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<h2> CHAPTER III </h2>
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CONCERNING OTHER PEOPLE'S CATS
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<p>Every observing reader of Mrs. Harriet Prescott Spofford's
stories knows that she is fond of cats and understands them.
Her heroines usually have, among other feminine belongings
and accessories, one or more cats. "Four great Persian cats
haunted her every footstep," she says of Honor, in the
"Composite Wife." "A sleepy, snowy creature like some
half-animated ostrich plume; a satanic thing with fiery eyes
that to Mr. Chipperley's perception were informed with the
very bottomless flames; another like a golden fleece,
caressing, half human; and a little mouse-colored imp whose
bounds and springs and feathery tail-lashings not only did
infinite damage among the Venetian and Dresden
knick-knackerie, but among Mr. Chipperley's nerves."</p>
<p>In her beautiful, old-fashioned home at Newburyport, Mass.,
she has two beloved cats. But I will not attempt to improve
on her own account of them:—</p>
<p>"As for my own cats,—their name has been legion,
although a few remain preeminent. There was Miss Spot who
came to us already named, preferring our domicile to the
neighboring one she had. Her only son was so black that he
was known as Ink Spot, but her only daughter was so
altogether ideal and black, too, that she was known as Beauty
Spot. Beauty Spot led a sorrowful life, and was fortunately
born clothed in black or her mourning would have been
expensive, as she was always in a bereaved condition, her
drowned offspring making a shoal in the Merrimac, although
she had always plenty left. She solaced herself with music.
She would never sit in any one's lap but mine, and in mine
only when I sang; and then only when I sang 'The Last Rose of
Summer.' This is really true. But she would spring into my
husband's lap if he whistled. She would leave her sleep
reluctantly, start a little way, and retreat, start and
retreat again, and then give one bound and light on his knee
or his arm and reach up one paw and push it repeatedly across
his mouth like one playing the jew's-harp; I suppose to get
at the sound. She always went to walk with us and followed us
wherever we went about the island.</p>
<p>"Lucifer and Phosphor have been our cats for the last ten
years: Lucifer, entirely black, Phosphor, as yellow as
saffron, a real golden fleece. My sister lived in town and
going away for the summer left her cat in a neighbor's care,
and the neighbor moved away meanwhile and left the cat to
shift for herself. She went down to the apothecary's, two
blocks away or more. There she had a family of kittens, but
apparently came up to reconnoitre, for on my sister's return,
she appeared with one kitten and laid it down at Kate's feet;
ran off, and in time came with another which she left also,
and so on until she had brought up the whole household.
Lucifer was one of them.</p>
<p>"He was as black as an imp and as mischievous as one. His
bounds have always been tremendous: from the floor to the
high mantel, or to the top of a tall buffet close under the
ceiling. And these bounds of his, together with a way he has
of gazing into space with his soulful and enormous yellow
eyes, have led to a thousand tales as to his nightly
journeyings among the stars; hurting his foot slumping
through the nebula in Andromeda; getting his supper at a
place in the milky way, hunting all night with Orion, and
having awful fights with Sirius. He got his throat cut by
alighting on the North Pole one night, coming down from the
stars. The reason he slumps through the nebula is on account
of his big feet; he has six toes (like the foot in George
Augustus Sala's drawing) and when he walks on the top of the
piazza you would think it was a burglar.</p>
<p>"Lucifer's Mephistophelian aspect is increased not only by
those feet, but by an arrow-pointed tail. He sucks his
tail,—alas, and alas! In vain have we peppered it, and
pepper-sauced it, and dipped it in Worcestershire sauce and
in aloes, and done it up in curl papers, and glued on it the
fingers of old gloves. At last we gave it up in despair, and
I took him and put his tail in his mouth and told him to take
his pleasure,—and that is the reason, I suppose, that
he attaches himself particularly to me. He is very
near-sighted with those magnificent orbs, for he will jump
into any one's lap, who wears a black gown, but jump down
instantly, and when he finds my lap curl down for a brief
season. But he is not much of a lap-loving cat. He puts up
his nose and smells my face all over in what he means for a
caress, and is off. He is not a large eater, although he has
been known to help himself to a whole steak at the table,
being alone in the dining room; and when poultry are in the
larder he is insistent till satisfied. But he wants his
breakfast early. If the second girl, whose charge he is, does
not rise in season, he mounts two flights of stairs and seats
himself on her chest until she does rise. Then if she does
not wait on him at once, he goes into the drawing-room, and
springs to the top of the upright piano, and deliberately
knocks off the bric-a-brac, particularly loving to encounter
and floor a brass dragon candlestick. Then he springs to the
mantel-shelf if he has not been seized and appeased, and
repeats operations, and has even carried his work of
destruction around the room to the top of a low bookcase and
has proved himself altogether the wrong sort of person in a
china-shop.</p>
<p>"However, it is conceded in the family that Phosphor is not a
cat merely: he is a person, and Lucifer is a spirit. Lucifer
seldom purrs—I wonder if that is a characteristic of
black cats?" [No; my black cats fairly roar.] "A little
thread of sound, and only now and then, when very happy and
loving, a rich, full strain. But Phosphor purrs like a
windmill, like an electric car, like a tea-kettle, like a
whole boiled dinner. When Phosphor came, Lucifer, six weeks
her senior (Phosphor's excellencies always incline one to say
'she' of him), thought the little live yellow ball was made
only for him to play with, and he cuffed and tossed him
around for all he was worth, licked him all over twenty times
a day, and slept with his arms about him. During those early
years Phosphor never washed himself, Lucifer took such care
of him, and they were a lovely sight in each other's arms
asleep. But of late years a coolness has intervened, and now
they never speak as they pass by. They sometimes go fishing
together, Lucifer walking off majestically alone, always
dark, mysterious, reticent, intent on his own affairs, making
you feel that he has a sort of lofty contempt for yours.
