<p><SPAN name="link2H_4_0028" id="link2H_4_0028"></SPAN></p>
<h2> XXVIII. THE DEPARTURE FROM CHICHESTER </h2>
<p>He caused his 'sister' to be called repeatedly, and when she came down,
explained with a humorous smile his legal relationship to the bicycle in
the yard. "Might be disagreeable, y' know." His anxiety was obvious
enough. "Very well," she said (quite friendly); "hurry breakfast, and
we'll ride out. I want to talk things over with you." The girl seemed more
beautiful than ever after the night's sleep; her hair in comely dark waves
from her forehead, her ungauntleted finger-tips pink and cool. And how
decided she was! Breakfast was a nervous ceremony, conversation fraternal
but thin; the waiter overawed him, and he was cowed by a multiplicity of
forks. But she called him "Chris." They discussed their route over his
sixpenny county map for the sake of talking, but avoided a decision in the
presence of the attendant. The five-pound note was changed for the bill,
and through Hoopdriver's determination to be quite the gentleman, the
waiter and chambermaid got half a crown each and the ostler a florin.
"'Olidays," said the ostler to himself, without gratitude. The public
mounting of the bicycles in the street was a moment of trepidation. A
policeman actually stopped and watched them from the opposite kerb.
Suppose him to come across and ask: "Is that your bicycle, sir?" Fight? Or
drop it and run? It was a time of bewildering apprehension, too, going
through the streets of the town, so that a milk cart barely escaped
destruction under Mr. Hoopdriver's chancy wheel. That recalled him to a
sense of erratic steering, and he pulled himself together. In the lanes he
breathed freer, and a less formal conversation presently began.</p>
<p>"You've ridden out of Chichester in a great hurry," said Jessie.</p>
<p>"Well, the fact of it is, I'm worried, just a little bit. About this
machine."</p>
<p>"Of course," she said. "I had forgotten that. But where are we going?"</p>
<p>"Jest a turning or two more, if you don't mind," said Hoopdriver.</p>
<p>"Jest a mile or so. I have to think of you, you know. I should feel more
easy. If we was locked up, you know—Not that I should mind on my own
account—"</p>
<p>They rode with a streaky, grey sea coming and going on their left hand.
Every mile they put between themselves and Chichester Mr. Hoopdriver felt
a little less conscience-stricken, and a little more of the gallant
desperado. Here he was riding on a splendid machine with a Slap-up girl
beside him. What would they think of it in the Emporium if any of them
were to see him? He imagined in detail the astonishment of Miss Isaacs and
of Miss Howe. "Why! It's Mr. Hoopdriver," Miss Isaacs would say. "Never!"
emphatically from Miss Howe. Then he played with Briggs, and then tried
the 'G.V.' in a shay. "Fancy introducing 'em to her—My sister pro
tem." He was her brother Chris—Chris what?—Confound it!
Harringon, Hartington—something like that. Have to keep off that
topic until he could remember. Wish he'd told her the truth now—almost.
He glanced at her. She was riding with her eyes straight ahead of her.
Thinking. A little perplexed, perhaps, she seemed. He noticed how well she
rode and that she rode with her lips closed—a thing he could never
manage.</p>
<p>Mr. Hoopdriver's mind came round to the future. What was she going to do?
What were they both going to do? His thoughts took a graver colour. He had
rescued her. This was fine, manly rescue work he was engaged upon. She
ought to go home, in spite of that stepmother. He must insist gravely but
firmly upon that. She was the spirited sort, of course, but still—Wonder
if she had any money? Wonder what the second-class fare from Havant to
London is? Of course he would have to pay that—it was the regular
thing, he being a gentleman. Then should he take her home? He began to
rough in a moving sketch of the return. The stepmother, repentant of her
indescribable cruelties, would be present,—even these rich people
have their troubles,—probably an uncle or two. The footman would
announce, Mr.—(bother that name!) and Miss Milton. Then two women
weeping together, and a knightly figure in the background dressed in a
handsome Norfolk jacket, still conspicuously new. He would conceal his
feeling until the very end. Then, leaving, he would pause in the doorway
in such an attitude as Mr. George Alexander might assume, and say, slowly
and dwindlingly: "Be kind to her—BE kind to her," and so depart,
heartbroken to the meanest intelligence. But that was a matter for the
future. He would have to begin discussing the return soon. There was no
traffic along the road, and he came up beside her (he had fallen behind in
his musing). She began to talk. "Mr. Denison," she began, and then,
doubtfully, "That is your name? I'm very stupid—"</p>
<p>"It is," said Mr. Hoopdriver. (Denison, was it? Denison, Denison, Denison.
