<h3>CHAPTER XIX</h3>
<p>For several minutes both the Judge and the detective pored over
the note-book, examining page after page, shaking their heads, and
declining to accept the evidence of their eyes.</p>
<p>"I cannot see it," said the Judge at last; adding reluctantly, "No
doubt there is a difference, but it is to be explained."</p>
<p>"Quite so," put in M. Flo�on. "When he wrote the early part, he
was calm and collected; the last entries, so straggling, so
ragged, and so badly written, were made when he was fresh from the
crime, excited, upset, little master of himself. Naturally he
would use a different hand."</p>
<p>"Or he would wish to disguise it. It was likely he would so wish,"
further remarked the Judge.</p>
<p>"You admit, then, that there is a difference?" argued the General,
shrewdly. "But there is more than a disguise. The best disguise
leaves certain unchangeable features. Some letters, capital G's,
H's, and others, will betray themselves through the best
disguise. I know what I am saying. I have studied the subject of
handwriting; it interests me. These are the work of two different
hands. Call in an expert; you will find I am right."</p>
<p>"Well, well," said the Judge, after a pause, "let us grant your
position for the moment. What do you deduce? What do you infer
therefrom?"</p>
<p>"Surely you can see what follows--what this leads us to?" said Sir
Charles, rather disdainfully.</p>
<p>"I have formed an opinion--yes, but I should like to see if it
coincides with yours. You think--"</p>
<p>"I know," corrected the General. "I know that, as two persons
wrote in that book, either it is not Ripaldi's book, or the last
of them was not Ripaldi. I saw the last writer at his work, saw
him with my own eyes. Yet he did not write with Ripaldi's hand--
this is incontestable, I am sure of it, I will swear it--ergo, he
is not Ripaldi."</p>
<p>"But you should have known this at the time," interjected M.
Flo�on, fiercely. "Why did you not discover the change of
identity? You should have seen that this was not Ripaldi."</p>
<p>"Pardon me. I did not know the man. I had not noticed him
particularly on the journey. There was no reason why I should. I
had no communication, no dealings, with any of my fellow
passengers except my brother and the Countess."</p>
<p>"But some of the others would surely have remarked the change?"
went on the Judge, greatly puzzled. "That alone seems enough to
condemn your theory, M. le General."</p>
<p>"I take my stand on fact, not theory," stoutly maintained Sir
Charles, "and I am satisfied I am right."</p>
<p>"But if that was not Ripaldi, who was it? Who would wish to
masquerade in his dress and character, to make entries of that
sort, as if under his hand?"</p>
<p>"Some one determined to divert suspicion from himself to others--"</p>
<p>"But stay--does he not plainly confess his own guilt?"</p>
<p>"What matter if he is not Ripaldi? Directly the inquiry was over,
he could steal away and resume his own personality--that of a man
supposed to be dead, and therefore safe from all interference and
future pursuit."</p>
<p>"You mean--Upon my word, I compliment you, M. le G�n�ral. It is
really ingenious! remarkable, indeed! superb!" cried the Judge,
and only professional jealousy prevented M. Flo�on from conceding
the same praise.</p>
<p>"But how--what--I do not understand," asked Colonel Papillon in
amazement. His wits did not travel quite so fast as those of his
companions.</p>
<p>"Simply this, my dear Jack," explained the General: "Ripaldi must
have tried to blackmail Quadling, as he proposed, and Quadling
turned the tables on him. They fought, no doubt, and Quadling
killed him, possibly in self-defence. He would have said so, but
in his peculiar position as an absconding defaulter he did not
dare. That is how I read it, and I believe that now these
gentlemen are disposed to agree with me."</p>
<p>"In theory, certainly," said the Judge, heartily. "But oh! for
some more positive proof of this change of character! If we could
only identify the corpse, prove clearly that it is not Quadling.
And still more, if we had not let this so-called Ripaldi slip
through our fingers! You will never find him, M. Flo�on, never."</p>
<p>The detective hung his head in guilty admission of this reproach.</p>
<p>"We may help you in both these difficulties, gentlemen," said Sir
Charles, pleasantly. "My friend here, Colonel Papillon, can speak
as to the man Quadling. He knew him well in Rome, a year or two
ago."</p>
<p>"Please wait one moment only;" the detective touched a bell, and
briefly ordered two fiacres to the door at once.</p>
<p>"That is right, M. Flo�on," said the Judge. "We will all go to the
Morgue. The body is there by now. You will not refuse your
assistance, monsieur?"</p>
<p>"One moment. As to the other matter, M. le General?" went on M.
