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<h2><SPAN name="II_HOW_WE_PLAY_THE_PIANOLA" id="II_HOW_WE_PLAY_THE_PIANOLA"></SPAN>II. HOW WE PLAY THE PIANOLA</h2> <div class="blockquot"><p>[FOREWORD. Margery wishes me to publish the following correspondence, which has recently passed between us. It occurs to me that the name under which I appear in it may perhaps need explanation. I hate explanations, but here it is.</p> <p>When Margery was eight months old, she was taught to call me "Uncle." I must suppose that at this time I was always giving her things—things she really wanted, such as boot-laces, the best china, evening papers and so on—which had been withheld by those in authority. Later on, these persons came round to my way of thinking, and gave her, if not the best china, at any rate cake and bread-and-butter. Naturally their offerings, being appreciated at last, were greeted with the familiar cry of "Uncle," "No, dear, not 'Uncle,' 'Thank-you,'" came the correction.] </p> </div> <h3>I</h3> <div class="letter"> <span><i>Dear Thankyou</i>,—I've some wonderful news for you! Guess what it is; but no, you never will. Well, I'll tell you. I can walk! Really and really.</span> <span>It is most awfully interesting. You put one foot out to the right, and then you bring the left after it. That's one walk, and I have done seven altogether.<span class="pagenum"><SPAN name="Page_21" id="Page_21">[Pg 21]</SPAN></span> You have to keep your hands out in front of you, so as to balance properly. That's all the rules—the rest is just knack. I got it quite suddenly. It is such fun; I wake up about five every morning now, thinking of it.</span> <span>Of course I fall down now and then. You see, I'm only beginning. When I fall, Mother comes and picks me up. That reminds me, I don't want you to call me "Baby" any more now I can walk. Babies can't walk, they just get carried about and put in perambulators. I was given a lot of names a long time ago, but I forget what they were. I think one was rather silly, like Margery, but I have never had it used lately. Mother always calls me O.D. now.</span> <span>Good-bye. Write directly you get this.</span> <span class="greet">Your loving,</span><br/> <span class="sig">O.D.</span><br/></div> <h3>II</h3> <div class="letter"> <span><i>My Dear O.D.</i>,—I was so glad to get your letter, because I was just going to write to you. What do you think? No, you'll never guess—shall I tell you?—no—yes—no; well, I've bought a pianola!</span> <span>It's really rather difficult to play it properly. I know people like Paderewski and—I can only think of Paderewski for the moment, I know that sort of person doesn't think much of the pianola artist; but they are quite wrong about it all. The mechanical agility<span class="pagenum"><SPAN name="Page_22" id="Page_22">[Pg 22]</SPAN></span> with the fingers is nothing, the soul is everything. Now you can get the soul, the <i>con molto expressione</i> feeling, just as well in the pianola as in the piano. Of course you have to keep a sharp eye on the music. Some people roll it off just like a barrel-organ; but when I see <i>Allegro</i> or <i>Andante</i> or anything of that kind on the score, I'm on it like a bird.</span> <span>No time for more now, as I've just got a new lot of music in.</span> <span class="greet">Your loving,</span><br/> <span class="sig">Thankyou.</span><br/> <span>P.S.—When are you coming to hear me play? I did "Mumbling Mose" just now, with one hand and lots of soul.</span> <span style='margin-left:55%;'>(Signed) <span style="display:inline; font-variant:small-caps;">Paderewski.</span></span><br/> <span>P.P.S.—I am glad you can walk.</span></div> <h3>III</h3> <div class="letter"> <span><i>Dear Thankyou</i>,—I am rather upset about my walking. You remember I told you I had done seven in my last? Well, this morning I couldn't do a single one! Well, I did do one, as a matter of fact, but I suppose some people would say it didn't count, because I fell down directly after, though I don't see that that matters,—do you, Thankyou? But even with that one it was only one, and yet I know I did seven the day before. I wonder why it is. I do it the right way, I'm sure, and I keep my hands out so as to<span class="pagenum"><SPAN name="Page_23" id="Page_23">[Pg 23]</SPAN></span> balance, so perhaps it's the shoes that are wrong. I must ask Mother to get me a new pair, and tell the man they're for walks.</span> <span>Now do write me a nice long letter, Thankyou, because I feel very miserable about this. It is right, isn't it, when you have the right leg out, only to bring the left one just up to it, and not beyond? And does it matter which foot you start with? Let me know quickly, because Father is coming home to-morrow and I want to show him.