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<h2> Chapter 47 </h2>
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<h3> Uncle Remus and Mr. Cable </h3>
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<p>MR. JOEL CHANDLER HARRIS ('Uncle Remus') was to arrive from Atlanta at
seven o'clock Sunday morning; so we got up and received him. We were able
to detect him among the crowd of arrivals at the hotel-counter by his
correspondence with a description of him which had been furnished us from
a trustworthy source. He was said to be undersized, red-haired, and
somewhat freckled. He was the only man in the party whose outside tallied
with this bill of particulars. He was said to be very shy. He is a shy
man. Of this there is no doubt. It may not show on the surface, but the
shyness is there. After days of intimacy one wonders to see that it is
still in about as strong force as ever. There is a fine and beautiful
nature hidden behind it, as all know who have read the Uncle Remus book;
and a fine genius, too, as all know by the same sign. I seem to be talking
quite freely about this neighbor; but in talking to the public I am but
talking to his personal friends, and these things are permissible among
friends.</p>
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<p>He deeply disappointed a number of children who had flocked eagerly to Mr.
Cable's house to get a glimpse of the illustrious sage and oracle of the
nation's nurseries. They said—</p>
<p>'Why, he 's white!'</p>
<p>They were grieved about it. So, to console them, the book was brought,
that they might hear Uncle Remus's Tar-Baby story from the lips of Uncle
Remus himself—or what, in their outraged eyes, was left of him. But
it turned out that he had never read aloud to people, and was too shy to
venture the attempt now. Mr. Cable and I read from books of ours, to show
him what an easy trick it was; but his immortal shyness was proof against
even this sagacious strategy, so we had to read about Brer Rabbit
ourselves.</p>
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<p>Mr. Harris ought to be able to read the negro dialect better than anybody
else, for in the matter of writing it he is the only master the country
has produced. Mr. Cable is the only master in the writing of French
dialects that the country has produced; and he reads them in perfection.
It was a great treat to hear him read about Jean-ah Poquelin, and about
Innerarity and his famous 'pigshoo' representing 'Louisihanna <i>rif</i>-fusing
to Hanter the Union,' along with passages of nicely-shaded German dialect
from a novel which was still in manuscript.</p>
<p>It came out in conversation, that in two different instances Mr. Cable got
into grotesque trouble by using, in his books, next-to-impossible French
names which nevertheless happened to be borne by living and sensitive
citizens of New Orleans. His names were either inventions or were borrowed
from the ancient and obsolete past, I do not now remember which; but at
any rate living bearers of them turned up, and were a good deal hurt at
having attention directed to themselves and their affairs in so
excessively public a manner.</p>
<p>Mr. Warner and I had an experience of the same sort when we wrote the book
called 'The Gilded Age.' There is a character in it called 'Sellers.' I do
not remember what his first name was, in the beginning; but anyway, Mr.
Warner did not like it, and wanted it improved. He asked me if I was able
to imagine a person named 'Eschol Sellers.' Of course I said I could not,
without stimulants. He said that away out West, once, he had met, and
contemplated, and actually shaken hands with a man bearing that impossible
name—'Eschol Sellers.' He added—</p>
<p>'It was twenty years ago; his name has probably carried him off before
this; and if it hasn't, he will never see the book anyhow. We will
confiscate his name. The name you are using is common, and therefore
dangerous; there are probably a thousand Sellerses bearing it, and the
whole horde will come after us; but Eschol Sellers is a safe name—it
is a rock.'</p>
<p>So we borrowed that name; and when the book had been out about a week, one
of the stateliest and handsomest and most aristocratic looking white men
that ever lived, called around, with the most formidable libel suit in his
pocket that ever—well, in brief, we got his permission to suppress
an edition of ten million {footnote [Figures taken from memory, and
probably incorrect. Think it was more.]} copies of the book and change
that name to 'Mulberry Sellers' in future editions.</p>
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