<p><br/><br/><br/><br/> <br/><br/> <SPAN name="linkc31" id="linkc31"></SPAN></p>
<h2> Chapter 31 </h2>
<p><br/></p>
<h3> A Thumb-print and What Came of It </h3>
<p><br/></p>
<p>WE were approaching Napoleon, Arkansas. So I began to think about my
errand there. Time, noonday; and bright and sunny. This was bad—not
best, anyway; for mine was not (preferably) a noonday kind of errand. The
more I thought, the more that fact pushed itself upon me—now in one
form, now in another. Finally, it took the form of a distinct question: is
it good common sense to do the errand in daytime, when, by a little
sacrifice of comfort and inclination, you can have night for it, and no
inquisitive eyes around. This settled it. Plain question and plain answer
make the shortest road out of most perplexities.</p>
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<p>I got my friends into my stateroom, and said I was sorry to create
annoyance and disappointment, but that upon reflection it really seemed
best that we put our luggage ashore and stop over at Napoleon. Their
disapproval was prompt and loud; their language mutinous. Their main
argument was one which has always been the first to come to the surface,
in such cases, since the beginning of time: 'But you decided and <i>agreed </i>to
stick to this boat, etc.; as if, having determined to do an unwise thing,
one is thereby bound to go ahead and make <i>two </i>unwise things of it, by
carrying out that determination.</p>
<p>I tried various mollifying tactics upon them, with reasonably good
success: under which encouragement, I increased my efforts; and, to show
them that I had not created this annoying errand, and was in no way to
blame for it, I presently drifted into its history—substantially as
follows:</p>
<p>Toward the end of last year, I spent a few months in Munich, Bavaria. In
November I was living in Fraulein Dahlweiner's <i>pension</i>, 1a, Karlstrasse;
but my working quarters were a mile from there, in the house of a widow
who supported herself by taking lodgers. She and her two young children
used to drop in every morning and talk German to me—by request. One
day, during a ramble about the city, I visited one of the two
establishments where the Government keeps and watches corpses until the
doctors decide that they are permanently dead, and not in a trance state.
It was a grisly place, that spacious room. There were thirty-six corpses
of adults in sight, stretched on their backs on slightly slanted boards,
in three long rows—all of them with wax-white, rigid faces, and all
of them wrapped in white shrouds. Along the sides of the room were deep
alcoves, like bay windows; and in each of these lay several marble-visaged
babes, utterly hidden and buried under banks of fresh flowers, all but
their faces and crossed hands. Around a finger of each of these fifty
still forms, both great and small, was a ring; and from the ring a wire
led to the ceiling, and thence to a bell in a watch-room yonder, where,
day and night, a watchman sits always alert and ready to spring to the aid
of any of that pallid company who, waking out of death, shall make a
movement—for any, even the slightest, movement will twitch the wire
and ring that fearful bell. I imagined myself a death-sentinel drowsing
there alone, far in the dragging watches of some wailing, gusty night, and
having in a twinkling all my body stricken to quivering jelly by the
sudden clamor of that awful summons! So I inquired about this thing; asked
what resulted usually? if the watchman died, and the restored corpse came
and did what it could to make his last moments easy. But I was rebuked for
trying to feed an idle and frivolous curiosity in so solemn and so
mournful a place; and went my way with a humbled crest.</p>
<p>Next morning I was telling the widow my adventure, when she exclaimed—</p>
<p>'Come with me! I have a lodger who shall tell you all you want to know. He
has been a night-watchman there.'</p>
<p>He was a living man, but he did not look it. He was abed, and had his head
propped high on pillows; his face was wasted and colorless, his
deep-sunken eyes were shut; his hand, lying on his breast, was talon-like,
it was so bony and long-fingered. The widow began her introduction of me.
