<SPAN name="ch27"></SPAN>
<h3>CHAPTER XXVII</h3>
<h3>THE SIEGE OF KEMP'S HOUSE</h3>
<p>Kemp read a strange missive, written in pencil on a greasy sheet of
paper.</p>
<p>"You have been amazingly energetic and clever," this letter ran,
"though what you stand to gain by it I cannot imagine. You are
against me. For a whole day you have chased me; you have tried to
rob me of a night's rest. But I have had food in spite of you, I
have slept in spite of you, and the game is only beginning. The
game is only beginning. There is nothing for it, but to start the
Terror. This announces the first day of the Terror. Port Burdock
is no longer under the Queen, tell your Colonel of Police, and
the rest of them; it is under me—the Terror! This is day one of
year one of the new epoch—the Epoch of the Invisible Man. I am
Invisible Man the First. To begin with the rule will be easy. The
first day there will be one execution for the sake of example—a
man named Kemp. Death starts for him to-day. He may lock himself
away, hide himself away, get guards about him, put on armour
if he likes—Death, the unseen Death, is coming. Let him take
precautions; it will impress my people. Death starts from the
pillar box by midday. The letter will fall in as the postman comes
along, then off! The game begins. Death starts. Help him not, my
people, lest Death fall upon you also. To-day Kemp is to die."</p>
<p>Kemp read this letter twice, "It's no hoax," he said. "That's
his voice! And he means it."</p>
<p>He turned the folded sheet over and saw on the addressed side of it
the postmark Hintondean, and the prosaic detail "2d. to pay."</p>
<p>He got up slowly, leaving his lunch unfinished—the letter had
come by the one o'clock post—and went into his study. He rang
for his housekeeper, and told her to go round the house at once,
examine all the fastenings of the windows, and close all the
shutters. He closed the shutters of his study himself. From a
locked drawer in his bedroom he took a little revolver, examined it
carefully, and put it into the pocket of his lounge jacket. He
wrote a number of brief notes, one to Colonel Adye, gave them to
his servant to take, with explicit instructions as to her way of
leaving the house. "There is no danger," he said, and added a
mental reservation, "to you." He remained meditative for a space
after doing this, and then returned to his cooling lunch.</p>
<p>He ate with gaps of thought. Finally he struck the table sharply.
"We will have him!" he said; "and I am the bait. He will come too
far."</p>
<p>He went up to the belvedere, carefully shutting every door after
him. "It's a game," he said, "an odd game—but the chances are
all for me, Mr. Griffin, in spite of your invisibility. Griffin
<i>contra mundum</i> ... with a vengeance."</p>
<p>He stood at the window staring at the hot hillside. "He must get
food every day—and I don't envy him. Did he really sleep last
night? Out in the open somewhere—secure from collisions. I wish
we could get some good cold wet weather instead of the heat.</p>
<p>"He may be watching me now."</p>
<p>He went close to the window. Something rapped smartly against the
brickwork over the frame, and made him start violently back.</p>
<p>"I'm getting nervous," said Kemp. But it was five minutes before he
went to the window again. "It must have been a sparrow," he said.</p>
<p>Presently he heard the front-door bell ringing, and hurried
downstairs. He unbolted and unlocked the door, examined the chain,
put it up, and opened cautiously without showing himself. A
familiar voice hailed him. It was Adye.</p>
<p>"Your servant's been assaulted, Kemp," he said round the door.</p>
<p>"What!" exclaimed Kemp.</p>
<p>"Had that note of yours taken away from her. He's close about here.
Let me in."</p>
<p>Kemp released the chain, and Adye entered through as narrow an
opening as possible. He stood in the hall, looking with infinite
relief at Kemp refastening the door. "Note was snatched out of her
hand. Scared her horribly. She's down at the station. Hysterics.
