<h2><SPAN name="CHAPTER_XVIII" id="XVIII"></SPAN>CHAPTER XVIII</h2><h3>BY THE LIGHT OF A LANTERN</h3>
<p>It was a hungry, bareheaded youngster that rode up at sundown to Roy's
tavern. The yellow mud clinging to my clothes had dried in cakes, and as
my hat was on the other side of the Valley River, my head, as described
by Ump, was a "middlin' fair brush heap."</p>
<p>Adam Roy gaped in astonishment when I called him to the door to ask
about a field for the cattle.</p>
<p>"Law! Quiller," he cried, "where in the name o' fathers have you been
a-wallerin'?"</p>
<p>"We went swimming in the Valley," I answered.</p>
<p>"Mercy sakes!" said the tavern-keeper, "you must a mired down. You've
got mud enough on you to daub a chimney, an' your head looks like a
chaff-pen on a windy mornin'. What did you go swimmin' for?"</p>
<p>"Hobson's choice," said I.</p>
<p>"Was the ferry washed out?" he asked.</p>
<p>"It was out," I said. "How it got out is a heifer of another drove."</p>
<p>"An' did you swim the cattle?" The man leaned out of the door.</p>
<p>I pointed my finger to the drove coming down the road. "There they are,"
said I. "Do you see any wings on them?"</p>
<p>"Lord love me!" cried the tavern-keeper, "I'd never put cattle in the
Valley when it was up, unless I wanted to see their tails a stickin' out
o' the drift-wood. Why didn't you wait until they fixed the ferry? What
was your hurry?"</p>
<p>"No matter about that hurry," said I. "Just now we have another hurry
that is a trifle more urgent. We want a field for the cattle, and corn
and clover hay and plenty of bedding for the horses, and something hot
for supper. We are all as hungry as Job's turkey."</p>
<p>"One thing at a time, Quiller," said the man, spreading his hands. "Turn
the cattle into the north boundary an' come along to the house."</p>
<p>I went back up the road, threw down the bars to the pasture, and counted
the cattle as they went strolling in. The Polled-Angus muleys seemed
none the worse for their long swim, and they began to crop the brown
grass the moment they were out in the field.</p>
<p>Jud and the Cardinal came up after the first hundred, and took a place
by El Mahdi.</p>
<p>I think I know now the joy of the miser counting his gold pieces at
midnight in his cellar, looking at each yellow eagle lovingly, and
passing his finger over the milled rim of each new-minted coin, while
the tallow candle melts down on the bench beside him.</p>
<p>I could close my eyes and see a black mass going down in the yellow
water, with here and there a bullock drifting exhausted in the eddy, or
heaps of bloated bodies piled up on a sandbar of the Valley River. And
there, with my eyes wide open, was the drove spreading out along the
hillside as it passed in between the two chestnut bar-posts.</p>
<p>I was as happy as a man can be when his Armada sails in with its sunlit
canvas; and yet, had that Armada gone to pieces on a coast, I think my
tears over its wreckage had been the deeper emotion. Our conception of
disaster outrides by far our conception of felicity.</p>
<p>It is a thing of striking significance that old, wise poets have on
occasion written of hell so vividly that we hear the fire crackle and
see the bodies of the lost sizzling; but not one of them, burning the
candle of genius at both ends, has ever been able to line out a heaven
that a man would live in if he were given the key to it.</p>
<p>Ump came along after the last of the cattle and burst into a great
laugh. "Damme," he said, "you're as purty a pair of muskrats as ever
chawed a root. Why don't you put up the bars instead of settin' gawkin'
at the cattle! They're all there."</p>
<p>"Suppose they were not all there?" said I.</p>
<p>"Quiller," said he, "I'm not goin' back over any burnt bridges. When the
devil throws a man in a sink hole an' the Lord comes along an' pulls him
out, that man ought to go on about his business an' not hang around the
place until the devil gits back."</p>
<p>Jud got down from his horse and began to lay up the bars. "But," said
he, "suppose we hadn't split the bunch?"</p>
<p>"Jud," answered the hunchback, "hell's full of people who spent their
lives a-'sposin'."</p>
<p>Jud jammed the top bar into the chestnut post. "Still," he persisted,
"where would we a been now?"</p>
<p>"If you must know," said Ump, "we'd a been heels up in the slime of the
Valley with the catfish playin' pussy-in-the-corner around the butt of
our ears."</p>
<p>We trotted over to the tavern, flung the bridle-reins across the
hitching post, and went bursting into the house. Roy was wiping his oak
table. "Mother Hubbard," cried the hunchback, "set out your bones. We're
as empty as bee gums."</p>
<p>The man stopped with his hands resting on the cloth. "God save us!" he
said, "if you eat like you look, it'll take a barbecue bull to fill you.