The man's eyes opened slowly, and glittered wickedly out from the twilight
of their caverns; he frowned a black frown; he lifted his lean hand and
waved us peremptorily away. But the widow kept straight on, till she had
got out the fact that I was a stranger and an American. The man's face
changed at once; brightened, became even eager—and the next moment
he and I were alone together.</p>
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<p>I opened up in cast-iron German; he responded in quite flexible English;
thereafter we gave the German language a permanent rest.</p>
<p>This consumptive and I became good friends. I visited him every day, and
we talked about everything. At least, about everything but wives and
children. Let anybody's wife or anybody's child be mentioned, and three
things always followed: the most gracious and loving and tender light
glimmered in the man's eyes for a moment; faded out the next, and in its
place came that deadly look which had flamed there the first time I ever
saw his lids unclose; thirdly, he ceased from speech, there and then for
that day; lay silent, abstracted, and absorbed; apparently heard nothing
that I said; took no notice of my good-byes, and plainly did not know, by
either sight or hearing, when I left the room.</p>
<p>When I had been this Karl Ritter's daily and sole intimate during two
months, he one day said, abruptly—</p>
<p>'I will tell you my story.'</p>
<p>A DYING MAN S CONFESSION</p>
<p>Then he went on as follows:—</p>
<p>I have never given up, until now. But now I have given up. I am going to
die. I made up my mind last night that it must be, and very soon, too. You
say you are going to revisit your river, by-and-bye, when you find
opportunity. Very well; that, together with a certain strange experience
which fell to my lot last night, determines me to tell you my history—for
you will see Napoleon, Arkansas; and for my sake you will stop there, and
do a certain thing for me—a thing which you will willingly undertake
after you shall have heard my narrative.</p>
<p>Let us shorten the story wherever we can, for it will need it, being long.
You already know how I came to go to America, and how I came to settle in
that lonely region in the South. But you do not know that I had a wife. My
wife was young, beautiful, loving, and oh, so divinely good and blameless
and gentle! And our little girl was her mother in miniature. It was the
happiest of happy households.</p>
<p>One night—it was toward the close of the war—I woke up out of
a sodden lethargy, and found myself bound and gagged, and the air tainted
with chloroform! I saw two men in the room, and one was saying to the
other, in a hoarse whisper, 'I told her I would, if she made a noise, and
as for the child—'</p>
<p>The other man interrupted in a low, half-crying voice—</p>
<p>'You said we'd only gag them and rob them, not hurt them; or I wouldn't
have come.'</p>
<p>'Shut up your whining; had to change the plan when they waked up; you done
all you could to protect them, now let that satisfy you; come, help
rummage.'</p>
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<p>Both men were masked, and wore coarse, ragged 'nigger' clothes; they had a
bull's-eye lantern, and by its light I noticed that the gentler robber had
no thumb on his right hand. They rummaged around my poor cabin for a
moment; the head bandit then said, in his stage whisper—</p>
<p>'It's a waste of time—he shall tell where it's hid. Undo his gag,
and revive him up.'</p>
<p>The other said—</p>
<p>'All right—provided no clubbing.'</p>
<p>'No clubbing it is, then—provided he keeps still.'</p>
<p>They approached me; just then there was a sound outside; a sound of voices
and trampling hoofs; the robbers held their breath and listened; the
sounds came slowly nearer and nearer; then came a shout—</p>
<p>'<i>Hello</i>, the house! Show a light, we want water.'</p>
<p>'The captain's voice, by G—!' said the stage-whispering ruffian, and
both robbers fled by the way of the back door, shutting off their
bull's-eye as they ran.</p>
<p>The strangers shouted several times more, then rode by—there seemed
to be a dozen of the horses—and I heard nothing more.</p>
<p>I struggled, but could not free myself from my bonds. I tried to speak,
but the gag was effective; I could not make a sound. I listened for my
wife's voice and my child's—listened long and intently, but no sound
came from the other end of the room where their bed was. This silence
became more and more awful, more and more ominous, every moment. Could you
have endured an hour of it, do you think? Pity me, then, who had to endure
three. Three hours—? it was three ages! Whenever the clock struck,
