Back Aa

Maker of Rainbows

Close

<h2>THE MAKER OF RAINBOWS</h2> <ANTIMG style="float: left; height: 100px;" src="images/il006.jpg" alt="I" />t was a bleak November morning in the dreary little village of Twelve-trees. Nature herself seemed hopeless and disgusted with the universe, as the chill mists stole wearily among the bare trees, and the boughs dripped with a clammy moisture that had nothing of the energy of tears. Twelve-trees was a poor little village at the best of times, but the past summer had been more than usually unkind to it, and the lean wheat-fields and the ragged orchards had been leaner and more ragged than ever before—so said the memory of the oldest villagers. There was very little to eat in the village of Twelve-trees, and practically no money at all. Some of the inhabitants found consolation in the fact that at the Inn of the Blessed Rood the cider-kegs still held out against despair. But this was no comfort to the gaunt and shivering[Pg 8] children left to themselves on the chill door-steps, half-heartedly trying to play their innocent little games. Even the heart of childhood felt the shadows that November morning in the dreary little village of Twelve-trees, and even the dogs and the cats of the village seemed to be under the same spell of gloom, and moved about with a dank hopelessness, evidently expecting nothing in the shape of discarded fish or transfiguring smells. There was no life in the long, disheveled High Street. No one seemed to think it worth while to get up and work. There was nothing to get up for, and no work worth doing. So, naturally, in all this echoing emptiness, this lack of excitement, anything that happened attracted a gratefully alert attention—even from those cats and dogs so sadly prowling amid the dejected refuse of the village. Presently, amid all the November numbness, the blank nothingness of the damp, deserted street, there was to be seen approaching from the south a curious little figure of an old man, trundling at his side a strange apparatus resembling a knife-grinder's wheel, and he carried some forlorn old umbrellas under one arm. Evidently he was an itinerant knife-grinder and umbrella-mender. As[Pg 9] he proceeded up the street, he called out some strange sing-song, the words of which it was impossible to distinguish. But, though his cry was melancholy, his old puckered and wizened face seemed to be alight with some inner and inextinguishable gladness, and his electrical blue eyes, startlingly set in a network of wrinkles, were as full of laughter as a boy's. His cry attracted a weary face here and there at window and door; but, seeing nothing but an old knife-grinder, the faces lost interest and immediately disappeared. The children, however, being less sophisticated, were filled with a grateful curiosity toward the stranger, and left the chill door-steps and trooped about him in wonder. A little girl, with tears making channels down her pale, unwashed face, caught the old man's eye. "Little one," he said, with a magical smile, and a voice all reassuring love, "give me one of those tears, and I will show you what I can make of it." And he touched the child's face with his hand, and caught one of her tears on his finger, and placed it, glittering, on his wheel. Then, working a pedal with his foot, the wheel began to move so swiftly that one could see nothing but its whirling; and as it whirled, wonderful colored rays[Pg 10] began to rise from it, so that presently the dreary street seemed full of rainbows. The sad houses were lit up with a fairy radiance, and the faces of the children were all laughter again. "Well, little one," he said, when the wheel stopped whirling, "did you like what I made out of that sad little tear?" And the children laughed, and begged him to do some other trick for them. At that moment there came down the street a poor old half-witted woman, indescribably dirty and bedraggled, talking to herself and laughing in a creepy way. The village knew her as Crazy Sal, and the children were accustomed to make cruel sport of her. As she came near they began to jeer at her, with the heartlessness of young, unknowing things. But the strange old man who had made rainbows out of the little girl's tear suddenly stopped them. "Stay, children," he said, "and watch." And, as he said this, his wheel went whirling again; and as it whirled a light shot out from it, so that it illuminated the poor old woman, and in its radiance she became strangely transfigured. In place of Crazy Sal, whom they had been accustomed to mock, the children saw a beautiful[Pg 11] young girl, all blushes and bright eyes and pretty ribbons; and so great was the murmur of their surprise that it drew to the door-steps their fathers and mothers, who also saw Crazy Sal as none of them had ever seen her before—except a very old man who remembered her as a beautiful young girl, and remembered, too, how her mind had gone from her as the news came one day that her sweetheart, a sailor, had been drowned in the North Sea. "Who and what are you?" said this old man, stepping out a little in front of the gathering crowd. "Are you a wizard, that you change a child's tears into laughter, and turn an old half-witted woman back to a young girl? You must be of the devil...." "Give me an ear of corn from your last harvest," answered the old knife-grinder, "and let me put it on my wheel." An ear of corn was brought to him, and once more his wheel went whirring, and again that strange light shot out from it, and spread far past the houses over the fields beyond; and, lo! to the astonished sad eyes of the weary farmers, they appeared waving with golden grain, waiting for the scythe. And again, as the wheel stopped whirring, the[Pg 12] old man who had remembered Crazy Sal as a young girl spoke to the knife-grinder; again he asked: "What and who are you? Are you a wizard that you change a child's tears into laughter, and turn an old half-witted woman back to a young girl, and make of a barren glebe a waving corn-field?" And the man with the strange wheel answered: "I am the maker of rainbows. I am the alchemist of hope. To me November is always May, tears are always laughter that is going to be, and darkness is light misunderstood. The sad heart makes its own sorrow, the happy heart makes its own joy. The harvest is made by the harvestman—and there is nothing hard or black or weary that is not waiting for the magic touch of hope to become soft as a spring flower, bright as the morning star, and valiant as a young runner in the dawn." But the village of Twelve-trees was not to be convinced by such words made out of moonshine. Only the children believed in the laughing old man with the strange wheel. "Rainbows!" mocked their fathers and mothers—"rainbows! Much good are rainbows to a starving village." [Pg 13] The old maker of rainbows took their taunts in silence, and made ready to go his way; but as he started once more along the road he said, with a cynical smile: "Have you never heard that there is a pot of gold at the end of the rainbow?..." "A pot of gold?" cried out the whole village of Twelve-trees. "Yes," he answered, "a pot of gold! I know where it is, and I am going to find it." And he moved on his way. Then the villagers looked at one another, and said over and over again, "A pot of gold!" And they took cloaks and walking-staves and set out to accompany the old visitor; but when they reached the outskirts of the village there was no sign of him. He had mysteriously disappeared. But the children never forgot the rainbows. <hr class="chap" /> [Pg 14] <div style="break-after:column;"></div>

1 of 2

2 of 2