<h2><SPAN name="CHAPTER_III" id="CHAPTER_III">CHAPTER III.</SPAN></h2>
<p class="center">LIKE A THIEF IN THE NIGHT.</p>
<p>"I wonder what keeps Beatrix so late? I am getting
very uneasy about her. It is after dark, and
snowing hard. I am very anxious, and besides I've
been thinking of the bridge over the river. I don't
believe from all accounts that it is half safe. Serena,
go to the door and see if she is coming."</p>
<p>Doctor Lynne had grown quite old and feeble in the
years that had elapsed since that night of mystery—that
momentous tenth of November. He leaned heavily
upon his cane, without which he could not walk at all,
and turned from the window where he had been stationed
for the last half hour.</p>
<p>Serena Lynne glanced up from the depths of the
big arm-chair where she sat absorbed in a novel, and
a frown disfigured her not very attractive face.</p>
<p>"Why do you bother so about Trix, papa?" she
asked, sharply. "The girl is able to take care of herself.
It is scarcely dark, and she will be home directly.
And she would go, you know, although mamma tried
her best to prevent her."</p>
<p>"Go to the door and see if she is coming," repeated
Frederick Lynne sternly. "Serena you are utterly devoid
of heart. Trix is ten years younger than you
and but a child. Poor little thing! if anything has
happened to her I shall never forgive myself for permitting
her to go."</p>
<p><span class="pagenum"><SPAN name="Page_22" id="Page_22">[Pg 22]</SPAN></span></p>
<p>Serena Lynne laid her book aside with a gesture of
impatience, rising to her feet slowly and unwillingly.
A tall ungraceful young woman of some six or seven-and-twenty
with flaxen hair and pale blue eyes—not a
beauty by any means. And it was the sight of her
adopted sister's fair young beauty that made her invariably
ill-tempered and unkind to Beatrix. She
moved slowly and ungraciously to the door, and opened
it, making an unlovely picture as she walked, trailing
the folds of her slatternly blue serge wrapper over
the faded carpet, her feet thrust into a pair of ragged
slippers, her hair in an untidy little knot at the back
of her head. She wore no collar, none of the pretty
little devices which a neat woman always affects, but
a soiled white Shetland shawl was huddled about her
shoulders, and her sharp, peevish face, with its sallow
complexion and wide mouth, did not make a pretty or
lovable picture. For a time she stood peering out into
the darkness. At last:</p>
<p>"Papa!"—in a tone of suppressed excitement—"I
hear the sound of wheels. I think—I believe—yes, it
is a wagon, and it is stopping at the gate. There, I
suppose your pet Beatrix is home at last, and no harm
done."</p>
<p>Doctor Lynne hobbled slowly to the open door. His
wife, the personal counterpart of her daughter, glanced
up from the pile of mending with which she was occupying
herself, and a disagreeable expression settled
down upon her hard features.</p>
<p>"Thank Heaven if she has really come at last!"
she ejaculated; "that girl is the curse of my life! I
only wish that we could get rid of her! I don't see<span class="pagenum"><SPAN name="Page_23" id="Page_23">[Pg 23]</SPAN></span>
how we are going to support her, now that the money
has ceased to come!"</p>
<p>"Silence!"</p>
<p>Doctor Lynne turned sharply upon his wife.</p>
<p>"I will hear no more of this!" he said, sternly.
"Beatrix Dane shall stay here as long as she sees fit.
Poor child! I imagine that she would not remain
long if she had her own way in the matter. Serena,"—making
his way to the door as swiftly as he was
able—"what is the matter?"</p>
<p>There was a slight bustle upon the broad veranda
outside, where a group of dark figures were outlined
against the blackness of the sky. A moment later and
Beatrix flashed into the room, pale and excited, her
eyes shining like stars.</p>
<p>"Oh, papa! papa!"—kissing the old man's haggard
face. "Such a strange thing has happened! The river
bridge broke just as a gentleman was crossing on
horseback. He fell into the water, and I—I helped
him all I could, and he got out. And oh, papa, just
think! He was on his way to this house—to you. He
is outside."</p>
<p>Even as she spoke, the two men made their appearance
in the doorway, leading between them the
faltering, swaying figure of the young man. Beatrix
hastily wheeled forward the easy-chair which Serena
had vacated, and the helpless man sank into its capacious
depths. Then the men who had brought Beatrix
and the stranger hither took their departure.</p>
<p>"Mrs. Lynne,"—Beatrix turned pleadingly to that
lady—"will you not do something for this gentleman?
He is suffering greatly. His name is Kenyon—Mr.
Keith Kenyon."</p>
<p><span class="pagenum"><SPAN name="Page_24" id="Page_24">[Pg 24]</SPAN></span></p>
<p>"<i>Keith Kenyon</i>!" Mrs. Lynne started to her feet,
pale with surprise. "Why, so it is!" she cried, stooping
to peer into the face of the half-unconscious man.