it seemed as if years had gone by since I had heard it last. All this time
I was struggling in my bonds; and at last, about dawn, I got myself free,
and rose up and stretched my stiff limbs. I was able to distinguish
details pretty well. The floor was littered with things thrown there by
the robbers during their search for my savings. The first object that
caught my particular attention was a document of mine which I had seen the
rougher of the two ruffians glance at and then cast away. It had blood on
it! I staggered to the other end of the room. Oh, poor unoffending,
helpless ones, there they lay, their troubles ended, mine begun!</p>
<p>Did I appeal to the law—I? Does it quench the pauper's thirst if the
King drink for him? Oh, no, no, no—I wanted no impertinent
interference of the law. Laws and the gallows could not pay the debt that
was owing to me! Let the laws leave the matter in my hands, and have no
fears: I would find the debtor and collect the debt. How accomplish this,
do you say? How accomplish it, and feel so sure about it, when I had
neither seen the robbers' faces, nor heard their natural voices, nor had
any idea who they might be? Nevertheless, I <i>was </i>sure—quite sure,
quite confident. I had a clue—a clue which you would not have valued—a
clue which would not have greatly helped even a detective, since he would
lack the secret of how to apply it. I shall come to that, presently—you
shall see. Let us go on, now, taking things in their due order. There was
one circumstance which gave me a slant in a definite direction to begin
with: Those two robbers were manifestly soldiers in tramp disguise; and
not new to military service, but old in it—regulars, perhaps; they
did not acquire their soldierly attitude, gestures, carriage, in a day,
nor a month, nor yet in a year. So I thought, but said nothing. And one of
them had said, 'the captain's voice, by G—!'—the one whose
life I would have. Two miles away, several regiments were in camp, and two
companies of U.S. cavalry. When I learned that Captain Blakely, of Company
C had passed our way, that night, with an escort, I said nothing, but in
that company I resolved to seek my man. In conversation I studiously and
persistently described the robbers as tramps, camp followers; and among
this class the people made useless search, none suspecting the soldiers
but me.</p>
<p>Working patiently, by night, in my desolated home, I made a disguise for
myself out of various odds and ends of clothing; in the nearest village I
bought a pair of blue goggles. By-and-bye, when the military camp broke
up, and Company C was ordered a hundred miles north, to Napoleon, I
secreted my small hoard of money in my belt, and took my departure in the
night. When Company C arrived in Napoleon, I was already there. Yes, I was
there, with a new trade—fortune-teller. Not to seem partial, I made
friends and told fortunes among all the companies garrisoned there; but I
gave Company C the great bulk of my attentions. I made myself limitlessly
obliging to these particular men; they could ask me no favor, put upon me
no risk, which I would decline. I became the willing butt of their jokes;
this perfected my popularity; I became a favorite.</p>
<p>I early found a private who lacked a thumb—what joy it was to me!
And when I found that he alone, of all the company, had lost a thumb, my
last misgiving vanished; I was <i>sure </i>I was on the right track. This man's
name was Kruger, a German. There were nine Germans in the company. I
watched, to see who might be his intimates; but he seemed to have no
especial intimates. But I was his intimate; and I took care to make the
intimacy grow. Sometimes I so hungered for my revenge that I could hardly
restrain myself from going on my knees and begging him to point out the
man who had murdered my wife and child; but I managed to bridle my tongue.
I bided my time, and went on telling fortunes, as opportunity offered.</p>
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<p>My apparatus was simple: a little red paint and a bit of white paper. I
painted the ball of the client's thumb, took a print of it on the paper,
studied it that night, and revealed his fortune to him next day. What was
my idea in this nonsense? It was this: When I was a youth, I knew an old
Frenchman who had been a prison-keeper for thirty years, and he told me
that there was one thing about a person which never changed, from the
cradle to the grave—the lines in the ball of the thumb; and he said
that these lines were never exactly alike in the thumbs of any two human
beings. In these days, we photograph the new criminal, and hang his
picture in the Rogues' Gallery for future reference; but that Frenchman,
