<h1><SPAN name="b6">BOOK VI</SPAN><br/> HER PUNISHMENT</h1>
<h2><SPAN name="b6c1">CHAPTER I</SPAN><br/> EVENING AT BLEAKRIDGE</h2>
<h3>I</h3>
<p>When Hilda's cab turned, perilously swaying, through the gate into the
dark garden of the Orgreaves, Hilda saw another cab already at the open
house door, and in the lighted porch stood figures distinguishable as Janet
and Alicia, all enwrapped for a journey, and Martha holding more wraps. The
long façade of the house was black, save for one window on the first
floor, which threw a faint radiance on the leafless branches of elms, and
thus intensified the upper mysteries of the nocturnal garden. The arrival
of the second cab caused excitement in the porch; and Hilda, leaning out of
the window into the November mist, shook with apprehension, as her vehicle
came to a halt behind the other one. She was now to meet friends for the
first time after her secret and unhappy adventure. She feared that Janet,
by some magic insight of affection, would read at once in her face the
whole history of the past year.</p>
<p>Janet had written to her, giving and asking for news, and urging a
visit, on the very day after the scene in which George Cannon admitted his
turpitude. Had the letter been sent a day or two sooner, reaching Hilda on
her honeymoon, she would certainly have replied to it with the tremendous
news of her marriage, and, her marriage, having been made public in the
Five Towns, her shame also would necessarily be public. But chance had
saved her from this humiliation. Nobody in the district was aware of the
marriage. By a characteristic instinct, she had been determined not to
announce it in any way until the honeymoon was over. In answer to Janet,
she had written very briefly, as was usual with her, and said that she
would come to Lane End House as soon as she could. "Shall I tell her, or
shan't I?" she had cogitated, and the decision had been for postponement.
But she strongly desired, nevertheless, to pay the visit. She had had more
than enough of Preston Street and of Brighton, and longed to leave at any
price.</p>
<p>And, at length, one dull morning, after George Cannon had sailed for
America, and all affairs were somehow arranged or had arranged themselves,
and Sarah Gailey was better and the autumn season smoothly running with new
servants, she had suddenly said to Sarah: "I have to go to Bursley to-day,
for a few days." And she had gone, upon the impulse, without having
previously warned Janet. Changing at Knype, she had got into the wrong
train, and had found herself at Shawport, at the far, lower end of Bursley,
instead of up at Bleakridge, close by the Orgreaves! And there was, of
course, no cab for her. But a cabman who had brought a fare to the station,
and was driving his young woman back, had offered in a friendly way to take
Hilda too. And she had sat in the cab with the young woman, who was a
paintress at Peel's great manufactory at Shawport, and suffered from a weak
chest; and they had talked about the potters' strike which was then
upheaving the district, and the cab had overtaken a procession of thinly
clad potters, wending in the bitter mist to a mass meeting at Hanbridge;
and Hilda had been thereby much impressed and angered against all
employers. And the young woman had left the cab, half-way up Trafalgar
Road, with a delicious pink-and-white smile of adieu. And Hilda had thought
how different all this was from Brighton, and how much better and more
homely and understandable. And now she was in the garden of the
Orgreaves.</p>
<p>Martha came peeping, to discover the explanation of this singular
concourse of cabs in the garden, and she cried joyously:</p>
<p>"Oh, Miss Janet, it's Miss Hilda--Miss Lessways, I mean!"</p>
<p>Alicia shrieked. The first cab drew forward to make room for Hilda's,
and Hilda stepped down into the glare of the porch, and was plainly beheld
by all three girls.</p>
<p>"Will they notice anything?" she asked herself, self-conscious, almost
trembling, as she thought of the terrific changes that had passed in her
since her previous visit.</p>
