<h2><SPAN name="CHAPTER_III" id="CHAPTER_III"></SPAN>CHAPTER III</h2>
<p class="center">HOW CHILDE ROLAND AND ANOTHER CAME TO THE
DARK TOWER</p>
<p>Dickson woke with a vague sense of irritation.
As his recollections took form they produced
a very unpleasant picture of Mr. John Heritage.
The poet had loosened all his placid idols, so that
they shook and rattled in the niches where they had
been erstwhile so secure. Mr. McCunn had a mind
of a singular candour, and was prepared most honestly
at all times to revise his views. But by this
iconoclast he had been only irritated and in no way
convinced. "<i>Sich</i> poetry!" he muttered to himself
as he shivered in his bath (a daily cold tub instead
of his customary hot one on Saturday night being
part of the discipline of his holiday). "And yon
blethers about the working-man!" he ingeminated
as he shaved. He breakfasted alone, having outstripped
even the fishermen, and as he ate he arrived
at conclusions. He had a great respect for youth,
but a line must be drawn somewhere. "The man's
a child," he decided, "and not like to grow up. The
way he's besotted on everything daftlike, if it's only
<i>new</i>. And he's no rightly young either—speaks
like an auld dominie, whiles. And he's rather impident,"
he concluded, with memories of "Dogson."...
He was very clear that he never wanted to see<span class="pagenum"><SPAN name="Page_47" id="Page_47"></SPAN></span>
him again; that was the reason of his early breakfast.
Having clarified his mind by definitions, Dickson
felt comforted. He paid his bill, took an affectionate
farewell of the landlord, and at 7.30 precisely
stepped out into the gleaming morning.</p>
<p>It was such a day as only a Scots April can show.
The cobbled streets of Kirkmichael still shone with
the night's rain, but the storm clouds had fled before
a mild south wind, and the whole circumference of
the sky was a delicate translucent blue. Homely
breakfast smells came from the houses and delighted
Mr. McCunn's nostrils; a squalling child
was a pleasant reminder of an awakening world,
the urban counterpart to the morning song of birds;
even the sanitary cart seemed a picturesque vehicle.
He bought his ration of buns and ginger biscuits
at a baker's shop whence various ragamuffin boys
were preparing to distribute the householders'
bread, and took his way up the Gallows Hill to the
Burgh Muir almost with regret at leaving so pleasant
a habitation.</p>
<p>A chronicle of ripe vintages must pass lightly
over small beer. I will not dwell on his leisurely
progress in the bright weather, or on his luncheon
in a coppice of young firs, or on his thoughts which
had returned to the idyllic. I take up the narrative
at about three o'clock in the afternoon, when he is
revealed seated on a milestone examining his map.
For he had come, all unwitting, to a turning of the
ways, and his choice is the cause of this veracious
history.</p>
<p>The place was high up on a bare moor, which<span class="pagenum"><SPAN name="Page_48" id="Page_48"></SPAN></span>
showed a white lodge among pines, a white cottage
in a green nook by a burnside, and no other marks
of human dwelling. To his left, which was the
east, the heather rose to a low ridge of hill, much
scarred with peat-bogs, behind which appeared the
blue shoulder of a considerable mountain. Before
him the road was lost momentarily in the woods
of a shooting-box, but reappeared at a great distance
climbing a swell of upland which seemed to
be the glacis of a jumble of bold summits. There
was a pass there, the map told him, which led into
Galloway. It was the road he had meant to follow,
but as he sat on the milestone his purpose wavered.
For there seemed greater attractions in the country
which lay to the westward. Mr. McCunn, be it
remembered, was not in search of brown heath and
shaggy wood; he wanted greenery and the Spring.</p>
<p>Westward there ran out a peninsula in the shape
of an isosceles triangle, of which his present highroad
was the base. At a distance of a mile or so
a railway ran parallel to the road, and he could see
the smoke of a goods train waiting at a tiny station
islanded in acres of bog. Thence the moor swept
down to meadows and scattered copses, above
which hung a thin haze of smoke which betokened
a village. Beyond it were further woodlands, not
firs but old shady trees, and as they narrowed to a
point the gleam of two tiny estuaries appeared on
either side. He could not see the final cape, but he
saw the sea beyond it, flawed with catspaws, gold
in the afternoon sun, and on it a small herring
smack flapping listless sails.<span class="pagenum"><SPAN name="Page_49" id="Page_49"></SPAN></span></p>
<p>Something in the view caught and held his fancy.
