<h2><SPAN name="CHAPTER_VII" id="CHAPTER_VII"></SPAN>CHAPTER VII.</h2>
<p>The two popular methods of holding a balance staff in
wax have been described and illustrated; the reader
may take his choice. The turning and finishing of the
other end of the staff is performed as previously described.
That portion on which the hair-spring collet goes should
be turned to nearly the proper size, making due allowance
for the grinding and polishing that is to come. The
balance seat should be slightly undercut, so that the balance
can be driven on tightly and all riveting dispensed
with. The size for the pivot can be determined from its
jewel, as previously described. Finish the ends of the
pivots flat and round the corners off slightly; and right
here comes a point worthy of consideration in all watch
work. Leave no absolutely square corners in any of
your work, but round them off very slightly. This may
seem a very little thing, but it is one of the small things
that go to make up first-class work. You can judge
pretty accurately of a watchmaker by the corners he
leaves on his work, as well as by the appearance of his
gravers and screw-drivers.</p>
<p>When your staff is completed and nicely polished,
remove from the wax and boil in alcohol to clean, and
when dried it is ready for the balance. Great care must
be exercised in removing the balance from the old staff,<span class="pagenum"><SPAN name="Page_40" id="Page_40">[Pg 40]</SPAN></span>
especially if it be a compensation balance, that you do not
distort it any way. If the balance has been riveted on
extra care will have to be exercised. The riveting may
be cut by means of a graver, or a hollow drill made from
Stubb's steel wire. The recess in the drill should just fit
over the shoulder left for the reception of the hair-spring
collet. The edge of the hollow drill has small teeth
formed upon it similar to a fine file, and will cut quite
rapidly.</p>
<p>After removing the balance, if it appears to be sprung
in the arms, the result of removal or previous bad treatment,
proceed to bend them straight, and then to true
up the rim carefully, and stake on with a flat end punch.
Now put on your roller and drive it down to the hub and
see that the roller is free from the fork. See that jewel pin
reaches fork properly and that the guard pin also reaches
the roller. See that your balance is free from the plate and
the bridge. If the balance is true and all right, you are
ready to put on your hair-spring. See that it is in beat.
It is well to make a mark on the balance before taking
off the old staff, showing positions of hair-spring stud and
jewel pin.</p>
<p>Three-quarter plate English lever and Swiss lever balance
staffs differ only in detail, except that they are
sprung under balances. The general operations for making,
however, are similar to those described.</p>
<p>I have not described the method of poising the balance
for two reasons; first, the mere poising of a balance for a
cheap movement is so simple that it needs no explanation;<span class="pagenum"><SPAN name="Page_41" id="Page_41">[Pg 41]</SPAN></span>
and second, to describe the poising of the balance of a
fine watch is a lengthy task, and can hardly be included
under the heading of staffing and pivoting. The ground
has been thoroughly and conscientiously covered by Mr.
J. L. Finn, in a little volume entitled Poising the Balance,<SPAN name="FNanchor_A_1" id="FNanchor_A_1"></SPAN><SPAN href="#Footnote_A_1" class="fnanchor">[A]</SPAN>
and I would advise all watchmakers, both young and old,
to read what he has to say.</p>
<p>Good pivoting is an art in itself, and although there are
many who undertake to do this work, there are but few
who can pivot a staff in such a manner that it will bear
close inspection under the glass. We often hear watchmakers
brag of the secrets they possess for hardening
pivot drills, but I fancy they would be somewhat surprised
if they traveled around a little, to find how many
watchmakers harden their drills in exactly the same way
that they do. The great secret, so-called, of making
good drills, is to first secure good steel, and then use
care to see that you do not burn it in the subsequent
operations. The fewer times the steel is heated the better.
My experience teaches me that you can do no better
than to select some nice pieces of Stubb's steel for your
pivot drills. Many watchmakers make their drills from
sewing needles, say No. 3 or 4, sharps. The steel in
these needles is usually of good quality, but the great
drawback is that a drill made from a needle will not resist
any great pressure, and is liable to break just at the time
that you have arrived at the most important point. If<span class="pagenum"><SPAN name="Page_42" id="Page_42">[Pg 42]</SPAN></span>
your drill is made from a piece of Stubb's steel wire, or an
old French or Swiss graver, you not only know that the
material in it is first-class, but you can leave the base of
the drill solid and substantial, with enough metal in it to
resist considerable pressure. The part of the drill which
actually enters the pivot is very short, and the end can be
turned down to the desired diameter. Turn or reduce
your wire by means of a pivot file so as to be smooth and
conical, as shown at <i>A</i>, <SPAN href="#f24">Fig. 24</SPAN>.</p>
<div class="figright"> <SPAN href="images/il42.jpg"> <ANTIMG id="f24" src="images/il42-th.jpg" alt="Fig. 24." /></SPAN> <p class="caption">Fig. 24.</p> </div>
<p>The conical form is given to the drill for exactly the same
reason that it is given to the balance pivots, because
it gives additional strength. Heat
to a very pale red for about one-half
inch from the end, and then spread
the point, as shown at <i>B</i>, <SPAN href="#f24">Fig. 24</SPAN>, by
a slight blow of the hammer. We
are now ready to temper our drill,
and we must exercise a little care
that the steel is not burnt and that the drill is not bent
or warped when hardening. The flame of the alcohol
lamp should be reduced as small as possible, or otherwise
the steel may become overheated and lose all its
good qualities. If needles are used for making drills
there is a great liability of their warping when hardening,
but when a larger piece of wire is used there is not much
danger, if care is exercised in introducing the drill that it
goes into the compound straight and point foremost. If
a needle is used, it is well to construct a shield for it, to
be used when heating and hardening. This shield can<span class="pagenum"><SPAN name="Page_43" id="Page_43">[Pg 43]</SPAN></span>
be made from a small piece of metal tubing, broached
out to fit loosely over the shank and point of the drill.
