken
party like you are oughtn't to go about by yourself. You ought to
bring somebody just to enjoy your conversation. There don't seem to be
anybody <i>'ere</i> of your way of thinkin'.</p>
<p class="center">DURING THE COMBINED DISPLAY.</p>
<p><span class="smcap">The Gushing Lady</span> (<i>as the Cyclist Corps enter</i>). Oh, they've got a
<i>dog</i> with them. Do look—such a dear! See, they've tied a letter round
his neck. He'll come back with an answer presently. (<i>But, there being
apparently no answer to this communication, the faithful but prudent animal
does not re-appear.</i>)</p>
<p class="center">AFTER THE PERFORMANCE.</p>
<p><span class="smcap">The Inquisitive Child.</span> Uncle, which side won?</p>
<p><span class="smcap">UNCLE.</span> I suppose the side that advanced across the bridges.</p>
<p><span class="smcap">Child.</span> Which side <i>would</i> have won if it had been a <i>real</i> battle?</p>
<p><span class="smcap">Uncle.</span> I really couldn't undertake to say, my boy.</p>
<p><span class="smcap">Child.</span> But which do you <i>think</i> would have won?</p>
<p><span class="smcap">Uncle.</span> I suppose the side that fought best.</p>
<p><span class="smcap">Child.</span> But which side was <i>that</i>? (<i>The</i> Uncle <i>begins to find that the
society of an intelligent Nephew entails too severe a mental strain to be
<div style="break-after:column;"></div><br />