He conned his map, and made out the names. The
peninsula was called the Cruives—an old name apparently,
for it was in antique lettering. He
vaguely remembered that "cruives" had something
to do with fishing, doubtless in the two streams
which flanked it. One he had already crossed, the
Laver, a clear tumbling water springing from green
hills; the other, the Garple, descended from the
rougher mountains to the south. The hidden village
bore the name of Dalquharter, and the uncouth
syllables awoke some vague recollection in his mind.
The great house in the trees beyond—it must be a
great house, for the map showed large policies—was
Huntingtower.</p>
<p>The last name fascinated and almost decided him.
He pictured an ancient keep by the sea, defended
by converging rivers, which some old Comyn lord
of Galloway had built to command the shore road
and from which he had sallied to hunt in his wild
hills.... He liked the way the moor dropped
down to green meadows, and the mystery of the
dark woods beyond. He wanted to explore the twin
waters, and see how they entered that strange
shimmering sea. The odd names, the odd cul-de-sac
of a peninsula, powerfully attracted him. Why
should he not spend a night there, for the map
showed clearly that Dalquharter had an inn? He
must decide promptly, for before him a side-road
left the highway, and the signpost bore the legend,
"Dalquharter and Huntingtower."</p>
<p>Mr. McCunn, being a cautious and pious man,<span class="pagenum"><SPAN name="Page_50" id="Page_50"></SPAN></span>
took the omens. He tossed a penny—heads go on,
tails turn aside. It fell tails.</p>
<p>He knew as soon as he had taken three steps
down the side-road that he was doing something
momentous, and the exhilaration of enterprise
stole into his soul. It occurred to him that this
was the kind of landscape that he had always especially
hankered after, and had made pictures of
when he had a longing for the country on him—a
wooded cape between streams, with meadows inland
and then a long lift of heather. He had the
same feeling of expectancy, of something most interesting
and curious on the eve of happening, that
he had had long ago when he waited on the curtain
rising at his first play. His spirits soared like the
lark, and he took to singing. If only the inn at
Dalquharter were snug and empty, this was going
to be a day in ten thousand. Thus mirthfully he
swung down the rough grass-grown road, past the
railway, till he came to a point where heath began
to merge in pasture, and dry-stone walls split the
moor into fields. Suddenly his pace slackened and
song died on his lips. For, approaching from the
right by a tributary path, was the Poet.</p>
<p>Mr. Heritage saw him afar off and waved a
friendly hand. In spite of his chagrin Dickson
could not but confess that he had misjudged his
critic. Striding with long steps over the heather,
his jacket open to the wind, his face a-glow and his
capless head like a whin-bush for disorder, he cut
a more wholesome and picturesque figure than in<span class="pagenum"><SPAN name="Page_51" id="Page_51"></SPAN></span>
the smoking-room the night before. He seemed
to be in a companionable mood, for he brandished
his stick and shouted greetings.</p>
<p>"Well met!" he cried; "I was hoping to fall in
with you again. You must have thought me a
pretty fair cub last night."</p>
<p>"I did that," was the dry answer.</p>
<p>"Well, I want to apologise. God knows what
made me treat you to a university-extension lecture.
I may not agree with you, but every man's entitled
to his own views, and it was dashed poor form
for me to start jawing you."</p>
<p>Mr. McCunn had no gift of nursing anger, and
was very susceptible to apologies.</p>
<p>"That's all right," he murmured. "Don't mention
it. I'm wondering what brought you down
here, for it's off the road."</p>
<p>"Caprice. Pure caprice. I liked the look of this
butt-end of nowhere."</p>
<p>"Same here. I've aye thought there was something
terrible nice about a wee cape with a village
at the neck of it and a burn each side."</p>
<p>"Now that's interesting," said Mr. Heritage.
"You're obsessed by a particular type of landscape.
Ever read Freud?"</p>
<p>Dickson shook his head.</p>
<p>"Well, you've got an odd complex somewhere.
I wonder where the key lies. Cape—woods—two
rivers—moor behind. Ever been in love, Dogson?"</p>
<p>Mr. McCunn was startled. "Love" was a word<span class="pagenum"><SPAN name="Page_52" id="Page_52"></SPAN></span>
rarely mentioned in his circle except on death-beds.
"I've been a married man for thirty years," he said
hurriedly.</p>
<p>"That won't do. It should have been a hopeless
affair—the last sight of the lady on a spur of coast
with water on three sides—that kind of thing, you
know. Or it might have happened to an ancestor....
