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<h2> XIII. HOW MR. HOOPDRIVER WENT TO HASLEMERE </h2>
<p>There was some little delay in getting Mr. Hoopdriver's breakfast, so that
after all he was not free to start out of Guildford until just upon the
stroke of nine. He wheeled his machine from the High Street in some
perplexity. He did not know whether this young lady, who had seized hold
of his imagination so strongly, and her unfriendly and possibly menacing
brother, were ahead of him or even now breakfasting somewhere in
Guildford. In the former case he might loiter as he chose; in the latter
he must hurry, and possibly take refuge in branch roads.</p>
<p>It occurred to him as being in some obscure way strategic, that he would
leave Guildford not by the obvious Portsmouth road, but by the road
running through Shalford. Along this pleasant shady way he felt
sufficiently secure to resume his exercises in riding with one hand off
the handles, and in staring over his shoulder. He came over once or twice,
but fell on his foot each time, and perceived that he was improving.
Before he got to Bramley a specious byway snapped him up, ran with him for
half a mile or more, and dropped him as a terrier drops a walkingstick,
upon the Portsmouth again, a couple of miles from Godalming. He entered
Godalming on his feet, for the road through that delightful town is beyond
dispute the vilest in the world, a mere tumult of road metal, a way of
peaks and precipices, and, after a successful experiment with cider at the
Woolpack, he pushed on to Milford.</p>
<p>All this time he was acutely aware of the existence of the Young Lady in
Grey and her companion in brown, as a child in the dark is of Bogies.
Sometimes he could hear their pneumatics stealing upon him from behind,
and looking round saw a long stretch of vacant road. Once he saw far ahead
of him a glittering wheel, but it proved to be a workingman riding to
destruction on a very tall ordinary. And he felt a curious, vague
uneasiness about that Young Lady in Grey, for which he was altogether
unable to account. Now that he was awake he had forgotten that accentuated
Miss Beaumont that had been quite clear in his dream. But the curious
dream conviction, that the girl was not really the man's sister, would not
let itself be forgotten. Why, for instance, should a man want to be alone
with his sister on the top of a tower? At Milford his bicycle made, so to
speak, an ass of itself. A finger-post suddenly jumped out at him, vainly
indicating an abrupt turn to the right, and Mr. Hoopdriver would have
slowed up and read the inscription, but no!—the bicycle would not
let him. The road dropped a little into Milford, and the thing shied, put
down its head and bolted, and Mr. Hoopdriver only thought of the brake
when the fingerpost was passed. Then to have recovered the point of
intersection would have meant dismounting. For as yet there was no road
wide enough for Mr. Hoopdriver to turn in. So he went on his way—or
to be precise, he did exactly the opposite thing. The road to the right
was the Portsmouth road, and this he was on went to Haslemere and
Midhurst. By that error it came about that he once more came upon his
fellow travellers of yesterday, coming on them suddenly, without the
slightest preliminary announcement and when they least expected it, under
the Southwestern Railway arch. "It's horrible," said a girlish voice;
"it's brutal—cowardly—" And stopped.</p>
<p>His expression, as he shot out from the archway at them, may have been
something between a grin of recognition and a scowl of annoyance at
himself for the unintentional intrusion. But disconcerted as he was, he
was yet able to appreciate something of the peculiarity of their mutual
attitudes. The bicycles were lying by the roadside, and the two riders
stood face to face. The other man in brown's attitude, as it flashed upon
Hoopdriver, was a deliberate pose; he twirled his moustache and smiled
faintly, and he was conscientiously looking amused. And the girl stood
rigid, her arms straight by her side, her handkerchief clenched in her
hand, and her face was flushed, with the faintest touch of red upon her
eyelids. She seemed to Mr. Hoopdriver's sense to be indignant. But that
was the impression of a second. A mask of surprised recognition fell
across this revelation of emotion as she turned her head towards him, and
the pose of the other man in brown vanished too in a momentary
astonishment. And then he had passed them, and was riding on towards
Haslemere to make what he could of the swift picture that had photographed
