<h2><SPAN name="XLII_MISS_PRENDERGAST" id="XLII_MISS_PRENDERGAST"></SPAN>XLII. "MISS PRENDERGAST"</h2>
<p><i>As the curtain goes up two ladies are discovered in the morning-room of
Honeysuckle Lodge engaged in work of a feminine nature.</i> Miss Alice
Prendergast <i>is doing something delicate with a crochet-hook, but it is
obvious that her thoughts are far away. She sighs at intervals and
occasionally lays down her work and presses both hands to her heart. A
sympathetic audience will have no difficulty in guessing that she is in
love. On the other hand, her elder sister</i>, Miss Prendergast, <i>is
completely wrapped up in a sock for one of the poorer classes, over
which she frowns formidably. The sock, however, has no real bearing upon
the plot, and she must not make too much of it.</i></p>
<p><span class="smcap">Alice</span> (<i>hiding her emotions</i>). Did you have a pleasant dinner-party last
night, Jane?</p>
<p><span class="smcap">Jane</span> (<i>to herself</i>). Seventeen, eighteen, nineteen, twenty. (<i>Looking
up</i>.) Very pleasant indeed, Alice. The Blizzards were there, and the<span class="pagenum"><SPAN name="Page_320" id="Page_320">[Pg 320]</SPAN></span>
Podbys, and the Slumphs. (<i>These people are not important and should not
be over-emphasised.</i>) Mrs. Podby's maid has given notice.</p>
<p><span class="smcap">Alice.</span> Who took you in?</p>
<p><span class="smcap">Jane</span> (<i>brightening up</i>). Such an interesting man, my dear. He talked
most agreeably about Art during dinner, and we renewed the conversation
in the drawing-room. We found that we agreed upon all the main
principles of Art, considered as such.</p>
<p><span class="smcap">Alice</span> (<i>with a look in her eyes which shows that she is recalling a
tender memory</i>). When I was in Shropshire last week—— What was your
man's name?</p>
<p><span class="smcap">Jane</span> (<i>with a warning glance at the audience</i>). You know how difficult
it is to catch names when one is introduced. I am certain he never heard
mine. (<i>As the plot depends partly upon this, she pauses for it to sink
in.</i>) But I enquired about him afterwards, and I find that he is a
Mr.——</p>
<p class="blockquot"><i>Enter</i> Mary, <i>the parlourmaid.</i></p>
<p><span class="smcap">Mary</span> (handing letter). A letter for you, Miss.</p>
<p><span class="smcap">Jane</span> (<i>taking it</i>). Thank you, Mary. (<i>Exit</i><span class="pagenum"><SPAN name="Page_321" id="Page_321">[Pg 321]</SPAN></span> Mary <i>to work up her next
line.</i>) A letter! I wonder who it is from! (<i>Reading the envelope.</i>)
"Miss Prendergast, Honeysuckle Lodge." (<i>She opens it with the air of
one who has often received letters before, but feels that this one may
play an important part in her life.</i>) "Dear Miss Prendergast, I hope you
will pardon the presumption of what I am about to write to you, but
whether you pardon me or not, I ask you to listen to me. I know of no
woman for whose talents I have a greater admiration or for whose
qualities I have a more sincere affection than yourself. Since I have
known you, you have been the lodestar of my existence, the fountain of
my inspiration. I feel that, were your life joined to mine, the joint
path upon which we trod would be the path to happiness, such as I have
as yet hardly dared to dream of. In short, dear Miss Prendergast, I ask
you to marry me, and I will come in person for my answer. Yours truly
(<i>in a voice of intense surprise</i>) Jas. Bootle!"</p>
<p class="blockquot">(<i>At the word "Bootle" a wave of warm colour rushes over Alice and dyes
her from neck to brow. If she is not an actress of sufficient calibre to
ensure this, she must do the best she can by starting abruptly and
putting her hand to her throat.</i>)<span class="pagenum"><SPAN name="Page_322" id="Page_322">[Pg 322]</SPAN></span></p>
<p><span class="smcap">Alice</span> (<i>aside, in a choking voice</i>). Mr. Bootle! In love with Jane!</p>
<p><span class="smcap">Jane.</span> My dear! The man who took me down to dinner! Well!</p>
<p><span class="smcap">Alice</span> (<i>picking up her work again and trying to be calm</i>). What will you
say?</p>
<p><span class="smcap">Jane</span> (<i>rather pleased with herself</i>). Well, really—I—this is—Mr.