He's close here. What was it about?"</p>
<p>Kemp swore.</p>
<p>"What a fool I was," said Kemp. "I might have known. It's not an
hour's walk from Hintondean. Already?"</p>
<p>"What's up?" said Adye.</p>
<p>"Look here!" said Kemp, and led the way into his study. He handed
Adye the Invisible Man's letter. Adye read it and whistled softly.
"And you—?" said Adye.</p>
<p>"Proposed a trap—like a fool," said Kemp, "and sent my proposal
out by a maid servant. To him."</p>
<p>Adye followed Kemp's profanity.</p>
<p>"He'll clear out," said Adye.</p>
<p>"Not he," said Kemp.</p>
<p>A resounding smash of glass came from upstairs. Adye had a silvery
glimpse of a little revolver half out of Kemp's pocket. "It's a
window, upstairs!" said Kemp, and led the way up. There came a
second smash while they were still on the staircase. When they
reached the study they found two of the three windows smashed,
half the room littered with splintered glass, and one big flint
lying on the writing table. The two men stopped in the doorway,
contemplating the wreckage. Kemp swore again, and as he did so the
third window went with a snap like a pistol, hung starred for a
moment, and collapsed in jagged, shivering triangles into the room.</p>
<p>"What's this for?" said Adye.</p>
<p>"It's a beginning," said Kemp.</p>
<p>"There's no way of climbing up here?"</p>
<p>"Not for a cat," said Kemp.</p>
<p>"No shutters?"</p>
<p>"Not here. All the downstairs rooms—Hullo!"</p>
<p>Smash, and then whack of boards hit hard came from downstairs.
"Confound him!" said Kemp. "That must be—yes—it's one of the
bedrooms. He's going to do all the house. But he's a fool. The
shutters are up, and the glass will fall outside. He'll cut his
feet."</p>
<p>Another window proclaimed its destruction. The two men stood on the
landing perplexed. "I have it!" said Adye. "Let me have a stick or
something, and I'll go down to the station and get the bloodhounds
put on. That ought to settle him! They're hard by—not ten
minutes—"</p>
<p>Another window went the way of its fellows.</p>
<p>"You haven't a revolver?" asked Adye.</p>
<p>Kemp's hand went to his pocket. Then he hesitated. "I haven't
one—at least to spare."</p>
<p>"I'll bring it back," said Adye, "you'll be safe here."</p>
<p>Kemp, ashamed of his momentary lapse from truthfulness, handed him
the weapon.</p>
<p>"Now for the door," said Adye.</p>
<p>As they stood hesitating in the hall, they heard one of the
first-floor bedroom windows crack and clash. Kemp went to the door
and began to slip the bolts as silently as possible. His face was a
little paler than usual. "You must step straight out," said Kemp. In
another moment Adye was on the doorstep and the bolts were dropping
back into the staples. He hesitated for a moment, feeling more
comfortable with his back against the door. Then he marched, upright
and square, down the steps. He crossed the lawn and approached the
gate. A little breeze seemed to ripple over the grass. Something
moved near him. "Stop a bit," said a Voice, and Adye stopped dead
and his hand tightened on the revolver.</p>
<p>"Well?" said Adye, white and grim, and every nerve tense.</p>
<p>"Oblige me by going back to the house," said the Voice, as tense
and grim as Adye's.</p>
<p>"Sorry," said Adye a little hoarsely, and moistened his lips with
his tongue. The Voice was on his left front, he thought. Suppose he
were to take his luck with a shot?</p>
<p>"What are you going for?" said the Voice, and there was a quick
movement of the two, and a flash of sunlight from the open lip of
Adye's pocket.</p>
<p>Adye desisted and thought. "Where I go," he said slowly, "is my own
business." The words were still on his lips, when an arm came round
his neck, his back felt a knee, and he was sprawling backward. He
drew clumsily and fired absurdly, and in another moment he was
struck in the mouth and the revolver wrested from his grip. He made
a vain clutch at a slippery limb, tried to struggle up and fell
back. "Damn!" said Adye. The Voice laughed. "I'd kill you now if it
wasn't the waste of a bullet," it said. He saw the revolver in
mid-air, six feet off, covering him.</p>
<p>"Well?" said Adye, sitting up.</p>
<p>"Get up," said the Voice.</p>
<p>Adye stood up.</p>
<p>"Attention," said the Voice, and then fiercely, "Don't try any
games. Remember I can see your face if you can't see mine. You've
got to go back to the house."</p>
<p>"He won't let me in," said Adye.</p>