itself on his brain.</p>
<p>"Rum," said Mr. Hoopdriver. "It's DASHED rum!"</p>
<p>"They were having a row."</p>
<p>"Smirking—" What he called the other man in brown need not trouble
us.</p>
<p>"Annoying her!" That any human being should do that!</p>
<p>"WHY?"</p>
<p>The impulse to interfere leapt suddenly into Mr. Hoopdriver's mind. He
grasped his brake, descended, and stood looking hesitatingly back. They
still stood by the railway bridge, and it seemed to Mr. Hoopdriver's fancy
that she was stamping her foot. He hesitated, then turned his bicycle
round, mounted, and rode back towards them, gripping his courage firmly
lest it should slip away and leave him ridiculous. "I'll offer 'im a screw
'ammer," said Mr. Hoopdriver. Then, with a wave of fierce emotion, he saw
that the girl was crying. In another moment they heard him and turned in
surprise. Certainly she had been crying; her eyes were swimming in tears,
and the other man in brown looked exceedingly disconcerted. Mr. Hoopdriver
descended and stood over his machine.</p>
<p>"Nothing wrong, I hope?" he said, looking the other man in brown squarely
in the face. "No accident?"</p>
<p>"Nothing," said the other man in brown shortly. "Nothing at all, thanks."</p>
<p>"But," said Mr. Hoopdriver, with a great effort, "the young lady is
crying. I thought perhaps—"</p>
<p>The Young Lady in Grey started, gave Hoopdriver one swift glance, and
covered one eye with her handkerchief. "It's this speck," she said. "This
speck of dust in my eye."</p>
<p>"This lady," said the other man in brown, explaining, "has a gnat in her
eye."</p>
<p>There was a pause. The young lady busied herself with her eye. "I believe
it's out," she said. The other man in brown made movements indicating
commiserating curiosity concerning the alleged fly. Mr. Hoopdriver—the
word is his own—stood flabber-gastered. He had all the intuition of
the simple-minded. He knew there was no fly. But the ground was suddenly
cut from his feet. There is a limit to knighterrantry—dragons and
false knights are all very well, but flies! Fictitious flies! Whatever the
trouble was, it was evidently not his affair. He felt he had made a fool
of himself again. He would have mumbled some sort of apology; but the
other man in brown gave him no time, turned on him abruptly, even
fiercely. "I hope," he said, "that your curiosity is satisfied?"</p>
<p>"Certainly," said Mr. Hoopdriver.</p>
<p>"Then we won't detain you."</p>
<p>And, ignominiously, Mr. Hoopdriver turned his machine about, struggled
upon it, and resumed the road southward. And when he learnt that he was
not on the Portsmouth road, it was impossible to turn and go back, for
that would be to face his shame again, and so he had to ride on by Brook
Street up the hill to Haslemere. And away to the right the Portsmouth road
mocked at him and made off to its fastnesses amid the sunlit green and
purple masses of Hindhead, where Mr. Grant Allen writes his Hill Top
Novels day by day.</p>
<p>The sun shone, and the wide blue hill views and pleasant valleys one saw
on either hand from the sandscarred roadway, even the sides of the road
itself set about with grey heather scrub and prickly masses of gorse, and
pine trees with their year's growth still bright green, against the
darkened needles of the previous years, were fresh and delightful to Mr.
Hoopdriver's eyes But the brightness of the day and the day-old sense of
freedom fought an uphill fight against his intolerable vexation at that
abominable encounter, and had still to win it when he reached Haslemere. A
great brown shadow, a monstrous hatred of the other man in brown,
possessed him. He had conceived the brilliant idea of abandoning
Portsmouth, or at least giving up the straight way to his
fellow-wayfarers, and of striking out boldly to the left, eastward. He did
not dare to stop at any of the inviting public-houses in the main street
of Haslemere, but turned up a side way and found a little beer-shop, the
Good Hope, wherein to refresh himself. And there he ate and gossipped
condescendingly with an aged labourer, assuming the while for his own
private enjoyment the attributes of a Lost Heir, and afterwards mounted
and rode on towards Northchapel, a place which a number of finger-posts
conspired to boom, but which some insidious turning prevented him from
attaining.</p>
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<h2> XIV. HOW MR. HOOPDRIVER REACHED MIDHURST </h2>
<p>It was one of my uncle's profoundest remarks that human beings are the
only unreasonable creatures. This observation was so far justified by Mr.