Flo�on. "Can you help us to find this miscreant, whoever he may
be?"</p>
<p>"Yes. The man who calls himself Ripaldi is to be found--or, at
least, you would have found him an hour or so ago--at the Hotel
Ivoire, Rue Bellechasse. But time has been lost, I fear."</p>
<p>"Nevertheless, we will send there."</p>
<p>"The woman Hortense was also with him when last I heard of them."</p>
<p>"How do you know?" began the detective, suspiciously.</p>
<p>"Psha!" interrupted the Judge; "that will keep. This is the time
for action, and we owe too much to the General to distrust him
now."</p>
<p>"Thank you; I am pleased to hear you say that," went on Sir
Charles. "But if I have been of some service to you, perhaps you
owe me a little in return. That poor lady! Think what she is
suffering. Surely, to oblige me, you will now set her free?"</p>
<p>"Indeed, monsieur, I fear--I do not see how, consistently with my
duty"--protested the Judge.</p>
<p>"At least allow her to return to her hotel. She can remain there
at your disposal. I will promise you that."</p>
<p>"How can you answer for her?"</p>
<p>"She will do what I ask, I think, if I may send her just two or
three lines."</p>
<p>The Judge yielded, smiling at the General's urgency, and shrewdly
guessing what it implied.</p>
<p>Then the three departures from the Prefecture took place within a
short time of each other.</p>
<p>A posse of police went to arrest Ripaldi; the Countess returned to
the Hotel Madagascar; and the Judge's party started for the
Morgue,--only a short journey,--where they were presently received
with every mark of respect and consideration.</p>
<p>The keeper, or officer in charge, was summoned, and came out
bareheaded to the fiacre, bowing low before his distinguished
visitors.</p>
<p>"Good morning, La P�che," said M. Flo�on in a sharp voice. "We
have come for an identification. The body from the Lyons Station
--he of the murder in the sleeping-car--is it yet arrived?"</p>
<p>"But surely, at your service, Chief," replied the old man,
obsequiously. "If the gentlemen will give themselves the trouble
to enter the office, I will lead them behind, direct into the
mortuary chamber. There are many people in yonder."</p>
<p>It was the usual crowd of sightseers passing slowly before the
plate glass of this, the most terrible shop-front in the world,
where the goods exposed, the merchandise, are hideous corpses laid
out in rows upon the marble slabs, the battered, tattered remnants
of outraged humanity, insulted by the most terrible indignities in
death.</p>
<p>Who make up this curious throng, and what strange morbid motives
drag them there? Those fat, comfortable-looking women, with their
baskets on their arms; the decent workmen in dusty blouses, idling
between the hours of work; the riffraff of the streets, male or
female, in various stages of wretchedness and degradation? A few,
no doubt, are impelled by motives we cannot challenge--they are
torn and tortured by suspense, trembling lest they may recognize
missing dear ones among the exposed; others stare carelessly at
the day's "take," wondering, perhaps, if they may come to the same
fate; one or two are idle sightseers, not always French, for the
Morgue is a favourite haunt with the irrepressible tourist doing
Paris. Strangest of all, the murderer himself, the doer of the
fell deed, comes here, to the very spot where his victim lies
stark and reproachful, and stares at it spellbound, fascinated,
filled more with remorse, perchance, than fear at the risk he
runs. So common is this trait, that in mysterious murder cases the
police of Paris keep a disguised officer among the crowd at the
Morgue, and have thereby made many memorable arrests.</p>
<p>"This way, gentlemen, this way;" and the keeper of the Morgue led
the party through one or two rooms into the inner and back
recesses of the buildings. It was behind the scenes of the Morgue,
and they were made free of its most gruesome secrets as they
passed along.</p>
<p>The temperature had suddenly fallen far below freezing-point, and
the icy cold chilled to the very marrow. Still worse was an
all-pervading, acrid odour of artificially suspended animal decay. The
cold-air process, that latest of scientific contrivances to arrest
the waste of tissue, has now been applied at the Morgue to
preserve and keep the bodies fresh, and allow them to be for a
longer time exposed than when running water was the only aid.
There are, moreover, many specially contrived refrigerating
chests, in which those still unrecognized corpses are laid by for
months, to be dragged out, if needs be, like carcasses of meat.</p>
<p>"What a loathsome place!" cried Sir Charles. "Hurry up, Jack! let
us get out of this, in Heaven's name!"</p>
<p>"Where's my man?" quickly asked Colonel Papillon in response to
this appeal.</p>
<p>"There, the third from the left," whispered M. Flo�on. "We hoped
you would recognize the corpse at once."</p>
<p>"That? Impossible! You do not expect it, surely? Why, the face is
too much mangled for any one to say who it is."</p>
<p>"Are there no indications, no marks or signs, to say whether it is
Quadling or not?" asked the Judge in a greatly disappointed tone.</p>
<p>"Absolutely nothing. And yet I am quite satisfied it is not him.
For the simple reason that--"</p>
<p>"Yes, yes, go on."</p>
<p>"That Quadling in person is standing out there among the crowd."</p>
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