<h2><SPAN name="CHAPTER_XVIII" id="CHAPTER_XVIII">CHAPTER XVIII.</SPAN></h2>
<p class="center">HOW THE SECRET IS TOLD.</p>
<p>When Serena had left the house, Beatrix went
straight to old Bernard Dane's room and rapped at the
door.</p>
<p>"Come in!" cried a harsh voice; and Beatrix pushed
the door open and entered the room. Bernard Dane
was standing before a window, gazing out into the
grounds, his wrinkled face looking grave and thoughtful.
At sound of the girl's footsteps he turned slowly,
and as his eyes fell upon her pale, troubled face, something
like pity flashed into his own—but only for a
moment.</p>
<p>"Well?" he demanded, sharply, as she paused before
him.</p>
<p>"Uncle Bernard!"—Beatrix's voice was low and
hurried. She shrank from the interview, yet she felt
that she must go through with it—"I have intruded
upon you to ask you a question. I am here to demand
of you the secret of my mother's life and death. Why
is her portrait hidden away in the round room, with
its face turned to the wall? What is this secret which
<i>killed</i> her, and which her own handwriting declares
is destined to descend, like a curse, upon the head of
her child? Uncle Bernard, I must have an answer!
This silence is unjust; it is cruel; it is maddening!<span class="pagenum"><SPAN name="Page_128" id="Page_128">[Pg 128]</SPAN></span>
Tell me, what is this secret connected with my mother?
I <i>will</i> know!"</p>
<p>The old man's face was a study as he stood listening
to her eager outburst, his keen, dark eyes fixed
upon her face with a penetrating look in their depths.
He shook his gray head.</p>
<p>"My dear, I will not. Now, that is all, and it is
quite useless to ask me any more questions. And
there is no one else in the world who can enlighten
you; so it will be useless to seek information elsewhere.
Beatrix, my child, why torture yourself in this way?
Be content as you are, and do not seek to look back
upon the past, or trouble yourself in regard to the future.
See here, child!"—the old man's voice softened
insensibly—"you must believe that I am acting for
your good. When you first came here I resolved upon
a step, the very thought of which now fills my heart
with horror. I had wished to see you and Keith married,
but now—Oh, my God! I would sooner see you
both in your graves."</p>
<p>"<i>Uncle</i>!"</p>
<p>"It is true—too true, Beatrix. I am going to send
you away from this place. If you remain here, you
and Keith will marry, even against my wishes—I feel
it. And it would be better—much better for you to
be dead and buried than to take such a step. Do you
hear me, Beatrix?"</p>
<p>"Yes, sir," the sweet voice trembling, but in the
great dark eyes a look of determination. Ah, Bernard
Dane, your warning comes too late! You have sowed
and you must reap. If a man sows tares he can not
harvest wheat. She turned and left him alone without<span class="pagenum"><SPAN name="Page_129" id="Page_129">[Pg 129]</SPAN></span>
another word. Give up Keith Kenyon? Not if she
knew it; on the contrary, the girl felt more determined
than ever to become Keith's wife.</p>
<p>"He is the only creature in the wide world who loves
me, and I love him with all my heart. My darling! I
<i>will</i> be his wife, and we can not help being happy, even
though Uncle Bernard should disinherit him."</p>
<p>She went to her own room and sat down to think
over the situation. She did not wish to disobey her
uncle; but Bernard Dane had no right to dispose of her
as though she were a toy, a puppet in his hands. She
would not endure it.</p>
<p>"Good heavens! how unjust!" she exclaimed, indignantly.
"He did all in his power to make us care for
each other, and now, when it is too late, he wants to
separate us. He must be mad!"</p>
<p>As she sat there absorbed in reverie, a message came
from Keith asking her to come out into the grounds.
