<h2><SPAN name="chap10"></SPAN>Chapter X.<br/> The Case Against Grant</h2>
<p>Next morning, after a long conference with Superintendent Fowler, from which,
to his great chagrin, P. C. Robinson was excluded, Furneaux went to the post
office, dispatched an apparently meaningless telegram to a code address, and
exchanged a few orthodox remarks with Doris and her father about the continued
fine weather. While he was yet at the counter, Ingerman crossed the road and
entered the chemist’s shop.</p>
<p>“Let me see,” said the detective musingly, “by committing a
slight trespass on your left-hand neighbor’s garden, can I reach the yard
of the inn?”</p>
<p>“What the eye doesn’t see the heart doesn’t grieve
over,” smiled Doris. “Mrs. Jefferson went to Knoleworth early
to-day, and took her maid. By shopping at the stores there, they save their
fares, and have a day out each week.”</p>
<p>“May I go that way, then?” he said. “Suppose you send that
goggle-eyed skivvy of yours on an errand.”</p>
<p>This was done, and Furneaux made the desired transit.</p>
<p>Now, Tomlin, to whom the comings and goings of all and sundry formed the staple
of the day’s gossip, had seen the detective go out, but could “take
his sollum davy” that the queer little man had not returned. He, too, had
watched Ingerman going to Siddle’s. Ten minutes later Elkin came down the
hill, and headed for the same rendezvous. Five minutes more, and Hobbs, the
butcher, joined the others. Tomlin was seething with curiosity, but there were
some casual customers in the “snug,” so he could not abandon his
post.</p>
<p>Soon, however, Ingerman led Elkin and Hobbs to the inn. Evidently, the
“financier” had been making some small purchases. He was in high
spirits. Ordering appetizers before the mid-day meal, he announced that he was
returning to London that afternoon, but would be in Steynholme again for the
adjourned inquest.</p>
<p>“No matter how my business suffers, I mean to see this affair
through,” he vowed. “You gentlemen can pretty well guess my private
convictions. You were good enough to give me your friendship, so I spoke as
openly as one dares when no charge has actually been laid against any
particular person.”</p>
<p>“Ay,” said Elkin, with whom sunshine seemed to disagree, because he
looked miserably ill. “We know what you mean, Mr. Ingerman. If the police
were half sharp they’d have nabbed their man before this ... Did you put
any water in this gin, Tomlin?”</p>
<p>“Water?” wheezed Tomlin indignantly. <i>“Water?”</i></p>
<p>“Well, no offense. I can’t taste anything. I believe I could
swallow dope and not feel it on my tongue.”</p>
<p>“You do look bad, an’ no mistake, Fred,” agreed Hobbs.
“Are you vettin’ yerself? Don’t. Every man to his trade, sez
I. Give Dr. Foxton a call.”</p>
<p>“I’m taking his medicine regular. Perhaps I need a change.”</p>
<p>“’Ave a week-end in Lunnon,” said Hobbs, with a broad wink.</p>
<p>“Change of medicine, I mean. I’m not leaving Steynholme till things
make a move. My next trip to London will be my honeymoon.”</p>
<p>“You look like a honeymooner, I don’t think,” guffawed Hobbs.</p>
<p>“You wouldn’t laugh if I told <i>you</i> what you really look
like,” cried Elkin angrily. “Bet you a level fiver I’m
married this year. Now, put up or shut up!”</p>
<p>Furneaux peeped in, through a door, always open, which led to the stairs.</p>
<p>“Can I have my account, Mr. Tomlin?” he said. “I’m
going to town by the next train.”</p>
<p>“You don’t mean to say, Mr. Furneaux, that you are abandoning the
case so soon?” broke in Ingerman.</p>
<p>“Did I say that?” inquired the detective meekly.</p>
<p>“No. One can’t help drawing inferences occasionally.”</p>
<p>“Great mistake. Look at our worthy landlord. He’s been drawing
inferences as well as corks, and he’s beat to the world.”</p>
<p>Tomlin was, indeed, gazing at his smaller guest open-mouthed.</p>
<p>“S’elp me!” he gurgled. “I could ha’
sworn—”</p>
<p>“Bad habit,” and Furneaux crooked a waggish forefinger at him.
“Even the wisest among us may err. Last night, for instance, I blundered.
I really fancied I had a clew to the Steynholme murderer. And where do you
think it ended? In the loft of your club-room, Mr. Tomlin. In a box of old
clothes at that. Silly, isn’t it?”</p>
<p>“Wot! Them amatoor play-hactin’ things?”</p>
<p>“Exactly.”</p>
<p>Elkin grunted, though intending to laugh.</p>
<p>“Not so sharp for a London ’tec, I must say,” he cried.
