<h2><SPAN name="CHAPTER_II" id="CHAPTER_II"></SPAN>CHAPTER II</h2>
<p class="center">OF MR. JOHN HERITAGE AND THE DIFFERENCE IN
POINTS OF VIEW</p>
<p>Dickson McCunn was never to forget the
first stage in that pilgrimage. A little after
midday he descended from a grimy third-class carriage
at a little station whose name I have forgotten.
In the village near-by he purchased some
new-baked buns and ginger biscuits, to which he was
partial, and followed by the shouts of urchins, who
admired his pack—"Look at the auld man gaun to
the schule"—he emerged into open country. The
late April noon gleamed like a frosty morning, but
the air, though tonic, was kind. The road ran over
sweeps of moorland where curlews wailed, and into
lowland pastures dotted with very white, very vocal
lambs. The young grass had the warm fragrance
of new milk. As he went he munched his buns, for
he had resolved to have no plethoric midday meal,
and presently he found the burnside nook of his
fancy, and halted to smoke. On a patch of turf
close to a grey stone bridge he had out his Walton
and read the chapter on "The Chavender or Chub."
The collocation of words delighted him and inspired
him to verse. "Lavender or Lub"—"Pavender
or Pub"—"Gravender or Grub"—but the monosyllables
proved too vulgar for poetry. Regretfully
he desisted.<span class="pagenum"><SPAN name="Page_29" id="Page_29"></SPAN></span></p>
<p>The rest of the road was as idyllic as the start.
He would tramp steadily for a mile or so and then
saunter, leaning over bridges to watch the trout in
the pools, admiring from a dry-stone dyke the unsteady
gambols of new-born lambs, kicking up dust
from strips of moor-burn on the heather. Once by
a fir-wood he was privileged to surprise three lunatic
hares waltzing. His cheeks glowed with the sun;
he moved in an atmosphere of pastoral, serene and
contented. When the shadows began to lengthen
he arrived at the village of Cloncae, where he proposed
to lie. The inn looked dirty, but he found
a decent widow, above whose door ran the legend
in home-made lettering, "Mrs. brockie tea and
Coffee," and who was willing to give him quarters.
There he supped handsomely off ham and eggs, and
dipped into a work called <i>Covenanting Worthies</i>,
which garnished a table decorated with sea-shells.
At half-past nine precisely he retired to bed and
unhesitating sleep.</p>
<p>Next morning he awoke to a changed world.
The sky was grey and so low that his outlook was
bounded by a cabbage garden, while a surly wind
prophesied rain. It was chilly, too, and he had his
breakfast beside the kitchen fire. Mrs. Brockie
could not spare a capital letter for her surname on
the signboard, but she exalted it in her talk. He
heard of a multitude of Brockies, ascendant, descendant
and collateral, who seemed to be in a fair
way to inherit the earth. Dickson listened sympathetically,
and lingered by the fire. He felt stiff from
yesterday's exercise, and the edge was off his spirit.<span class="pagenum"><SPAN name="Page_30" id="Page_30"></SPAN></span></p>
<p>The start was not quite what he had pictured.
His pack seemed heavier, his boots tighter, and his
pipe drew badly. The first miles were all uphill,
with a wind tingling his ears, and no colours in the
landscape but brown and grey. Suddenly he awoke
to the fact that he was dismal, and thrust the notion
behind him. He expanded his chest and drew in
long draughts of air. He told himself that this
sharp weather was better than sunshine. He remembered
that all travellers in romances battled
with mist and rain. Presently his body recovered
comfort and vigour, and his mind worked itself
into cheerfulness.</p>
<p>He overtook a party of tramps and fell into talk
with them. He had always had a fancy for the
class, though he had never known anything nearer it
than city beggars. He pictured them as philosophic
vagabonds, full of quaint turns of speech, unconscious
Borrovians. With these samples his disillusionment
was speedy. The party was made up
of a ferret-faced man with a red nose, a draggle-tailed
woman, and a child in a crazy perambulator.
Their conversation was one-sided, for it immediately
resolved itself into a whining chronicle of misfortunes
and petitions for relief. It cost him half
a crown to be rid of them.</p>
<p>The road was alive with tramps that day. The
next one did the accosting. Hailing Mr. McCunn
as "Guv'nor," he asked to be told the way to Manchester.