<p>"That's a pity," said the Invisible Man. "I've got no quarrel with
you."</p>
<p>Adye moistened his lips again. He glanced away from the barrel of
the revolver and saw the sea far off very blue and dark under the
midday sun, the smooth green down, the white cliff of the Head, and
the multitudinous town, and suddenly he knew that life was very
sweet. His eyes came back to this little metal thing hanging
between heaven and earth, six yards away. "What am I to do?" he
said sullenly.</p>
<p>"What am <i>I</i> to do?" asked the Invisible Man. "You will get help. The
only thing is for you to go back."</p>
<p>"I will try. If he lets me in will you promise not to rush the
door?"</p>
<p>"I've got no quarrel with you," said the Voice.</p>
<p>Kemp had hurried upstairs after letting Adye out, and now crouching
among the broken glass and peering cautiously over the edge of the
study window sill, he saw Adye stand parleying with the Unseen.
"Why doesn't he fire?" whispered Kemp to himself. Then the revolver
moved a little and the glint of the sunlight flashed in Kemp's
eyes. He shaded his eyes and tried to see the source of the
blinding beam.</p>
<p>"Surely!" he said, "Adye has given up the revolver."</p>
<p>"Promise not to rush the door," Adye was saying. "Don't push a
winning game too far. Give a man a chance."</p>
<p>"You go back to the house. I tell you flatly I will not promise
anything."</p>
<p>Adye's decision seemed suddenly made. He turned towards the house,
walking slowly with his hands behind him. Kemp watched him—puzzled.
The revolver vanished, flashed again into sight, vanished again,
and became evident on a closer scrutiny as a little dark object
following Adye. Then things happened very quickly. Adye leapt
backwards, swung around, clutched at this little object, missed it,
threw up his hands and fell forward on his face, leaving a little
puff of blue in the air. Kemp did not hear the sound of the shot.
Adye writhed, raised himself on one arm, fell forward, and lay
still.</p>
<p>For a space Kemp remained staring at the quiet carelessness of
Adye's attitude. The afternoon was very hot and still, nothing
seemed stirring in all the world save a couple of yellow butterflies
chasing each other through the shrubbery between the house and the
road gate. Adye lay on the lawn near the gate. The blinds of all
the villas down the hill-road were drawn, but in one little green
summer-house was a white figure, apparently an old man asleep. Kemp
scrutinised the surroundings of the house for a glimpse of the
revolver, but it had vanished. His eyes came back to Adye. The game
was opening well.</p>
<p>Then came a ringing and knocking at the front door, that grew at
last tumultuous, but pursuant to Kemp's instructions the servants
had locked themselves into their rooms. This was followed by a
silence. Kemp sat listening and then began peering cautiously out
of the three windows, one after another. He went to the staircase
head and stood listening uneasily. He armed himself with his
bedroom poker, and went to examine the interior fastenings of the
ground-floor windows again. Everything was safe and quiet. He
returned to the belvedere. Adye lay motionless over the edge of the
gravel just as he had fallen. Coming along the road by the villas
were the housemaid and two policemen.</p>
<p>Everything was deadly still. The three people seemed very slow in
approaching. He wondered what his antagonist was doing.</p>
<p>He started. There was a smash from below. He hesitated and went
downstairs again. Suddenly the house resounded with heavy blows and
the splintering of wood. He heard a smash and the destructive clang
of the iron fastenings of the shutters. He turned the key and
opened the kitchen door. As he did so, the shutters, split and
splintering, came flying inward. He stood aghast. The window frame,
save for one crossbar, was still intact, but only little teeth of
glass remained in the frame. The shutters had been driven in with
an axe, and now the axe was descending in sweeping blows upon the
window frame and the iron bars defending it. Then suddenly it leapt
aside and vanished. He saw the revolver lying on the path outside,
and then the little weapon sprang into the air. He dodged back. The
revolver cracked just too late, and a splinter from the edge of the
closing door flashed over his head. He slammed and locked the door,
and as he stood outside he heard Griffin shouting and laughing.