“Why, those props have been there since before Christmas.”</p>
<p>“Yes. I know now,” was the downcast reply. “Twelve hours ago
I thought differently. Didn’t I, Mr. Tomlin?”</p>
<p>Tomlin tried hard to look knowing.</p>
<p>“Oh, is that wot you wur drivin’ at?” he said. “Dang
me, mister, I could soon ha’ put you right ’ad you tole me.”</p>
<p>“Well, well. Can’t be helped. I may do better in London. What do
<i>you</i> say, Mr. Ingerman? The City is the real mint of money and crime. Who
knows but that a stroll through Cornhill may have some bearing on the
Steynholme mystery?”</p>
<p>“May be you’d get a bit nearer if you took a stroll along the
Knoleworth Road, and not so very far, either,” guffawed Elkin.</p>
<p>“Who knows?” repeated Furneaux sadly. “Good-day, gentlemen.
Some of this merry party will meet again, of course, if not here, at the
Assizes. Don’t forget my bill. Mr. Tomlin. By the way, one egg at
breakfast had seen vicissitudes. It shouldn’t be rated too highly.”</p>
<p>“I’m traveling by your train,” cried Ingerman.</p>
<p>“So I understood,” said Furneaux over his shoulder.</p>
<p>There was silence for a moment after he had gone. Ingerman looked thoughtful,
even puzzled. He was casting back in his mind to discover just how and when the
detective “understood” that his departure was imminent, since he
himself had only arrived at a decision after leaving the chemist’s.</p>
<p>“That chap is no good,” announced Elkin. “I’ll back old
Robinson against him any day.”</p>
<p>“Sh-s-sh! He may ’ear you,” muttered the landlord.</p>
<p>“Don’t care if he does. Cornhill! What the blazes has Cornhill to
do with the murder at <i>The Hollies</i>?”</p>
<p>Ingerman appreciated the value of that concluding phrase. Elkin had used it
once before in Siddle’s shop, and was quietly reproved by the chemist for
his outspokenness.</p>
<p>Ingerman, however, did not inform the company that his office lay in an alley
off Cornhill. He elected to rub in Elkin’s words.</p>
<p>“Mr. Siddle seemed to object to <i>The Hollies</i> being mentioned as the
scene of the crime,” he said. “I wonder why?”</p>
<p>“Because he’s an old molly-coddle,” snapped the horse-dealer.
“Thinks everyone is like himself, a regular slow-coach.”</p>
<p>Tomlin closed the door into the passage, closed it for the first time in living
memory, whereat Furneaux, on the landing above, grinned sardonically, and ran
downstairs.</p>
<p>“Wot’s this about them amatoor clo’es?” he inquired
portentously. “Oo ’as the key of that box?”</p>
<p>“<i>I</i> have,” said Elkin. “I locked it after the last
performance, and, unless you’ve been up to any monkey tricks, Tomlin, the
duds are there yet.”</p>
<p>“You’re bitin’ me ’ead off all the mornin’,
Fred,” protested the aggrieved landlord. “Fust, the gin was wrong,
an’ now I’m supposed to ’ave rummidged yur box. Wot
for?”</p>
<p>Furneaux popped in.</p>
<p>“My bill ready?” he squeaked.</p>
<p>“No, sir. The train—”</p>
<p>“Leaves at two, but I’m driving to Knoleworth with Superintendent
Fowler.”</p>
<p>The door closed behind him. Tomlin shook his head.</p>
<p>“Box! Jack-in-the-box, I reckon,” he said darkly, turning to a
dog-eared ledger.</p>
<p>Neither at Knoleworth nor Victoria did Ingerman catch sight of the detective,
though he was anxious either to make the journey in the company of the
representative of Scotland Yard or arrange an early appointment with him. True,
he was not inclined to place the strange-mannered little man on the same high
plane as that suggested by certain London journalists to whom he had spoken.