The objective seemed so enterprising that
Dickson was impelled to ask questions, and heard,
in what appeared to be in the accents of the<span class="pagenum"><SPAN name="Page_31" id="Page_31"></SPAN></span>
Colonies, the tale of a career of unvarying calamity.
There was nothing merry or philosophic about this
adventurer. Nay, there was something menacing.
He eyed his companion's waterproof covetously, and
declared that he had had one like it which had been
stolen from him the day before. Had the place
been lonely he might have contemplated highway
robbery, but they were at the entrance to a village,
and the sight of a public-house awoke his thirst.
Dickson parted with him at the cost of sixpence for
a drink.</p>
<p>He had no more company that morning except an
aged stone-breaker whom he convoyed for half a
mile. The stone-breaker also was soured with the
world. He walked with a limp, which, he said, was
due to an accident years before, when he had been
run into by "ane o' thae damned velocipeeds." The
word revived in Dickson memories of his youth,
and he was prepared to be friendly. But the ancient
would have none of it. He inquired morosely
what he was after, and, on being told, remarked
that he might have learned more sense. "It's a
daft-like thing for an auld man like you to be
traivellin' the roads. Ye maun be ill-off for a job."
Questioned as to himself he became, as the newspapers
say, "reticent," and having reached his bing
of stones, turned rudely to his duties. "Awa' hame
wi' ye," were his parting words. "It's idle
scoondrels like you that maks wark for honest
folk like me."</p>
<p>The morning was not a success, but the strong
air had given Dickson such an appetite that he re<span class="pagenum"><SPAN name="Page_32" id="Page_32"></SPAN></span>solved
to break his rule, and, on reaching the little
town of Kilchrist, he sought luncheon at the chief
hotel. There he found that which revived his
spirits. A solitary bagman shared the meal, who
revealed the fact that he was in the grocery line.
There followed a well-informed and most technical
conversation. He was drawn to speak of the
United Supply Stores, Limited, of their prospects
and of their predecessor, Mr. McCunn, whom he
knew well by repute but had never met. "Yon's
the clever one," he observed. "I've always said
there's no longer head in the city of Glasgow than
McCunn. An old-fashioned firm, but it has aye
managed to keep up with the times. He's just retired,
they tell me, and in my opinion it's a big
loss to the provision trade...." Dickson's heart
glowed within him. Here was Romance; to be
praised incognito; to enter a casual inn and find
that fame had preceded him. He warmed to the
bagman, insisted on giving him a liqueur and a
cigar, and finally revealed himself. "I'm Dickson
McCunn," he said, "taking a bit holiday. If there's
anything I can do for you when I get back, just let
me know." With mutual esteem they parted.</p>
<p>He had need of all his good spirits, for he
emerged into an unrelenting drizzle. The environs
of Kilchrist are at the best unlovely, and in the wet
they were as melancholy as a graveyard. But the
encounter with the bagman had worked wonders
with Dickson, and he strode lustily into the weather,
his waterproof collar buttoned round his chin. The
road climbed to a bare moor, where lagoons had<span class="pagenum"><SPAN name="Page_33" id="Page_33"></SPAN></span>
formed in the ruts, and the mist showed on each
side only a yard or two of soaking heather. Soon
he was wet; presently every part of him, boots,
body and pack, was one vast sponge. The waterproof
was not water-proof, and the rain penetrated
to his most intimate garments. Little he cared.