But you don't look the kind of breed for
hopeless attachments. More likely some scoundrelly
old Dogson long ago found sanctuary in this
sort of place. Do you dream about it?"</p>
<p>"Not exactly."</p>
<p>"Well, I do. The queer thing is that I've got
the same prepossession as you. As soon as I
spotted this Cruives place on the map this morning,
I saw it was what I was after. When I came
in sight of it I almost shouted. I don't very often
dream, but when I do that's the place I frequent.
Odd, isn't it?"</p>
<p>Mr. McCunn was deeply interested at this unexpected
revelation of romance. "Maybe it's being
in love," he daringly observed.</p>
<p>The Poet demurred. "No. I'm not a connoisseur
of obvious sentiment. That explanation might
fit your case, but not mine. I'm pretty certain
there's something hideous at the back of <i>my</i> complex—some
grim old business tucked away back in
the ages. For though I'm attracted by the place,
I'm frightened too!"</p>
<p>There seemed no room for fear in the delicate
landscape now opening before them. In front in
groves of birch and rowans smoked the first houses<span class="pagenum"><SPAN name="Page_53" id="Page_53"></SPAN></span>
of a tiny village. The road had become a green
"loaning" on the ample margin of which cattle
grazed. The moorland still showed itself in spits
of heather, and some distance off, where a rivulet
ran in a hollow, there were signs of a fire and figures
near it. These last Mr. Heritage regarded with
disapproval.</p>
<p>"Some infernal trippers!" he murmured. "Or
Boy Scouts. They desecrate everything. Why
can't the <i>tunicatus popellus</i> keep away from a
paradise like this!" Dickson, a democrat who felt
nothing incongruous in the presence of other
holiday-makers, was meditating a sharp rejoinder,
when Mr. Heritage's tone changed.</p>
<p>"Ye gods! What a village!" he cried, as they
turned a corner. There were not more than a
dozen whitewashed houses, all set in little gardens
of wallflower and daffodil and early fruit blossom.
A triangle of green filled the intervening space, and
in it stood an ancient wooden pump. There was
no schoolhouse or kirk; not even a post-office—only
a red box in a cottage side. Beyond rose the
high wall and the dark trees of the demesne, and
to the right up a by-road which clung to the park
edge stood a two-storeyed building which bore the
legend "The Cruives Inn."</p>
<p>The Poet became lyrical. "At last!" he cried.
"The village of my dreams! Not a sign of commerce!
No church or school or beastly recreation
hall! Nothing but these divine little cottages and
an ancient pub! Dogson, I warn you, I'm going to
have the devil of a tea." And he declaimed:<span class="pagenum"><SPAN name="Page_54" id="Page_54"></SPAN></span></p>
<div class="poem"><div class="stanza">
<span class="i6">"Thou shalt hear a song<br/></span>
<span class="i2">After a while which Gods may listen to;<br/></span>
<span class="i2">But place the flask upon the board and wait<br/></span>
<span class="i2">Until the stranger hath allayed his thirst,<br/></span>
<span class="i2">For poets, grasshoppers and nightingales<br/></span>
<span class="i2">Sing cheerily but when the throat is moist."<br/></span></div>
</div>
<p>Dickson, too, longed with sensual gusto for tea.
But, as they drew nearer, the inn lost its hospitable
look. The cobbles of the yard were weedy, as if
rarely visited by traffic, a pane in a window was
broken, and the blinds hung tattered. The garden
was a wilderness, and the doorstep had not been
scoured for weeks. But the place had a landlord,
for he had seen them approach and was waiting at
the door to meet them.</p>
<p>He was a big man in his shirt sleeves, wearing
old riding breeches unbuttoned at the knees, and
thick ploughman's boots. He had no leggings, and
his fleshy calves were imperfectly covered with
woollen socks. His face was large and pale, his
neck bulged, and he had a gross unshaven jowl.
He was a type familiar to students of society; not
the innkeeper, which is a thing consistent with good
breeding and all the refinements; a type not unknown
in the House of Lords, especially among
recent creations, common enough in the House of
Commons and the City of London, and by no means
infrequent in the governing circles of Labour; the
type known to the discerning as the Licensed
Victualler.</p>
<p>His face was wrinkled in official smiles, and he
gave the travellers a hearty good afternoon.<span class="pagenum"><SPAN name="Page_55" id="Page_55"></SPAN></span></p>
<p>"Can we stop here for the night?" Dickson
asked.</p>
<p>The landlord looked sharply at him, and then
replied to Mr. Heritage. His expression passed
from official bonhomie to official contrition.</p>
<p>"Impossible, gentlemen. Quite impossible....
