<h2><SPAN name="chap34"></SPAN>XXXIV</h2>
<p>They drove by the level road along the valley to a distance of a few miles,
and, reaching Wellbridge, turned away from the village to the left, and over
the great Elizabethan bridge which gives the place half its name. Immediately
behind it stood the house wherein they had engaged lodgings, whose exterior
features are so well known to all travellers through the Froom Valley; once
portion of a fine manorial residence, and the property and seat of a
d’Urberville, but since its partial demolition a farmhouse.</p>
<p>“Welcome to one of your ancestral mansions!” said Clare as he
handed her down. But he regretted the pleasantry; it was too near a satire.</p>
<p>On entering they found that, though they had only engaged a couple of rooms,
the farmer had taken advantage of their proposed presence during the coming
days to pay a New Year’s visit to some friends, leaving a woman from a
neighbouring cottage to minister to their few wants. The absoluteness of
possession pleased them, and they realized it as the first moment of their
experience under their own exclusive roof-tree.</p>
<p>But he found that the mouldy old habitation somewhat depressed his bride. When
the carriage was gone they ascended the stairs to wash their hands, the
charwoman showing the way. On the landing Tess stopped and started.</p>
<p>“What’s the matter?” said he.</p>
<p>“Those horrid women!” she answered with a smile. “How they
frightened me.”</p>
<p>He looked up, and perceived two life-size portraits on panels built into the
masonry. As all visitors to the mansion are aware, these paintings represent
women of middle age, of a date some two hundred years ago, whose lineaments
once seen can never be forgotten. The long pointed features, narrow eye, and
smirk of the one, so suggestive of merciless treachery; the bill-hook nose,
large teeth, and bold eye of the other suggesting arrogance to the point of
ferocity, haunt the beholder afterwards in his dreams.</p>
<p>“Whose portraits are those?” asked Clare of the charwoman.</p>
<p>“I have been told by old folk that they were ladies of the
d’Urberville family, the ancient lords of this manor,” she said,
“Owing to their being builded into the wall they can’t be moved
away.”</p>
<p>The unpleasantness of the matter was that, in addition to their effect upon
Tess, her fine features were unquestionably traceable in these exaggerated
forms. He said nothing of this, however, and, regretting that he had gone out
of his way to choose the house for their bridal time, went on into the
adjoining room. The place having been rather hastily prepared for them, they
washed their hands in one basin. Clare touched hers under the water.</p>
<p>“Which are my fingers and which are yours?” he said, looking up.
“They are very much mixed.”</p>
<p>“They are all yours,” said she, very prettily, and endeavoured to
be gayer than she was. He had not been displeased with her thoughtfulness on
such an occasion; it was what every sensible woman would show: but Tess knew
that she had been thoughtful to excess, and struggled against it.</p>
<p>The sun was so low on that short last afternoon of the year that it shone in
through a small opening and formed a golden staff which stretched across to her
skirt, where it made a spot like a paint-mark set upon her. They went into the
ancient parlour to tea, and here they shared their first common meal alone.