Then the blows of the axe with its splitting and smashing
consequences, were resumed.</p>
<p>Kemp stood in the passage trying to think. In a moment the
Invisible Man would be in the kitchen. This door would not keep him
a moment, and then—</p>
<p>A ringing came at the front door again. It would be the policemen.
He ran into the hall, put up the chain, and drew the bolts. He made
the girl speak before he dropped the chain, and the three people
blundered into the house in a heap, and Kemp slammed the door
again.</p>
<p>"The Invisible Man!" said Kemp. "He has a revolver, with two
shots—left. He's killed Adye. Shot him anyhow. Didn't you see him on
the lawn? He's lying there."</p>
<p>"Who?" said one of the policemen.</p>
<p>"Adye," said Kemp.</p>
<p>"We came in the back way," said the girl.</p>
<p>"What's that smashing?" asked one of the policemen.</p>
<p>"He's in the kitchen—or will be. He has found an axe—"</p>
<p>Suddenly the house was full of the Invisible Man's resounding
blows on the kitchen door. The girl stared towards the kitchen,
shuddered, and retreated into the dining-room. Kemp tried to
explain in broken sentences. They heard the kitchen door give.</p>
<p>"This way," said Kemp, starting into activity, and bundled the
policemen into the dining-room doorway.</p>
<p>"Poker," said Kemp, and rushed to the fender. He handed the poker
he had carried to the policeman and the dining-room one to the
other. He suddenly flung himself backward.</p>
<p>"Whup!" said one policeman, ducked, and caught the axe on his poker.
The pistol snapped its penultimate shot and ripped a valuable Sidney
Cooper. The second policeman brought his poker down on the little
weapon, as one might knock down a wasp, and sent it rattling to the
floor.</p>
<p>At the first clash the girl screamed, stood screaming for a moment
by the fireplace, and then ran to open the shutters—possibly
with an idea of escaping by the shattered window.</p>
<p>The axe receded into the passage, and fell to a position about two
feet from the ground. They could hear the Invisible Man breathing.
"Stand away, you two," he said. "I want that man Kemp."</p>
<p>"We want you," said the first policeman, making a quick step
forward and wiping with his poker at the Voice. The Invisible Man
must have started back, and he blundered into the umbrella stand.</p>
<p>Then, as the policeman staggered with the swing of the blow he had
aimed, the Invisible Man countered with the axe, the helmet crumpled
like paper, and the blow sent the man spinning to the floor at the
head of the kitchen stairs. But the second policeman, aiming behind
the axe with his poker, hit something soft that snapped. There was a
sharp exclamation of pain and then the axe fell to the ground. The
policeman wiped again at vacancy and hit nothing; he put his foot on
the axe, and struck again. Then he stood, poker clubbed, listening
intent for the slightest movement.</p>
<p>He heard the dining-room window open, and a quick rush of feet
within. His companion rolled over and sat up, with the blood
running down between his eye and ear. "Where is he?" asked the man
on the floor.</p>
<p>"Don't know. I've hit him. He's standing somewhere in the hall.
Unless he's slipped past you. Doctor Kemp—sir."</p>
<p>Pause.</p>
<p>"Doctor Kemp," cried the policeman again.</p>
<p>The second policeman began struggling to his feet. He stood up.