"Keith! Keith! look up. Thank Heaven you are safe
with us! Serena, go and light a fire in the spare
chamber for your cousin Keith."</p>
<p>Beatrix started in surprise. During all the years
passed under that roof she had never before heard
of the existence of such a person.</p>
<p>"Your cousin?" she repeated, in a bewildered way,
as Serena left the room, in obedience to her mother's
directions.</p>
<p>Mrs. Lynne's pale eyes flashed.</p>
<p>"To be sure. At least, he is not exactly a cousin,
only by adoption; which is all the better for Serena,
as I do not approve of the marriage of cousins."</p>
<p>A strange pang shot through Beatrix Dane's girlish
heart—a pang which was to her quite unaccountable.
Why should she care whom Keith Kenyon married?
Surely, it was nothing to her. Poor little Beatrix!
Although she did not dream the truth, the spell
of love was being woven about her young heart.</p>
<div class="poem"><div class="stanza">
<span class="i0">"Out flew the web, and floated wide,<br/></span>
<span class="i0">The mirror cracked from side to side;<br/></span>
<span class="i0">'The curse is come upon me!' cried<br/></span>
<span class="i8">The Lady of Shalott."<br/></span></div>
</div>
<p>An hour later the young man was placed in bed in
the warm "spare chamber." Doctor Lynne having examined
his injuries, found them not as serious as had
been feared; and once attended to, Keith slept the sleep
of exhaustion.</p>
<p><span class="pagenum"><SPAN name="Page_25" id="Page_25">[Pg 25]</SPAN></span></p>
<p>Twelve o'clock had struck before Beatrix retired
to her own bare little chamber, and seated herself before
the fire which she had ventured to kindle. No one
had thought of her, or given her the slightest attention;
Doctor Lynne, because he had been absorbed in
his patient to the exclusion of every other object; the
two women—mother and daughter—simply because
they did not care. Beatrix unfastened her beautiful
hair, and seating herself before the fire, wrapped a
worsted shawl about her shoulders. The door of her
room was pushed slowly open, and Serena appeared.</p>
<p>"Up yet?" she queried in a shrill, sharp voice.
"Well, I would like to ask you a few questions, Miss
Beatrix Dane. By the way, I wonder if your name
is—really Dane?"</p>
<p>A swift flush crimsoned the girl's pure cheek.</p>
<p>"We will not discuss that question tonight, Serena,"
she said, gently. "I am quite too tired and sleepy."</p>
<p>Serena came and stood before the fire, resting her
sallow cheek against the ugly wooden mantel.</p>
<p>"Tell me all about this thrilling adventure of
yours," she began, abruptly; "really, it is quite too romantic!"</p>
<p>In a few patient words Beatrix repeated all that
had occurred.</p>
<p>"I did not dream that Mr. Kenyon was a friend
of yours," she added, in conclusion.</p>
<p>Serena's pale eyes sparkled.</p>
<p>"Friend? He is more than a mere friend!" she
said, eagerly; "he is my cousin by adoption, and—and,
Beatrix, I have never told you before; but I expect
to be his wife some day!"</p>
<p>"<i>Impossible</i>!"</p>
<p><span class="pagenum"><SPAN name="Page_26" id="Page_26">[Pg 26]</SPAN></span></p>
<p>The word fell from Beatrix Dane's lips unawares.
In an instant she realized the mistake that she had
made.</p>
<p>"I—I beg your pardon!" she faltered; "I did not
mean to offend you, Serena!"</p>
<p>"<i>Offend</i>?" Serena's thin lips parted in a disagreeable
smile. "<i>You</i> could not offend me if you tried;
not <i>you</i>—a nameless nobody!" she sneered. "And
whatever you may say or think in regard to the matter,
the truth remains—I am engaged to marry Keith
Kenyon. Are you satisfied? What else, do you
imagine, has brought him to this out-of-the-way place?
It seems that he telegraphed to papa that he was coming;
but the stupid idiots at the station neglected to
send the message out here. I shall be glad when I get
away from this hateful, dead-and-alive hole, and live in
a large city, in an elegant house, with everything that
heart can wish. Keith's home is in New Orleans, and
I have always felt a great desire to visit the South."</p>
<p>New Orleans! The name aroused Beatrix with a
little start. For the first time since her arrival home
she remembered the letter that had come from New
Orleans for Doctor Lynne. She searched hastily in the
pocket of her dress for the missive. Yes, it was there,
all safe.</p>
<p>"I must see papa at once," she observed, rising to
her feet.</p>
<p>"<i>Papa</i>, indeed!" mimicked Serena, contemptuously.