Such was their childishness, or rather his, that he found it interesting to use
the same bread-and-butter plate as herself, and to brush crumbs from her lips
with his own. He wondered a little that she did not enter into these
frivolities with his own zest.</p>
<p>Looking at her silently for a long time; “She is a dear dear Tess,”
he thought to himself, as one deciding on the true construction of a difficult
passage. “Do I realize solemnly enough how utterly and irretrievably this
little womanly thing is the creature of my good or bad faith and fortune? I
think not. I think I could not, unless I were a woman myself. What I am in
worldly estate, she is. What I become, she must become. What I cannot be, she
cannot be. And shall I ever neglect her, or hurt her, or even forget to
consider her? God forbid such a crime!”</p>
<p>They sat on over the tea-table waiting for their luggage, which the dairyman
had promised to send before it grew dark. But evening began to close in, and
the luggage did not arrive, and they had brought nothing more than they stood
in. With the departure of the sun the calm mood of the winter day changed. Out
of doors there began noises as of silk smartly rubbed; the restful dead leaves
of the preceding autumn were stirred to irritated resurrection, and whirled
about unwillingly, and tapped against the shutters. It soon began to rain.</p>
<p>“That cock knew the weather was going to change,” said Clare.</p>
<p>The woman who had attended upon them had gone home for the night, but she had
placed candles upon the table, and now they lit them. Each candle-flame drew
towards the fireplace.</p>
<p>“These old houses are so draughty,” continued Angel, looking at the
flames, and at the grease guttering down the sides. “I wonder where that
luggage is. We haven’t even a brush and comb.”</p>
<p>“I don’t know,” she answered, absent-minded.</p>
<p>“Tess, you are not a bit cheerful this evening—not at all as you
used to be. Those harridans on the panels upstairs have unsettled you. I am
sorry I brought you here. I wonder if you really love me, after all?”</p>
<p>He knew that she did, and the words had no serious intent; but she was
surcharged with emotion, and winced like a wounded animal. Though she tried not
to shed tears, she could not help showing one or two.</p>
<p>“I did not mean it!” said he, sorry. “You are worried at not
having your things, I know. I cannot think why old Jonathan has not come with
them. Why, it is seven o’clock? Ah, there he is!”</p>
<p>A knock had come to the door, and, there being nobody else to answer it, Clare
went out. He returned to the room with a small package in his hand.</p>
<p>“It is not Jonathan, after all,” he said.</p>
<p>“How vexing!” said Tess.</p>
<p>The packet had been brought by a special messenger, who had arrived at
Talbothays from Emminster Vicarage immediately after the departure of the
married couple, and had followed them hither, being under injunction to deliver
it into nobody’s hands but theirs. Clare brought it to the light. It was
less than a foot long, sewed up in canvas, sealed in red wax with his
father’s seal, and directed in his father’s hand to “Mrs
Angel Clare.”</p>
<p>“It is a little wedding-present for you, Tess,” said he, handing it
to her. “How thoughtful they are!”</p>
<p>Tess looked a little flustered as she took it.</p>
<p>“I think I would rather have you open it, dearest,” said she,
turning over the parcel. “I don’t like to break those great seals;
they look so serious. Please open it for me!”</p>
<p>He undid the parcel. Inside was a case of morocco leather, on the top of which
lay a note and a key.</p>
<p>The note was for Clare, in the following words:</p>
<p class="letter">
My dear son,—<br/>
Possibly you have forgotten that on the death of your godmother, Mrs
Pitney, when you were a lad, she—vain, kind woman that she was—left
to me a portion of the contents of her jewel-case in trust for your wife, if
you should ever have one, as a mark of her affection for you and whomsoever you
should choose. This trust I have fulfilled, and the diamonds have been locked
up at my banker’s ever since. Though I feel it to be a somewhat
incongruous act in the circumstances, I am, as you will see, bound to hand over
the articles to the woman to whom the use of them for her lifetime will now
rightly belong, and they are therefore promptly sent. They become, I believe,
heirlooms, strictly speaking, according to the terms of your godmother’s
will. The precise words of the clause that refers to this matter are enclosed.</p>
<p>“I do remember,” said Clare; “but I had quite
forgotten.”</p>
<p>Unlocking the case, they found it to contain a necklace, with pendant,
bracelets, and ear-rings; and also some other small ornaments.</p>
<p>Tess seemed afraid to touch them at first, but her eyes sparkled for a moment
as much as the stones when Clare spread out the set.</p>
<p>“Are they mine?” she asked incredulously.</p>
<p>“They are, certainly,” said he.</p>
<p>He looked into the fire. He remembered how, when he was a lad of fifteen, his
godmother, the Squire’s wife—the only rich person with whom he had
ever come in contact—had pinned her faith to his success; had prophesied
a wondrous career for him. There had seemed nothing at all out of keeping with
such a conjectured career in the storing up of these showy ornaments for his
wife and the wives of her descendants. They gleamed somewhat ironically now.