Hoopdriver that, after spending the morning tortuously avoiding the other
man in brown and the Young Lady in Grey, he spent a considerable part of
the afternoon in thinking about the Young Lady in Grey, and contemplating
in an optimistic spirit the possibilities of seeing her again. Memory and
imagination played round her, so that his course was largely determined by
the windings of the road he traversed. Of one general proposition he was
absolutely convinced. "There's something Juicy wrong with 'em," said he—once
even aloud. But what it was he could not imagine. He recapitulated the
facts. "Miss Beaumont—brother and sister—and the stoppage to
quarrel and weep—" it was perplexing material for a young man of
small experience. There was no exertion he hated so much as inference, and
after a time he gave up any attempt to get at the realities of the case,
and let his imagination go free. Should he ever see her again? Suppose he
did—with that other chap not about. The vision he found pleasantest
was an encounter with her, an unexpected encounter at the annual Dancing
Class 'Do' at the Putney Assembly Rooms. Somehow they would drift
together, and he would dance with her again and again. It was a pleasant
vision, for you must understand that Mr. Hoopdriver danced uncommonly
well. Or again, in the shop, a sudden radiance in the doorway, and she is
bowed towards the Manchester counter. And then to lean over that counter
and murmur, seemingly apropos of the goods under discussion, "I have not
forgotten that morning on the Portsmouth road," and lower, "I never shall
forget."</p>
<p>At Northchapel Mr. Hoopdriver consulted his map and took counsel and
weighed his course of action. Petworth seemed a possible resting-place, or
Pullborough; Midhurst seemed too near, and any place over the Downs
beyond, too far, and so he meandered towards Petworth, posing himself
perpetually and loitering, gathering wild flowers and wondering why they
had no names—for he had never heard of any—dropping them
furtively at the sight of a stranger, and generally 'mucking about.' There
were purple vetches in the hedges, meadowsweet, honeysuckle, belated
brambles—but the dog-roses had already gone; there were green and
red blackberries, stellarias, and dandelions, and in another place white
dead nettles, traveller's-joy, clinging bedstraw, grasses flowering, white
campions, and ragged robins. One cornfield was glorious with poppies,
bright scarlet and purple white, and the blue corn-flowers were beginning.
In the lanes the trees met overhead, and the wisps of hay still hung to
the straggling hedges. Iri one of the main roads he steered a perilous
passage through a dozen surly dun oxen. Here and there were little
cottages, and picturesque beer-houses with the vivid brewers' boards of
blue and scarlet, and once a broad green and a church, and an expanse of
some hundred houses or so. Then he came to a pebbly rivulet that emerged
between clumps of sedge loosestrife and forget-me-nots under an arch of
trees, and rippled across the road, and there he dismounted, longing to
take off shoes and stockings—those stylish chequered stockings were
now all dimmed with dust—and paddle his lean legs in the chuckling
cheerful water. But instead he sat in a manly attitude, smoking a
cigarette, for fear lest the Young Lady in Grey should come glittering
round the corner. For the flavour of the Young Lady in Grey was present
through it all, mixing with the flowers and all the delight of it, a touch
that made this second day quite different from the first, an undertone of
expectation, anxiety, and something like regret that would not be ignored.</p>
<p>It was only late in the long evening that, quite abruptly, he began to
repent, vividly and decidedly, having fled these two people. He was
getting hungry, and that has a curious effect upon the emotional colouring
of our minds. The man was a sinister brute, Hoopdriver saw in a flash of
inspiration, and the girl—she was in some serious trouble. And he
who might have helped her had taken his first impulse as decisive—and
bolted. This new view of it depressed him dreadfully. What might not be
happening to her now? He thought again of her tears. Surely it was merely
his duty, seeing the trouble afoot, to keep his eye upon it.</p>
<p>He began riding fast to get quit of such selfreproaches. He found himself
in a tortuous tangle of roads, and as the dusk was coming on, emerged, not
at Petworth but at Easebourne, a mile from Midhurst. "I'm getting hungry,"
said Mr. Hoopdriver, inquiring of a gamekeeper in Easebourne village.