Ye couldn't have come at a worse time. I've only
been here a fortnight myself, and we haven't got
right shaken down yet. Even then I might have
made shift to do with ye, but the fact is we've
illness in the house, and I'm fair at my wits' end.
It breaks my heart to turn gentlemen away and me
that keen to get the business started. But there it
is!" He spat vigorously as if to emphasise the
desperation of his quandary.</p>
<p>The man was clearly Scots, but his native speech
was overlaid with something alien, something which
might have been acquired in America or in going
down to the sea in ships. He hitched his breeches,
too, with a nautical air.</p>
<p>"Is there nowhere else we can put up?" Dickson
asked.</p>
<p>"Not in this one-horse place. Just a wheen auld
wives that packed thegether they haven't room for
an extra hen. But it's grand weather, and it's not
above seven miles to Auchenlochan. Say the word
and I'll yoke the horse and drive ye there."</p>
<p>"Thank you. We prefer to walk," said Mr.
Heritage. Dickson would have tarried to inquire
after the illness in the house, but his companion
hurried him off. Once he looked back, and saw the
landlord still on the doorstep gazing after them.<span class="pagenum"><SPAN name="Page_56" id="Page_56"></SPAN></span></p>
<p>"That fellow's a swine," said Mr. Heritage
sourly. "I wouldn't trust my neck in his pothouse.
Now, Dogson, I'm hanged if I'm going to leave this
place. We'll find a corner in the village somehow.
Besides, I'm determined on tea."</p>
<p>The little street slept in the clear pure light of an
early April evening. Blue shadows lay on the white
road, and a delicate aroma of cooking tantalised
hungry nostrils. The near meadows shone like pale
gold against the dark lift of the moor. A light
wind had begun to blow from the west and carried
the faintest tang of salt. The village at that hour
was pure Paradise, and Dickson was of the Poet's
opinion. At all costs they must spend the night
there.</p>
<p>They selected a cottage whiter and neater than
the others, which stood at a corner, where a narrow
lane turned southward. Its thatched roof had
been lately repaired, and starched curtains of a
dazzling whiteness decorated the small, closely-shut
windows. Likewise it had a green door and a polished
brass knocker.</p>
<p>Tacitly the duty of envoy was entrusted to Mr.
McCunn. Leaving the other at the gate, he advanced
up the little path lined with quartz stones,
and politely but firmly dropped the brass knocker.
He must have been observed, for ere the noise had
ceased the door opened, and an elderly woman
stood before him. She had a sharply-cut face, the
rudiments of a beard, big spectacles on her nose,
and an old-fashioned lace cap on her smooth white
hair. A little grim she looked at first sight, be<span class="pagenum"><SPAN name="Page_57" id="Page_57"></SPAN></span>cause
of her thin lips and Roman nose, but her
mild curious eyes corrected the impression and
gave the envoy confidence.</p>
<p>"Good afternoon, mistress," he said, broadening
his voice to something more rustical than his normal
Glasgow speech. "Me and my friend are paying
our first visit here, and we're terrible taken up with
the place. We would like to bide the night, but the
inn is no' taking folk. Is there any chance, think
you, of a bed here?"</p>
<p>"I'll no tell ye a lee," said the woman. "There's
twae guid beds in the loft. But I dinna tak' lodgers
and I dinna want to be bothered wi' ye. I'm an
auld wumman and no' as stoot as I was. Ye'd
better try doun the street. Eppie Home micht
tak' ye."</p>
<p>Dickson wore his most ingratiating smile. "But,
mistress, Eppie Home's house is no' yours. We've
taken a tremendous fancy to this bit. Can you no'
manage to put with us for the one night? We're
quiet auld-fashioned folk and we'll no' trouble you
much. Just our tea and maybe an egg to it, and
a bowl of porridge in the morning."</p>
<p>The woman seemed to relent. "Whaur's your
freend?" she asked, peering over her spectacles
towards the garden gate. The waiting Mr. Heritage,
seeing her eyes moving in his direction, took
off his cap with a brave gesture and advanced.
"Glorious weather, Madam," he declared.</p>
<p>"English," whispered Dickson to the woman, in
explanation.</p>
<p>She examined the Poet's neat clothes and Mr.<span class="pagenum"><SPAN name="Page_58" id="Page_58"></SPAN></span>
McCunn's homely garments, and apparently found
them reassuring. "Come in," she said shortly.