Sometimes, the mice depositing a dead fish in the crannies of
the rocks, Lucifer appears with it in the twilight, gleaming
silver-white in his jaws, and the great eyes gleaming like
fire-balls above it. Phosphor is, however, a mighty hunter:
mice, rats by the score, chipmunks,—all is game that
comes to his net. He has cleaned out whole colonies of
catbirds (for their insolence), and eaten every golden robin
on the island.</p>
<p>"It used to be very pretty to see them, when they were
little, as El Mahdi, the peacock, spread his great tail, dart
and spring upon it, and go whirling round with it as El
Mahdi, fairly frantic with the little demons that had hold of
him, went skipping and springing round and round. But
although so fierce a fighter, so inhospitable to every other
cat, Phosphor is the most affectionate little soul. He is
still very playful, though so large, and last summer to see
him bounding on the grass, playing with his tail, turning
somersaults all by himself, was quite worth while. When we
first happened to go away in his early years he wouldn't
speak to us when we came back, he felt so neglected. I went
away for five months once, before Lucifer was more than a
year old. He got into no one's lap while I was gone, but the
moment I sat down on my return, he jumped into mine, saluted
me, and curled himself down for a nap, showing the plainest
recognition. Now when one comes back, Phosphor is wild with
joy—always in a well-bred way. He will get into your
arms and on your shoulder and rub his face around, and before
you know it his little mouth is in the middle of your mouth
as much like a kiss as anything can be. Perhaps it isn't so
well bred, but his motions are so quick and perfect it seems
so. When you let him in he curls into heaps of joy, and
fairly stands on his head sometimes. He is the most
responsive creature, always ready for a caress, and his wild,
great amber eyes beam love, if ever love had manifestation.
His beauty is really extraordinary; his tail a real wonder.
Lucifer, I grieve to say, looks very moth-eaten. Phosphor
wore a bell for a short time once—a little Inch-Cape
Rock bell—but he left it to toll all winter in a tall
tree near the drawing-room window.</p>
<p>"A charm of cats is that they seem to live in a world of
their own, just as much as if it were a real dimension of
space; and speaking of a fourth dimension, I am living in the
expectation that the new discoveries in the matter of radiant
energy will presently be revealing to all our senses the fact
that there is no death.</p>
<p>"We had some barn kittens once that lived in the hen-house,
ate with the hens, and quarrelled with them for any tidbit.
They curled up in the egg boxes and didn't move when the hens
came to lay, and evidently had no idea that they were not
hens.</p>
<p>"Oh, there is no end to the cat situation. It began with the
old fellow who put his hand under the cat to lift her up, and
she arched her back higher and higher until he found it was
the serpent Asgard, and it won't end with you and me. I don't
know but she <i>is</i> the serpent Asgard. I don't know if
you have hypnotized or magnetized me, but I am writing as if
I had known you intimately all my life, and feel as though I
had. It is the freemasonry of cats. I always said they were
possessed of spirits, and they use white magic to bring their
friends together."</p>
<p>Mrs. Spofford's "barn kittens" bring to mind an incident
related by Mrs. Wood, the beautiful wife of Professor C.G.