Suddenly the faint pad of bare feet on the kitchen stairs could be
heard. "Yap!" cried the first policeman, and incontinently flung
his poker. It smashed a little gas bracket.</p>
<p>He made as if he would pursue the Invisible Man downstairs. Then he
thought better of it and stepped into the dining-room.</p>
<p>"Doctor Kemp—" he began, and stopped short.</p>
<p>"Doctor Kemp's a hero," he said, as his companion looked over his
shoulder.</p>
<p>The dining-room window was wide open, and neither housemaid nor
Kemp was to be seen.</p>
<p>The second policeman's opinion of Kemp was terse and vivid.</p>
<SPAN name="ch28"></SPAN>
<h3>CHAPTER XXVIII</h3>
<h3>THE HUNTER HUNTED</h3>
<p>Mr. Heelas, Mr. Kemp's nearest neighbour among the villa holders,
was asleep in his summer house when the siege of Kemp's house
began. Mr. Heelas was one of the sturdy minority who refused to
believe "in all this nonsense" about an Invisible Man. His wife,
however, as he was subsequently to be reminded, did. He insisted
upon walking about his garden just as if nothing was the matter,
and he went to sleep in the afternoon in accordance with the custom
of years. He slept through the smashing of the windows, and then
woke up suddenly with a curious persuasion of something wrong. He
looked across at Kemp's house, rubbed his eyes and looked again.
Then he put his feet to the ground, and sat listening. He said he
was damned, but still the strange thing was visible. The house
looked as though it had been deserted for weeks—after a violent
riot. Every window was broken, and every window, save those of the
belvedere study, was blinded by the internal shutters.</p>
<p>"I could have sworn it was all right"—he looked at his watch—"twenty
minutes ago."</p>
<p>He became aware of a measured concussion and the clash of glass,
far away in the distance. And then, as he sat open-mouthed, came a
still more wonderful thing. The shutters of the drawing-room window
were flung open violently, and the housemaid in her outdoor hat and
garments, appeared struggling in a frantic manner to throw up the
sash. Suddenly a man appeared beside her, helping her—Dr. Kemp!
In another moment the window was open, and the housemaid was
struggling out; she pitched forward and vanished among the shrubs.
Mr. Heelas stood up, exclaiming vaguely and vehemently at all these
wonderful things. He saw Kemp stand on the sill, spring from the
window, and reappear almost instantaneously running along a path in
the shrubbery and stooping as he ran, like a man who evades
observation. He vanished behind a laburnum, and appeared again
clambering over a fence that abutted on the open down. In a second
he had tumbled over and was running at a tremendous pace down the
slope towards Mr. Heelas.</p>
<p>"Lord!" cried Mr. Heelas, struck with an idea; "it's that Invisible
Man brute! It's right, after all!"</p>
<p>With Mr. Heelas to think things like that was to act, and his cook
watching him from the top window was amazed to see him come pelting
towards the house at a good nine miles an hour. There was a
slamming of doors, a ringing of bells, and the voice of Mr. Heelas
bellowing like a bull. "Shut the doors, shut the windows, shut
everything!—the Invisible Man is coming!" Instantly the house was
full of screams and directions, and scurrying feet. He ran himself
to shut the French windows that opened on the veranda; as he did so
Kemp's head and shoulders and knee appeared over the edge of the
garden fence. In another moment Kemp had ploughed through the
asparagus, and was running across the tennis lawn to the house.</p>
<p>"You can't come in," said Mr. Heelas, shutting the bolts. "I'm very
sorry if he's after you, but you can't come in!"</p>
<p>Kemp appeared with a face of terror close to the glass, rapping and
then shaking frantically at the French window. Then, seeing his
efforts were useless, he ran along the veranda, vaulted the end,
and went to hammer at the side door. Then he ran round by the side
gate to the front of the house, and so into the hill-road. And Mr.