But he wanted to win the confidence of “the Yard” in connection
with this case, and the belief that he was being avoided was nettling. He found
consolation, of a sort, in the illustrated papers. One especially contained two
pages of local pictures. “Mr. Grant addressing the crowd,” with
full text, was very effective, while there were admirable studies of <i>The
Hollies</i> and the “scene of the tragedy.” His own portrait was
not flattering. The sun had etched his Mephistophelian features rather sharply,
whereas Grant looked a very fine fellow.</p>
<p>Ingerman would have been more than surprised were he privileged to overhear a
conversation which began and ended before he reached his flat in North
Kensington.</p>
<p>Furneaux, who had jumped into the fore part of the train at Knoleworth, and was
out in a jiffy at Victoria, handed his bag to a station detective, and turned
into Vauxhall Bridge Road, one of the quietest of London’s main
thoroughfares. There he met a big man, dressed in tweeds, whose manifest
concern at the moment seemed to center in a rather bad wrapping of a very good
cigar.</p>
<p>“Ah! How goes it, Charles?” cried the big man heartily, affecting
to be aware of Furneaux’s presence when the latter had walked nearly a
hundred yards down a comparatively deserted street.</p>
<p>“What’s wrong with the toofa?” inquired Furneaux testily.</p>
<p>“My own carelessness. Stupid things, bands on cigars.... Well,
what’s the rush?”</p>
<p>“There’s a train to Steynholme at five o’clock. I want you to
take hold. I must have help. Like your cigar, this case has come
unstuck.”</p>
<p>Mr. James Leander Winter, Chief Inspector under the Criminal Investigation
Department, whistled softly.</p>
<p>“Tut, tut!” he said. “One can never trust the newspapers.
Reading this morning’s particulars, it looked dead easy.”</p>
<p>“Tell me how it struck you. Sometimes the uninformed brain is vouchsafed
a gleam of unconscious genius.”</p>
<p>Winter appeared to be devoting his mind to circumventing the vagaries of a
fragile tobacco-leaf. He was a man of powerful build, over forty, heavy but
active, deep-chested, round-headed, with bulging blue eyes which radiated
kindliness and strength of character. The press photographer described him
accurately to Grant. The average Londoner would have taken him for a county
gentleman on a visit to the Agricultural Show at Islington, with a morning at
Tattersall’s as a variant. Yet, Sam Weller’s extensive and peculiar
knowledge of London compared with his as a freshman’s with a don’s
of a university. It would be hard to assess, in coin of the realm, the value of
the political and social secrets stowed away in that big head.</p>
<p>“First, I must put a question or two,” he said, smiling at a baby
which cooed at him from the shaded depths of a passing perambulator. “Is
there another woman?”</p>
<p>“Yes, the postmaster’s daughter, Doris Martin.”</p>
<p>“Shy, pretty little bird, of course?”</p>
<p>“Everything that is good and beautiful.”</p>
<p>“Is Grant a Lothario?”</p>
<p>“Excellent chap. Quarter of an hour before the murder he was giving Doris
a lesson in astronomy in the garden of <i>The Hollies</i>.”</p>
<p>“Never heard it called <i>that</i> before.”</p>
<p>“This time the statement happens to be strictly accurate.”</p>
<p>“Honest Injun?”</p>
<p>“I’m sure of it. If anything, the death of Adelaide Melhuish
cleared the scales off their eyes. Those two have never kissed or
squeezed—yet. They’ll be starting quite soon now.”</p>
<p>“How old is Doris?”</p>
<p>“Nineteen.”</p>
<p>“But a really good-looking girl of nineteen must have had admirers before
Grant went to the village.”</p>
<p>“She had, and has. Having educated herself out of the rut, however, she
left many runners at the post. One is persistent—a youngish horse-coper
named Elkin. Adelaide Melhuish probably saw her with Grant. Neither Doris nor
Grant knew that Adelaide Melhuish, as such, was in Steynholme. That is to say,
the girl had seen Miss Melhuish in the post office, and recognized her as a
famous actress, but that is all. And now I shan’t tell you any more, or
you’ll know all that I know, which is too much.”</p>
<p>The cigar was behaving itself at last, having burnt down to the fracture, so
Winter’s thoughts could be given exclusively to the less important matter
of the Steynholme affair.</p>
<p>“To begin with,” he said instantly. “Ingerman can establish a
cast-iron alibi.”</p>
<p>“So I imagined. But he’s a bad lot. I throw in that item
gratuitously.”</p>
<p>The oddly-assorted pair walked in silence until Vauxhall Bridge was in sight.
Winter pulled out a watch.</p>
<p>“What time did you say my train left Victoria?” he inquired.</p>
<p>“Plenty of time yet to make your guess and listen to further
details,” scoffed Furneaux.</p>
<p>“Frankly, I give it up. But, if I must share in the hunt, I tell you now
that, metaphorically speaking, I shall cling to the postmaster’s daughter
till torn away by sheer force of evidence.”</p>
<p>Furneaux dug his colleague in the ribs.</p>
<p>“That’s the effect of constant association with me, James,”
he cackled gleefully. “Ten years ago you would have pounced on Elkin.