</span> <span class="greet">Your loving,</span><br/> <span class="sig">O.D.</span><br/> <span>P.S.—I am glad you like your pianola.</span></div> <h3>IV</h3> <div class="letter"> <span><i>Dear O.D.</i>,—Very glad to get yours. If you really want a long letter, you shall have one; only I warn you that if once I begin nothing less than any earthquake can stop me. Well, first, then, I played the Merry Widow Waltz yesterday to Mrs. Polacca, who is a great authority on music, and in with all the Queen's Hall set, and she said that my touch reminded her of—I've forgotten the man's name now, which is rather sickening, because it spoils the story a bit, but he was one of the real tiptoppers who makes hundreds a week, and well, that was the sort of man I reminded her of. If I can do that with a waltz, it stands to reason that with something classic there'd<span class="pagenum"><SPAN name="Page_24" id="Page_24">[Pg 24]</SPAN></span> be no holding me. I think I shall give a recital. Tickets 10/6d. No free seats. No emergency exit. It is a great mistake to have an emergency exit at a recital.</span> <p class="center">(<i>Three pages omitted.</i>)</p> <span>Really, O.D., you must hear me doing the double F in the Boston Cake Walk to get me at my best. You've heard Kubelik on the violin? Well, it's not a bit like that, and yet there's just the something which links great artists together, no matter what their medium of expression.</span> <span class="greet">Your loving,</span><br/> <span class="sig">Thankyou.</span><br/> <span>P.S.—Glad you're getting on so well with your walking.</span></div> <h3>V</h3> <div class="letter"> <span><i>Dearest Thankyou</i>,—Hooray, hooray, hooray—I did twenty-five walks to-day! Father counted. He says my style reminds him of "<i>Cancer Vulgaris</i>" rather. How many times can he do it? Not twenty-five on the third day, I'm sure.</span> <span>Isn't it splendid of me? I see now where I was wrong yesterday. I got the knack again suddenly this morning, and I'm all right now. To-morrow I shall walk round the table. It is a longish way and there are four turns, which I am not sure about. How do you turn? I suppose you put the right hand out?</span> <span class="greet">Your very loving,</span><br/> <span class="sig">O.D.</span><br/></div> <p><span class="pagenum"><SPAN name="Page_25" id="Page_25">[Pg 25]</SPAN></span></p> <h3>VI</h3> <div class="letter"> <span><i>Dear O.D.</i>,—I am rather hurt by your letters. I have written several times to tell you all about my new pianola, and you don't seem to take any interest at all. I was going to have told you this time that the man in the flat below had sent me a note, just as if it had been a real piano. He says he doesn't mind my playing all day, so long as I don't start before eight in the morning, as he is in his bath then, and in listening to the music quite forgets to come out sometimes, which I can see might be very awkward.</span> <span class="greet">Write to yours affectionately,</span> <span class="sig">Thankyou.</span></div> <h3>VII</h3> <div class="letter"> <span><i>Darling Thankyou</i>,—I am so sorry, dear, and I will come and hear your pianola to-morrow, and I think it lovely, and you must be clever to play it so well; but you musn't be angry with me because I am so taken up with my walking. You see, it is all so new to me. I feel as though I want everybody to know all about it.</span> <span>Your pianola must be lovely, Thankyou. Dear Thankyou, could you, do you think, put all the letters we wrote to each other about my walking in some book, so that other people would know how to do it the way I do? You might call it "Letters on Walk<span class="pagenum"><SPAN name="Page_26" id="Page_26">[Pg 26]</SPAN></span>ing," or "How to Walk," or—but you could get a better title than I could. Do!</span> <span class="greet">Your very loving,</span><br/> <span class="sig">O.D.</span><br/> <span>P.S.—I'm so glad about the pianola and do you mind if I just tell you that I did walk round the table, corners and all?</span></div> <h3>VIII</h3> <div class="letter"> <span><i>Dearest O.D.</i>,—Right you are. I will think of a good title.</span> <span class="greet">Your loving,</span><br/> <span class="sig">Thankyou.</span><br/></div> <p><span class="pagenum"><SPAN name="Page_27" id="Page_27">[Pg 27]</SPAN></span></p> <hr style="width: 65%;" /> <div style="break-after:column;"></div><br />

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