Heelas staring from his window—a face of horror—had scarcely
witnessed Kemp vanish, ere the asparagus was being trampled this
way and that by feet unseen. At that Mr. Heelas fled precipitately
upstairs, and the rest of the chase is beyond his purview. But as
he passed the staircase window, he heard the side gate slam.</p>
<p>Emerging into the hill-road, Kemp naturally took the downward
direction, and so it was he came to run in his own person the very
race he had watched with such a critical eye from the belvedere
study only four days ago. He ran it well, for a man out of
training, and though his face was white and wet, his wits were cool
to the last. He ran with wide strides, and wherever a patch of
rough ground intervened, wherever there came a patch of raw flints,
or a bit of broken glass shone dazzling, he crossed it and left the
bare invisible feet that followed to take what line they would.</p>
<p>For the first time in his life Kemp discovered that the hill-road
was indescribably vast and desolate, and that the beginnings of the
town far below at the hill foot were strangely remote. Never had
there been a slower or more painful method of progression than
running. All the gaunt villas, sleeping in the afternoon sun,
looked locked and barred; no doubt they were locked and barred—by
his own orders. But at any rate they might have kept a lookout
for an eventuality like this! The town was rising up now, the sea
had dropped out of sight behind it, and people down below were
stirring. A tram was just arriving at the hill foot. Beyond that
was the police station. Was that footsteps he heard behind him?
Spurt.</p>
<p>The people below were staring at him, one or two were running, and
his breath was beginning to saw in his throat. The tram was quite
near now, and the "Jolly Cricketers" was noisily barring its doors.
Beyond the tram were posts and heaps of gravel—the drainage
works. He had a transitory idea of jumping into the tram and
slamming the doors, and then he resolved to go for the police
station. In another moment he had passed the door of the "Jolly
Cricketers," and was in the blistering fag end of the street, with
human beings about him. The tram driver and his helper—arrested
by the sight of his furious haste—stood staring with the tram
horses unhitched. Further on the astonished features of navvies
appeared above the mounds of gravel.</p>
<p>His pace broke a little, and then he heard the swift pad of his
pursuer, and leapt forward again. "The Invisible Man!" he cried to
the navvies, with a vague indicative gesture, and by an inspiration
leapt the excavation and placed a burly group between him and the
chase. Then abandoning the idea of the police station he turned
into a little side street, rushed by a greengrocer's cart,
hesitated for the tenth of a second at the door of a sweetstuff
shop, and then made for the mouth of an alley that ran back into
the main Hill Street again. Two or three little children were
playing here, and shrieked and scattered at his apparition, and
forthwith doors and windows opened and excited mothers revealed
their hearts. Out he shot into Hill Street again, three hundred
yards from the tram-line end, and immediately he became aware of a
tumultuous vociferation and running people.</p>
<p>He glanced up the street towards the hill. Hardly a dozen yards off
ran a huge navvy, cursing in fragments and slashing viciously with
a spade, and hard behind him came the tram conductor with his fists
clenched. Up the street others followed these two, striking and
shouting. Down towards the town, men and women were running, and he
noticed clearly one man coming out of a shop-door with a stick in
his hand. "Spread out! Spread out!" cried some one. Kemp suddenly
grasped the altered condition of the chase. He stopped, and looked
round, panting. "He's close here!" he cried. "Form a line across—"</p>
<p>He was hit hard under the ear, and went reeling, trying to face
round towards his unseen antagonist. He just managed to keep his
feet, and he struck a vain counter in the air. Then he was hit
again under the jaw, and sprawled headlong on the ground. In
another moment a knee compressed his diaphragm, and a couple of
eager hands gripped his throat, but the grip of one was weaker than
the other; he grasped the wrists, heard a cry of pain from his
assailant, and then the spade of the navvy came whirling through
the air above him, and struck something with a dull thud. He felt
a drop of moisture on his face. The grip at his throat suddenly
relaxed, and with a convulsive effort, Kemp loosed himself, grasped
a limp shoulder, and rolled uppermost. He gripped the unseen elbows
near the ground. "I've got him!" screamed Kemp. "Help! Help—hold!