"Midhurst a mile, and Petworth five!—Thenks, I'll take Midhurst."</p>
<p>He came into Midhurst by the bridge at the watermill, and up the North
Street, and a little shop flourishing cheerfully, the cheerful sign of a
teapot, and exhibiting a brilliant array of tobaccos, sweets, and
children's toys in the window, struck his fancy. A neat, bright-eyed
little old lady made him welcome, and he was presently supping sumptuously
on sausages and tea, with a visitors' book full of the most humorous and
flattering remarks about the little old lady, in verse and prose, propped
up against his teapot as he ate. Regular good some of the jokes were, and
rhymes that read well—even with your mouth full of sausage. Mr.
Hoopdriver formed a vague idea of drawing "something"—for his
judgment on the little old lady was already formed. He pictured the little
old lady discovering it afterwards—"My gracious! One of them Punch
men," she would say. The room had a curtained recess and a chest of
drawers, for presently it was to be his bedroom, and the day part of it
was decorated with framed Oddfellows' certificates and giltbacked books
and portraits, and kettle-holders, and all kinds of beautiful things made
out of wool; very comfortable it was indeed. The window was lead framed
and diamond paned, and through it one saw the corner of the vicarage and a
pleasant hill crest, in dusky silhouette against the twilight sky. And
after the sausages had ceased to be, he lit a Red Herring cigarette and
went swaggering out into the twilight street. All shadowy blue between its
dark brick houses, was the street, with a bright yellow window here and
there and splashes of green and red where the chemist's illumination fell
across the road.</p>
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<h2> XV. AN INTERLUDE </h2>
<p>And now let us for a space leave Mr. Hoopdriver in the dusky Midhurst
North Street, and return to the two folks beside the railway bridge
between Milford and Haslemere. She was a girl of eighteen, dark, fine
featured, with bright eyes, and a rich, swift colour under her warm-tinted
skin. Her eyes were all the brighter for the tears that swam in them. The
man was thirty three or four, fair, with a longish nose overhanging his
sandy flaxen moustache, pale blue eyes, and a head that struck out above
and behind. He stood with his feet wide apart, his hand on his hip, in an
attitude that was equally suggestive of defiance and aggression. They had
watched Hoopdriver out of sight. The unexpected interruption had stopped
the flood of her tears. He tugged his abundant moustache and regarded her
calmly. She stood with face averted, obstinately resolved not to speak
first. "Your behaviour," he said at last, "makes you conspicuous."</p>
<p>She turned upon him, her eyes and cheeks glowing, her hands clenched. "You
unspeakable CAD," she said, and choked, stamped her little foot, and stood
panting.</p>
<p>"Unspeakable cad! My dear girl! Possible I AM an unspeakable cad. Who
wouldn't be—for you?"</p>
<p>"'Dear girl!' How DARE you speak to me like that? YOU—"</p>
<p>"I would do anything—"</p>
<p>"OH!"</p>
<p>There was a moment's pause. She looked squarely into his face, her eyes
alight with anger and contempt, and perhaps he flushed a little. He
stroked his moustache, and by an effort maintained his cynical calm. "Let
us be reasonable," he said.</p>
<p>"Reasonable! That means all that is mean and cowardly and sensual in the
world."</p>
<p>"You have always had it so—in your generalising way. But let us look
at the facts of the case—if that pleases you better."</p>
<p>With an impatient gesture she motioned him to go on.</p>
<p>"Well," he said,—"you've eloped."</p>
<p>"I've left my home," she corrected, with dignity. "I left my home because
it was unendurable. Because that woman—"</p>
<p>"Yes, yes. But the point is, you have eloped with me."</p>
<p>"You came with me. You pretended to be my friend. Promised to help me to
earn a living by writing. It was you who said, why shouldn't a man and
woman be friends? And now you dare—you dare—"</p>
<p>"Really, Jessie, this pose of yours, this injured innocence—"</p>
<p>"I will go back. I forbid you—I forbid you to stand in the way—"</p>
<p>"One moment. I have always thought that my little pupil was at least
clear-headed. You don't know everything yet, you know. Listen to me for a
moment."</p>
<p>"Haven't I been listening? And you have only insulted me. You who dared
only to talk of friendship, who scarcely dared hint at anything beyond."</p>
<p>"But you took the hints, nevertheless. You knew. You KNEW. And you did not
mind. MIND! You liked it. It was the fun of the whole thing for you. That
I loved you, and could not speak to you. You played with it—"</p>
<p>"You have said all that before. Do you think that justifies you?"</p>
<p>"That isn't all. I made up my mind—Well, to make the game more even.