Draw up a chair an' we'll give you what we've got."</p>
<p>"Horses first," said Ump, taking up a split basket.</p>
<p>"Suit yourself," said Roy; "there's nobody holdin' you, an' there's corn
in the crib, hay in the mow, an' oats in the entry."</p>
<p>Jud and I followed Ump out of the house, put the horses in the log
stable, pulled off the bridles and saddles, and crammed the racks with
the sweet-smelling clover hay. Then we brushed out the mangers and threw
in the white corn. When we were done we went swaggering back to the
house.</p>
<p>From threatened disaster we had come desperately ashore. Whence arises
the strange pride of him who by sheer accident slips through the fingers
of Destiny?</p>
<p>We ate our supper under the onslaughts of the tavern-keeper. Roy had a
mind to know why we hurried. He scented some reason skulking in the
background, and he beat across the field like a setter.</p>
<p>"You'll want to get out early," he said. "Men who swim cattle won't be
lettin' grass grow under their feet."</p>
<p>"Bright an' early," replied Ump.</p>
<p>"It appears like," continued Roy, "you mightn't have time enough to get
where you're goin'."</p>
<p>"Few of us have," replied Ump. "About the time a feller gits a good
start, somethin' breaks in him an' they nail him up in quarter oak."</p>
<p>"Life is short," murmured the tavern-keeper, retiring behind a platitude
as a skirmisher retires behind a stone.</p>
<p>Ump bent the prongs of the fork against his plate. "An' yit," he
soliloquised, "there is time enough for most of us to do things that we
ought to be hung for."</p>
<p>Roy withdrew to the fastnesses of the kitchen, re-formed his lines and
approached from another quarter. "If I was Mr. Ward," he opened, jerking
his thumb toward Ump, "I'd give it to you when you got in."</p>
<p>The hunchback poured out his coffee, held up the saucer with both hands
and blew away the heat. "What for?" he grunted, between the puffings.</p>
<p>"What for?" said Roy. "Lordy! man, you're about the most reckless
creature that ever set on hog leather."</p>
<p>"The devil you say!" said Ump.</p>
<p>"That's what I say," continued the tavern-keeper, waving his arm to add
fury to his bad declamation. "That's what I say. Suppose you'd got
little Quiller drownded?"</p>
<p>The hunchback seemed to consider this possibility with the gravity of
one pointed suddenly to some defect in his life. He replaced the saucer
on the table, locked his fingers and thrust his thumbs together.</p>
<p>"If had got little Quiller drownded," he began, "then the old women
couldn't a said when he growed up, 'Eh, little Quiller didn't amount to
much after all. I said he wouldn't come to no good when I used to see
him goin' by runnin' his horse.' An' when he got whiskers to growin' on
his jaw, flat-nose niggers fishin' along the creek couldn't a' cussed
an' said, 'There goes old skinflint Quiller. I wish he couldn't swallow
till he give me half his land.' An' when he got old an' wobbly on his
legs, tow-headed brats a-waitin' for his money couldn't a-p'inted their
fingers at him an' said, 'Ma, how old's grandpap?' An' when he died,
nobody could a wrote on his tombstone, 'He robbed the poor an' he
cheated the rich, an' he's gone to hell with the balance a' sich.'"</p>
<p>Routed in his second man[oe]uvre, Roy flung a final sally with a sort of
servile abandon. "You're a queer lot," he said. "Marks an' that
club-footed Malan comes along away before day an' wants their breakfast,
an' gits it, an' lights out like the devil was a-follerin' 'em. An' when
I asked 'em what they'd been doin', they up an' says they'd been fixin'
lay-overs to ketch meddlers an' make fiddlers' wives ask questions. An'
then along come you all a-lookin' like hell an' shyin' at questions."</p>
<p>We took the information with no sign, although it confirmed our theory
about the ferry. Ump turned gravely to the tavern-keeper.</p>
<p>"I'll clear it all up for you slick as a whistle." Then he arose and
pressed his fingers against the tavern-keeper's chest. "Roy," he said,
"this is the marrow out of that bone. We're the meddlers that they
didn't ketch, an' you're the fiddler's wife."</p>
<p>The laughter sent the tavern-keeper flying from the field. We borrowed
some odd pieces of clothing, got the lantern, and went down to the
stable to groom our horses.</p>
<p>A man might travel about quite as untidy as Nebuchadnezzar when events
were jamming him, but his horse was rubbed and cleaned if the heavens
tumbled. I held the lantern, an old iron frame with glass sides, while
Jud and Ump curried the horses, rubbing the dust out of their hair, and
washing their eyes and nostrils.</p>
<p>We were speculating on the mission of the blacksmith, and the
destination of Parson Peppers, of whose singing I had told, when the
talk came finally to Twiggs.</p>
<p>"I'd give a purty," said Ump, "to know what word that devil was
carryin'."</p>
<p>"Quiller had a chance to find out," answered Jud, "an' he shied away
from it."</p>
<p>"What's that?" cried the hunchback, coming out from under the Bay Eagle.