in his day, used to take a print of the ball of a new prisoner's thumb and
put that away for future reference. He always said that pictures were no
good—future disguises could make them useless; 'The thumb's the only
sure thing,' said he; 'you can't disguise that.' And he used to prove his
theory, too, on my friends and acquaintances; it always succeeded.</p>
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<p>I went on telling fortunes. Every night I shut myself in, all alone, and
studied the day's thumb-prints with a magnifying-glass. Imagine the
devouring eagerness with which I pored over those mazy red spirals, with
that document by my side which bore the right-hand thumb-and-finger-marks
of that unknown murderer, printed with the dearest blood—to me—that
was ever shed on this earth! And many and many a time I had to repeat the
same old disappointed remark, 'will they <i>never </i>correspond!'</p>
<p>But my reward came at last. It was the print of the thumb of the
forty-third man of Company C whom I had experimented on—Private
Franz Adler. An hour before, I did not know the murderer's name, or voice,
or figure, or face, or nationality; but now I knew all these things! I
believed I might feel sure; the Frenchman's repeated demonstrations being
so good a warranty. Still, there was a way to <i>make </i>sure. I had an
impression of Kruger's left thumb. In the morning I took him aside when he
was off duty; and when we were out of sight and hearing of witnesses, I
said, impressively—</p>
<p>'A part of your fortune is so grave, that I thought it would be better for
you if I did not tell it in public. You and another man, whose fortune I
was studying last night,—Private Adler,—have been murdering a
woman and a child! You are being dogged: within five days both of you will
be assassinated.'</p>
<p>He dropped on his knees, frightened out of his wits; and for five minutes
he kept pouring out the same set of words, like a demented person, and in
the same half-crying way which was one of my memories of that murderous
night in my cabin—</p>
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<p>'I didn't do it; upon my soul I didn't do it; and I tried to keep <i>him </i>from
doing it; I did, as God is my witness. He did it alone.'</p>
<p>This was all I wanted. And I tried to get rid of the fool; but no, he
clung to me, imploring me to save him from the assassin. He said—</p>
<p>'I have money—ten thousand dollars—hid away, the fruit of loot
and thievery; save me—tell me what to do, and you shall have it,
every penny. Two-thirds of it is my cousin Adler's; but you can take it
all. We hid it when we first came here. But I hid it in a new place
yesterday, and have not told him—shall not tell him. I was going to
desert, and get away with it all. It is gold, and too heavy to carry when
one is running and dodging; but a woman who has been gone over the river
two days to prepare my way for me is going to follow me with it; and if I
got no chance to describe the hiding-place to her I was going to slip my
silver watch into her hand, or send it to her, and she would understand.
There's a piece of paper in the back of the case, which tells it all.
Here, take the watch—tell me what to do!'</p>
<p>He was trying to press his watch upon me, and was exposing the paper and
explaining it to me, when Adler appeared on the scene, about a dozen yards
away. I said to poor Kruger—</p>
<p>'Put up your watch, I don't want it. You shan't come to any harm. Go, now;
I must tell Adler his fortune. Presently I will tell you how to escape the
assassin; meantime I shall have to examine your thumbmark again. Say
nothing to Adler about this thing—say nothing to anybody.'</p>
<p>He went away filled with fright and gratitude, poor devil. I told Adler a
long fortune—purposely so long that I could not finish it; promised
to come to him on guard, that night, and tell him the really important
part of it—the tragical part of it, I said—so must be out of
reach of eavesdroppers. They always kept a picket-watch outside the town—mere
discipline and ceremony—no occasion for it, no enemy around.</p>
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<p>Toward midnight I set out, equipped with the countersign, and picked my
way toward the lonely region where Adler was to keep his watch. It was so
dark that I stumbled right on a dim figure almost before I could get out a
protecting word. The sentinel hailed and I answered, both at the same
moment. I added, 'It's only me—the fortune-teller.' Then I slipped
to the poor devil's side, and without a word I drove my dirk into his
heart! <i>Ya wohl</i>, laughed I, it <i>was </i>the tragedy part of his fortune, indeed!
