<h2><SPAN name="XLI_A_SLIGHT_MISUNDERSTANDING" id="XLI_A_SLIGHT_MISUNDERSTANDING"></SPAN>XLI. "A SLIGHT MISUNDERSTANDING"</h2>
<p><i>The scene is a drawing-room (in which the men are allowed to smoke—or
a smoking-room in which the women are allowed to draw—it doesn't much
matter) in the house of somebody or other in the country.</i> George
Turnbull <i>and his old College friend</i>, Henry Peterson, <i>are confiding in
each other, as old friends will, over their whiskies and cigars. It is
about three o'clock in the afternoon.</i></p>
<p><span class="smcap">George</span> (<i>dreamily, helping himself to a stiff soda</i>). Henry, do you
remember that evening at Christ Church College, five years ago, when we
opened our hearts to each other?...</p>
<p><span class="smcap">Henry</span> (<i>lighting a cigar and hiding it in a fern-pot</i>). That moonlight
evening on the Backs, George, when I had failed in my Matriculation
examination?</p>
<p><span class="smcap">George.</span> Yes; and we promised that when either of us fell in love the
other should be the first<span class="pagenum"><SPAN name="Page_313" id="Page_313">[Pg 313]</SPAN></span> to hear of it? (<i>Rising solemnly.</i>) Henry,
the moment has come. (<i>With shining eyes.</i>) I am in love.</p>
<p><span class="smcap">Henry</span> (<i>jumping up and grasping him by both hands</i>). George! My dear old
George! (<i>In a voice broken with emotion.</i>) Bless you, George!</p>
<p class="blockquot">(<i>He pats him thoughtfully on the back three times, nods his own head
twice, gives him a final grip of the hand, and returns to his chair.</i>)</p>
<p><span class="smcap">George</span> (<i>more moved by this than he cares to show</i>). Thank you, Henry.
(<i>Hoarsely.</i>) You're a good fellow.</p>
<p><span class="smcap">Henry</span> (<i>airily, with a typically British desire to conceal his
emotion</i>). Who is the lucky little lady?</p>
<p><span class="smcap">George</span> (<i>taking out a picture postcard of the British Museum and kissing
it passionately</i>). Isobel Barley!</p>
<p class="blockquot">(<i>If</i> Henry <i>is not careful he will probably give a start of surprise
here, with the idea of suggesting to the audience that he</i> (1) <i>knows
something about the lady's past, or</i> (2) <i>is in love with her himself.
He is, however, thinking of a different play. We shall come to that one
in a moment.</i>)<span class="pagenum"><SPAN name="Page_314" id="Page_314">[Pg 314]</SPAN></span></p>
<p><span class="smcap">Henry</span> (<i>in a slightly dashing manner</i>). Little Isobel? Lucky dog!</p>
<p><span class="smcap">George.</span> I wish I could think so. (<i>Sighs.</i>) But I have yet to approach
her, and she may be another's. (<i>Fiercely.</i>) Heavens, Henry, if she
should be another's!</p>
<p class="blockquot"><i>Enter</i> Isobel.</p>
<p><span class="smcap">Isobel</span> (<i>brightly</i>). So I've run you to earth at last. Now what have you
got to say for yourselves?</p>
<p><span class="smcap">Henry</span> (<i>like a man</i>). By Jove! (<i>Looking at his watch.</i>) I had no
idea—is it really—poor old Joe—waiting——</p>
<p class="blockquot">(<i>Dashes out tactfully in a state of incoherence.</i>)</p>
<p><span class="smcap">George</span> (<i>rising and leading</i> Isobel <i>to the front of the stage</i>). Miss
Barley, now that we are alone I have something I want to say to you.</p>
<p><span class="smcap">Isobel</span> (<i>looking at her watch</i>). Well, you must be quick. Because I'm
engaged.</p>
<p class="blockquot">(<i>George drops her hand and staggers away from her.</i>)</p>
<p><span class="smcap">Isobel.</span> Why, what's the matter?</p>
<p><span class="smcap">George</span> (<i>to the audience, in a voice expressing</i><span class="pagenum"><SPAN name="Page_315" id="Page_315">[Pg 315]</SPAN></span><i> the very deeps of
emotion</i>). Engaged! She is engaged! I am too late!</p>
<p class="blockquot">(<i>He sinks into a chair, and covers his face with his hands.</i>)</p>
<p><span class="smcap">Isobel</span> (<i>surprised</i>). Mr. Turnbull! What has happened?</p>
<p><span class="smcap">George</span> (<i>waving her away with one hand</i>). Go! Leave me! I can bear this
best alone. (<i>Exit Isobel.</i>) Merciful heavens, she is plighted to
another.</p>
<p class="blockquot"><i>Enter</i> Henry.</p>
<p><span class="smcap">Henry</span> (<i>eagerly</i>). Well, old man?</p>
<p><span class="smcap">George</span> (<i>raising a face white with misery—that is to say, if he has
remembered to put the French chalk in the palms of his hands</i>). Henry, I
am too late! She is another's!</p>
<p><span class="smcap">Henry</span> (<i>in surprise</i>). Whose?</p>
<p><span class="smcap">George</span> (<i>with dignity</i>). I did not ask her. It is nothing to me.