Wood, of the Harvard Medical School. At their summer place on
Buzzard's Bay she has fifteen cats, mostly Angoras, Persians,
and coons, with several dogs. These cats follow her all about
the place in a regular troop, and a very handsome troop they
are, with their waving, plumy tails tipped gracefully over at
the ends as if saluting their superior officer. Among the
dogs is a spaniel named Gyp that is particularly friendly
with the cats. There are plenty of hens on the farm, and one
spring a couple of bantams were added to the stock. The cats
immediately took a great fancy to these diminutive bipeds,
and watched them with the greatest interest. Finally the
little hen had a flock of chickens. As the weather was still
cold, the farmer put them upstairs in one of the barns, and
every day Gyp would take seven or eight of those cats up
there to see the fluffy little things. Dog and cats would
seat themselves around the bantam and her brood and watch
them by the hour, never offering to touch the chickens except
when the little things were tired and went for a nap under
their mother's wings; and then some cat—first one and
then another—would softly poke its paw under the hen
and stir up the family, making them all run out in
consternation, and keeping things lively once more. The cats
didn't dream of catching the chickens, only wanting,
evidently, that they should emulate Joey and keep moving on.</p>
<p>A writer in the <i>London Spectator</i> tells of a favorite
bantam hen with which the house cat has long been accustomed
to play. This bantam has increased and multiplied, and keeps
her family in a "coop" on the ground,—into which rats
easily enter. At bedtime, however, pussy takes up her
residence there, and bantam, the brood of chickens, and pussy
sleep in happy harmony nightly. If any rats arrive, their
experience must be sad and sharp. Another writer in the same
number tells of a cat in Huddersfield, England, belonging to
Canon Beardsley, who helps himself to a reel of cotton from
the work-basket, takes it on the floor, and plays with it as
long as he likes, and then jumps up and puts the reel back in
its place again; just as our Bobinette used to get his
tape-measure, although the latter never was known to put it
away.</p>
<p>Miss Sarah Orne Jewett is a cat-lover, too, and the dear old
countrywomen "down in Maine," with whom one gets acquainted
through her books, usually keep a cat also. Says she:—</p>
<p>"I look back over so long a line of family cats, from a
certain poor Spotty who died an awful death in a fit on the
flagstones under the library window when I was less than five
years old, to a lawless, fluffy, yellow and white coon cat
now in my possession, that I find it hard to single out the
most interesting pussy of all. I shall have to speak of two
cats at least, one being the enemy and the other the friend
of my dog Joe. Joe and I grew up together and were fond
companions, until he died of far too early old age and left
me to take my country walks alone.</p>
<p>"Polly, the enemy, was the best mouser of all: quite the best
business cat we ever had, with an astonishing intellect and a
shrewd way of gaining her ends. She caught birds and mice as
if she foraged for our whole family: she had an air of
responsibility and a certain impatience of interruption and
interference such as I have never seen in any other cat, and
a scornful way of sitting before a person with fierce eyes
and a quick, ominous twitching of her tail. She seemed to be
measuring one's incompetence as a mouse-catcher in these
moments, or to be saying to herself, 'What a clumsy, stupid
person; how little she knows, and how I should like to
scratch her and hear her squeak.' I sometimes felt as if I
were a larger sort of helpless mouse in these moments, but
sometimes Polly would be more friendly, and even jump into
our laps, when it was a pleasure to pat her hard little head
with its exquisitely soft, dark tortoise-shell fur. No matter
if she almost always turned and caught the caressing hand
with teeth and claws, when she was tired of its touch, you
would always be ready to pat her next time; there was such a
fascination about her that any attention on her part gave a
thrill of pride and pleasure. Every guest and stranger
admired her and tried to win her favor: while we of the
household hid our wounds and delighted in her cleverness and
beauty.</p>
<p>"Polly was but a small cat to have a mind. She looked quite
round and kittenish as she sat before the fire in a rare
moment of leisure, with her black paws tucked under her white
breast and her sleek back looking as if it caught flickers of
firelight in some yellow streaks among the shiny black fur.
But when she walked abroad she stretched out long and thin
like a little tiger, and held her head high to look over the
grass as if she were threading the jungle. She lashed her
tail to and fro, and one turned out of her way instantly. You
opened a door for her if she crossed the room and gave you a
look. She made you know what she meant as if she had the gift
of speech: at most inconvenient moments you would go out
through the house to find her a bit of fish or to open the
cellar door. You recognized her right to appear at night on
your bed with one of her long-suffering kittens, which she
had brought in the rain, out of a cellar window and up a
lofty ladder, over the wet, steep roofs and down through a
scuttle into the garret, and still down into warm shelter.