What was she saying?)</p>
<p>"I wonder how far you are willing to help me?" Confoundedly hard to answer
a question like that on the spur of the moment, without steering wildly.
"You may rely—" said Mr. Hoopdriver, recovering from a violent
wabble. "I can assure you—I want to help you very much. Don't
consider me at all. Leastways, consider me entirely at your service."
(Nuisance not to be able to say this kind of thing right.)</p>
<p>"You see, I am so awkwardly situated."</p>
<p>"If I can only help you—you will make me very happy—" There
was a pause. Round a bend in the road they came upon a grassy space
between hedge and road, set with yarrow and meadowsweet, where a felled
tree lay among the green. There she dismounted, and propping her machine
against a stone, sat down. "Here, we can talk," she said.</p>
<p>"Yes," said Mr. Hoopdriver, expectant.</p>
<p>She answered after a little while, sitting, elbow on knee, with her chin
in her hand, and looking straight in front of her. "I don't know—I
am resolved to Live my Own Life."</p>
<p>"Of course," said Mr. Hoopdriver. "Naturally."</p>
<p>"I want to Live, and I want to see what life means. I want to learn.
Everyone is hurrying me, everything is hurrying me; I want time to think."</p>
<p>Mr. Hoopdriver was puzzled, but admiring. It was wonderful how clear and
ready her words were. But then one might speak well with a throat and lips
like that. He knew he was inadequate, but he tried to meet the occasion.
"If you let them rush you into anything you might repent of, of course
you'd be very silly."</p>
<p>"Don't YOU want to learn?" she asked.</p>
<p>"I was wondering only this morning," he began, and stopped.</p>
<p>She was too intent upon her own thoughts to notice this insufficiency. "I
find myself in life, and it terrifies me. I seem to be like a little
speck, whirling on a wheel, suddenly caught up. 'What am I here for?' I
ask. Simply to be here at a time—I asked it a week ago, I asked it
yesterday, and I ask it to-day. And little things happen and the days
pass. My stepmother takes me shopping, people come to tea, there is a new
play to pass the time, or a concert, or a novel. The wheels of the world
go on turning, turning. It is horrible. I want to do a miracle like Joshua
and stop the whirl until I have fought it out. At home—It's
impossible."</p>
<p>Mr. Hoopdriver stroked his moustache. "It IS so," he said in a meditative
tone. "Things WILL go on," he said. The faint breath of summer stirred the
trees, and a bunch of dandelion puff lifted among the meadowsweet and
struck and broke into a dozen separate threads against his knee. They flew
on apart, and sank, as the breeze fell, among the grass: some to
germinate, some to perish. His eye followed them until they had vanished.</p>
<p>"I can't go back to Surbiton," said the Young Lady in Grey.</p>
<p>"EIGH?" said Mr. Hoopdriver, catching at his moustache. This was an
unexpected development.</p>
<p>"I want to write, you see," said the Young Lady in Grey, "to write Books
and alter things. To do Good. I want to lead a Free Life and Own myself. I
can't go back. I want to obtain a position as a journalist. I have been
told—But I know no one to help me at once. No one that I could go
to. There is one person—She was a mistress at my school. If I could
write to her—But then, how could I get her answer?"</p>
<p>"H'mp," said Mr. Hoopdriver, very grave.</p>
<p>"I can't trouble you much more. You have come—you have risked things—"</p>
<p>"That don't count," said Mr. Hoopdriver. "It's double pay to let me do it,
so to speak."</p>
<p>"It is good of you to say that. Surbiton is so Conventional. I am resolved
to be Unconventional—at any cost. But we are so hampered. If I could
only burgeon out of all that hinders me! I want to struggle, to take my
place in the world. I want to be my own mistress, to shape my own career.
But my stepmother objects so. She does as she likes herself, and is strict
with me to ease her conscience. And if I go back now, go back owning
myself beaten—" She left the rest to his imagination.</p>
<p>"I see that," agreed Mr. Hoopdriver. He MUST help her. Within his skull he
was doing some intricate arithmetic with five pounds six and twopence. In
some vague way he inferred from all this that Jessie was trying to escape
from an undesirable marriage, but was saying these things out of modesty.