He's down! Hold his feet!"</p>
<p>In another second there was a simultaneous rush upon the struggle,
and a stranger coming into the road suddenly might have thought an
exceptionally savage game of Rugby football was in progress. And
there was no shouting after Kemp's cry—only a sound of blows
and feet and heavy breathing.</p>
<p>Then came a mighty effort, and the Invisible Man threw off a couple
of his antagonists and rose to his knees. Kemp clung to him in
front like a hound to a stag, and a dozen hands gripped, clutched,
and tore at the Unseen. The tram conductor suddenly got the neck
and shoulders and lugged him back.</p>
<p>Down went the heap of struggling men again and rolled over. There
was, I am afraid, some savage kicking. Then suddenly a wild scream
of "Mercy! Mercy!" that died down swiftly to a sound like choking.</p>
<p>"Get back, you fools!" cried the muffled voice of Kemp, and there
was a vigorous shoving back of stalwart forms. "He's hurt, I tell
you. Stand back!"</p>
<p>There was a brief struggle to clear a space, and then the circle of
eager faces saw the doctor kneeling, as it seemed, fifteen inches
in the air, and holding invisible arms to the ground. Behind him a
constable gripped invisible ankles.</p>
<p>"Don't you leave go of en," cried the big navvy, holding a
blood-stained spade; "he's shamming."</p>
<p>"He's not shamming," said the doctor, cautiously raising his knee;
"and I'll hold him." His face was bruised and already going red; he
spoke thickly because of a bleeding lip. He released one hand and
seemed to be feeling at the face. "The mouth's all wet," he said.
And then, "Good God!"</p>
<p>He stood up abruptly and then knelt down on the ground by the side
of the thing unseen. There was a pushing and shuffling, a sound of
heavy feet as fresh people turned up to increase the pressure of
the crowd. People now were coming out of the houses. The doors of
the "Jolly Cricketers" stood suddenly wide open. Very little was said.</p>
<p>Kemp felt about, his hand seeming to pass through empty air. "He's
not breathing," he said, and then, "I can't feel his heart. His
side—ugh!"</p>
<p>Suddenly an old woman, peering under the arm of the big navvy,
screamed sharply. "Looky there!" she said, and thrust out a
wrinkled finger.</p>
<p>And looking where she pointed, everyone saw, faint and transparent
as though it was made of glass, so that veins and arteries and
bones and nerves could be distinguished, the outline of a hand, a
hand limp and prone. It grew clouded and opaque even as they stared.</p>
<p>"Hullo!" cried the constable. "Here's his feet a-showing!"</p>
<p>And so, slowly, beginning at his hands and feet and creeping along
his limbs to the vital centres of his body, that strange change
continued. It was like the slow spreading of a poison. First came
the little white nerves, a hazy grey sketch of a limb, then the
glassy bones and intricate arteries, then the flesh and skin, first
a faint fogginess, and then growing rapidly dense and opaque.
Presently they could see his crushed chest and his shoulders, and
the dim outline of his drawn and battered features.</p>
<p>When at last the crowd made way for Kemp to stand erect, there lay,
naked and pitiful on the ground, the bruised and broken body of a
young man about thirty. His hair and brow were white—not grey
with age, but white with the whiteness of albinism—and his eyes
were like garnets. His hands were clenched, his eyes wide open, and
his expression was one of anger and dismay.</p>
<p>"Cover his face!" said a man. "For Gawd's sake, cover that face!"