"I see ye're wilfu' folk and I'll hae to dae my best
for ye."</p>
<p>A quarter of an hour later the two travellers,
having been introduced to two spotless beds in the
loft, and having washed luxuriously at the pump in
the back yard, were seated in Mrs. Morran's
kitchen before a meal which fulfilled their wildest
dreams. She had been baking that morning, so
there were white scones and barley scones, and
oaten farles, and russet pancakes. There were
three boiled eggs for each of them; there was a
segment of an immense currant cake ("a present
from my guid brither last Hogmanay"); there was
skim-milk cheese; there were several kinds of jam,
and there was a pot of dark-gold heather honey.
"Try hinny and aitcake," said their hostess. "My
man used to say he never fund onything as guid in
a' his days."</p>
<p>Presently they heard her story. Her name was
Morran, and she had been a widow these ten years.
Of her family her son was in South Africa, one
daughter a lady's maid in London, and the other
married to a schoolmaster in Kyle. The son had
been in France fighting, and had come safely
through. He had spent a month or two with her
before his return, and, she feared, had found it dull.
"There's no' a man body in the place. Naething
but auld wives."</p>
<p>That was what the innkeeper had told them.
Mr. McCunn inquired concerning the inn.<span class="pagenum"><SPAN name="Page_59" id="Page_59"></SPAN></span></p>
<p>"There's new folk just come. What's this they
ca' them?—Robson—Dobson—aye, Dobson. What
for wad they no' tak' ye in? Does the man think
he's a laird to refuse folk that gait?"</p>
<p>"He said he had illness in the house."</p>
<p>Mrs. Morran meditated. "Whae in the world
can be lyin' there? The man bides his lane. He
got a lassie frae Auchenlochan to cook, but she and
her box gaed off in the post-cairt yestreen. I doot
he tell't ye a lee, though it's no for me to juidge
him. I've never spoken a word to ane o' thae new
folk."</p>
<p>Dickson inquired about the "new folk."</p>
<p>"They're a' new come in the last three weeks,
and there's no' a man o' the auld stock left. John
Blackstocks at the Wast Lodge dee'd o' pneumony
last back-end, and auld Simon Tappie at the Gairdens
flitted to Maybole a year come Mairtinmas.
There's naebody at the Gairdens noo, but there's
a man come to the Wast Lodge, a blackavised body
wi' a face like bend-leather. Tam Robison used to
bide at the South Lodge, but Tam got killed about
Mesopotamy, and his wife took the bairns to her
guidsire up at the Garpleheid. I seen the man
that's in the South Lodge gaun up the street when
I was finishin' my denner—a shilpit body and a
lameter, but he hirples as fast as ither folk run.
He's no' bonny to look at. I canna think what the
factor's ettlin' at to let sic' ill-faured chiels come
about the toun."</p>
<p>Their hostess was rapidly rising in Dickson's
esteem. She sat very straight in her chair, eating<span class="pagenum"><SPAN name="Page_60" id="Page_60"></SPAN></span>
with the careful gentility of a bird, and primming
her thin lips after every mouthful of tea.</p>
<p>"Who bides in the Big House?" he asked.
"Huntingtower is the name, isn't it?"</p>
<p>"When I was a lassie they ca'ed it Dalquharter
Hoose, and Huntingtower was the auld rickle o'
stanes at the sea-end. But naething wad serve the
last laird's faither but he maun change the name,
for he was clean daft about what they ca' antickities.
Ye speir whae bides in the Hoose? Naebody,
since the young laird dee'd. It's standin' cauld and
lanely and steikit, and it aince the cheeriest dwallin'
in a' Carrick."</p>
<p>Mrs. Morran's tone grew tragic. "It's a queer
warld wi'out the auld gentry. My faither and my
guidsire and his faither afore him served the Kennedys,
and my man Dauvit Morran was gemkeeper
to them, and afore I mairried I was ane o' the table-maids.
They were kind folk, the Kennedys, and,
like a' the rale gentry, maist mindfu' o' them that
served them. Sic' merry nichts I've seen in the auld
Hoose, at Hallowe'en and Hogmanay, and at the
servants' balls and the waddin's o' the young
leddies! But the laird bode to waste his siller in
stane and lime, and hadna that much to leave to his
bairns. And now they've a' scattered or deid."</p>
<p>Her grave face wore the tenderness which comes
from affectionate reminiscence.</p>
<p>"There was never sic a laddie as young Maister
Quentin. No' a week gaed by but he was in here,
cryin', 'Phemie Morran, I've come till my tea!'