The drill is introduced into this shield as shown in <SPAN href="#f25">Fig.
25</SPAN>, and a little soap may be introduced into the end <i>a</i>
before plunging. Various hardening devices are used,
but in my experience beeswax or sealing wax will be
found as good as any. Heat the drill (or if a needle, the
drill and shield both), to a pale red and plunge straight
into the wax. In the latter case,
where the shield is used, the shield,
on striking the wax, will run up
the shank of the drill, allowing
the point to pierce the wax. Some watchmakers introduce
the extreme point of the drill into mercury first and
then plunge into the wax. This hardens the extreme
point of the drill very hard, so hard, in fact, that it
will penetrate the hardest steel, but care must be
exercised with such a drill because the mercury makes
it not only very hard but very brittle. <i>C</i>, <SPAN href="#f24">Fig. 24</SPAN>,
shows a drill after it has been finished on the Arkansas
stone. This shape of drill will withstand the pressure
necessary to drill into hard steel. Many watchmakers
reduce the temper of every staff before drilling. This, I
think, is quite unnecessary. There are very few cases
in which it is necessary to reduce the temper of the staff,
and even then it should only be reduced as far as it is to
be drilled, and then not in excess of a good spring temper.</p>
<div class="figleft"> <SPAN href="images/il43.jpg"> <ANTIMG id="f25" src="images/il43-th.jpg" alt="Fig. 25." /></SPAN> <p class="caption">Fig. 25.</p> </div>
<p>The centering of a staff in wax has been thoroughly
described and in pivoting the proceeding is the same as<span class="pagenum"><SPAN name="Page_44" id="Page_44">[Pg 44]</SPAN></span>
in staffing. After accurately centering your work, make
a small cut in the center for the reception of the drill and
make this mark deep enough to take the entire cutting
head of the drill. Keep the drill firmly pressed into this
center and kept wet constantly with turpentine. Do not
revolve the work all one way, but give the lathe an alternating
motion. At first give but a third or a half revolution
each way, until the drill begins to bite into the staff,
when you can then safely give it a full revolution each
way. Care must be exercised, however, not to give the
work too rapid a motion, for if you do the friction is apt
to draw down the temper of your drill. Many watchmakers
find that their drills cut well for a certain distance
and then refuse to work altogether, and one of the chief
reasons is that they are in too great a hurry with their
drilling.</p>
<p>If you find it absolutely necessary to reduce the hardness
of your staff before drilling, do so by drilling a hole
in the end of a small piece of copper wire that will just fit
over the part to be softened, and apply the heat to this
copper wire, say one-fourth of an inch from the staff.
The heat will run down the copper wire and heat the
staff just where you wish to draw the temper. Be careful
and do not draw the temper too much, nor let it
extend down the staff too far.</p>
<p>The plug for the new pivot should be carefully made,
perfectly round, with a very little taper, and should be
draw-filed before being driven in. Some workmen dip
the plug in acid before driving in, as they declare that the<span class="pagenum"><SPAN name="Page_45" id="Page_45">[Pg 45]</SPAN></span>
pivot is less liable to be loosened while turning, if so treated.
The acid simply rusts the pivot and the hole, but I cannot
see that this will hold it any more firmly in place
while finishing. If the taper is a gradual one and the
pivot a good close fit, there will be little danger of it
loosening while dressing to shape. If too great a taper
is given to the plug, there is danger of splitting the end
of the staff, and this involves the making of an entire new
staff.</p>
<p>The turning up of a new pivot does not differ in any
way from the instructions given for turning pivots on a
new staff. With a little care both in turning and finishing,
a new pivot can be put in so nicely that only the
initiated can tell it, and then only with the aid of a strong
glass.</p>
<p>In pivoting cylinders there is some danger of breaking
them. To avoid this, select a piece of joint wire, the
opening of which is slightly larger than the diameter of
the cylinder at the lower end, and cut off a piece the
length of the cylinder proper, leaving the pivot projecting.
Now fill the cylinder with lathe wax, and while the
wax is warm, slip on the joint wire. You can now proceed
to true up the pivot in the usual manner, and when
the wax is quite cold, proceed to turn and polish the pivot
before removing from the lathe. If the joint wire is
properly cemented on the cylinder, it is almost impossible
to break it. After all the work is done, the wax can be
dissolved in alcohol. In pivoting pinions to cylinder
escape-wheels and third wheels, it is not necessary to<span class="pagenum"><SPAN name="Page_46" id="Page_46">[Pg 46]</SPAN></span>
remove the wheels, but great care should be used in
handling. In the latter case use plenty of wax. Do all
your centering by the outside of the pinion. Perfect
centering and sharp tools are requisite to good pivoting.
Do not try to rush your work, especially while drilling.
Proceed deliberately with your work and aim to restore
the watch to the condition it was in originally, and you
will find staffing and pivoting is not half as hard as some
workmen would have you believe.</p>
<div class="footnote"><p><SPAN name="Footnote_A_1" id="Footnote_A_1"></SPAN><SPAN href="#FNanchor_A_1"><span class="label">[A]</span></SPAN> POISING THE BALANCE, by J. L. Finn, Geo. K. Hazlitt & Co., publishers,
Chicago.</p>
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