and three little children, pushing forward through the crowd, were
suddenly twisted round and sent packing off again.</p>
<p>Someone brought a sheet from the "Jolly Cricketers," and having
covered him, they carried him into that house. And there it was, on
a shabby bed in a tawdry, ill-lighted bedroom, surrounded by a crowd
of ignorant and excited people, broken and wounded, betrayed and
unpitied, that Griffin, the first of all men to make himself
invisible, Griffin, the most gifted physicist the world has ever
seen, ended in infinite disaster his strange and terrible career.</p>
<SPAN name="ch29"></SPAN>
<h3>THE EPILOGUE</h3>
<p>So ends the story of the strange and evil experiments of the
Invisible Man. And if you would learn more of him you must go to a
little inn near Port Stowe and talk to the landlord. The sign of
the inn is an empty board save for a hat and boots, and the name is
the title of this story. The landlord is a short and corpulent
little man with a nose of cylindrical proportions, wiry hair, and a
sporadic rosiness of visage. Drink generously, and he will tell you
generously of all the things that happened to him after that time,
and of how the lawyers tried to do him out of the treasure found
upon him.</p>
<p>"When they found they couldn't prove whose money was which, I'm
blessed," he says, "if they didn't try to make me out a blooming
treasure trove! Do I <i>look</i> like a Treasure Trove? And then a
gentleman gave me a guinea a night to tell the story at the Empire
Music 'All—just to tell 'em in my own words—barring one."</p>
<p>And if you want to cut off the flow of his reminiscences abruptly,
you can always do so by asking if there weren't three manuscript
books in the story. He admits there were and proceeds to explain,
with asseverations that everybody thinks <i>he</i> has 'em! But bless you!
he hasn't. "The Invisible Man it was took 'em off to hide 'em when
I cut and ran for Port Stowe. It's that Mr. Kemp put people on with
the idea of <i>my</i> having 'em."</p>
<p>And then he subsides into a pensive state, watches you furtively,
bustles nervously with glasses, and presently leaves the bar.</p>
<p>He is a bachelor man—his tastes were ever bachelor, and there
are no women folk in the house. Outwardly he buttons—it is
expected of him—but in his more vital privacies, in the matter
of braces for example, he still turns to string. He conducts his
house without enterprise, but with eminent decorum. His movements
are slow, and he is a great thinker. But he has a reputation for
wisdom and for a respectable parsimony in the village, and his
knowledge of the roads of the South of England would beat Cobbett.</p>
<p>And on Sunday mornings, every Sunday morning, all the year round,
while he is closed to the outer world, and every night after ten,
he goes into his bar parlour, bearing a glass of gin faintly tinged
with water, and having placed this down, he locks the door and
examines the blinds, and even looks under the table. And then,
being satisfied of his solitude, he unlocks the cupboard and a box
in the cupboard and a drawer in that box, and produces three
volumes bound in brown leather, and places them solemnly in the
middle of the table. The covers are weather-worn and tinged with an
algal green—for once they sojourned in a ditch and some of the
pages have been washed blank by dirty water. The landlord sits down
in an armchair, fills a long clay pipe slowly—gloating over the
books the while. Then he pulls one towards him and opens it, and
begins to study it—turning over the leaves backwards and forwards.</p>
<p>His brows are knit and his lips move painfully. "Hex, little two up
in the air, cross and a fiddle-de-dee. Lord! what a one he was for
intellect!"</p>
<p>Presently he relaxes and leans back, and blinks through his smoke
across the room at things invisible to other eyes. "Full of
secrets," he says. "Wonderful secrets!"</p>
<p>"Once I get the haul of them—<i>Lord</i>!"</p>
<p>"I wouldn't do what <i>he</i> did; I'd just—well!" He pulls at his
pipe.</p>
<p>So he lapses into a dream, the undying wonderful dream of his life.
And though Kemp has fished unceasingly, no human being save the
landlord knows those books are there, with the subtle secret of
invisibility and a dozen other strange secrets written therein.
And none other will know of them until he dies.</p>
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