Fine he likit my treacle scones, puir man. There<span class="pagenum"><SPAN name="Page_61" id="Page_61"></SPAN></span>
wasna ane in the countryside sae bauld a rider at
the hunt, or sic a skeely fisher. And he was clever
at his books tae, a graund scholar, they said, and
ettlin' at bein' what they ca' a dipplemat. But
that's a' bye wi'."</p>
<p>"Quentin Kennedy—the fellow in the Tins?"
Heritage asked. "I saw him in Rome when he was
with the Mission."</p>
<p>"I dinna ken. He was a brave sodger, but he
wasna long fechtin' in France till he got a bullet in
his breist. Syne we heard tell o' him in far awa'
bits like Russia; and syne cam' the end o' the war
and we lookit to see him back, fishin' the waters
and ridin' like Jehu as in the auld days. But wae's
me! It wasna permitted. The next news we got,
the puir laddie was deid o' influenzy and buried
somewhere about France. The wanchancy bullet
maun have weakened his chest, nae doot. So
that's the end o' the guid stock o' Kennedy o'
Huntingtower, whae hae been great folk sin' the
time o' Robert Bruce. And noo the Hoose is shut
up till the lawyers can get somebody sae far left
to himsel' as to tak' it on lease, and in thae dear
days it's no' just onybody that wants a muckle
castle."</p>
<p>"Who are the lawyers?" Dickson asked.</p>
<p>"Glendonan and Speirs in Embro. But they
never look near the place, and Maister Loudoun
in Auchenlochan does the factorin'. He's let the
public an' filled the twae lodges, and he'll be thinkin'
nae doot that he's done eneuch."</p>
<p>Mrs. Morran had poured some hot water into<span class="pagenum"><SPAN name="Page_62" id="Page_62"></SPAN></span>
the big slop-bowl, and had begun the operation
known as "synding out" the cups. It was a hint
that the meal was over and Dickson and Heritage
rose from the table. Followed by an injunction to
be back for supper "on the chap o' nine," they
strolled out into the evening. Two hours of some
sort of daylight remained, and the travellers had
that impulse to activity which comes to all men who,
after a day of exercise and emptiness, are stayed
with a satisfying tea.</p>
<p>"You should be happy, Dogson," said the Poet.
"Here we have all the materials for your blessed
romance—old mansion, extinct family, village deserted
of men and an innkeeper whom I suspect of
being a villain. I feel almost a convert to your
nonsense myself. We'll have a look at the House."</p>
<p>They turned down the road which ran north by
the park wall, past the inn which looked more abandoned
than ever, till they came to an entrance which
was clearly the West Lodge. It had once been a
pretty, modish cottage, with a thatched roof and
dormer windows, but now it was badly in need of
repair. A window-pane was broken and stuffed with
a sack, the posts of the porch were giving inwards,
and the thatch was crumbling under the attentions
of a colony of starlings. The great iron gates were
rusty, and on the coat of arms above them the gilding
was patchy and tarnished.</p>
<p>Apparently the gates were locked, and even the
side wicket failed to open to Heritage's vigorous
shaking. Inside a weedy drive disappeared among
ragged rhododendrons.<span class="pagenum"><SPAN name="Page_63" id="Page_63"></SPAN></span></p>
<p>The noise brought a man to the lodge door. He
was a sturdy fellow in a suit of black clothes which
had not been made for him. He might have been a
butler <i>en deshabille</i>, but for the presence of a pair
of field boots into which he had tucked the ends of
his trousers. The curious thing about him was his
face, which was decorated with features so tiny as
to give the impression of a monstrous child. Each
in itself was well enough formed, but eyes, nose,
mouth, chin were of a smallness curiously out of
proportion to the head and body. Such an anomaly
might have been redeemed by the expression; good-humour
would have invested it with an air of agreeable
farce. But there was no friendliness in the
man's face. It was set like a judge's in a stony
impassiveness.</p>
<p>"May we walk up to the House?" Heritage
asked. "We are here for a night and should like
to have a look at it."</p>
<p>The man advanced a step. He had either a bad
cold, or a voice comparable in size to his features.</p>
<p>"There's no entrance here," he said huskily. "I
have strict orders."</p>
<p>"Oh, come now," said Heritage. "It can do
nobody any harm if you let us in for half an hour."</p>
<p>The man advanced another step.</p>
<p>"You shall not come in. Go away from here.