You’ve hit it! I’m a prood mon the day. The pupil is equaling the
master.”</p>
<p>“You little rat, I had hanged my first murderer before you knew the
meaning of <i>habeas corpus</i>! Let’s turn now, and get to
business.”</p>
<p>Few Treasury barristers, leading for the Crown, could have marshaled the facts
with such lucidity and fairness as Furneaux during that saunter to Victoria
Station.</p>
<p>“Nothing extenuate, nor set down aught in malice,” said Othello to
Lodovico, and these Scotland Yard men, charged with so great a responsibility,
never forgot the great-hearted Moor’s advice.</p>
<p>When Winter took his seat in the train at five o’clock he could have
drawn a plan of Steynholme, which he had never seen, and marked thereon the
exact position of each house mentioned in this record. Moreover, he was
acquainted with the chief characters by sight, as it were. And, finally, he and
Furneaux had arranged a plan of campaign.</p>
<p>Furneaux refreshed a jaded intellect by an evening at the opera. Next morning,
at eleven o’clock, he was inquiring for Mr. Ingerman at an office in a
certain alley off Cornhill.</p>
<p>A smart youth interposed a printed formula between the visitor and a door
marked “Private.” Furneaux wrote his name, and put
“Steynholme” in the space reserved for “business.” He
was admitted at once. Mr. Ingerman, apparently, was immersed in a pile of
letters, but he swept them all aside, and greeted the caller affably.</p>
<p>“Glad to see you, Mr. Furneaux,” he said. “I missed you on
the train yesterday. Did you—”</p>
<p>“Nice quiet place you’ve got here, Mr. Ingerman,” interrupted
the detective.</p>
<p>“Yes. But, as I was about to—”</p>
<p>“Artistically furnished, too,” went on Furneaux dreamily.
“Oak, self-toned carpets and rugs, restful decorations. Those etchings,
also, show taste in the selection. ‘The Embankment—by Night.’
Fitting sequel to ‘The City—by Day.’ I’m a child in
such matters, but, ’pon my honor, if tempted to pour out my hard-earned
savings into the lap of a City magnate, I would disgorge here more readily than
in some saloon-bar of finance, where the new mahogany glistens, and the
typewriters click like machine-guns.”</p>
<p>Ingerman was nettled. He glanced at his correspondence.</p>
<p>“You have a somewhat far-fetched notion of my position,” he said,
with a staccato quality in his velvet voice. “I am not a magnate, and I
toil here to make, not to lose, money for my clients.”</p>
<p>“A noble ideal. Forgive me if my rhapsody took the wrong line.”</p>
<p>“And I’m sure you will forgive me if I now put the question which
leads to the probable cause of your visit. Did you travel by the two
o’clock train yesterday?”</p>
<p>“Yes. I avoided you purposely.”</p>
<p>“May I ask, why?”</p>
<p>“My mind was weary. I wanted my wits about me when I tackled you.”</p>
<p>Ingerman smiled, and leaned back, resting both elbows on the arms of the chair,
and bringing the tips of his fingers together.</p>
<p>“Proceed,” he said.</p>
<p>“You prefer that I should drag out a statement piecemeal rather than
receive it <i>en bloc</i>?”</p>
<p>“Put it that way, if you like.”</p>
<p>“I shall even enjoy it. To clear the ground, are you the Isidor G.
Ingerman who exploited the A1 Mine in Abyssinia?”</p>
<p>Ingerman’s finger-tips whitened under a sudden pressure, but his voice
remained calm.</p>
<p>“An unfortunate episode,” he said.</p>
<p>“And the Aegean Transport Company, Limited?”</p>
<p>“Into which I was inveigled by Greeks. But why this history of ruined
enterprises?”</p>
<p>“It’s a sort of schooling. I have noticed that the smartest counsel
invariably begin with a few fireworks in order to induce the proper frame of
mind in a witness.”</p>
<p>“Does that mean that you want me to blurt out bitter and prejudiced
accusations against Mr. Grant?”</p>
<p>“I want to hear what you have to say about the death of your wife. You
forced the cross-examining role on me. I’m doing my best.”</p>
<p>Ingerman kept silent during many seconds. When he spoke, his cultured voice was
suave as ever.</p>
<p>“Perhaps it was my fault, Mr. Furneaux,” he said. “You gave
me a strong hint. I should have taken it, and we might have started an
interesting chat on pleasanter lines. So, with apologies for my insistence
about the train, I make a fresh start. I believe firmly that Grant was directly
concerned in the murder. And I shall justify my belief. Within the past
fortnight a <i>rapprochement</i> between my wife and myself became possible. It
was spoken of, even reduced to the written word. I have her letters. Mine
should be found among her belongings. May I take it that they <i>have</i> been
found?”</p>
<p>“Yes,” said Furneaux.</p>
<p>“Ah. So far, so good. My poor wife reached the parting of the ways. She
saw that her life was becoming an empty husk. I think the theater was palling
on her. But I see now that she still cherished the dream of winning the man she
loved—not me, her husband, but that handsome dilettante, Grant. I take
it, therefore, that she went to Steynholme to determine whether or not the
glamour of the past was really dead. Unfortunately, she witnessed certain
idyllic passages between her one-time lover and a charming village girl.