His circle of ideas was so limited.</p>
<p>"You know, Mr.—I've forgotten your name again."</p>
<p>Mr. Hoopdriver seemed lost in abstraction. "You can't go back of course,
quite like that," he said thoughtfully. His ears waxed suddenly red and
his cheeks flushed.</p>
<p>"But what IS your name?"</p>
<p>"Name!" said Mr. Hoopdriver. "Why!—Benson, of course."</p>
<p>"Mr. Benson—yes it's really very stupid of me. But I can never
remember names. I must make a note on my cuff." She clicked a little
silver pencil and wrote the name down. "If I could write to my friend. I
believe she would be able to help me to an independent life. I could write
to her—or telegraph. Write, I think. I could scarcely explain in a
telegram. I know she would help me."</p>
<p>Clearly there was only one course open to a gentleman under the
circumstances. "In that case," said Mr. Hoopdriver, "if you don't mind
trusting yourself to a stranger, we might continue as we are perhaps. For
a day or so. Until you heard." (Suppose thirty shillings a day, that gives
four days, say four thirties is hun' and twenty, six quid,—well,
three days, say; four ten.)</p>
<p>"You are very good to me."</p>
<p>His expression was eloquent.</p>
<p>"Very well, then, and thank you. It's wonderful—it's more than I
deserve that you—" She dropped the theme abruptly. "What was our
bill at Chichester?"</p>
<p>"Eigh?" said Mr. Hoopdriver, feigning a certain stupidity. There was a
brief discussion. Secretly he was delighted at her insistence in paying.
She carried her point. Their talk came round to their immediate plans for
the day. They decided to ride easily, through Havant, and stop, perhaps,
at Fareham or Southampton. For the previous day had tried them both.
Holding the map extended on his knee, Mr. Hoopdriver's eye fell by chance
on the bicycle at his feet. "That bicycle," he remarked, quite
irrelevantly, "wouldn't look the same machine if I got a big, double
Elarum instead of that little bell."</p>
<p>"Why?"</p>
<p>"Jest a thought." A pause.</p>
<p>"Very well, then,—Havant and lunch," said Jessie, rising.</p>
<p>"I wish, somehow, we could have managed it without stealing that machine,"
said Hoopdriver. "Because it IS stealing it, you know, come to think of
it."</p>
<p>"Nonsense. If Mr. Bechamel troubles you—I will tell the whole world—if
need be."</p>
<p>"I believe you would," said Mr. Hoopdriver, admiring her. "You're plucky
enough—goodness knows."</p>
<p>Discovering suddenly that she was standing, he, too, rose and picked up
her machine. She took it and wheeled it into the road. Then he took his
own. He paused, regarding it. "I say!" said he. "How'd this bike look,
now, if it was enamelled grey?" She looked over her shoulder at his grave
face. "Why try and hide it in that way?"</p>
<p>"It was jest a passing thought," said Mr. Hoopdriver, airily. "Didn't MEAN
anything, you know."</p>
<p>As they were riding on to Havant it occurred to Mr. Hoopdriver in a
transitory manner that the interview had been quite other than his
expectation. But that was the way with everything in Mr. Hoopdriver's
experience. And though his Wisdom looked grave within him, and Caution was
chinking coins, and an ancient prejudice in favour of Property shook her
head, something else was there too, shouting in his mind to drown all
these saner considerations, the intoxicating thought of riding beside Her
all to-day, all to-morrow, perhaps for other days after that. Of talking
to her familiarly, being brother of all her slender strength and
freshness, of having a golden, real, and wonderful time beyond all his
imaginings. His old familiar fancyings gave place to anticipations as
impalpable and fluctuating and beautiful as the sunset of a summer day.</p>
<p>At Havant he took an opportunity to purchase, at small hairdresser's in
the main street, a toothbrush, a pair of nail scissors, and a little
bottle of stuff to darken the moustache, an article the shopman introduced
to his attention, recommended highly, and sold in the excitement of the
occasion.</p>
<p><SPAN name="link2H_4_0029" id="link2H_4_0029"></SPAN></p>
<h2> XXIX. THE UNEXPECTED ANECDOTE OF THE LION </h2>
<p>They rode on to Cosham and lunched lightly but expensively there. Jessie
went out and posted her letter to her school friend. Then the green height
of Portsdown Hill tempted them, and leaving their machines in the village
they clambered up the slope to the silent red-brick fort that crowned it.