Go away, I tell you. It is private." The words
spoken by the small mouth in the small voice had
a kind of childish ferocity.</p>
<p>The travellers turned their back on him and continued
their way.<span class="pagenum"><SPAN name="Page_64" id="Page_64"></SPAN></span></p>
<p>"Sich a curmudgeon!" Dickson commented. His
face had flushed, for he was susceptible to rudeness.
"Did you notice? That man's a foreigner."</p>
<p>"He's a brute," said Heritage. "But I'm not
going to be done in by that class of lad. There can
be no gates on the sea side, so we'll work round
that way, for I won't sleep till I've seen the place."</p>
<p>Presently the trees grew thinner, and the road
plunged through thickets of hazel till it came to a
sudden stop in a field. There the cover ceased
wholly, and below them lay the glen of the Laver.
Steep green banks descended to a stream which
swept in coils of gold into the eye of the sunset. A
little further down the channel broadened, the slopes
fell back a little, and a tongue of glittering sea ran
up to meet the hill waters. The Laver is a gentle
stream after it leaves its cradle heights, a stream
of clear pools and long bright shallows, winding by
moorland steadings and upland meadows; but in its
last half-mile it goes mad, and imitates its childhood
when it tumbled over granite shelves. Down
in that green place the crystal water gushed and
frolicked as if determined on one hour of rapturous
life before joining the sedater sea.</p>
<p>Heritage flung himself on the turf.</p>
<p>"This is a good place! Ye gods, what a good
place! Dogson, aren't you glad you came? I think
everything's bewitched to-night. That village is
bewitched, and that old woman's tea. Good white
magic! And that foul innkeeper and that brigand
at the gate. Black magic! And now here is the
home of all enchantment—'island valley of Avilion'<span class="pagenum"><SPAN name="Page_65" id="Page_65"></SPAN></span>—'waters
that listen for lovers'—all the rest of it!"</p>
<p>Dickson observed and marvelled.</p>
<p>"I can't make you out, Mr. Heritage. You were
saying last night you were a great democrat, and
yet you were objecting to yon laddies camping on
the moor. And you very near bit the neb off me
when I said I liked Tennyson. And now...."
Mr. McCunn's command of language was inadequate
to describe the transformation.</p>
<p>"You're a precise, pragmatical Scot," was the
answer. "Hang it, man, don't remind me that I'm
inconsistent. I've a poet's licence to play the fool,
and if you don't understand me, I don't in the least
understand myself. All I know is that I'm feeling
young and jolly and that it's the Spring."</p>
<p>Mr. Heritage was assuredly in a strange mood.
He began to whistle with a far-away look in his eye.</p>
<p>"Do you know what that is?" he asked suddenly.</p>
<p>Dickson, who could not detect any tune, said No.</p>
<p>"It's an <i>aria</i> from a Russian opera that came out
just before the war. I've forgotten the name of
the fellow who wrote it. Jolly thing, isn't it? I
always remind myself of it when I'm in this mood,
for it is linked with the greatest experience of my
life. You said, I think, that you had never been
in love?"</p>
<p>Dickson replied in the native fashion. "Have
you?" he asked.</p>
<p>"I have, and I am—been for two years. I was
down with my battalion on the Italian front early
in 1918, and because I could speak the language
they hoicked me out and sent me to Rome on a<span class="pagenum"><SPAN name="Page_66" id="Page_66"></SPAN></span>
liaison job. It was Easter time and fine weather
and, being glad to get out of the trenches, I was
pretty well pleased with myself and enjoying life....
In the place where I stayed there was a girl.
She was a Russian, a princess of a great family, but
a refugee and of course as poor as sin.... I remember
how badly dressed she was among all the
well-to-do Romans. But, my God, what a beauty!
There was never anything in the world like her....
