<SPAN name="startofbook"></SPAN>
<h1>THE <br/>LONE RANGER <br/> RIDES</h1>
<p class="center extraspacebot5">By FRAN STRIKER</p>
<p class="center extraspacebot2">Illustrated by W. A. SMITH</p>
<div class="figcenter"> <ANTIMG src="images/lrr-000.png" width-obs="300" height-obs="294" alt="" /></div>
<p class="center">G. P. PUTNAM'S SONS</p>
<p class="center extraspacebot5">NEW YORK</p>
<div class="blockquotetn">
<p class="center extraspacebot2">Copyright, 1941, by The Lone Ranger, Inc.</p>
<p class="center extraspacebot2">All rights reserved. This book, or parts thereof, must
not be reproduced in any form without permission.</p>
<p class="center extraspacebot2"> Manufactured in the United States of America<br/>
VAN REES PRESS, NEW YORK</p>
</div>
<div class="transnote">
<p class="center extraspacebot2">Transcriber's Note:</p>
<p> Extensive research did not uncover any evidence that the
U.S. copyright on this publication was renewed.</p>
<br/>
<div class="blockquotetn">
<p>The local dialog has been retained including the following:</p>
<p>page 54: "Take's more thinkin',"</p>
<p> -- possible typo for "Takes more thinkin',"</p>
<p> page 114: strong, stanch friend</p>
<p> -- possible typo for strong, staunch friend</p>
<p>The author's use of both addleheaded and addle-headed has been retained.</p>
</div>
</div>
<p class="center">
TO<br/>
GEORGE W. TRENDLE<br/></p>
<p><span class="pagenum"><SPAN name="Page_vii" id="Page_vii"></SPAN></span></p>
<hr class="chap" />
<h2><SPAN name="CONTENTS" id="CONTENTS"></SPAN>CONTENTS</h2>
<div class="center">
<table border="0" cellpadding="6" cellspacing="2" summary="Table of Contents">
<tr><td align="left" colspan="2">CHAPTER</td><td align="right">PAGE</td></tr>
<tr><td align="right">I.</td> <td align="left">The Basin</td><td align="right"><SPAN href="#Page_3">3</SPAN></td></tr>
<tr><td align="right">II.</td> <td align="left"> The Gap</td><td align="right"><SPAN href="#Page_8">8</SPAN></td></tr>
<tr><td align="right">III.</td> <td align="left"> The Cave</td><td align="right"><SPAN href="#Page_16">16</SPAN></td></tr>
<tr><td align="right">IV.</td> <td align="left"> Gray Dawn</td><td align="right"><SPAN href="#Page_22">22</SPAN></td></tr>
<tr><td align="right">V.</td> <td align="left"> Tonto</td><td align="right"><SPAN href="#Page_33">33</SPAN></td></tr>
<tr><td align="right">VI.</td> <td align="left"> Silver</td><td align="right"><SPAN href="#Page_42">42</SPAN></td></tr>
<tr><td align="right">VII.</td> <td align="left"> Yuma</td><td align="right"><SPAN href="#Page_50">50</SPAN></td></tr>
<tr><td align="right">VIII.</td> <td align="left"> A Matter of Murder</td><td align="right"><SPAN href="#Page_61">61</SPAN></td></tr>
<tr><td align="right">IX.</td> <td align="left"> Bryant Talks</td><td align="right"><SPAN href="#Page_69">69</SPAN></td></tr>
<tr><td align="right">X.</td> <td align="left"> The Lone Ranger</td><td align="right"><SPAN href="#Page_83">83</SPAN></td></tr>
<tr><td align="right">XI.</td> <td align="left"> The Lone Ranger Rides</td><td align="right"><SPAN href="#Page_90">90</SPAN></td></tr>
<tr><td align="right">XII.</td> <td align="left"> A Legal Paper</td><td align="right"><SPAN href="#Page_96">96</SPAN></td></tr>
<tr><td align="right">XIII.</td> <td align="left"> Help Wears a Mask</td><td align="right"><SPAN href="#Page_102">102</SPAN></td></tr>
<tr><td align="right">XIV.</td> <td align="left"> The Trail Leads Down</td><td align="right"><SPAN href="#Page_111">111</SPAN></td></tr>
<tr><td align="right"><span class="pagenum"><SPAN name="Page_viii" id="Page_viii"></SPAN></span></td></tr>
<tr><td align="right">XV.</td> <td align="left"> Intrigue Comes Closer</td><td align="right"><SPAN href="#Page_119">119</SPAN></td></tr>
<tr><td align="right">XVI.</td> <td align="left"> One-Eye Sees Death</td><td align="right"><SPAN href="#Page_132">132</SPAN></td></tr>
<tr><td align="right">XVII.</td> <td align="left"> Penelope Signs Her Name</td><td align="right"><SPAN href="#Page_140">140</SPAN></td></tr>