<p>But nobody noticed anything. Nobody observed that this was not the same
Hilda. Even in the intimacy of the affectionate kiss, for which she lifted
her veil, Janet seemed to have no suspicion whatever.</p>
<p>"We were just off to Hillport," said Janet. "How splendid of you to come
like this!"</p>
<p>"Don't let's go to Hillport!" said Alicia.</p>
<p>Janet hesitated, pulling down her veil.</p>
<p>"Of course you must go!" Hilda said positively.</p>
<p>"I'm afraid we shall have to go," said Janet, with reluctance. "You see,
it's the Marrions--Edie's cousins--and Edie will be there!"</p>
<p>"Who's Edie?"</p>
<p>"Why! Tom's fiancée! Surely I told you!"</p>
<p>"Yes," said Hilda; "only I didn't just remember the name. How nice!"</p>
<p>(She thought: "No sooner do I get here than I talk like they do! Fancy
me saying, 'How nice'!")</p>
<p>"Oh, it's all Edie nowadays!" said Alicia lightly. "We have to be
frightfully particular, or else Tom would cut our heads off. That's why
we're going in a cab! We should have walked,--shouldn't we, Janet?--only it
would never do for us to <i>walk</i> to the Marrions' at night! 'The Misses
Lessways' carriage!'" she mimicked, and finicked about on her toes.</p>
<p>Janet was precisely the same as ever, but the pig-tailed Alicia had
developed. Her childishness was now shot through with gestures and tones of
the young girl. She flushed and paled continuously, and was acutely
self-conscious and somewhat vain, but not offensively vain.</p>
<p>"I say, Jan," she exclaimed, "why shouldn't Hilda come with us?"</p>
<p>"To the Marrions'? Oh no, thanks!" said Hilda.</p>
<p>"But do, Hilda! I'm sure they'd be delighted!" Janet urged. "I never
thought of it."</p>
<p>Though she was flattered and, indeed, a little startled by the
extraordinary seriousness of Janet's insistence, Hilda shook her head.</p>
<p>"Where's Tom?" she inquired, to change the subject.</p>
<p>"Oh!" Alicia burst out again. "He's gone off <i>hours</i> ago to escort
his ladylove from Hanbridge to Hillport."</p>
<p>"You wait till you're engaged, Alicia!" Janet suggested. But Janet's
eyes, too, twinkled the admission that Tom was just then providing much
innocent amusement to the family.</p>
<p>"You'll sleep in my room to-night, anyhow, dear," said Janet, when
Martha and Hilda's cabman had brought a trunk into the hall, and Hilda had
paid the cabman far more than his fare because he was such a friendly young
cabman and because he possessed a pulmonary sweetheart. "Come along,
dear!... Alicia, ask Swindells to wait a minute or two."</p>
<p>"Swindells," Alicia shouted to the original cabman, "just wait a
jiff!"</p>
<p>"Yes, miss." The original cabman, being old and accustomed to
evening-party work in the Five Towns, knew the length of a jiff, and got
down from his seat to exercise both arms and legs. With sardonic pleasure
he watched the young cabman cut a black streak in the sodden lawn with his
near front-wheel as he clumsily turned to leave. Then Martha banged the
front door, and another servant appeared in the hall to help the trunk on
its way upstairs.</p>
<p>"No! I shall never be able to tell them!" thought Hilda, following the
trunk.</p>
<p>Alicia had scampered on in front of the trunk, to inform her parents of
the arrival. Mrs. Orgreave, Hilda learnt, was laid up with an attack of
asthma, and Osmond Orgreave was working in their bedroom.</p>
<h3>II</h3>
<p>Hilda stood in front of the fire in Janet's bedroom, and Janet was
unlocking her trunk.</p>
<p>"Why! What a pretty bodice!" said Janet, opening the trunk. She stood
up, and held forth the bodice to inspect it; and beneath Janet's cloak
Hilda could see the splendour of her evening dress. "Where did you get
it?"</p>
<p>"In London," Hilda was about to answer, but she took thought. "Oh!
Brighton." It was a lie.</p>
<p>She had a longing to say:</p>
<p>"No, not Brighton! What am I thinking of? I got it in London on my
honeymoon!"</p>
<p>What a unique sensation that one word would have caused! But she could
not find courage to utter it.</p>
<p>Alicia came importantly in.</p>
<p>"Mother's love, and you are to go into her room as soon as you're ready.