He felt lighter, younger, than on the idyllic previous
day. He enjoyed the buffets of the storm, and one
wet mile succeeded another to the accompaniment of
Dickson's shouts and laughter. There was no one
abroad that afternoon, so he could talk aloud to
himself and repeat his favourite poems. About
five in the evening there presented himself at the
Black Bull Inn at Kirkmichael a soaked, disreputable,
but most cheerful traveller.</p>
<p>Now the Black Bull at Kirkmichael is one of the
few very good inns left in the world. It is an old
place and an hospitable, for it has been for generations
a haunt of anglers, who above all other men
understand comfort. There are always bright fires
there, and hot water, and old soft leather armchairs,
and an aroma of good food and good
tobacco, and giant trout in glass cases, and pictures
of Captain Barclay of Urie walking to London, and
Mr. Ramsay of Barnton winning a horse-race, and
the three-volume edition of the Waverley Novels
with many volumes missing, and indeed all those
things which an inn should have. Also there used
to be—there may still be—sound vintage claret in
the cellars. The Black Bull expects its guests to
arrive in every stage of dishevelment, and Dickson
was received by a cordial landlord, who offered dry<span class="pagenum"><SPAN name="Page_34" id="Page_34"></SPAN></span>
garments as a matter of course. The pack proved
to have resisted the elements, and a suit of clothes
and slippers were provided by the house. Dickson,
after a glass of toddy, wallowed in a hot bath,
which washed all the stiffness out of him. He had
a fire in his bedroom, beside which he wrote the
opening passages of that diary he had vowed to
keep, descanting lyrically upon the joys of ill
weather. At seven o'clock, warm and satisfied in
soul, and with his body clad in raiment several sizes
too large for it, he descended to dinner.</p>
<p>At one end of the long table in the dining-room
sat a group of anglers. They looked jovial fellows,
and Dickson would fain have joined them; but, having
been fishing all day in the Loch o' the Threshes,
they were talking their own talk, and he feared that
his admiration for Izaak Walton did not qualify
him to butt into the erudite discussions of fishermen.
The landlord seemed to think likewise, for he drew
back a chair for him at the other end, where sat a
young man absorbed in a book. Dickson gave him
good evening and got an abstracted reply. The
young man supped the Black Bull's excellent broth
with one hand, and with the other turned the pages
of his volume. A glance convinced Dickson that
the work was French, a literature which did not
interest him. He knew little of the tongue and
suspected it of impropriety.</p>
<p>Another guest entered and took the chair opposite
the bookish young man. He was also young—not
more than thirty-three—and to Dickson's eye,
was the kind of person he would have liked to re<span class="pagenum"><SPAN name="Page_35" id="Page_35"></SPAN></span>semble.
He was tall and free from any superfluous
flesh; his face was lean, fine-drawn and deeply sunburnt
so that the hair above showed oddly pale; the
hands were brown and beautifully shaped, but the
forearm revealed by the loose cuffs of his shirt was
as brawny as a blacksmith's. He had rather pale
blue eyes, which seemed to have looked much at the
sun, and a small moustache the colour of ripe hay.
His voice was low and pleasant, and he pronounced
his words precisely, like a foreigner.</p>
<p>He was very ready to talk, but in defiance of Dr.
Johnson's warning, his talk was all questions. He
wanted to know everything about the neighbourhood—who
lived in what houses, what were the distances
between the towns, what harbours would
admit what class of vessel. Smiling agreeably, he
put Dickson through a catechism to which he knew
none of the answers. The landlord was called in,
and proved more helpful. But on one matter he
was fairly at a loss. The catechist asked about a
house called Darkwater, and was met with a shake
of the head. "I know no sic-like name in this countryside,
sir," and the catechist looked disappointed.</p>
<p>The literary young man said nothing, but ate
trout abstractedly, one eye on his book. The fish
had been caught by the anglers in the Loch o' the
Threshes, and phrases describing their capture
floated from the other end of the table. The young
man had a second helping, and then refused the
excellent hill mutton that followed, contenting himself
with cheese. Not so Dickson and the catechist.
They ate everything that was set before them, top<span class="pagenum"><SPAN name="Page_36" id="Page_36"></SPAN></span>ping
up with a glass of port. Then the latter, who
had been talking illuminatingly about Spain, rose,
bowed and left the table, leaving Dickson, who liked
to linger over his meals, to the society of the
ichthyophagous student.</p>
<p>He nodded towards the book. "Interesting?"
he asked.</p>
<p>The young man shook his head and displayed the
name on the cover. "Anatole France. I used to
be crazy about him, but now he seems rather a back
number." Then he glanced towards the just-vacated
chair. "Australian," he said.</p>
<p>"How d'you know?"</p>
<p>"Can't mistake them. There's nothing else so
lean and fine produced on the globe to-day. I was
next door to them at Poziļæ½res and saw them fight.
Lord! Such men! Now and then you had a freak,
but most looked like Phœbus Apollo."</p>
<p>Dickson gazed with a new respect at his neighbour,
for he had not associated him with battle-fields.