<tr><td align="right">XVIII.</td> <td align="left"> A Gambler Talks</td><td align="right"><SPAN href="#Page_151">151</SPAN></td></tr>
<tr><td align="right">XIX.</td> <td align="left"> Announcement Extraordinary</td><td align="right"><SPAN href="#Page_162">162</SPAN></td></tr>
<tr><td align="right">XX.</td> <td align="left"> Red Oak</td><td align="right"><SPAN href="#Page_173">173</SPAN></td></tr>
<tr><td align="right">XXI.</td> <td align="left"> An Admission from Bryant Cavendish</td><td align="right"><SPAN href="#Page_182">182</SPAN></td></tr>
<tr><td align="right">XXII.</td> <td align="left"> Stalemate</td><td align="right"><SPAN href="#Page_191">191</SPAN></td></tr>
<tr><td align="right">XXIII.</td> <td align="left"> Yuma Rides Behind a Masked Man</td><td align="right"><SPAN href="#Page_201">201</SPAN></td></tr>
<tr><td align="right">XXIV.</td> <td align="left"> Bryant Goes Home</td><td align="right"><SPAN href="#Page_207">207</SPAN></td></tr>
<tr><td align="right">XXV.</td> <td align="left"> Who Is Andrew Munson?</td><td align="right"><SPAN href="#Page_219">219</SPAN></td></tr>
<tr><td align="right">XXVI.</td> <td align="left"> Disaster Gets Organized</td><td align="right"><SPAN href="#Page_225">225</SPAN></td></tr>
<tr><td align="right">XXVII.</td> <td align="left"> Guns Talk Back</td><td align="right"><SPAN href="#Page_235">235</SPAN></td></tr>
<tr><td align="right">XXVIII.</td> <td align="left"> Wallie Leads an Ace</td><td align="right"><SPAN href="#Page_243">243</SPAN></td></tr>
<tr><td align="right">XXIX.</td> <td align="left"> An Ace Is Trumped</td><td align="right"><SPAN href="#Page_252">252</SPAN></td></tr>
<tr><td align="right">XXX.</td> <td align="left"> The Badge of a Ranger</td><td align="right"><SPAN href="#Page_261">261</SPAN></td></tr>
</table></div>
<hr class="full" />
<h1>THE <br/> LONE RANGER <br/> RIDES</h1>
<p><span class="pagenum"><SPAN name="Page_3" id="Page_3"></SPAN></span></p>
<hr class="chap" />
<div class="figcenter"> <ANTIMG src="images/lrr-009.png" width-obs="250" height-obs="234" alt="" /></div>
<p class="center extraspacebot2">Chapter 1</p>
<p class="center extraspacebot2">THE BASIN</p>
<p>In a remote basin in the western part of Texas, the
Cavendish clan raised cattle. From the vast level acreage,
where longhorns grew fat on lush grass, the surrounding
hills looked verdant and hospitable; but this was pure deceit
on Nature's part. Those hills were treacherous, and
Bryant Cavendish loved them for that selfsame treachery.</p>
<p>Sitting on the porch of his rambling house, the bitter old
man spat tobacco-flavored curses at the infirmities that
restricted him. His legs, tortured by rheumatism, were
propped on a bentwood chair, and seemed slim and out of
proportion to his barrel-shaped torso. His eyes, like caves
beneath an overhanging ledge, were more restless than<span class="pagenum"><SPAN name="Page_4" id="Page_4"></SPAN></span>
usual, as he gazed across the basin. He rasped a heavy
thumbnail across the bristle of his slablike jowl.</p>
<p>There was something in the air he couldn't explain. He
felt a vague uneasiness despite the almost pastoral scene
before him. He scanned the hills on all sides of the basin,
knowing that no stranger could come through the tangle
of underbrush and dense forest. Those hills had always
been practically impassable.</p>
<p>Then his restless eyes fell on the weird riot of color
to the north. That was Bryant's Gap. Water flowing from
the basin springs had patiently, through countless ages,
cut the deep cleft in solid rock. The walls towering high
on each side reflected unbelievable hues. Bryant's scowl
deepened as he observed the Gap.</p>
<p>He could see but a few yards into it, and then it turned
and his view ended abruptly on a rainbow wall. That wall
had often reminded Cavendish of a rattler, beautiful but
dangerous.</p>
<p>"If it uz only straight," he growled, "I c'd see when
someone comes this way. But the damn canyon is as fickle
as a wench's disposition."</p>
<p>Once more his finger scraped across the two-day beard.