“Yet why?” he asked himself. It was but a question of vanity
throughout; and if that were admitted into one side of the equation it should
be admitted into the other. His wife was a d’Urberville: whom could they
become better than her?</p>
<p>Suddenly he said with enthusiasm—</p>
<p>“Tess, put them on—put them on!” And he turned from the fire
to help her.</p>
<p>But as if by magic she had already donned them—necklace, ear-rings,
bracelets, and all.</p>
<p>“But the gown isn’t right, Tess,” said Clare. “It ought
to be a low one for a set of brilliants like that.”</p>
<p>“Ought it?” said Tess.</p>
<p>“Yes,” said he.</p>
<p>He suggested to her how to tuck in the upper edge of her bodice, so as to make
it roughly approximate to the cut for evening wear; and when she had done this,
and the pendant to the necklace hung isolated amid the whiteness of her throat,
as it was designed to do, he stepped back to survey her.</p>
<p>“My heavens,” said Clare, “how beautiful you are!”</p>
<p>As everybody knows, fine feathers make fine birds; a peasant girl but very
moderately prepossessing to the casual observer in her simple condition and
attire will bloom as an amazing beauty if clothed as a woman of fashion with
the aids that Art can render; while the beauty of the midnight crush would
often cut but a sorry figure if placed inside the field-woman’s wrapper
upon a monotonous acreage of turnips on a dull day. He had never till now
estimated the artistic excellence of Tess’s limbs and features.</p>
<p>“If you were only to appear in a ball-room!” he said. “But
no—no, dearest; I think I love you best in the wing-bonnet and
cotton-frock—yes, better than in this, well as you support these
dignities.”</p>
<p>Tess’s sense of her striking appearance had given her a flush of
excitement, which was yet not happiness.</p>
<p>“I’ll take them off,” she said, “in case Jonathan
should see me. They are not fit for me, are they? They must be sold, I
suppose?”</p>
<p>“Let them stay a few minutes longer. Sell them? Never. It would be a
breach of faith.”</p>
<p>Influenced by a second thought she readily obeyed. She had something to tell,
and there might be help in these. She sat down with the jewels upon her; and
they again indulged in conjectures as to where Jonathan could possibly be with
their baggage. The ale they had poured out for his consumption when he came had
gone flat with long standing.</p>
<p>Shortly after this they began supper, which was already laid on a side-table.
Ere they had finished there was a jerk in the fire-smoke, the rising skein of
which bulged out into the room, as if some giant had laid his hand on the
chimney-top for a moment. It had been caused by the opening of the outer door.
A heavy step was now heard in the passage, and Angel went out.</p>
<p>“I couldn’ make nobody hear at all by knocking,” apologized
Jonathan Kail, for it was he at last; “and as’t was raining out I
opened the door. I’ve brought the things, sir.”</p>
<p>“I am very glad to see them. But you are very late.”</p>
<p>“Well, yes, sir.”</p>
<p>There was something subdued in Jonathan Kail’s tone which had not been
there in the day, and lines of concern were ploughed upon his forehead in
addition to the lines of years. He continued—</p>
<p>“We’ve all been gallied at the dairy at what might ha’ been a
most terrible affliction since you and your Mis’ess—so to name her
now—left us this a’ternoon. Perhaps you ha’nt forgot the
cock’s afternoon crow?”</p>
<p>“Dear me;—what—”</p>
<p>“Well, some says it do mane one thing, and some another; but what’s
happened is that poor little Retty Priddle hev tried to drown herself.”</p>
<p>“No! Really! Why, she bade us goodbye with the rest—”</p>
<p>“Yes. Well, sir, when you and your Mis’ess—so to name what
she lawful is—when you two drove away, as I say, Retty and Marian put on
their bonnets and went out; and as there is not much doing now, being New
Year’s Eve, and folks mops and brooms from what’s inside ’em,
nobody took much notice. They went on to Lew-Everard, where they had summut to
drink, and then on they vamped to Dree-armed Cross, and there they seemed to
have parted, Retty striking across the water-meads as if for home, and Marian
going on to the next village, where there’s another public-house. Nothing
more was zeed or heard o’ Retty till the waterman, on his way home,
noticed something by the Great Pool; ’twas her bonnet and shawl packed