During the war he had been a fervent
patriot, but, though he had never heard a shot himself,
so many of his friends' sons and nephews, not
to mention cousins of his own, had seen service,
that he had come to regard the experience as commonplace.
Lions in Africa and bandits in Mexico
seemed to him novel and romantic things, but not
trenches and airplanes which were the whole world's
property. But he could scarcely fit his neighbour
into even his haziest picture of war. The young
man was tall and a little round-shouldered; he had
short-sighted, rather prominent brown eyes, untidy<span class="pagenum"><SPAN name="Page_37" id="Page_37"></SPAN></span>
black hair and dark eyebrows which came near to
meeting. He wore a knickerbocker suit of bluish-grey
tweed, a pale blue shirt, a pale blue collar and
a dark blue tie—a symphony of colour which seemed
too elaborately considered to be quite natural.
Dickson had set him down as an artist or a newspaper
correspondent, objects to him of lively interest.
But now the classification must be reconsidered.</p>
<p>"So you were in the war," he said encouragingly.</p>
<p>"Four blasted years," was the savage reply.
"And I never want to hear the name of the beastly
thing again."</p>
<p>"You said he was an Australian," said Dickson,
casting back. "But I thought Australians had a
queer accent, like the English."</p>
<p>"They've all kind of accents, but you can never
mistake their voice. It's got the sun in it. Canadians
have got grinding ice in theirs, and Virginians
have got butter. So have the Irish. In Britain
there are no voices, only speaking tubes. It isn't
safe to judge men by their accent only. You yourself
I take to be Scotch, but for all I know you may
be a senator from Chicago or a Boer General."</p>
<p>"I'm from Glasgow. My name's Dickson McCunn."
He had a faint hope that the announcement
might affect the other as it had affected the bagman
at Kilchrist.</p>
<p>"Golly, what a name!" exclaimed the young man
rudely.</p>
<p>Dickson was nettled. "It's very old Highland,"
he said. "It means the son of a dog."<span class="pagenum"><SPAN name="Page_38" id="Page_38"></SPAN></span></p>
<p>"Which—Christian name or surname?" Then
the young man appeared to think he had gone too
far, for he smiled pleasantly. "And a very good
name too. Mine is prosaic by comparison. They
call me John Heritage."</p>
<p>"That," said Dickson, mollified, "is like a name
out of a book. With that name by rights you
should be a poet."</p>
<p>Gloom settled on the young man's countenance.
"It's a dashed sight too poetic. It's like Edwin
Arnold and Alfred Austin and Dante Gabriel Rossetti.
Great poets have vulgar monosyllables for
names, like Keats. The new Shakespeare when he
comes along will probably be called Grubb or
Jubber, if he isn't Jones. With a name like
yours I might have a chance. <i>You</i> should be the
poet."</p>
<p>"I'm very fond of reading," said Dickson modestly.</p>
<p>A slow smile crumpled Mr. Heritage's face.
"There's a fire in the smoking-room," he observed
as he rose. "We'd better bag the armchairs before
these fishing louts take them." Dickson followed
obediently. This was the kind of chance acquaintance
for whom he had hoped, and he was prepared
to make the most of him.</p>
<p>The fire burned bright in the little dusky smoking-room,
lighted by one oil-lamp. Mr. Heritage flung
himself into a chair, stretched his long legs and lit
a pipe.</p>
<p>"You like reading?" he asked. "What sort?
Any use for poetry?"<span class="pagenum"><SPAN name="Page_39" id="Page_39"></SPAN></span></p>
<p>"Plenty," said Dickson. "I've aye been fond of
learning it up and repeating it to myself when I had
nothing to do. In church and waiting on trains,
like. It used to be Tennyson, but now it's more
Browning. I can say a lot of Browning."</p>
<p>The other screwed his face into an expression of
disgust. "I know the stuff. 'Damask cheeks and
dewy sister eyelids.' Or else the Ercles vein—'God's
in His Heaven, all's right with the world.'
No good, Mr. McCunn. All back numbers.