He wore a long blue coat that dragged the ground, the sleeves rolled up
above his wrists, a coat that Roy had fished out of a box in the loft of
his tavern and hesitated over, because on an evening in his youthful
heyday, he had gone in that coat to make a bride of a certain Mathilda,
and the said Mathilda at the final moment did most stubbornly refuse.
The coat had brass buttons, a plenteous pitting of moth-holes, and a
braided collar.</p>
<p>Jud went on without noticing the interruption. "The letter that Twiggs
brought was a-layin' on the mantelpiece, tore open. Quiller could a
looked just as easy as not, an' a found out just what it said, but he
edged off."</p>
<p>The hunchback turned around in his blue coat without disturbing the
swallowtails lying against his legs. "Is Jud right?" he said.</p>
<p>I nodded my head.</p>
<p>"An' you didn't look?"</p>
<p>Again I nodded.</p>
<p>"Quiller," cried Ump, "do you know how that way of talkin' started? The
devil was the daddy of it. He had his mouth crammed full of souls, an'
when they asked him if he wanted any more, he begun a-bobbin' his head
like that."</p>
<p>"It's every word the truth," said I. "There was the letter lying open,
with Cynthia's monogram on the envelope, and I could have looked."</p>
<p>"Why didn't you?" said Ump.</p>
<p>"High frollickin' notions," responded Jud. "I told him a hog couldn't
root with a silk nose."</p>
<p>The hunchback closed his hand and pressed his thumb up under his chin.
"High frollickin' notions," he said, "are all mighty purty to make
meetin'-house talk, but they're short horses when you try to ride 'em.
It all depends on where you're at. If you're settin' up to the Lord's
table, you must dip with your spoon, but if you're suppin' with the
devil, you can eat with your fingers."</p>
<p>I cast about for an excuse, like a lad under the smarting charge of
having said his prayers. "It wasn't any notion," said I; "Mr. Marsh came
back too quick."</p>
<p>"Why didn't you yank the paper, an' we'd a had it," said he.</p>
<p>"We have got it," said I, putting my hand in my breeches pocket and
drawing forth the letter. I stood deep in the oak leaves of the horses'
bedding. The light of the candle squeezing through the dirty glass sides
brought every log of the old stable into shadow.</p>
<p>Jud came out of El Mahdi's stall like something out of a hole. He wore a
rubber coat that had gone many years about the world, up and down, and
finally passed in its decay to Roy.</p>
<p>"You've got that letter?" he said.</p>
<p>I told him that I had the very letter, that it had got wet in the river;
I had dried it in the sun, and here it was.</p>
<p>"How did you get it?" he asked.</p>
<p>I told him all the conversation with Marsh, and how I was to give it to
Cynthia and the message that went along with it.</p>
<p>The two men came over to me and took the lantern and the letter from my
hands, Jud holding the light and Ump turning the envelope around in his
fingers, peering curiously. They might have been some guardians of a
twilight country examining a mysterious passport signed right but writ
in cipher, and one that from some hidden angle might be clear enough.</p>
<p>Presently they handed the letter gravely back to me and set the lantern
down in the leaves. Jud was silent, like a man embarrassed, and Ump
stood for a moment fingering the buttons on his blue coat.</p>
<p>Finally he spoke. "What's in it?" he said.</p>
<p>"I don't know," I answered. I was sure that the man's face brightened,
but it might have been a fancy. Loud in the hooting of a principle, we
sometimes change mightily when it comes to breaking that principle
bare-handed.</p>
<p>"Are you goin' to look?" he said.</p>
<p>The letter was lying in my hand. I had but to plunge my fingers into the
open envelope, but something took me by the shoulder. "No," I answered,
and thrust the envelope in my pocket.</p>
<p>I take no airs for that decision. There was something here that these
men did not like to handle, and, in plain terms, I was afraid.</p>
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