She was little more than a child, and she used
to sing that air in the morning as she went down the
stairs.... They sent me back to the front before
I had a chance of getting to know her, but she used
to give me little timid good mornings, and her voice
and eyes were like an angel's.... I'm over my
head in love, but it's hopeless, quite hopeless. I
shall never see her again."</p>
<p>"I'm sure I'm honoured by your confidence," said
Dickson reverently.</p>
<p>The Poet, who seemed to draw exhilaration from
the memory of his sorrows, arose and fetched him
a clout on the back. "Don't talk of confidence as
if you were a reporter," he said. "What about
that House? If we're to see it before the dark
comes we'd better hustle."</p>
<p>The green slopes on their left, as they ran seaward,
were clothed towards their summit with a
tangle of broom and light scrub. The two forced
their way through this, and found to their surprise
that on this side there were no defences of the
Huntingtower demesne. Along the crest ran a path
which had once been gravelled and trimmed. Be<span class="pagenum"><SPAN name="Page_67" id="Page_67"></SPAN></span>yond
through a thicket of laurels and rhododendrons
they came on a long unkempt aisle of grass,
which seemed to be one of those side avenues often
found in connection with old Scots dwellings. Keeping
along this they reached a grove of beech and
holly through which showed a dim shape of masonry.
By a common impulse they moved stealthily,
crouching in cover, till at the far side of the
wood they found a sunk fence and looked over an
acre or two of what had once been lawn and flower-beds
to the front of the mansion.</p>
<p>The outline of the building was clearly silhouetted
against the glowing west, but since they were looking
at the east face the detail was all in shadow.
But, dim as it was, the sight was enough to give
Dickson the surprise of his life. He had expected
something old and baronial. But this was new,
raw and new, not twenty years built. Some madness
had prompted its creator to set up a replica of
a Tudor house in a countryside where the thing
was unheard of. All the tricks were there—oriel
windows, lozenged panes, high twisted chimney
stacks; the very stone was red, as if to imitate the
mellow brick of some ancient Kentish manor. It
was new, but it was also decaying. The creepers
had fallen from the walls, the pilasters on the terrace
were tumbling down, lichen and moss were on
the doorsteps. Shuttered, silent, abandoned, it
stood like a harsh <i>memento mori</i> of human hopes.</p>
<p>Dickson had never before been affected by an
inanimate thing with so strong a sense of disquiet.
He had pictured an old stone tower on a bright<span class="pagenum"><SPAN name="Page_68" id="Page_68"></SPAN></span>
headland; he found instead this raw thing among
trees. The decadence of the brand-new repels as
something against nature, and this new thing was
decadent. But there was a mysterious life in it, for
though not a chimney smoked, it seemed to enshrine
a personality and to wear a sinister <i>aura</i>. He felt
a lively distaste, which was almost fear. He
wanted to get far away from it as fast as possible.
The sun, now sinking very low, sent up rays which
kindled the crests of a group of firs to the left of
the front door. He had the absurd fancy that they
were torches flaming before a bier.</p>
<p>It was well that the two had moved quietly and
kept in shadow. Footsteps fell on their ears, on
the path which threaded the lawn just beyond the
sunk-fence. It was the keeper of the West Lodge
and he carried something on his back, but both that
and his face were indistinct in the half-light.</p>
<p>Other footsteps were heard, coming from the
other side of the lawn. A man's shod feet rang on
the stone of a flagged path, and from their irregular
fall it was plain that he was lame. The two men
met near the door, and spoke together. Then they
separated, and moved one down each side of the
house. To the two watchers they had the air of a
patrol, or of warders pacing the corridors of a
prison.</p>
<p>"Let's get out of this," said Dickson, and turned
to go.</p>
<p>The air had the curious stillness which precedes
the moment of sunset, when the birds of day have
stopped their noises and the sounds of night have<span class="pagenum"><SPAN name="Page_69" id="Page_69"></SPAN></span>
not begun. But suddenly in the silence fell notes of
music. They seemed to come from the house, a
voice singing softly but with great beauty and
clearness.</p>
<p>Dickson halted in his steps. The tune, whatever
it was, was like a fresh wind to blow aside his depression.
The house no longer looked sepulchral.
He saw that the two men had hurried back from
their patrol, had met and exchanged some message,
and made off again as if alarmed by the music.
Then he noticed his companion....</p>
<p>Heritage was on one knee with his face rapt and
listening. He got to his feet and appeared to be
about to make for the House. Dickson caught him
by the arm and dragged him into the bushes, and
he followed unresistingly, like a man in a dream.
They ploughed through the thicket, recrossed the
grass avenue, and scrambled down the hillside to
the banks of the stream.</p>
<p>Then for the first time Dickson observed that his
companion's face was very white, and that sweat
stood on his temples. Heritage lay down and
lapped up water like a dog. Then he turned a wild
eye on the other.</p>
<p>"I am going back," he said. "That is the voice
of the girl I saw in Rome, and it is singing her
song!"<span class="pagenum"><SPAN name="Page_70" id="Page_70"></SPAN></span></p>
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