Martha will bring up a tray for you, and you'll eat there by the fire. It's
all arranged."</p>
<p>"And what about father's love?" Hilda demanded, with a sprightliness
that astonished herself. And she thought: "Why are these people so fond of
me? They don't even ask how it was I didn't write to tell them I was
coming. They just accept me and welcome me without questions.... No! I can
never tell them! It simply couldn't be told, here! If they find out, so
much the worse!"</p>
<p>"You must ask him!" Alicia answered, blushing.</p>
<p>"All right, Alicia. We'll be ready in a minute or two," said Janet in a
peculiar voice.</p>
<p>It was a gentle command to Alicia to leave her elders alone to their
adult confidences. And unwilling Alicia had to obey.</p>
<p>But there were no confidences. The talk, as it were, shivered on the
brink of a confidence, but never plunged.</p>
<p>"Does she guess?" Hilda reflected.</p>
<p>The conversation so halted that at length Janet was driven to the
banality of saying:</p>
<p>"I'm so sorry we have to go out!"</p>
<p>And Hilda protested with equal banality, and added: "I suppose you're
going out a lot just now?"</p>
<p>"Oh no!" said Janet. "We go out less and less, and we get quieter and
quieter. I mean <i>us</i>. The boys are always out, you know." She seemed
saddened. "I did think Edwin Clayhanger would come in sometimes, now
they're living next door--"</p>
<p>"They're in their new house, then!" said Hilda, with casualness.</p>
<p>"Oh, long ago! And I'm sure it's ages since he was here. I like
Maggie--his sister."</p>
<p>Hilda knelt to her trunk.</p>
<p>"Did he ever inquire after me?" she demanded, with an air of archness,
but hiding her face.</p>
<p>"As a matter of fact he <i>did</i>--once," said Janet, imitating Hilda's
manner.</p>
<p>"Well, that's something," said Hilda.</p>
<p>There was a sharp knock at the door.</p>
<p>"Hot water, miss!" cried the voice of Martha.</p>
<p>The next instant Martha was arranging the ewer and the can and some
clean towels on the washstand. Her face was full of joy in the unexpected
arrival. She was as excited as if Hilda had been her own friend instead of
Janet's.</p>
<p>"Well, dear, shall you be all right now?" said Janet. "Perhaps I ought
to be going. You may depend on it I shall get back as early as ever I
can."</p>
<p>The two girls kissed, with even more freedom than in the hall. It seemed
astonishing to Hilda, as her face was close to Janet's, that Janet did not
exclaim: "Something has happened to you. What is it? You are not as you
used to be! You are not like me!" She felt herself an imposter.</p>
<p>"Why should I tell?" Hilda reflected. "What end will it serve? It's
nobody's business but mine. <i>He</i> is gone. He'll never come back.