Here she would leave it and with one or two loud, admonishing
purrs would scurry away upon some errand that must have been
like one of the border frays of old.</p>
<p>"She used to treat Joe, the dog, with sad cruelty, giving him
a sharp blow on his honest nose that made him meekly stand
back and see her add his supper to her own. A child visitor
once rightly complained that Polly had pins in her toes, and
nobody knew this better than poor Joe. At last, in despair,
he sought revenge. I was writing at my desk one day, when he
suddenly appeared, grinning in a funny way he had, and
wagging his tail, until he enticed me out to the kitchen.
There I found Polly, who had an air of calling everything in
the house her own. She was on the cook's table, gobbling away
at some chickens which were being made ready for the oven and
had been left unguarded. I caught her and cuffed her, and she
fled through the garden door, for once tamed and vanquished,
though usually she was so quick that nobody could administer
justice upon these depredations of a well-fed cat. Then I
turned and saw poor old Joe dancing about the kitchen in
perfect delight. He had been afraid to touch Polly himself,
but he knew the difference between right and wrong, and had
called me to see what a wicked cat she was, and to give him
the joy of looking on at the flogging.</p>
<p>"It was the same dog who used sometimes to be found under a
table where his master had sent him for punishment in his
young days of lawless puppy-hood for chasing the neighbor's
chickens. These faults had long been overcome, but sometimes,
in later years, Joe's conscience would trouble him, we never
knew why, and he would go under the table of his own accord,
and look repentant and crestfallen until some forgiving and
sympathetic friend would think he had suffered enough and bid
him come out to be patted and consoled.</p>
<p>"After such a house-mate as Polly, Joe had great amends in
our next cat, yellow Danny, the most amiable and friendly
pussy that ever walked on four paws. He took Danny to his
heart at once: they used to lie in the sun together with
Danny's head on the dog's big paws, and I sometimes used to
meet them walking as coy as lovers, side by side, up one of
the garden walks. When I could not help laughing at their
sentimental and conscious air, they would turn aside into the
bushes for shelter. They respected each other's suppers, and
ate together on the kitchen hearth, and took great comfort in
close companionship. Danny always answered if you spoke to
him, but he made no sound while always opening his mouth wide
to mew whenever he had anything to say, and looking up into
your face with all his heart expressed. These affectations of
speech were most amusing, especially in so large a person as
yellow Danny. He was much beloved by me and by all his
family, especially poor Joe, who must sometimes have had the
worst of dreams about old Polly, and her sharp, unsparing
claws."</p>
<p>Miss Mary E. Wilkins is also a great admirer of cats. "I
adore cats," she says. "I don't love them as well as dogs,
because my own nature is more after the lines of a dog's; but
I adore them. No matter how tired or wretched I am, a
pussy-cat sitting in a doorway can divert my mind. Cats love
one so much: more than they will allow; but they have so much
wisdom they keep it to themselves."</p>
<p>Miss Wilkins's "Augustus" was moved with her from
Brattleboro, Vt., after her father's death and when she went
to Randolph, Mass., to live. He had been the pet of the
family for a long time, but he came to an untimely end.</p>
<p>"I hope," says Miss Wilkins, "people's unintentional cruelty
will not be remembered against them." Since living in
Randolph she has had two lovely yellow and white cats, "Punch
and Judy." The latter was shot by a neighbor, but Punch, the
right-hand cat with the angelic expression, still survives.</p>
<p>"I am quite sure," says his mistress, "he loves me better
than anybody else, although he is so very close about it.
Punch Wilkins has one accomplishment. He can open a door with
an old-fashioned latch: but he cannot shut it."</p>
<p>Louise Imogen Guiney is famous for her love and good
comradeship with dogs, especially her setters and St.
Bernards, but she is too thoroughly a poet not to be
captivated by the grace and beauty of a cat.</p>
<p>"I love the unsubmissive race," she says, "and have had much
edification out of the charming friendships between our St.
Bernards and our cats. Annie Clarke [the actress] once gave
me two exquisite Angoras, little persons of character equal
to their looks; but they died young and we have not since had
the heart to replace them. I once had another coon, a small,
spry, gray fellow named Scot, the tamest and most endearing
of pets, always on your shoulder and a' that, who suddenly,
on no provocation whatever, turned wild, lived for a year or
more in the woods next our garden, hunting and fishing,
although ceaselessly chased, and called, and implored to
revisit his afflicted family. He associated sometimes with
the neighbor's cat, but never, never more with humanity,
until finally we found his pathetic little frozen body one
Christmas near the barn. Do you remember Arnold's Scholar
Gypsy? Our Scot was his feline equivalent.... Have you
counted in Prosper Merimée among the confirmed lovers
of cats? I remember a delightful little paragraph out of one
of his letters about <i>un vieux chat noir, parfaitement
laid, mais plein d'ésprit et de discrétion.