She made haste to obey the summons, and once out in
the grounds together, they discussed the coming event.</p>
<p>"It is all arranged, my darling," he said, as he kissed
the sweet red lips, "and in a few short hours you will
belong to me, never to part on earth—never any more."</p>
<p>She had meant to tell him of her interview with
Bernard Dane, and the old man's stern command that
they should forget each other; but it seemed a pity to
trouble him or cast a cloud upon his happiness. And,
after all, Keith was his own master. So she held her
peace and said nothing of her interview with her
uncle; and thus she made a fatal mistake. Had she
confided all to her lover, he would have demanded an<span class="pagenum"><SPAN name="Page_130" id="Page_130">[Pg 130]</SPAN></span>
explanation from Bernard Dane, and much unhappiness
and suffering might have been prevented.</p>
<p>But what lover ever listened to reason? A vague
uneasiness had stolen into Keith's heart; but he accounted
for it by the peculiar circumstances in which
they were placed, and resolved to say nothing that
would trouble her.</p>
<p>He was happy—very happy—in the prospect of
making Beatrix his wife so soon.</p>
<p>"Darling," he said softly, pressing the light form to
his heart, "everything is arranged. We will drive out
at three in the pony-carriage. We will go direct to
Mr. Darrell's house—the clergyman who is a friend of
mine—the license is already procured; nothing to wait
for—not even the ring."</p>
<p>Drawing a tiny velvet case from his pocket he displayed
a heavy gold band, and with it a glittering diamond.</p>
<p>"Here, sweetheart, let me put on the badge of your
slavery," holding up the diamond as he spoke. Then
with a swift glance into the lovely, downcast face he
slipped the ring upon the third finger of her left hand.
But Beatrix did not need a ring to remind her of her
love for Keith.</p>
<div class="poem"><div class="stanza">
<span class="i0">"We broke no gold—or sign<br/></span>
<span class="i2">Of stronger faith to be;<br/></span>
<span class="i0">But I wear his last look in my heart,<br/></span>
<span class="i2">Which said, 'I love but thee!'"<br/></span></div>
</div>
<p>Three o'clock found the two lovers seated in the
carriage on their way to the clergyman's house. A<span class="pagenum"><SPAN name="Page_131" id="Page_131">[Pg 131]</SPAN></span>
little later Beatrix Dane came forth, Beatrix Dane no
longer, but Mrs. Kenyon. How different everything
seemed! the whole world was metamorphosed to her
eyes. She glanced into Keith's face with a look of
wordless love.</p>
<p>"Oh, Keith," she whispered, softly, "I am so
happy!"</p>
<p>It was the last time that such words were destined
to pass her lips for many a dark and dreadful day.
They reached home, and Beatrix went straight to her
room. She wanted to be alone and think over her new-found
happiness. She gazed upon the wedding-ring
on her finger as she hid the marriage-certificate away
safely in her desk.</p>
<p>"My husband!" she whispered, softly. "Nothing can
part us now—nothing but death! No one can come between
us now—never while we live!"</p>
<p>Hark! what is that? The sound of voices—women's
voices—fell upon her ears.</p>
<p>It was Serena and her mother in an empty room adjoining
Beatrix's chamber. They had gone there for a
private conference, and did not dream that she would
overhear.</p>
<p>"Mamma,"—Beatrix heard Serena's sibilant voice,
and a shudder passed over her—"I know all the whole
fearful secret at last, and Beatrix Dane will never
marry Keith Kenyon now. I know the nature of the
awful curse which descends from Mildred Dane upon
her child, which was originally transmitted from Mildred
Dane's South American ancestors, and I no
longer envy Beatrix her beauty. Better be the ugliest
woman in the land than the thing she is! I would not<span class="pagenum"><SPAN name="Page_132" id="Page_132">[Pg 132]</SPAN></span>
exchange my plain face, were it ten times plainer, for
Beatrix Dane's glorious beauty. Mother, listen, and
do not faint or cry out. This is the bad, black secret:
Mildred Dane inherited the awful plague of leprosy,
and from her it descends to her child, Beatrix Dane!"</p>
<hr class="chap" />
<p><span class="pagenum"><SPAN name="Page_133" id="Page_133">[Pg 133]</SPAN></span></p>
<div style="break-after:column;"></div><br />