And so I suggested to you and joined with you in this expedition of yours,
invented a sister at Midhurst—I tell you, I HAVEN'T a sister! For
one object—"</p>
<p>"Well?"</p>
<p>"To compromise you."</p>
<p>She started. That was a new way of putting it. For half a minute neither
spoke. Then she began half defiantly: "Much I am compromised. Of course—I
have made a fool of myself—"</p>
<p>"My dear girl, you are still on the sunny side of eighteen, and you know
very little of this world. Less than you think. But you will learn. Before
you write all those novels we have talked about, you will have to learn.
And that's one point—" He hesitated. "You started and blushed when
the man at breakfast called you Ma'am. You thought it a funny mistake, but
you did not say anything because he was young and nervous—and
besides, the thought of being my wife offended your modesty. You didn't
care to notice it. But—you see; I gave your name as MRS. Beaumont."
He looked almost apologetic, in spite of his cynical pose. "MRS.
Beaumont," he repeated, pulling his flaxen moustache and watching the
effect.</p>
<p>She looked into his eyes speechless. "I am learning fast," she said
slowly, at last.</p>
<p>He thought the time had come for an emotional attack. "Jessie," he said,
with a sudden change of voice, "I know all this is mean, isvillanous. But
do you think that I have done all this scheming, all this subterfuge, for
any other object—"</p>
<p>She did not seem to listen to his words. "I shall ride home," she said
abruptly.</p>
<p>"To her?"</p>
<p>She winced.</p>
<p>"Just think," said he, "what she could say to you after this."</p>
<p>"Anyhow, I shall leave you now."</p>
<p>"Yes? And go—"</p>
<p>"Go somewhere to earn my living, to be a free woman, to live without
conventionality—"</p>
<p>"My dear girl, do let us be cynical. You haven't money and you haven't
credit. No one would take you in. It's one of two things: go back to your
stepmother, or—trust to me."</p>
<p>"How CAN I?"</p>
<p>"Then you must go back to her." He paused momentarily, to let this
consideration have its proper weight. "Jessie, I did not mean to say the
things I did. Upon my honour, I lost my head when I spoke so. If you will,
forgive me. I am a man. I could not help myself. Forgive me, and I promise
you—"</p>
<p>"How can I trust you?"</p>
<p>"Try me. I can assure you—"</p>
<p>She regarded him distrustfully.</p>
<p>"At any rate, ride on with me now. Surely we have been in the shadow of
this horrible bridge long enough."</p>
<p>"Oh! let me think," she said, half turning from him and pressing her hand
to her brow.</p>
<p>"THINK! Look here, Jessie. It is ten o'clock. Shall we call a truce until
one?"</p>
<p>She hesitated, demanded a definition of the truce, and at last agreed.</p>
<p>They mounted, and rode on in silence, through the sunlight and the
heather. Both were extremely uncomfortable and disappointed. She was pale,
divided between fear and anger. She perceived she was in a scrape, and
tried in vain to think of a way of escape. Only one tangible thing would
keep in her mind, try as she would to ignore it. That was the quite
irrelevant fact that his head was singularly like an albino cocoanut. He,
too, felt thwarted. He felt that this romantic business of seduction was,
after all, unexpectedly tame. But this was only the beginning. At any
rate, every day she spent with him was a day gained. Perhaps things looked
worse than they were; that was some consolation.</p>
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