Good-bye, Henry. Be kind to her.</p>
<p><span class="smcap">Henry.</span> Why, where are you going?</p>
<p><span class="smcap">George</span> (<i>firmly</i>). To the Rocky Mountains. I shall shoot some bears.
Grizzly ones. It may be that thus I shall forget my grief.</p>
<p><span class="smcap">Henry</span> (<i>after a pause</i>). Perhaps you are right, George. What shall I
tell—her?<span class="pagenum"><SPAN name="Page_316" id="Page_316">[Pg 316]</SPAN></span></p>
<p><span class="smcap">George.</span> Tell her—nothing. But should anything (<i>feeling casually in his
pockets</i>) happen to me—if (<i>going over them again quickly</i>) I do not
come back, then (<i>searching them all, including the waist coat ones, in
desperate haste</i>) give her, give her, give her (<i>triumphantly bringing
his handkerchief out of the last pocket</i>) this, and say that my last
thought was of her. Good-bye, my old friend. Good-bye.</p>
<p class="blockquot">(<i>Exit to Rocky Mountains.</i>)</p>
<p class="blockquot"><i>Enter</i> Isobel.</p>
<p><span class="smcap">Isobel.</span> Why, where's Mr. Turnbull?</p>
<p><span class="smcap">Henry</span> (<i>sadly</i>). He's gone.</p>
<p><span class="smcap">Isobel.</span> Gone? Where?</p>
<p><span class="smcap">Henry.</span> To the Rocky Mountains. To shoot bears. (<i>Feeling that some
further explanation is needed.</i>) Grizzly ones.</p>
<p><span class="smcap">Isobel.</span> But he was <i>here</i> a moment ago.</p>
<p><span class="smcap">Henry.</span> Yes, he's only <i>just</i> gone.</p>
<p><span class="smcap">Isobel.</span> Why didn't he say good-bye? (<i>Eagerly.</i>) But perhaps he left a
message for me? (<i>Henry shakes his head.</i>) Nothing? (<i>Henry bows
silently and leaves the room.</i>) Oh! (<i>She gives a cry and throws herself
on the sofa.</i>) And I loved him! George, George, why didn't you speak?<span class="pagenum"><SPAN name="Page_317" id="Page_317">[Pg 317]</SPAN></span></p>
<p class="blockquot"><i>Enter</i> George <i>hurriedly. He is fully dressed for a shooting expedition
in the Rocky Mountains, and carries a rifle under his arm.</i></p>
<hr style='width: 45%;' />
<p><span class="smcap">George</span> (<i>to the audience</i>). I have just come back for my
pocket-handkerchief. I must have dropped it in here somewhere. (<i>He
begins to search for it, and in the ordinary course of things comes
upon</i> Isobel <i>on the sofa. He puts his rifle down carefully on a table,
with the muzzle pointing at the prompter rather than at the audience,
and staggers back.</i>) Merciful heavens! Isobel! Dead! (<i>He falls on his
knees beside the sofa.</i>) My love, speak to me!</p>
<p><span class="smcap">Isobel</span> (<i>softly</i>). George!</p>
<p><span class="smcap">George.</span> She is alive! Isobel!</p>
<p><span class="smcap">Isobel.</span> Don't go, George!</p>
<p><span class="smcap">George.</span> My dear, I love you! But when I heard that you were another's,
honour compelled me——</p>
<p><span class="smcap">Isobel</span> (<i>sitting up quickly</i>). What do you mean by another's?</p>
<p><span class="smcap">George.</span> You said you were engaged!</p>
<p><span class="smcap">Isobel</span> (<i>suddenly realising how the dreadful misunderstanding arose
which nearly wrecked two lives</i>). But I only meant I was engaged to play
tennis with Lady Carbrook!<span class="pagenum"><SPAN name="Page_318" id="Page_318">[Pg 318]</SPAN></span></p>
<p><span class="smcap">George.</span> What a fool I have been! (<i>He hurries on before the audience can
assent.</i>) Then, Isobel, you <i>will</i> be mine?</p>
<p><span class="smcap">Isobel.</span> Yes, George. And you won't go and shoot nasty bears, will you,
dear? Not even grizzly ones?</p>
<p><span class="smcap">George</span> (<i>taking her in his arms</i>). Never, darling. That was only
(<i>turning to the audience with the air of one who is making his best
point</i>) <span class="smcap">A slight misunderstanding.</span></p>
<p class="center">CURTAIN.<span class="pagenum"><SPAN name="Page_319" id="Page_319">[Pg 319]</SPAN></span></p>
<hr style="width: 65%;" />
<div style="break-after:column;"></div><br />