Everything's over.... And if it does get about, well, they'll only praise
me for my discretion. They can't do anything else."</p>
<p>Still, she longed timorously to confide in Janet. And when Janet had
departed she breathed relief because the danger of confiding in Janet was
withdrawn for the moment.</p>
<h3>III</h3>
<p>Later, as the invalid had ordained, Hilda, having eaten, sat by the fire
in the large, quiet bedroom of Mr. and Mrs. Orgreave. The latter was
enjoying a period of ease, and lay, with head raised very high on pillows,
in her own half of the broad bed. The quilt extended over her without a
crease in its expanse; the sheet was turned down with precision, making a
level white border to the quilt; and Mrs. Orgreave did not stir; not one of
her grey locks stirred; she spoke occasionally in a low voice. On the
night-table stood a Godfrey's Chloride of Ammonia Inhaler, with its glass
cylinder and triple arrangement of tubes. There was only this, and the dark
lips and pale cheeks of the patient, to remind the beholder that not long
since the bed had been a scene of agony. Mr. Orgreave, in bright carpet
slippers, and elegant wristbands blossoming out of the sleeves of his black
house-jacket, stood bending above a huge board that was laid horizontally
on trestles to the left of the fireplace. This board was covered by a wide
length of bluish transparent paper which at intervals he pulled towards
him, making billows of paper at his feet and gradually lessening a roll of
it that lay on the floor beyond the table. A specially arranged gas-bracket
with a green shade which threw a powerful light on the paper showed that
Osmond Orgreave's habit was to work in that spot of an evening.</p>
<p>"Astonishing I have to do this myself, isn't it?" he observed, stooping
to roll up the accumulated length of paper about his feet.</p>
<p>"What is it?" Hilda asked.</p>
<p>"It's a full-sized detail drawing. Simple!... But do you suppose I could
trust either of my ingenious sons to get the curves of the mouldings
right?"</p>
<p>"You'll never be able to trust them unless you begin to trust them,"
said Mrs. Orgreave sagely from the bed.</p>
<p>"Ha!" ejaculated Osmond Orgreave satirically. This remark was one of his
most effective counters to argument.</p>
<p>"The fact is he thoroughly enjoys it, doesn't he, Mrs. Orgreave?" said
Hilda.</p>
<p>"You're quite right, my dear," said Mrs. Orgreave.</p>
<p>"Ah!" from Mr. Orgreave.</p>
<p>He sketched with a pencil and rubbed out, vigorously. Then his eye
caught Hilda's, and they both smiled, very content. "They'd look nice if I
took to drink instead of to work, for a change!" he murmured, pausing to
caress his handsome hair.</p>
<p>There was a sharp knock at the door, and into this room also the
watchful Martha entered.</p>
<p>"Here's the <i>Signal</i>, sir. The boy's only just brought it."</p>
<p>"Give it to Miss Hilda," said Mr. Orgreave, without glancing up.</p>
<p>"Shall I take the tray away, 'm?" Martha inquired, looking towards the
bed, the supreme centre of domestic order and authority.</p>
<p>"Perhaps Miss Hilda hasn't finished?"</p>
<p>"Oh yes, I have, thanks."</p>
<p>Martha rearranged the vessels and cutlery upon the tray, with quick,
expert movements of the wrists. Her gaze was carefully fixed on the tray.
Endowed though she was with rare privileges, as a faithful retainer, she
would have been shocked and shamed had her gaze, improperly wandering,
encountered the gaze of the master or the guest. Then she picked up the
tray, and, pushing the small table into its accustomed place with a deft
twist of the foot, she sailed erect and prim out of the room, and the door
primly clicked on her neat-girded waist and flying white ribbons.</p>
<p>"And what am I to do with this <i>Signal</i>" Hilda asked, fingering the
white, damp paper.</p>
<p>"I should like you to read us about the strike," said Mrs. Orgreave.
"It's a dreadful thing."</p>
<p>"I should thing it was!" Hilda agreed fervently. "Oh! Do you know, on
the way from Shawport, I saw a procession of the men, and anything more
terrible--"</p>
<p>"It's the children I think of!" said Mrs. Orgreave softly.</p>
<p>"Pity the men don't!" Mr. Orgreave murmured, without raising his
head.</p>
<p>"Don't what?" Hilda asked defiantly.</p>
<p>"Think of the children."</p>
<p>Bridling, but silent, Hilda opened the sheet, and searched round and
about its columns with the embarrassed bewilderment of one unaccustomed to
the perusal of newspapers.</p>
<p>"Look on page three--first column," said Mr. Orgreave.</p>
<p>"That's all about racing," said Hilda.</p>
<p>"Oh dear, dear!" from the bed.</p>
<p>"Well, second column."</p>
<p>"The Potters' Strike. The men's leaders," she read the headlines. "There
isn't much of it."</p>
<p>"How beautifully clearly you read!" said Mrs. Orgreave, with mild
enthusiasm, when Hilda had read the meagre half-column.</p>
<p>"Do I?" Hilda flushed.</p>
<p>"Is that all there is about it?"</p>
<p>"Yes. They don't seem to think it's very important that half the people
are starving!" Hilda sneered.</p>
<p>"Whose fault is it if they do starve?" Osmond Orgreave glanced at her
with lowered head.</p>
<p>"I think it's a shame!" she exclaimed.</p>
<p>"Do you know that the men broke the last award, not so very long since?"