up. In the water he found her. He and another man brought her home, thinking
’a was dead; but she fetched round by degrees.”</p>
<p>Angel, suddenly recollecting that Tess was overhearing this gloomy tale, went
to shut the door between the passage and the ante-room to the inner parlour
where she was; but his wife, flinging a shawl round her, had come to the outer
room and was listening to the man’s narrative, her eyes resting absently
on the luggage and the drops of rain glistening upon it.</p>
<p>“And, more than this, there’s Marian; she’s been found dead
drunk by the withy-bed—a girl who hev never been known to touch anything
before except shilling ale; though, to be sure, ’a was always a good
trencher-woman, as her face showed. It seems as if the maids had all gone out
o’ their minds!”</p>
<p>“And Izz?” asked Tess.</p>
<p>“Izz is about house as usual; but ’a do say ’a can guess how
it happened; and she seems to be very low in mind about it, poor maid, as well
she mid be. And so you see, sir, as all this happened just when we was packing
your few traps and your Mis’ess’s night-rail and dressing things
into the cart, why, it belated me.”</p>
<p>“Yes. Well, Jonathan, will you get the trunks upstairs, and drink a cup
of ale, and hasten back as soon as you can, in case you should be
wanted?”</p>
<p>Tess had gone back to the inner parlour, and sat down by the fire, looking
wistfully into it. She heard Jonathan Kail’s heavy footsteps up and down
the stairs till he had done placing the luggage, and heard him express his
thanks for the ale her husband took out to him, and for the gratuity he
received. Jonathan’s footsteps then died from the door, and his cart
creaked away.</p>
<p>Angel slid forward the massive oak bar which secured the door, and coming in to
where she sat over the hearth, pressed her cheeks between his hands from
behind. He expected her to jump up gaily and unpack the toilet-gear that she
had been so anxious about, but as she did not rise he sat down with her in the
firelight, the candles on the supper-table being too thin and glimmering to
interfere with its glow.</p>
<p>“I am so sorry you should have heard this sad story about the
girls,” he said. “Still, don’t let it depress you. Retty was
naturally morbid, you know.”</p>
<p>“Without the least cause,” said Tess. “While they who have
cause to be, hide it, and pretend they are not.”</p>
<p>This incident had turned the scale for her. They were simple and innocent girls
on whom the unhappiness of unrequited love had fallen; they had deserved better
at the hands of Fate. She had deserved worse—yet she was the chosen one.
It was wicked of her to take all without paying. She would pay to the uttermost
farthing; she would tell, there and then. This final determination she came to
when she looked into the fire, he holding her hand.</p>
<p>A steady glare from the now flameless embers painted the sides and back of the
fireplace with its colour, and the well-polished andirons, and the old brass
tongs that would not meet. The underside of the mantel-shelf was flushed with
the high-coloured light, and the legs of the table nearest the fire.
Tess’s face and neck reflected the same warmth, which each gem turned
into an Aldebaran or a Sirius—a constellation of white, red, and green
flashes, that interchanged their hues with her every pulsation.</p>
<p>“Do you remember what we said to each other this morning about telling
our faults?” he asked abruptly, finding that she still remained
immovable. “We spoke lightly perhaps, and you may well have done so. But
for me it was no light promise. I want to make a confession to you,
Love.”</p>
<p>This, from him, so unexpectedly apposite, had the effect upon her of a
Providential interposition.</p>
<p>“You have to confess something?” she said quickly, and even with
gladness and relief.</p>
<p>“You did not expect it? Ah—you thought too highly of me. Now
listen. Put your head there, because I want you to forgive me, and not to be
indignant with me for not telling you before, as perhaps I ought to have
done.”</p>
<p>How strange it was! He seemed to be her double. She did not speak, and Clare
went on—</p>
<p>“I did not mention it because I was afraid of endangering my chance of
you, darling, the great prize of my life—my Fellowship I call you. My
brother’s Fellowship was won at his college, mine at Talbothays Dairy.
