<h2><SPAN name="page8"></SPAN>LETTER II.</h2>
<p class="gutsumm">Sir Harry Parkes—An
“Ambassador’s Carriage”—Cart Coolies.</p>
<p style="text-align: right"><span class="smcap">Yokohama</span>,
<i>May</i> 22.</p>
<p><span class="smcap">To-day</span> has been spent in making new
acquaintances, instituting a search for a servant and a pony,
receiving many offers of help, asking questions and receiving
from different people answers which directly contradict each
other. Hours are early. Thirteen people called on me
before noon. Ladies drive themselves about the town in
small pony carriages attended by running grooms called
<i>bettos</i>. The foreign merchants keep <i>kurumas</i>
constantly standing at their doors, finding a willing,
intelligent coolie much more serviceable than a lazy, fractious,
capricious Japanese pony, and even the dignity of an
“Ambassador Extraordinary and Minister
Plenipotentiary” is not above such a lowly conveyance, as I
have seen to-day. My last visitors were Sir Harry and Lady
Parkes, who brought sunshine and kindliness into the room, and
left it behind them. Sir Harry is a young-looking man
scarcely in middle life, slight, active, fair, blue-eyed, a
thorough Saxon, with sunny hair and a sunny smile, a sunshiny
geniality in his manner, and bearing no trace in his appearance
of his thirty years of service in the East, his sufferings in the
prison at Peking, and the various attempts upon his life in
Japan. He and Lady Parkes were most truly kind, and
encourage me so heartily in my largest projects for travelling in
the interior, that I shall start as soon as I have secured a
servant. When they went away they jumped into
<i>kurumas</i>, and it was most amusing to see the representative
of England hurried down the street in a perambulator with a
tandem of coolies.</p>
<p>As I look out of the window I see heavy, two-wheeled man-carts
drawn and pushed by four men each, on which nearly all <SPAN name="page9"></SPAN>goods, stones
for building, and all else, are carried. The two men who
pull press with hands and thighs against a cross-bar at the end
of a heavy pole, and the two who push apply their shoulders to
beams which project behind, using their thick, smoothly-shaven
skulls as the motive power when they push their heavy loads
uphill. Their cry is impressive and melancholy. They
draw incredible loads, but, as if the toil which often makes
every breath a groan or a gasp were not enough, they shout
incessantly with a coarse, guttural grunt, something like <i>Ha
huida</i>, <i>Ho huida</i>, <i>wa ho</i>, <i>Ha huida</i>,
etc.</p>
<p style="text-align: right">I. L. B.</p>
<p style="text-align: center">
<SPAN href="images/p9b.jpg"><ANTIMG alt="Japanese Man-Cart" title= "Japanese Man-Cart" src="images/p9s.jpg" /></SPAN></p>
<div style="break-after:column;"></div><br />