Thence they had a view of Portsmouth and its cluster of sister towns, the
crowded narrows of the harbour, the Solent and the Isle of Wight like a
blue cloud through the hot haze. Jessie by some miracle had become a
skirted woman in the Cosham inn. Mr. Hoopdriver lounged gracefully on the
turf, smoked a Red Herring cigarette, and lazily regarded the fortified
towns that spread like a map away there, the inner line of defence like
toy fortifications, a mile off perhaps; and beyond that a few little
fields and then the beginnings of Landport suburb and the smoky cluster of
the multitudinous houses. To the right at the head of the harbour shallows
the town of Porchester rose among the trees. Mr. Hoopdriver's anxiety
receded to some remote corner of his brain and that florid half-voluntary
imagination of his shared the stage with the image of Jessie. He began to
speculate on the impression he was creating. He took stock of his suit in
a more optimistic spirit, and reviewed, with some complacency, his actions
for the last four and twenty hours. Then he was dashed at the thought of
her infinite perfections.</p>
<p>She had been observing him quietly, rather more closely during the last
hour or so. She did not look at him directly because he seemed always
looking at her. Her own troubles had quieted down a little, and her
curiosity about the chivalrous, worshipping, but singular gentleman in
brown, was awakening. She had recalled, too, the curious incident of their
first encounter. She found him hard to explain to herself. You must
understand that her knowledge of the world was rather less than nothing,
having been obtained entirely from books. You must not take a certain
ignorance for foolishness.</p>
<p>She had begun with a few experiments. He did not know French except
'sivver play,' a phrase he seemed to regard as a very good light table
joke in itself. His English was uncertain, but not such as books informed
her distinguished the lower classes. His manners seemed to her good on the
whole, but a trifle over-respectful and out of fashion. He called her I
Madam' once. He seemed a person of means and leisure, but he knew nothing
of recent concerts, theatres, or books. How did he spend his time? He was
certainly chivalrous, and a trifle simpleminded. She fancied (so much is
there in a change of costume) that she had never met with such a man
before. What COULD he be?</p>
<p>"Mr. Benson," she said, breaking a silence devoted to landscape.</p>
<p>He rolled over and regarded her, chin on knuckles.</p>
<p>"At your service."</p>
<p>"Do you paint? Are you an artist?"</p>
<p>"Well." Judicious pause. "I should hardly call myself a Nartist, you know.
I DO paint a little. And sketch, you know—skitty kind of things."</p>
<p>He plucked and began to nibble a blade of grass. It was really not so much
lying as his quick imagination that prompted him to add, "In Papers, you
know, and all that."</p>
<p>"I see," said Jessie, looking at him thoughtfully. Artists were a very
heterogeneous class certainly, and geniuses had a trick of being a little
odd. He avoided her eye and bit his grass. "I don't do MUCH, you know."</p>
<p>"It's not your profession?</p>
<p>"Oh, no," said Hoopdriver, anxious now to hedge. "I don't make a regular
thing of it, you know. Jest now and then something comes into my head and
down it goes. No—I'm not a regular artist."</p>
<p>"Then you don't practise any regular profession?" Mr. Hoopdriver looked
into her eyes and saw their quiet unsuspicious regard. He had vague ideas
of resuming the detective role. "It's like this," he said, to gain time.
"I have a sort of profession. Only there's a kind of reason—nothing
much, you know."</p>
<p>"I beg your pardon for cross-examining you."</p>
<p>"No trouble," said Mr. Hoopdriver. "Only I can't very well—I leave
it to you, you know. I don't want to make any mystery of it, so far as
that goes." Should he plunge boldly and be a barrister? That anyhow was
something pretty good. But she might know about barristry.</p>
<p>"I think I could guess what you are."</p>
<p>"Well—guess," said Mr. Hoopdriver.</p>
<p>"You come from one of the colonies?"</p>
<p>"Dear me!" said Mr. Hoopdriver, veering round to the new wind. "How did
you find out THAT?" (the man was born in a London suburb, dear Reader.)</p>
<p>"I guessed," she said.</p>
<p>He lifted his eyebrows as one astonished, and clutched a new piece of
grass.</p>
<p>"You were educated up country."</p>
<p>"Good again," said Hoopdriver, rolling over again into her elbow. "You're
a CLAIRVOY ant." He bit at the grass, smiling. "Which colony was it?"</p>
<p>"That I don't know."</p>
<p>"You must guess," said Hoopdriver.</p>
<p>"South Africa," she said. "I strongly incline to South Africa."</p>
<p>"South Africa's quite a large place," he said.</p>
<p>"But South Africa is right?"</p>
<p>"You're warm," said Hoopdriver, "anyhow," and the while his imagination
was eagerly exploring this new province.</p>
<p>"South Africa IS right?" she insisted.</p>
<p>He turned over again and nodded, smiling reassuringly into her eyes.</p>
<p>"What made me think of South Africa was that novel of Olive Schreiner's,
you know—'The Story of an African Farm.' Gregory Rose is so like
you."</p>
<p>"I never read 'The Story of an African Farm,'" said Hoopdriver. "I must.
