<SPAN name="startofbook"></SPAN>
<h1>VOCES POPULI</h1>
<h3>BY</h3>
<h2>F. ANSTEY</h2>
<hr style="width: 85%;" />
<h2>An Evening with a Conjuror.</h2>
<p class="center"><span class="smcap">Scene</span>—<i>A Suburban Hall. The Performance has not yet begun. The
Audience is limited and low-spirited, and may perhaps number—including
the Attendants—eighteen. The only people in the front seats
are a man in full evening dress, which he tries to conceal under a caped
coat, and two Ladies in plush opera-cloaks. Fog is hanging about in
the rafters, and the gas-stars sing a melancholy dirge. Each casual
cough arouses dismal echoes. Enter an intending Spectator, who is
conducted to a seat in the middle of an empty row. After removing his
hat and coat, he suddenly thinks better—or worse—of it, puts them on
again, and vanishes hurriedly.</i></p>
<p><span class="smcap">First Sardonic Attendant</span> (<i>at doorway</i>). Reg'lar turnin' em away
to-night, <i>we</i> are!</p>
<p><span class="smcap">Second Sardonic Attendant</span>. He come up to me afore he goes
to the pay-box, and sez he—"Is there a seat left?" he sez. And I sez
to 'im, "Well, I <i>think</i> we can manage to squeeze you in somewhere."
Like that, I sez.</p>
<p class="right">[<i>The Orchestra, consisting of two thin-armed little girls, with
pigtails, enter, and perform a stumbling Overture upon a
cracked piano.</i> <span class="smcap">Herr Von Kamberwohl</span><i>, the Conjuror, appears on
platform, amidst loud clapping from two obvious Confederates in a back row</i>.<span class="pagenum"><SPAN name="Page_2" id="Page_2">[ 2]</SPAN></span></p>
<p><span class="smcap">Herr V. K.</span> (<i>in a mixed accent</i>). Lyties and Shentilmans, pefoor
I co-mence viz my hillusions zis hevenin' I 'ave most hemphadically
to repoodiate hall assistance from hany spirrids or soopernatural beins
vatsohever. All I shall 'ave ze honour of showing you will be perform
by simple Sloight of 'and or Ledger-dee-Mang! (<i>He invites any member
of the Audience to step up and assist him, but the spectators remain coy.</i>)
I see zat I 'ave not to night so larsh an orjence to select from as usual,
still I 'ope—(<i>Here one of the obvious Confederates slouches up, and joins
him on the platform.</i>) Ah, zat is goot! I am vair much oblige to you,
Sare. (<i>The Confederate grins sheepishly.</i>) Led me see—I seem to
remember your face some'ow. (<i>Broader grin from Confederate.</i>) Hah
you vos 'ere last night?—zat exblains it! But you 'ave nevaire assist
me befoor, eh? (<i>Reckless shake of the head from Confederate.</i>) I thought
nod. <i>Vair</i> vell. You 'ave nevaire done any dricks mit carts—no?
Bot you will dry? You never dell vat you gan do till you dry, as ze ole
sow said ven she learn ze halphabet. (<i>He pauses for a laugh—which
doesn't come.</i>) Now, Sare, you know a cart ven you see 'im? Ah, zat
is somtings alretty! Now I vill ask you to choose any cart or carts
out of zis back. (<i>The Confederate fumbles.</i>) I don't vish to 'urry you—but
I vant you to mike 'aste—&c., &c.</p>
<p><span class="smcap">The Man in Evening Dress.</span> I remember giving Bimbo, the Wizard
of the West, a guinea once to teach me that trick—there was nothing in it.</p>
<p><span class="smcap">First Lady in Plush Cloak.</span> And can you <i>do</i> it?</p>
<p><span class="smcap">The M. in E. D.</span> (<i>guardedly</i>). Well, I don't know that I could
exactly do it <i>now</i>—but I know how it's done.</p>
<p class="center">[<i>He explains elaborately how it is done.</i></p>
<p><span class="smcap">Herr V. K.</span> (<i>stamping, as a signal that the Orchestra may leave off</i>).