Poetry's not a thing of pretty round phrases or
noisy invocations. It's life itself, with the tang of
the raw world in it—not a sweetmeat for middle-class
women in parlours."</p>
<p>"Are you a poet, Mr. Heritage?"</p>
<p>"No, Dogson, I'm a paper-maker."</p>
<p>This was a new view to Mr. McCunn. "I just
once knew a paper-maker," he observed reflectively.
"They called him Tosh. He drank a bit."</p>
<p>"Well, I don't drink," said the other. "I'm a
paper-maker, but that's for my bread and butter.
Some day for my own sake I may be a poet."</p>
<p>"Have you published anything?"</p>
<p>The eager admiration in Dickson's tone gratified
Mr. Heritage. He drew from his pocket a slim
book. "My firstfruits," he said, rather shyly.</p>
<p>Dickson received it with reverence. It was a
small volume in grey paper boards with a white
label on the back, and it was lettered: "<i>Whorls—John
Heritage's Book</i>." He turned the pages and
read a little. "It's a nice wee book," he observed
at length.<span class="pagenum"><SPAN name="Page_40" id="Page_40"></SPAN></span></p>
<p>"Good God, if you call it nice, I must have failed
pretty badly," was the irritated answer.</p>
<p>Dickson read more deeply and was puzzled. It
seemed worse than the worst of Browning to
understand. He found one poem about a garden
entitled "Revue." "Crimson and resonant clangs
the dawn," said the poet. Then he went on to
describe noonday:</p>
<div class="poem"><div class="stanza">
<span class="i0q">"Sunflowers, tall Grenadiers, ogle the roses' short-skirted ballet.<br/></span>
<span class="i0">The fumes of dark sweet wine hidden in frail petals<br/></span>
<span class="i0">Madden the drunkard bees."<br/></span></div>
</div>
<p>This seemed to him an odd way to look at things,
and he boggled over a phrase about an "epicene
lily." Then came evening: "The painted gauze of
the stars flutters in a fold of twilight crape," sang
Mr. Heritage; and again, "The moon's pale leprosy
sloughs the fields."</p>
<p>Dickson turned to other verses which apparently
enshrined the writer's memory of the trenches.
They were largely compounded of oaths, and rather
horrible, lingering lovingly over sights and smells
which every one is aware of, but most people contrive
to forget. He did not like them. Finally he
skimmed a poem about a lady who turned into a
bird. The evolution was described with intimate
anatomical details which scared the honest
reader.</p>
<p>He kept his eyes on the book for he did not know
what to say. The trick seemed to be to describe<span class="pagenum"><SPAN name="Page_41" id="Page_41"></SPAN></span>
nature in metaphors mostly drawn from music-halls
and haberdashers' shops, and, when at a loss,
to fall to cursing. He thought it frankly very bad,
and he laboured to find words which would combine
politeness and honesty.</p>
<p>"Well?" said the poet.</p>
<p>"There's a lot of fine things here, but—but the
lines don't just seem to scan very well."</p>
<p>Mr. Heritage laughed. "Now I can place you
exactly. You like the meek rhyme and the conventional
epithet. Well, I don't. The world has
passed beyond that prettiness. You want the moon
described as a Huntress or a gold disc or a flower—I
say it's oftener like a beer barrel or a cheese.
You want a wealth of jolly words and real things
ruled out as unfit for poetry. I say there's nothing
unfit for poetry. Nothing, Dogson! Poetry's
everywhere, and the real thing is commoner among
drabs and pot-houses and rubbish heaps than in your
Sunday parlours. The poet's business is to distil it
out of rottenness, and show that it is all one spirit,
the thing that keeps the stars in their place.... I
wanted to call my book '<i>Drains</i>,' for drains are
sheer poetry, carrying off the excess and discards
of human life to make the fields green and the corn
ripen. But the publishers kicked. So I called it
'<i>Whorls</i>,' to express my view of the exquisite involution
of all things. Poetry is the fourth dimension
of the soul.... Well, let's hear about your
taste in prose."</p>
<p>Mr. McCunn was much bewildered, and a little
inclined to be cross. He disliked being called<span class="pagenum"><SPAN name="Page_42" id="Page_42"></SPAN></span>
Dogson, which seemed to him an abuse of his
etymological confidences. But his habit of politeness
held.</p>
<p>He explained rather haltingly his preferences in
prose.</p>
<p>Mr. Heritage listened with wrinkled brows.</p>
<p>"You're even deeper in the mud than I thought,"
he remarked. "You live in a world of painted laths
and shadows. All this passion for the picturesque!