Cavendish had survived a good many years there in the
West. He had risen above the many forms of sudden death,
to know an old age of comparative security. But, like men
in that region, where eternal vigilance was the price of
safety, his intuition was developed to a high degree. In
a poker game he played his hunches. And in life he listened
to that little-understood sixth sense.</p>
<p>"Somethin'," he decided, "is goin' on in that Gap, as
sure as I'm sittin' here."</p>
<p><span class="pagenum"><SPAN name="Page_5" id="Page_5"></SPAN></span></p>
<p>As if to echo his words, a distant rumble reached his
ears. It came from the Gap. At first he thought it must be
another of the frequent storms. He listened, then his face
grew harder than before. His jaw set firmly.</p>
<p>"That ain't thunder," he muttered. "That's gunplay!"</p>
<p>His first impulse was to call for some of the men to
investigate. Instead, he listened for a moment. His niece,
Penelope, could be heard humming a gay tune inside the
house. She, at least, had not heard anything unusual.
Bryant knew his eyes were failing him of late, and he
began to doubt his ears. Perhaps, after all, it might have
been thunder. Wouldn't do to start a lot of commotion
over nothing at all. Mustn't let the boys know how the
old man's slipping.</p>
<p>He struggled to his feet and, half-supporting his weight
by gripping the back of a chair, moved to the end of the
porch and looked toward the south, where two of his
nephews stood idly smoking near a corral. His lips
moved with unuttered comments when he saw the men.
Scowling, he made his painful way back to the chair.</p>
<p>"Must've been mistaken," he muttered.</p>
<p>There was no proof that Bryant Cavendish did not like
his relatives. On the other hand, he never had shown
affection for them. That wasn't unusual, because he never
had cared particularly about anyone.</p>
<p>His bitter outlook on life made him feel that affection
and softness went hand in hand. He had lost all respect for
his two brothers when they married. The fact that Bryant
had outlived them both proved to his own satisfaction,
which was all that mattered, that marriage and the problems
of the benedict make men die young.</p>
<p><span class="pagenum"><SPAN name="Page_6" id="Page_6"></SPAN></span></p>
<p>One brother had left four sons, the other a daughter.
Bryant, the last of his generation, had raised the brood.
His domination cowed the boys, but Penelope escaped.
An inherent sense of humor saved the girl. When Penny
left for an Eastern school, in accordance with the written
will of her foresighted father, she was without a trace of
the sullen, subservient manner that marked her cousins.
Bryant frowned on the idea of sending the girl to school.
To him it seemed a waste of time and money, but he followed
the terms of his brother's will with meticulous
care.</p>
<p>Superlatives cannot be used in connection with the
boys of the second generation of Cavendishes. So instead
of stating that Mort was the most courageous, it is more
accurate to record that Jeb, Vince, and Wallie were even
less courageous than Mort.</p>
<p>It was Mort who, as a pimpled adolescent, suggested
meekly that he and his brothers leave the Basin. It took
three days for the flames of rage that exploded from
Bryant Cavendish to die down, and their embers smoldered
for weeks thereafter. It took several years for Mort
to build up the spunk to assert himself again. He married
Rebecca and brought her to the Basin. The hurricane
blasts from Uncle Bryant made all previous Cavendish
tirades seem like the babblings of brooks that inspire
poets.</p>
<p>Bryant was an old man, and even his iron will could no
longer ignore the rheumatism that made his legs almost
useless. As it became increasingly necessary for the
nephews to assume responsibility, his resentment toward
them grew proportionately.</p>
<p><span class="pagenum"><SPAN name="Page_7" id="Page_7"></SPAN></span></p>
<p>Cool water, piped from a mountain spring, gurgling
and splashing into a trough ... a sheltered basin, blanketed
with grass ... sturdy, comfortable houses ... contented
cattle, growing fat ... the song of a girl ... the
laughter of a child ... clumping hoofs ... lazy smoke from
cowboy cigarettes.... "Yew got the makin's?"... "Ain't
Mort's wife startin' t'git big again?"... "I heered a doggoned
funny story las' week, it'll bust yer sides."...
"Gimme the lend of a chaw, will yuh?"... "My feet're
killin' me."... "I gotta git me some boots next payday."...
"Thunderstorm due about t'morra."</p>
<p>In the Basin, normalcy.</p>
<p>But in Bryant's Gap, majestic in height, gorgeous in
color like the rattlesnake, six men sprawled on rockstrewn
ground, and buzzards circled overhead.</p>
<div style="break-after:column;"></div><br />