Seulement il n'a eu que des gens vulgaires et manque
d'usage.</i>"</p>
<p>Mrs. A.D.T. Whitney, who has written so many helpful stories
for girls, is another lover of cats. Cats do not lie curled
up on cushions everywhere in her books, as they do in Mrs.
Spofford's. But in "Zerub Throop's Experiment" there is an
amusing cat story, which, she declares, got so much mixed up
with a ghost story that nobody ever knew which was which. And
the incident is true in every particular, except the finding
of a will or codicil, or something at the end, which is
attached for purposes of fiction.</p>
<p>A great deal has been written about the New York <i>Sun's</i>
famous cats. At my request, Mr. Dana furnished the following
description of the interesting <i>Sun</i> family. I can only
vouch for its veracity by quoting the famous phrase, "If you
see it in the <i>Sun</i>, it is so."</p>
<p>"<i>Sun</i> office cat (<i>Felis Domestica; var.
Journalistica</i>). This is a variation of the common
domestic cat, of which but one family is known to science.
The habitat of the species is in Newspaper Row; its lair is
in the <i>Sun</i> building, its habits are nocturnal, and it
feeds on discarded copy and anything else of a
pseudo-literary nature upon which it can pounce. In dull
times it can subsist upon a meagre diet of telegraphic
brevities, police court paragraphs, and city jottings; but
when the universe is agog with news, it will exhibit the
insatiable appetite which is its chief distinguishing mark of
difference from the common <i>felis domestica</i>. A single
member of this family has been known, on a 'rush' night, to
devour three and a half columns of presidential
possibilities, seven columns of general politics, pretty much
all but the head of a large and able-bodied railroad
accident, and a full page of miscellaneous news, and then
claw the nether garments of the managing editor, and call
attention to an appetite still in good working order.</p>
<p>"The progenitrix of the family arrived in the <i>Sun</i>
office many years ago, and installed herself in a comfortable
corner, and within a few short months she had noticeably
raised the literary tone of the paper, as well as a large and
vociferous family of kittens. These kittens were weaned on
reports from country correspondents, and the sight of the six
children and the mother cat sitting in a semicircle was one
which attracted visitors from all parts of the nation. Just
before her death—immediately before, in fact—the
mother cat developed a literary taste of her own and drank
the contents of an ink-bottle. She was buried with literary
honors, and one of her progeny was advanced to the duties and
honors of office cat. From this time the line came down, each
cat taking the 'laurel greener from the brows of him that
uttered nothing base,' upon the death of his predecessor.
There is but one blot upon the escutcheon of the family, put
there by a recent incumbent who developed a mania at once
cannibalistic and infanticidal, and set about making a free
lunch of her offspring, in direct violation of the Raines law
and the maternal instinct. She died of an overdose of
chloroform, and her place was taken by one of the rescued
kittens.</p>
<p>"It is the son of this kitten who is the present proud
incumbent of the office. Grown to cat-hood, he is a
creditable specimen of his family, with beryl eyes, beautiful
striped fur, showing fine mottlings of mucilage and ink, a
graceful and aspiring tail, an appetite for copy unsurpassed
in the annals of his race, and a power and perseverance in
vocality, chiefly exercised in the small hours of the
morning, that, together with the appetite referred to, have
earned for him the name of the Mutilator. The picture
herewith given was taken when the animal was a year and a
half old. Up to the age of one year the Mutilator made its
lair in the inside office with the Snake Editor, until a
tragic ending came to their friendship. During a fortnight's
absence of the office cat upon important business, the Snake
Editor cultivated the friendship of three cockroaches, whom
he debauched by teaching them to drink beer spilled upon his
desk for that purpose. On the night of the cat's return, the
three bugs had become disgracefully intoxicated, and were
reeling around the desk beating time with their legs to a
rollicking catch sung by the Snake Editor. Before the muddled
insects could crawl into a crack, the Mutilator was upon
them, and had bolted every one. Then with a look of reproach
at the Snake Editor, he drew three perpendicular red lines
across that gentleman's features with his claws and departed
in high scorn, nor could he ever thereafter be lured into the
inner office where the serpent-sharp was laying for him with
a space measure. Since that time he has lived in the room
occupied by the reporters and news editors.</p>
<p>"Many hundreds of stories, some of them slanderous have been
told about the various <i>Sun</i> office cats, but we have
admitted here none of these false tales. The short sketch
given here is beyond suspicion in all its details, as can be
vouched for by many men of high position who ought to know
better."</p>
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