said Osmond Orgreave. "What can you do with such people?"</p>
<p>"Broke the last award?" She was checked.</p>
<p>"Broke the last award! Wouldn't stick by their own agreement, their own
words. I'll just tell you. A wise young woman like you oughtn't to be
carried away by the sight of a procession on a cold night."</p>
<p>He smiled; and she smiled, but awkwardly.</p>
<p>And then he told her something of the case for the employers.</p>
<p>"How hard you are on the men!" she protested, when he had done.</p>
<p>"Not at all! Not at all!" He stretched himself, and came round his
trestles to poke the fire. "You should hear Mr. Clayhanger on the men, if
you want to know what hard is."</p>
<p>"Mr. Clayhanger? You mean old Mr. Clayhanger?"</p>
<p>"Yes."</p>
<p>"But he isn't a manufacturer."</p>
<p>"No. But he's an employer of labour."</p>
<p>Hilda rose uneasily from her chair, and walked towards the distant,
shadowed dressing-table.</p>
<p>"I should like to go over a printing-works," she said abruptly.</p>
<p>"Very easy," said Mr. Orgreave, resuming his work with a great expulsion
of breath.</p>
<p>Hilda thought: "Why did I say that?" And, to cover her constraint, she
cried out: "Oh, what a lovely book!"</p>
<p>A small book, bound in full purple calf, lay half hidden in a nest of
fine tissue paper on the dressing-table.</p>
<p>"Yes, isn't it?" said Mrs. Orgreave. "Tom brought it in to show me,
before he went this afternoon. It's a birthday present for Edie. He's had
it specially bound. I must write myself, and ask Edie to come over and meet
you. I'm sure you'd like her. She's a dear girl. I think Tom's very
fortunate."</p>
<p>"No, you don't," Osmond Orgreave contradicted her, with a great rustling
of paper. "You think Edie's very fortunate."</p>
<p>Hilda looked round, and caught the architect's smile.</p>
<p>"I think they're both fortunate," said Mrs. Orgreave simply. She had
almost no sense of humour. "I'm sure she's a real good girl, and clever
too."</p>
<p>"Clever enough to get on the right side of her future mother-in-law,
anyway!" growled Mr. Orgreave.</p>
<p>"Anyone might think Osmond didn't like the girl," said Mrs. Orgreave,
"from the way he talks. And yet he adores her! And it's no use him
pretending he doesn't!"</p>
<p>"I only adore you!" said Osmond.</p>
<p>"You needn't try to turn it off!" his wife murmured, beaming on
Hilda.</p>
<p>Tears came strangely into Hilda's eyes, and she turned again to the
dressing-table. And through a blur, she saw all the objects ranged in a
long row on the white cloth that covered the rosewood; and she thought:
"All this is beautiful." And she saw the pale blinds drawn down behind the
dressing-table, and the valance at the top, and the draped curtains; and
herself darkly in the glass. And she could feel the vista of the large,
calm, comfortable room behind her, and could hear the coals falling
together in the grate, and the rustling of the architect's paper, and Mrs.