Bootle! Fancy!</p>
<p><span class="smcap">Alice</span> (<i>starting up</i>). Was that a ring? (<i>She frowns at the prompter and
a bell is heard to ring.</i>) It is Mr. Bootle! I know his ring, I mean I
know—— Dear, I think I will go and lie down. I have a headache.</p>
<p class="blockquot">(<i>She looks miserably at the audience, closes her eyes, and goes off
with her handkerchief to her mouth, taking care not to fall over the
furniture.</i>)</p>
<p class="blockquot"><i>Enter</i> Mary, <i>followed by James Bootle.</i></p>
<p><span class="smcap">Mary.</span> Mr. Bootle. (<i>Exit finally.</i>)</p>
<p><span class="smcap">Jane.</span> Good morning, Mr. Bootle.</p>
<p><span class="smcap">Bootle.</span> I beg—I thought—why, of course! It's Miss—er—h'm, yes. How
do you do? Did you get back safely last night?</p>
<p><span class="smcap">Jane.</span> Yes, thank you. (<i>Coyly.</i>) I got your letter.<span class="pagenum"><SPAN name="Page_323" id="Page_323">[Pg 323]</SPAN></span></p>
<p><span class="smcap">Bootle.</span> My letter? (<i>Sees his letter on the table. Furiously.</i>) You
opened my letter!</p>
<p><span class="smcap">Jane</span> (<i>mistaking his fury for passion</i>). Yes, James. And (<i>looking down
on the ground</i>) the answer is "Yes."</p>
<p><span class="smcap">Bootle</span> (<i>realising the situation</i>). By George! (<i>Aside.</i>) I have
proposed to the wrong lady. Tchck!</p>
<p><span class="smcap">Jane.</span> You may kiss me, James.</p>
<p><span class="smcap">Bootle.</span> Have you a sister?</p>
<p><span class="smcap">Jane</span> (<i>missing the connection</i>). Yes, I have a younger sister, Alice.
(<i>Coldly.</i>) But I hardly see——</p>
<p><span class="smcap">Bootle</span> (<i>beginning to understand how he made the mistake</i>). A younger
sister! Then you are Miss Prendergast? And my letter—Ah!</p>
<p class="blockquot"><i>Enter</i> Alice.</p>
<p><span class="smcap">Alice.</span> You are wanted, Jane, a moment.</p>
<p><span class="smcap">Jane.</span> Will you excuse me, Mr. Bootle?</p>
<p class="blockquot">(<i>Exit.</i>)</p>
<p><span class="smcap">Bootle</span> (<i>to Alice, as she follows her sister out</i>). Don't go!</p>
<p><span class="smcap">Alice</span> (<i>wanly, if she knows how</i>). Am I to stay and congratulate you?</p>
<p><span class="smcap">Bootle.</span> Alice! (<i>They approach the footlights, while</i> Jane, <i>having
finished her business,</i><span class="pagenum"><SPAN name="Page_324" id="Page_324">[Pg 324]</SPAN></span><i> comes in unobserved and watches from the back.</i>)
It is all a mistake! I didn't know your Christian name—I didn't know
you had a sister. The letter I addressed to Miss Prendergast I meant for
Miss Alice Prendergast.</p>
<p><span class="smcap">Alice.</span> James! My love! But what can we do?</p>
<p><span class="smcap">Bootle</span> (<i>gloomily</i>). Nothing. As a man of honour I cannot withdraw. So
two lives are ruined!</p>
<p><span class="smcap">Alice.</span> You are right, James. Jane must never know. Good-bye!</p>
<p class="blockquot">(<i>They give each other a farewell embrace.</i>)</p>
<p><span class="smcap">Jane</span> (<i>aside</i>). They love. (<i>Fiercely.</i>) But he is mine; I will hold him
to his promise! (<i>Picking up a photograph of Alice as a small child from
an occasional table.</i>) Little Alice! And I promised to take care of
her—to protect her from the cruel world. Baby Alice! (<i>She puts her
handkerchief to her eyes.</i>) No! I will not spoil two lives! (<i>Aloud.</i>)
Why good-bye, Alice?</p>
<p class="blockquot">(Bootle <i>and</i> Alice, <i>who have been embracing all this time, unless they
can think of something else to do, break away in surprise.</i>)</p>
<p><span class="smcap">Alice.</span> Jane—we—I—<span class="pagenum"><SPAN name="Page_325" id="Page_325">[Pg 325]</SPAN></span>—</p>
<p><span class="smcap">Jane</span> (<i>calmly</i>). Dear Alice! I understand perfectly. Mr. Bootle said in
his letter to you that he was coming for his answer, and I see what
answer you have given him. (<i>To</i> Bootle.) You remember I told you it
would be "Yes." I know my little sister, you see.</p>
<p><span class="smcap">Bootle</span> (<i>tactlessly</i>). But—you told me I could kiss you!</p>
<p><span class="smcap">Jane</span> (<i>smiling</i>). And I tell you again now. I believe it is usual for
men to kiss their sisters-in-law? (<i>She offers her cheek.</i> Bootle,
<i>whose day it is, salutes her respectfully.</i>) And now (<i>gaily</i>) perhaps
I had better leave you young people alone!</p>
<p class="blockquot">(<i>Exit, with a backward look at the audience expressive of the fact that
she has been wearing the mask.</i>)</p>
<p><span class="smcap">Bootle.</span> Alice, then you are mine, after all!</p>
<p><span class="smcap">Alice.</span> James! (<i>They k—— No, perhaps better not. There has been quite
enough for one evening.</i>) And to think that she knew all the time. Now I
am quite, quite happy. And James—you <i>will</i> remember in future that I
am Miss <i>Alice</i> Prendergast?</p>
<p><span class="smcap">Bootle</span> (<i>gaily</i>). My dear, I shall only be able to remember that you are
The Future Mrs. Bootle!</p>
<p class="center">CURTAIN.<span class="pagenum"><SPAN name="Page_326" id="Page_326">[Pg 326]</SPAN></span></p>
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