Well, I would not risk it. I was going to tell you a month ago—at the
time you agreed to be mine, but I could not; I thought it might frighten you
away from me. I put it off; then I thought I would tell you yesterday, to give
you a chance at least of escaping me. But I did not. And I did not this
morning, when you proposed our confessing our faults on the landing—the
sinner that I was! But I must, now I see you sitting there so solemnly. I
wonder if you will forgive me?”</p>
<p>“O yes! I am sure that—”</p>
<p>“Well, I hope so. But wait a minute. You don’t know. To begin at
the beginning. Though I imagine my poor father fears that I am one of the
eternally lost for my doctrines, I am of course, a believer in good morals,
Tess, as much as you. I used to wish to be a teacher of men, and it was a great
disappointment to me when I found I could not enter the Church. I admired
spotlessness, even though I could lay no claim to it, and hated impurity, as I
hope I do now. Whatever one may think of plenary inspiration, one must heartily
subscribe to these words of Paul: ‘Be thou an example—in word, in
conversation, in charity, in spirit, in faith, in purity.’ It is the only
safeguard for us poor human beings. ‘<i>Integer vitae</i>,’ says a
Roman poet, who is strange company for St Paul—</p>
<p class="poem">
The man of upright life, from frailties free,<br/>
Stands not in need of Moorish spear or bow.</p>
<p>“Well, a certain place is paved with good intentions, and having felt all
that so strongly, you will see what a terrible remorse it bred in me when, in
the midst of my fine aims for other people, I myself fell.”</p>
<p>He then told her of that time of his life to which allusion has been made when,
tossed about by doubts and difficulties in London, like a cork on the waves, he
plunged into eight-and-forty hours’ dissipation with a stranger.</p>
<p>“Happily I awoke almost immediately to a sense of my folly,” he
continued. “I would have no more to say to her, and I came home. I have
never repeated the offence. But I felt I should like to treat you with perfect
frankness and honour, and I could not do so without telling this. Do you
forgive me?”</p>
<p>She pressed his hand tightly for an answer.</p>
<p>“Then we will dismiss it at once and for ever!—too painful as it is
for the occasion—and talk of something lighter.”</p>
<p>“O, Angel—I am almost glad—because now <i>you</i> can forgive
<i>me</i>! I have not made my confession. I have a confession,
too—remember, I said so.”</p>
<p>“Ah, to be sure! Now then for it, wicked little one.”</p>
<p>“Perhaps, although you smile, it is as serious as yours, or more
so.”</p>
<p>“It can hardly be more serious, dearest.”</p>
<p>“It cannot—O no, it cannot!” She jumped up joyfully at the
hope. “No, it cannot be more serious, certainly,” she cried,
“because ’tis just the same! I will tell you now.”</p>
<p>She sat down again.</p>
<p>Their hands were still joined. The ashes under the grate were lit by the fire
vertically, like a torrid waste. Imagination might have beheld a Last Day
luridness in this red-coaled glow, which fell on his face and hand, and on
hers, peering into the loose hair about her brow, and firing the delicate skin
underneath. A large shadow of her shape rose upon the wall and ceiling. She
bent forward, at which each diamond on her neck gave a sinister wink like a
toad’s; and pressing her forehead against his temple she entered on her
story of her acquaintance with Alec d’Urberville and its results,
murmuring the words without flinching, and with her eyelids drooping down.</p>
<h4>End of Phase the Fourth</h4>
<h2><SPAN name="part05"></SPAN>Phase the Fifth:<br/> The Woman Pays</h2>
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