Next I shall show you my zelebrated hillusion of ze inexhaustible 'At,
to gonclude viz the Invisible 'En. And I shall be moch oblige if any
shentilmans vill kindly favour me viz 'is 'at for ze purpose of my
exberiment.</p>
<p><span class="smcap">The M. in E. D.</span> Here's mine—it's quite at your service. [<i>To his
companions.</i>] This is a stale old trick, he merely—(<i>explains as before</i>).
But you wait and see how I'll score off him over it!<span class="pagenum"><SPAN name="Page_3" id="Page_3">[ 3]</SPAN></span></p>
<div class="figcenter"> <ANTIMG src="images/p003.png" width-obs="481" height-obs="600" alt=""LED ME SEE—I SEEM TO REMEMBER YOUR FACE SOME'OW."" title="" /> <span class="caption">"LED ME SEE—I SEEM TO REMEMBER YOUR FACE SOME'OW."</span></div>
<p><span class="pagenum"><SPAN name="Page_4" id="Page_4">[ 4]</SPAN></span></p>
<p><span class="smcap">Herr V. K.</span> (<i>to the</i> M. in E. D.). You are gvide sure, Sare, you
leaf nossing insoide of your 'at?</p>
<p><span class="smcap">The M. in E. D.</span> (<i>with a wink to his neighbours</i>). On the contrary,
there are several little things there belonging to me, which I'll thank
you to give me back by-and-by.</p>
<p><span class="smcap">Herr V. K.</span> (<i>diving into the hat</i>). So? Vat 'ave we 'ere? A
bonch of flowairs! Anozzer bonch of flowairs? Anozzer—<i>and</i> anozzer!
Ha, do you alvays garry flowairs insoide your 'at, Sare?</p>
<p><span class="smcap">The M. in E. D.</span> Invariably—to keep my head cool; so hand them
over, please; I want them.</p>
<p class="center">[<i>His Companions titter, and declare "it really is too bad of him!"</i></p>
<p><span class="smcap">Herr V. K.</span> Bresently, Sare,—zere is somtings ailse, it feels loike—yes,
it ees—a mahouse-drap. Your haid is drouble vid moice, Sare,
yes? Bot zere is none 'ere in ze 'at!</p>
<p><span class="smcap">The M. in E. D.</span> (<i>with rather feeble indignation</i>). I never said
there were.</p>
<p><span class="smcap">Herr V. K.</span> No, zere is no mahouse—bot—[<i>diving again</i>]—ha!
a leedle vide rad! Anozzer vide rad! And again a vide rad—and
one, two, dree <i>more</i> vide rads! You vind zey keep your haid noice
and cool, Sare? May I drouble you to com and dake zem avay? I
don't loike the vide rads myself, it is madder of daste. [<i>The Audience
snigger.</i>] Oh, bot vait—zis is a <i>most</i> gonvenient 'at—[<i>extracting a
large feeding-bottle and a complete set of baby-linen</i>]—ze shentelman is
vairy domestic I see. And zere is more yet, he is goot business
man, he knows ow von must hadvertise in zese' ere toimes. 'E 'as
'elp me, so I vill 'elp 'im by distributing some of his cairculars
for 'im.</p>
<p class="center">[<i>He showers cards, commending somebody's self-adjusting trousers
amongst the Audience, each person receiving about two dozen—chiefly
in the eye—until the air is dark, and the floor thick
with them.</i></p>
<p><span class="smcap">The M. in E. D.</span> (<i>much annoyed</i>). Infernal liberty! Confounded
impudence! Shouldn't have had <i>my</i> hat if I'd known he was going to
play the fool with it like this!<span class="pagenum"><SPAN name="Page_5" id="Page_5">[ 5]</SPAN></span></p>
<p><span class="smcap">First Lady in Plush Cloak.</span> But I thought you knew what was
coming?</p>
<p><span class="smcap">The M. in E. D.</span> So I did—but this fellow does it differently.</p>
<p class="center">[<span class="smcap">Herr Von K.</span> <i>is preparing to fire a marked half-crown from a
blunderbuss into a crystal casket</i>.</p>
<p><span class="smcap">A Lady with Nerves</span> (<i>to her husband</i>). John, I'm <i>sure</i> he's going
to let that thing off!</p>