What's he like?"</p>
<p>"You must read the book. But it's a wonderful place, with its mixture of
races, and its brand-new civilisation jostling the old savagery. Were you
near Khama?"</p>
<p>"He was a long way off from our place," said Mr. Hoopdriver. "We had a
little ostrich farm, you know—Just a few hundred of 'em, out
Johannesburg way."</p>
<p>"On the Karroo—was it called?"</p>
<p>"That's the term. Some of it was freehold though. Luckily. We got along
very well in the old days.—But there's no ostriches on that farm
now." He had a diamond mine in his head, just at the moment, but he
stopped and left a little to the girl's imagination. Besides which it had
occurred to him with a kind of shock that he was lying.</p>
<p>"What became of the ostriches?"</p>
<p>"We sold 'em off, when we parted with the farm. Do you mind if I have
another cigarette? That was when I was quite a little chap, you know, that
we had this ostrich farm."</p>
<p>"Did you have Blacks and Boers about you?"</p>
<p>"Lots," said Mr. Hoopdriver, striking a match on his instep and beginning
to feel hot at the new responsibility he had brought upon himself.</p>
<p>"How interesting! Do you know, I've never been out of England except to
Paris and Mentone and Switzerland."</p>
<p>"One gets tired of travelling (puff) after a bit, of course."</p>
<p>"You must tell me about your farm in South Africa. It always stimulates my
imagination to think of these places. I can fancy all the tall ostriches
being driven out by a black herd—to graze, I suppose. How do
ostriches feed?"</p>
<p>"Well," said Hoopdriver. "That's rather various. They have their fancies,
you know. There's fruit, of course, and that kind of thing. And chicken
food, and so forth. You have to use judgment."</p>
<p>"Did you ever see a lion?" "They weren't very common in our district,"
said Hoopdriver, quite modestly. "But I've seen them, of course. Once or
twice."</p>
<p>"Fancy seeing a lion! Weren't you frightened?"</p>
<p>Mr. Hoopdriver was now thoroughly sorry he had accepted that offer of
South Africa. He puffed his cigarette and regarded the Solent languidly as
he settled the fate on that lion in his mind. "I scarcely had time," he
said. "It all happened in a minute."</p>
<p>"Go on," she said.</p>
<p>"I was going across the inner paddock where the fatted ostriches were."</p>
<p>"Did you EAT ostriches, then? I did not know—"</p>
<p>"Eat them!—often. Very nice they ARE too, properly stuffed. Well, we—I,
rather—was going across this paddock, and I saw something standing
up in the moonlight and looking at me." Mr. Hoopdriver was in a hot
perspiration now. His invention seemed to have gone limp. "Luckily I had
my father's gun with me. I was scared, though, I can tell you. (Puff.) I
just aimed at the end that I thought was the head. And let fly. (Puff.)
And over it went, you know."</p>
<p>"Dead?"</p>
<p>"AS dead. It was one of the luckiest shots I ever fired. And I wasn't much
over nine at the time, neither."</p>
<p>"<i>I</i> should have screamed and run away."</p>
<p>"There's some things you can't run away from," said Mr. Hoopdriver. "To
run would have been Death."</p>
<p>"I don't think I ever met a lion-killer before," she remarked, evidently
with a heightened opinion of him.</p>
<p>There was a pause. She seemed meditating further questions. Mr. Hoopdriver
drew his watch hastily. "I say," said Mr. Hoopdriver, showing it to her,
"don't you think we ought to be getting on?"</p>
<p>His face was flushed, his ears bright red. She ascribed his confusion to
modesty. He rose with a lion added to the burthens of his conscience, and
held out his hand to assist her. They walked down into Cosham again,
resumed their machines, and went on at a leisurely pace along the northern
shore of the big harbour. But Mr. Hoopdriver was no longer happy. This
horrible, this fulsome lie, stuck in his memory. Why HAD he done it? She
did not ask for any more South African stories, happily—at least
until Porchester was reached—but talked instead of Living One's Own
Life, and how custom hung on people like chains. She talked wonderfully,
and set Hoopdriver's mind fermenting. By the Castle, Mr. Hoopdriver caught
several crabs in little shore pools. At Fareham they stopped for a second
tea, and left the place towards the hour of sunset, under such
invigorating circumstances as you shall in due course hear.</p>
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