As he fell from his horse, he clutched at me, and my blue goggles remained
in his hand; and away plunged the beast dragging him, with his foot in the
stirrup.</p>
<p>I fled through the woods, and made good my escape, leaving the accusing
goggles behind me in that dead man's hand.</p>
<p>This was fifteen or sixteen years ago. Since then I have wandered
aimlessly about the earth, sometimes at work, sometimes idle; sometimes
with money, sometimes with none; but always tired of life, and wishing it
was done, for my mission here was finished, with the act of that night;
and the only pleasure, solace, satisfaction I had, in all those tedious
years, was in the daily reflection, 'I have killed him!'</p>
<p>Four years ago, my health began to fail. I had wandered into Munich, in my
purposeless way. Being out of money, I sought work, and got it; did my
duty faithfully about a year, and was then given the berth of night
watchman yonder in that dead-house which you visited lately. The place
suited my mood. I liked it. I liked being with the dead—liked being
alone with them. I used to wander among those rigid corpses, and peer into
their austere faces, by the hour. The later the time, the more impressive
it was; I preferred the late time. Sometimes I turned the lights low: this
gave perspective, you see; and the imagination could play; always, the dim
receding ranks of the dead inspired one with weird and fascinating
fancies. Two years ago—I had been there a year then—I was
sitting all alone in the watch-room, one gusty winter's night, chilled,
numb, comfortless; drowsing gradually into unconsciousness; the sobbing of
the wind and the slamming of distant shutters falling fainter and fainter
upon my dulling ear each moment, when sharp and suddenly that dead-bell
rang out a blood-curdling alarum over my head! The shock of it nearly
paralyzed me; for it was the first time I had ever heard it.</p>
<p>I gathered myself together and flew to the corpse-room. About midway down
the outside rank, a shrouded figure was sitting upright, wagging its head
slowly from one side to the other—a grisly spectacle! Its side was
toward me. I hurried to it and peered into its face. Heavens, it was
Adler!</p>
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<p>Can you divine what my first thought was? Put into words, it was this: 'It
seems, then, you escaped me once: there will be a different result this
time!'</p>
<p>Evidently this creature was suffering unimaginable terrors. Think what it
must have been to wake up in the midst of that voiceless hush, and, look
out over that grim congregation of the dead! What gratitude shone in his
skinny white face when he saw a living form before him! And how the
fervency of this mute gratitude was augmented when his eyes fell upon the
life-giving cordials which I carried in my hands! Then imagine the horror
which came into this pinched face when I put the cordials behind me, and
said mockingly—</p>
<p>'Speak up, Franz Adler—call upon these dead. Doubtless they will
listen and have pity; but here there is none else that will.'</p>
<p>He tried to speak, but that part of the shroud which bound his jaws, held
firm and would not let him. He tried to lift imploring hands, but they
were crossed upon his breast and tied. I said—</p>
<p>'Shout, Franz Adler; make the sleepers in the distant streets hear you and
bring help. Shout—and lose no time, for there is little to lose.
What, you cannot? That is a pity; but it is no matter—it does not
always bring help. When you and your cousin murdered a helpless woman and
child in a cabin in Arkansas—my wife, it was, and my child!—they
shrieked for help, you remember; but it did no good; you remember that it
did no good, is it not so? Your teeth chatter—then why cannot you
shout? Loosen the bandages with your hands—then you can. Ah, I see—your
hands are tied, they cannot aid you. How strangely things repeat
themselves, after long years; for <i>my</i> hands were tied, that night, you
remember? Yes, tied much as yours are now—how odd that is. I could
not pull free. It did not occur to you to untie me; it does not occur to
me to untie you. Sh—! there's a late footstep. It is coming this
way. Hark, how near it is! One can count the footfalls—one—two—three.
There—it is just outside. Now is the time! Shout, man, shout!—it
is the one sole chance between you and eternity! Ah, you see you have
delayed too long—it is gone by. There—it is dying out. It is
gone! Think of it—reflect upon it—you have heard a human
footstep for the last time. How curious it must be, to listen to so common
a sound as that, and know that one will never hear the fellow to it
again.'</p>
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<p>Oh, my friend, the agony in that shrouded face was ecstasy to see! I
thought of a new torture, and applied it—assisting myself with a
trifle of lying invention—</p>
<p>'That poor Kruger tried to save my wife and child, and I did him a
grateful good turn for it when the time came. I persuaded him to rob you;
and I and a woman helped him to desert, and got him away in safety.' A
look as of surprise and triumph shone out dimly through the anguish in my
victim's face. I was disturbed, disquieted. I said—</p>
<p>'What, then—didn't he escape?'</p>
<p>A negative shake of the head.</p>
<p>'No? What happened, then?'</p>
<p>The satisfaction in the shrouded face was still plainer. The man tried to
mumble out some words—could not succeed; tried to express something
with his obstructed hands—failed; paused a moment, then feebly
tilted his head, in a meaning way, toward the corpse that lay nearest him.</p>
<p>'Dead?' I asked. 'Failed to escape?—caught in the act and shot?'</p>
<p>Negative shake of the head.</p>
<p>'How, then?'</p>
<p>Again the man tried to do something with his hands. I watched closely, but
could not guess the intent. I bent over and watched still more intently.
