<h2><SPAN name="chap20"></SPAN>XX</h2>
<p>The season developed and matured. Another year’s instalment of flowers,
leaves, nightingales, thrushes, finches, and such ephemeral creatures, took up
their positions where only a year ago others had stood in their place when
these were nothing more than germs and inorganic particles. Rays from the
sunrise drew forth the buds and stretched them into long stalks, lifted up sap
in noiseless streams, opened petals, and sucked out scents in invisible jets
and breathings.</p>
<p>Dairyman Crick’s household of maids and men lived on comfortably,
placidly, even merrily. Their position was perhaps the happiest of all
positions in the social scale, being above the line at which neediness ends,
and below the line at which the <i>convenances</i> begin to cramp natural
feelings, and the stress of threadbare modishness makes too little of enough.</p>
<p>Thus passed the leafy time when arborescence seems to be the one thing aimed at
out of doors. Tess and Clare unconsciously studied each other, ever balanced on
the edge of a passion, yet apparently keeping out of it. All the while they
were converging, under an irresistible law, as surely as two streams in one
vale.</p>
<p>Tess had never in her recent life been so happy as she was now, possibly never
would be so happy again. She was, for one thing, physically and mentally suited
among these new surroundings. The sapling which had rooted down to a poisonous
stratum on the spot of its sowing had been transplanted to a deeper soil.
Moreover she, and Clare also, stood as yet on the debatable land between
predilection and love; where no profundities have been reached; no reflections
have set in, awkwardly inquiring, “Whither does this new current tend to
carry me? What does it mean to my future? How does it stand towards my
past?”</p>
<p>Tess was the merest stray phenomenon to Angel Clare as yet—a rosy,
warming apparition which had only just acquired the attribute of persistence in
his consciousness. So he allowed his mind to be occupied with her, deeming his
preoccupation to be no more than a philosopher’s regard of an exceedingly
novel, fresh, and interesting specimen of womankind.</p>
<p>They met continually; they could not help it. They met daily in that strange
and solemn interval, the twilight of the morning, in the violet or pink dawn;
for it was necessary to rise early, so very early, here. Milking was done
betimes; and before the milking came the skimming, which began at a little past
three. It usually fell to the lot of some one or other of them to wake the
rest, the first being aroused by an alarm-clock; and, as Tess was the latest
arrival, and they soon discovered that she could be depended upon not to sleep
through the alarm as others did, this task was thrust most frequently upon her.
No sooner had the hour of three struck and whizzed, than she left her room and
ran to the dairyman’s door; then up the ladder to Angel’s, calling
him in a loud whisper; then woke her fellow-milkmaids. By the time that Tess
was dressed Clare was downstairs and out in the humid air. The remaining maids
and the dairyman usually gave themselves another turn on the pillow, and did
not appear till a quarter of an hour later.</p>
<p>The gray half-tones of daybreak are not the gray half-tones of the day’s
close, though the degree of their shade may be the same. In the twilight of the
morning, light seems active, darkness passive; in the twilight of evening it is
the darkness which is active and crescent, and the light which is the drowsy
reverse.</p>
<p>Being so often—possibly not always by chance—the first two persons
to get up at the dairy-house, they seemed to themselves the first persons up of
all the world. In these early days of her residence here Tess did not skim, but
went out of doors at once after rising, where he was generally awaiting her.
The spectral, half-compounded, aqueous light which pervaded the open mead
impressed them with a feeling of isolation, as if they were Adam and Eve. At
this dim inceptive stage of the day Tess seemed to Clare to exhibit a dignified
largeness both of disposition and physique, an almost regnant power, possibly
because he knew that at that preternatural time hardly any woman so well
endowed in person as she was likely to be walking in the open air within the
boundaries of his horizon; very few in all England. Fair women are usually
asleep at mid-summer dawns. She was close at hand, and the rest were nowhere.</p>
<p>The mixed, singular, luminous gloom in which they walked along together to the
spot where the cows lay often made him think of the Resurrection hour. He
little thought that the Magdalen might be at his side. Whilst all the landscape
was in neutral shade his companion’s face, which was the focus of his
eyes, rising above the mist stratum, seemed to have a sort of phosphorescence
upon it. She looked ghostly, as if she were merely a soul at large. In reality
her face, without appearing to do so, had caught the cold gleam of day from the
north-east; his own face, though he did not think of it, wore the same aspect
to her.</p>
<p>It was then, as has been said, that she impressed him most deeply. She was no
longer the milkmaid, but a visionary essence of woman—a whole sex
condensed into one typical form. He called her Artemis, Demeter, and other
fanciful names half teasingly, which she did not like because she did not
understand them.</p>
<p>“Call me Tess,” she would say askance; and he did.</p>
<p>Then it would grow lighter, and her features would become simply feminine; they
had changed from those of a divinity who could confer bliss to those of a being
who craved it.</p>
<p>At these non-human hours they could get quite close to the waterfowl. Herons
came, with a great bold noise as of opening doors and shutters, out of the
boughs of a plantation which they frequented at the side of the mead; or, if
already on the spot, hardily maintained their standing in the water as the pair
walked by, watching them by moving their heads round in a slow, horizontal,
passionless wheel, like the turn of puppets by clockwork.</p>
<p>They could then see the faint summer fogs in layers, woolly, level, and
apparently no thicker than counterpanes, spread about the meadows in detached
remnants of small extent. On the gray moisture of the grass were marks where
the cows had lain through the night—dark-green islands of dry herbage the
size of their carcasses, in the general sea of dew. From each island proceeded
a serpentine trail, by which the cow had rambled away to feed after getting up,
at the end of which trail they found her; the snoring puff from her nostrils,
when she recognized them, making an intenser little fog of her own amid the
prevailing one. Then they drove the animals back to the barton, or sat down to
milk them on the spot, as the case might require.</p>
<p>Or perhaps the summer fog was more general, and the meadows lay like a white
sea, out of which the scattered trees rose like dangerous rocks. Birds would
soar through it into the upper radiance, and hang on the wing sunning
themselves, or alight on the wet rails subdividing the mead, which now shone
like glass rods. Minute diamonds of moisture from the mist hung, too, upon
Tess’s eyelashes, and drops upon her hair, like seed pearls. When the day
grew quite strong and commonplace these dried off her; moreover, Tess then lost
her strange and ethereal beauty; her teeth, lips, and eyes scintillated in the
sunbeams and she was again the dazzlingly fair dairymaid only, who had to hold
her own against the other women of the world.</p>
<p>About this time they would hear Dairyman Crick’s voice, lecturing the
non-resident milkers for arriving late, and speaking sharply to old Deborah
Fyander for not washing her hands.</p>
<p>“For Heaven’s sake, pop thy hands under the pump, Deb! Upon my
soul, if the London folk only knowed of thee and thy slovenly ways,
they’d swaller their milk and butter more mincing than they do
a’ready; and that’s saying a good deal.”</p>
<p>The milking progressed, till towards the end Tess and Clare, in common with the
rest, could hear the heavy breakfast table dragged out from the wall in the
kitchen by Mrs Crick, this being the invariable preliminary to each meal; the
same horrible scrape accompanying its return journey when the table had been
cleared.</p>
<div style="break-after:column;"></div><br />