Orgreave's slight cough. And, in her mind, she could see all the other
rooms in the spacious house, and the dim, misted garden beyond. She
thought: "All this house is beautiful. It is the most beautiful thing I
have ever known, or ever shall know. I'm happy here!" And then her
imagination followed each of the children. She imagined Marian, the eldest,
and her babies, in London; and Charlie, also in London, practising
medicine; and Tom and Janet and Alicia at the party at Hillport; and Jimmie
and Johnnie seeing life at Hanbridge; while the parents remained in
tranquillity in their bedroom. All these visions were beautiful; even the
vision of Jimmie and Johnnie flourishing billiard-cues and glasses and
pipes in the smoky atmosphere of a club--even this was beautiful; it was as
simply touching as the other visions.... And she was at home with the
parents, and so extremely intimate with them that she could nearly conceive
herself a genuine member of the house. She was in bliss. Her immediate past
dropped away from her like an illusion, and she became almost the old
Hilda: she was almost born again into innocence. Only the tragic figure of
George Cannon hung vague in the far distance of memory, and the sight
thereof constricted her heart. Utterly her passion for him had expired: she
was exquisitely sad for him; she felt towards him kindly and guiltily, as
one feels towards an old error.... And, withal, the spell of the home of
the Orgreaves took away his reality.</p>
<p>She was fingering the book. Its title-page ran: <i>The English Poems of
Richard Crashaw</i>. Now she had never even heard of Richard Crashaw, and
she wondered who he might be. Turning the pages, she read:</p>
<blockquote>
All thy old woes shall now smile on thee,<br/>
And thy pains sit bright upon thee,<br/>
All thy sorrows here shall shine,<br/>
All thy sufferings be divine:<br/>
Tears shall take comfort, and turn gems,<br/>
And wrongs repent to diadems.<br/>
</blockquote>
<p>And she read again, as though the words had been too lovely to be real,
and she must assure herself of them:</p>
<blockquote>
Tears shall take comfort, and turn gems,<br/>
And wrongs repent to diadems.<br/>
</blockquote>
<p>She turned back to the beginning of the poem, and read the title of it:
"A Hymn, to the name and honour of the admirable Saint Teresa--Foundress of
the Reformation of the discalced Carmelites, both men and women: a woman
for angelical height of speculation, for masculine courage of performance
more than a woman: who yet a child outran maturity, and durst plot a
martyrdom."</p>
<p>The prose thrilled her even more intimately than the verse. She cried
within herself: "Why have I never heard of Richard Crashaw? Why did Tom
never tell me?" She became upon the instant a devotee of this Saint Teresa.
She thought inconsequently, with a pang that was also a reassurance:
"George Cannon would never have understood this. But everyone here
understands it." And with hands enfevered, she turned the pages again, and,
after several disappointments, read:</p>
<blockquote>
Oh, thou undaunted daughter of desires!<br/>
By all thy dower of lights and fires;<br/>
By all the eagle in thee, all the dove:<br/>
By all thy lives and deaths of love:<br/>
By thy large draughts of intellectual day;<br/>
And by thy thirsts of love more large than they:<br/>
By all thy brim-filled bowls of fierce desire,<br/>
By this last morning's draught of liquid fire:<br/>
By the full kingdom of that final kiss----<br/>
</blockquote>
<p>She ceased to read. It was as if her soul was crying out: "I also am
Teresa. This is I! This is I!"</p>
<p>And then the door opened, and Martha appeared once more:</p>
<p>"If you please, sir, Mr. Edwin Clayhanger's called."</p>
<p>"Oh... well, I'm nearly finished. Where is he?"</p>
<p>"In the breakfast-room, sir."</p>
<p>"Well, tell him I'll be down in a minute."</p>
<p>"Hilda," said Mrs. Orgreave, "will <i>you</i> mind going and telling
him?"</p>
<p>Hilda had replaced the book in its nest, and gone quickly back to her
chair. The entrance of the servant at that moment, to announce Edwin
Clayhanger, seemed to her startlingly dramatic. "What," she thought, "I am
just reading that and he comes!... He hasn't been here for ages, and, on
the very night that I come, he comes!"</p>
<p>"Certainly," she replied to Mrs. Orgreave. And she thought: "This is the
second time she has sent me with a message to Edwin Clayhanger."</p>
<p>Suddenly, she blushed in confusion before the mistress of the home. "Is
it possible," she asked herself,--"is it possible that Mrs. Orgreave
doesn't guess what has happened to me? Is it possible she can't see that
I'm different from what I used to be? If she knew... if they knew...
here!"</p>
<p>She left the room like a criminal. When she was going down the stairs,
she discovered that she held the <i>Signal</i> in her hand. She had no
recollection of picking it up, and there was no object in taking it to the
breakfast-room! She thought: "What a state I must be in!"</p>
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