He had twisted a thumb around and was weakly punching at his breast with
it. 'Ah—stabbed, do you mean?'</p>
<p>Affirmative nod, accompanied by a spectral smile of such peculiar
devilishness, that it struck an awakening light through my dull brain, and
I cried—</p>
<p>'Did I stab him, mistaking him for you?—for that stroke was meant
for none but you.'</p>
<p>The affirmative nod of the re-dying rascal was as joyous as his failing
strength was able to put into its expression.</p>
<p>'O, miserable, miserable me, to slaughter the pitying soul that, stood a
friend to my darlings when they were helpless, and would have saved them
if he could! miserable, oh, miserable, miserable me!'</p>
<p>I fancied I heard the muffled gurgle of a mocking laugh. I took my face
out of my hands, and saw my enemy sinking back upon his inclined board.</p>
<p>He was a satisfactory long time dying. He had a wonderful vitality, an
astonishing constitution. Yes, he was a pleasant long time at it. I got a
chair and a newspaper, and sat down by him and read. Occasionally I took a
sip of brandy. This was necessary, on account of the cold. But I did it
partly because I saw, that along at first, whenever I reached for the
bottle, he thought I was going to give him some. I read aloud: mainly
imaginary accounts of people snatched from the grave's threshold and
restored to life and vigor by a few spoonsful of liquor and a warm bath.
Yes, he had a long, hard death of it—three hours and six minutes,
from the time he rang his bell.</p>
<p>It is believed that in all these eighteen years that have elapsed since
the institution of the corpse-watch, no shrouded occupant of the Bavarian
dead-houses has ever rung its bell. Well, it is a harmless belief. Let it
stand at that.</p>
<p>The chill of that death-room had penetrated my bones. It revived and
fastened upon me the disease which had been afflicting me, but which, up
to that night, had been steadily disappearing. That man murdered my wife
and my child; and in three days hence he will have added me to his list.
No matter—God! how delicious the memory of it!—I caught him
escaping from his grave, and thrust him back into it.</p>
<p>After that night, I was confined to my bed for a week; but as soon as I
could get about, I went to the dead-house books and got the number of the
house which Adler had died in. A wretched lodging-house, it was. It was my
idea that he would naturally have gotten hold of Kruger's effects, being
his cousin; and I wanted to get Kruger's watch, if I could. But while I
was sick, Adler's things had been sold and scattered, all except a few old
letters, and some odds and ends of no value. However, through those
letters, I traced out a son of Kruger's, the only relative left. He is a
man of thirty now, a shoemaker by trade, and living at No. 14
Konigstrasse, Mannheim—widower, with several small children. Without
explaining to him why, I have furnished two-thirds of his support, ever
since.</p>
<p>Now, as to that watch—see how strangely things happen! I traced it
around and about Germany for more than a year, at considerable cost in
money and vexation; and at last I got it. Got it, and was unspeakably
glad; opened it, and found nothing in it! Why, I might have known that
that bit of paper was not going to stay there all this time. Of course I
gave up that ten thousand dollars then; gave it up, and dropped it out of
my mind: and most sorrowfully, for I had wanted it for Kruger's son.</p>
<p>Last night, when I consented at last that I must die, I began to make
ready. I proceeded to burn all useless papers; and sure enough, from a
batch of Adler's, not previously examined with thoroughness, out dropped
that long-desired scrap! I recognized it in a moment. Here it is—I
will translate it:</p>
<p>'Brick livery stable, stone foundation, middle of town, corner of Orleans
and Market. Corner toward Court-house. Third stone, fourth row. Stick
notice there, saying how many are to come.'</p>
<p>There—take it, and preserve it. Kruger explained that that stone was
removable; and that it was in the north wall of the foundation, fourth row
from the top, and third stone from the west. The money is secreted behind
it. He said the closing sentence was a blind, to mislead in case the paper
should fall into wrong hands. It probably performed that office for Adler.</p>
<p>Now I want to beg that when you make your intended journey down the river,
you will hunt out that hidden money, and send it to Adam Kruger, care of
the Mannheim address which I have mentioned. It will make a rich man of
him, and I shall sleep the sounder in my grave for knowing that I have
done what I could for the son of the man who tried to save my wife and
child—albeit my hand ignorantly struck him down, whereas the impulse
of my heart would have been to shield and serve him.</p>
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