Imagine the effect of this discovery on one of the artistic temperament.
‘Hell hath no fury like a woman scorned,’ and my unhappy wife would
lash herself into an emotional frenzy. She would tear a passion to rags. Her
very training on the stage would come to her aid in scathing
words—perhaps threats. If Grant remained cold to her appeal the village
beauty should be made to suffer. Then <i>he</i> would flame into storm. And so
the upas-tree of tragedy spread its poisonous shade until reason fled, and some
demon whispered, ‘Kill!’ I find no flaw in my theory. It explains
the inexplicable. Now, how does it strike you, Mr. Furneaux?”</p>
<p>“As piffle.”</p>
<p>“Is that so? I have the advantage, of course, in knowing my wife’s
peculiarities. And I have made some study of Grant. He admits already that he
is under suspicion. Why, if he is innocent? Mind you, I pay little heed to the
crude disposal of the body. Horace, I think, has a truism that art lies in
concealing art. My wife’s presence in Steynholme was no secret. She would
have been missed from the inn. Search would be made. The murder must be
revealed sooner or later, and the murderer himself was aware that by no
twisting or turning could his name escape association with that of his victim.
Why not face the music at once? he would argue. The very simplicity of the
means adopted to fasten a kind of responsibility on him might prove his best
safeguard. Even now I doubt whether any jury will find him guilty on the
evidence as it stands, but my duty to my unhappy wife demands that I shall
strengthen the arm of justice by every legitimate means in my power.”</p>
<p>“Is that your case, Mr. Ingerman?”</p>
<p>“At present, yes.”</p>
<p>“It assumes that the police adopt your view.”</p>
<p>“Not necessarily. The police must do their work without fear or favor.
But Grant can be committed for trial on a coroner’s warrant.”</p>
<p>“Grant is certainly in an awkward place.”</p>
<p>“Only a little while ago you dismissed my theory of the crime as airy
persiflage.”</p>
<p>“That was before you quoted Horace. I have a great respect for Horace.
His ode to the New Year is a gem.”</p>
<p>“Would you care to see my wife’s recent letters?”</p>
<p>“If you please.”</p>
<p>“They are at my flat, I’ll send you copies. The originals are
always at your disposal for comparison, of course. Now may I, without offense,
ask a question?”</p>
<p>“Yes.”</p>
<p>“Is it wise that the emissary of Scotland Yard should leave
Steynholme?”</p>
<p>“But didn’t I tell you that I might obtain light in the
neighborhood of Cornhill?”</p>
<p>“True. I could have given you the facts in Steynholme.”</p>
<p>“I’m a greater believer in what the theater people call
‘atmosphere.’ Some of your facts, Mr. Ingerman, remind me of an
expert’s report in a mining prospectus. When tested by cyanide of
potassium the gold in the ore often changes into iron pyrites. But don’t
hug the delusion that I shall neglect Steynholme. The murderer is there, not in
London, and, unless my intellect is failing, he will be tried for his life at
the next Lewes Assizes. Meanwhile, may I give you a bit of advice?”</p>
<p>“By all means.”</p>
<p>“Employ a sound lawyer, one who will avoid needless mud-slinging. Good
day! Send those letters to the Yard by to-night’s post if
practicable.”</p>
<p>“It shall be done.”</p>
<p>When the door closed on Furneaux, Ingerman smiled.</p>
<p>“I’ve given that little Frenchman furiously to think,” he
murmured.</p>
<p>But the “little Frenchman” was smiling, too. He had elaborated the
scheme already discussed with Winter. It was much to his liking, though
unorthodox, rather crack-brained, more than risky, and altogether opposed to
the instructions of the Police Manual. Each of these drawbacks was a
commendation to Furneaux. In fact, the Steynholme mystery had taken quite a
favorable turn during that talk with Ingerman.</p>
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