"If I were you I would wait until I could prove my
right to call any one by that name before I—"</p>
<p>"<i>Hush</i>! Not another word! I will hear no more
of your insolence. Leave my room, Serena Lynne,<span class="pagenum"><SPAN name="Page_27" id="Page_27">[Pg 27]</SPAN></span>
and never enter it again until you can treat me with
proper respect."</p>
<p>"Well, I declare! Good gracious! what next? How
we <i>do</i> put on airs! For my part—I—"</p>
<p>"Very well. If you will not vacate, I shall leave
the room myself," cried Beatrix, too indignant to endure
any more. She was faint and exhausted from
fatigue and the exposures of the night. No one had
offered her even a cup of tea or the slightest refreshment
after her adventure in the cold night air, chilled
and half clothed as she had been; and she was not
enough at home in the house, where she had lived
for sixteen years, to venture to suggest her need of
refreshment. She flashed swiftly past the discomfited
Serena, and down the bare stairs to Doctor Lynne's
large cheerful sleeping apartment. Mrs. Lynne was
still with the patient, and peeping in at the open door
of Doctor Lynne's room, Beatrix was so fortunate as
to find him there alone.</p>
<p>"Papa!"—hesitatingly—"may I speak with you?"</p>
<p>Frederick Lynne glanced up, and a glad light
flashed over his worn countenance.</p>
<p>"Certainly, my dear!" he returned. "Come in.
Why, Beatrix, child!"—with a startled glance into her
white face—"you are ill, exhausted. How thoughtless
and selfish in me not to think of you before. Here,
drink a glass of wine!"</p>
<p>He filled a glass from the decanter of home-made
wine upon the table, and held it to her lips. Beatrix
drained the contents of the glass; then she sank
wearily into the empty chair at his side.</p>
<p>"Papa, do you know anything concerning my parents—my
real parents?" she asked, abruptly.</p>
<p><span class="pagenum"><SPAN name="Page_28" id="Page_28">[Pg 28]</SPAN></span></p>
<p>His face grew pale.</p>
<p>"No, dear; you have heard all that I know in regard
to your history. Do not trouble yourself, Beatrix;
it will all come right some time, I am sure. Try
to have faith that all is for the best."</p>
<p>"I wish I could. I am tired of this life—tired of
living here with Mrs. Lynne and Serena. I shall be
glad to go out into the world and earn my own living.
Don't look so horrified, daddy, darling. And
by the way, I nearly forgot my errand here to you.
I have a letter for you."</p>
<p>She drew the letter from her pocket and laid it in
his hand.</p>
<p>At sight of the superscription his face grew pale as
death. Breaking the seal with a trembling hand, he
drew forth two inclosures—two separate letters.</p>
<p>"Go, my dear," he said, gently; "it is late, and
you must retire now. Besides, I would rather be
alone. Kiss me good-night, Beatrix, my little comfort."</p>
<p>She stooped, and putting her white arms about his
neck, laid her warm, red lips upon his.</p>
<p>"Good-night, papa, darling," she whispered.</p>
<p>At the door of the room she paused and looked
back. He was sitting in a dejected attitude, his white
head resting upon one hand; the other held the letters.</p>
<p>She went slowly and thoughtfully upstairs back to
her own room, and, retiring, was soon sound asleep.</p>
<p>She was aroused from slumber by a shrill shriek
which resounded through the silent house. Starting
to her feet, Beatrix threw on a loose wrapper, and
thrusting her bare feet into a pair of slippers, left the
room and flew swiftly down-stairs. She made her way<span class="pagenum"><SPAN name="Page_29" id="Page_29">[Pg 29]</SPAN></span>
instinctively to Doctor Lynne's room. He was seated
in his arm-chair before the fire, just as she had left
him, while his wife, whose cry of horror had aroused
the house, stood near, pale and terrified. One of the
letters which he had received had been destroyed by
fire—only a heap of smoke-blackened fragments upon
the hearth remained to tell the tale; but one hand
clutched the other letter in a convulsive grasp, as he
sat there, white, and still, and dead. Death had stolen
in like a thief in the night, and he was gone forever.</p>
<p>The letter which that cold, stiff hand clutched tenaciously,
was found to contain these words:</p>
<blockquote>
<p>"<span class="smcap">Doctor Lynne</span>,—The time has come for you to
know the truth concerning the child of your adoption,
Beatrix Dane. The accompanying letter contains
a full explanation. When you have read it, you
will see that it is best for you to send her to me now.
Let her come to New Orleans, to the inclosed address,
as soon as possible. You will receive a remittance for
all her necessary expenses, by registered mail, in a few
days. When that arrives, send Beatrix Dane to me.
The time has come when she must learn the hideous
secret connected with her birth—when she must face
her own future, and enter upon her heritage of woe.</p>
<p class="sig2">
"<span class="smcap">Bernard Dane</span>."<br/></p>
</blockquote>
<hr class="chap" />
<p><span class="pagenum"><SPAN name="Page_30" id="Page_30">[Pg 30]</SPAN></span></p>
<div style="break-after:column;"></div><br />