<p><span class="smcap">John</span> (<i>a Brute</i>). Well, I shouldn't be surprised if he is. <i>I</i> can't
help it.</p>
<p><span class="smcap">The L. with N.</span> You could if you liked—you could tell him my
nerves won't stand it—the trick will be every <i>bit</i> as good if he only
<i>pretends</i> to fire, I'm sure.</p>
<p><span class="smcap">John.</span> Oh, nonsense!—You can stand it very well if you <i>like</i>.</p>
<p><span class="smcap">The L. with N.</span> I <i>can't</i>, John.... There, he's raising it to his
shoulder. John, I <i>must</i> go out. I shall scream if I sit here, I <i>know</i>
I shall!</p>
<p><span class="smcap">John.</span> No, no—what's the use? He'll have fired long before you
get to the door. Much better stay where you are, and do your
screaming sitting down. (<i>The Conjuror fires.</i>) There, you see, you
<i>didn't</i> scream, after all!</p>
<p><span class="smcap">The L. with N.</span> I screamed to <i>myself</i>—which is ever so much worse
for me; but you never <i>will</i> understand me till it's too late!</p>
<p class="center">[<span class="smcap">Herr Von K.</span> <i>performs another trick</i>.</p>
<p><span class="smcap">First Lady in Plush Cloak.</span> That was very clever, wasn't it?
I can't <i>imagine</i> how it was done!</p>
<p><span class="smcap">The M. in E. D.</span> (<i>in whom the memory of his desecrated hat is still
rankling</i>). Oh, can't you? Simplest thing in the world—any child
could do it!</p>
<p><span class="smcap">Second Lady.</span> What, find the rabbit inside those boxes, when they
were all corded up, and sealed!</p>
<p><span class="smcap">The M. in E. D.</span> You don't mean to say you were taken in by
<i>that</i>! Why, it was another rabbit, of course!</p>
<p><span class="smcap">First Lady.</span> But even if it <i>was</i> another rabbit, it was wearing the
borrowed watch round its neck.<span class="pagenum"><SPAN name="Page_6" id="Page_6">[ 6]</SPAN></span></p>
<p><span class="smcap">The M. in E. D.</span> Easy enough to slip the watch in, if all the
boxes have false bottoms.</p>
<p><span class="smcap">Second L.</span> Yes, but he passed the boxes round for us to examine.</p>
<p><span class="smcap">The M. in E. D.</span> Boxes—but not <i>those</i> boxes.</p>
<p><span class="smcap">First L.</span> But how could he slip the watch in when somebody was
holding it all the time in a paper bag?</p>
<p><span class="smcap">The M. in E. D.</span> Ah, <i>I</i> saw how it was done—but it would take too
long to explain it now. I <i>have</i> seen it so well performed that you <i>couldn't</i>
spot it. But this chap's a regular duffer!</p>
<p><span class="smcap">Herr V. K.</span> (<i>who finds this sort of thing rather disturbing</i>). Lyties
and Shentilmans, I see zere is von among us who is a brofessional
like myself, and knows how all my leedle dricks is done. Now—[<i>suddenly
abandoning his accent</i>]—I am always griteful for hanythink
that will distrack the attention of the orjence from what is going on
upon the Stige; naterally so, because it prevents you from follerin'
my actions too closely, and so I now call upon this gentleman in the
hevenin' dress jest to speak hup a very little louder than what he <i>'as</i> been
doin', so that you will be enabled to 'ear hevery word of 'is hexplanation
more puffickly than what some of you in the back benches have done
itherto. Now, Sir, if you'll kindly repeat your very hinteresting remarks
in a more haudible tone, I can go on between like. [<i>Murmurs of "No
no!" "Shut up!" "We don't want to hear him!" from various places</i>;
<span class="smcap">The Man in Evening Dress</span> <i>subsides into a crimson taciturnity, which
<div style="break-after:column;"></div><br />