Trash, my dear man, like a schoolgirl's novelette
heroes. You make up romances about gipsies and
sailors and the blackguards they call pioneers, but
you know nothing about them. If you did, you
would find they had none of the gilt and gloss you
imagine. But the great things they have got in
common with all humanity you ignore. It's like—it's
like sentimentalising about a pancake because it
looked like a buttercup, and all the while not knowing
that it was good to eat."</p>
<p>At that moment the Australian entered the room
to get a light for his pipe. He wore a motor-cyclist's
overalls and appeared to be about to take
the road. He bade them good night and it seemed
to Dickson that his face, seen in the glow of the
fire, was drawn and anxious, unlike that of the
agreeable companion at dinner.</p>
<p>"There," said Mr. Heritage, nodding after the
departing figure. "I dare say you have been telling
yourself stories about that chap—life in the bush,
stock-riding and the rest of it. But probably he's a
bank-clerk from Melbourne.... Your romanticism
is one vast self-delusion and it blinds your eye<span class="pagenum"><SPAN name="Page_43" id="Page_43"></SPAN></span>
to the real thing. We have got to clear it out and
with it all the damnable humbug of the Kelt."</p>
<p>Mr. McCunn, who spelt the word with a soft
"C," was puzzled. "I thought a kelt was a kind
of a no-weel fish," he interposed.</p>
<p>But the other, in the flood-tide of his argument,
ignored the interruption. "That's the value of the
war," he went on. "It has burst up all the old conventions,
and we've got to finish the destruction before
we can build. It is the same with literature
and religion and society and politics. At them with
the axe, say I. I have no use for priests and
pedants. I've no use for upper classes and middle
classes. There's only one class that matters, the
plain man, the workers, who live close to life."</p>
<p>"The place for you," said Dickson dryly, "is in
Russia among the Bolsheviks."</p>
<p>Mr. Heritage approved. "They are doing a
great work in their own fashion. We needn't imitate
all their methods—they're a trifle crude and
have too many Jews among them—but they've got
hold of the right end of the stick. They seek truth
and reality."</p>
<p>Mr. McCunn was slowly being roused.</p>
<p>"What brings you wandering hereaways?" he
asked.</p>
<p>"Exercise," was the answer. "I've been kept
pretty closely tied up all winter. And I want leisure
and quiet to think over things."</p>
<p>"Well, there's one subject you might turn your
attention to. You'll have been educated like a
gentleman?"<span class="pagenum"><SPAN name="Page_44" id="Page_44"></SPAN></span></p>
<p>"Nine wasted years—five at Harrow, four at
Cambridge."</p>
<p>"See here, then. You're daft about the working-class
and have no use for any other. But what in
the name of goodness do you know about working-men?...
I come out of them myself, and have
lived next door to them all my days. Take them
one way and another, they're a decent sort, good
and bad like the rest of us. But there's a wheen
daft folk that would set them up as models—close
to truth and reality, says you. It's sheer ignorance,
for you're about as well acquaint with the working-man
as with King Solomon. You say I make up
fine stories about tinklers and sailor-men because I
know nothing about them. That's maybe true.
But you're at the same job yourself. You ideelise
the working-man, you and your kind, because you're
ignorant. You say that he's seeking for truth, when
he's only looking for a drink and a rise in wages.
You tell me he's near reality, but I tell you that his
notion of reality is often just a short working day
and looking on at a footba'-match on Saturday....
And when you run down what you call the
middle-classes that do three-quarters of the world's
work and keep the machine going and the working
man in a job, then I tell you you're talking havers.
Havers!"</p>
<p>Mr. McCunn, having delivered his defence of the
bourgeoisie, rose abruptly and went to bed. He
felt jarred and irritated. His innocent little private
domain had been badly trampled by this stray bull
of a poet. But as he lay in bed, before blowing out<span class="pagenum"><SPAN name="Page_45" id="Page_45"></SPAN></span>
his candle, he had recourse to Walton, and found
a passage on which, as on a pillow, he went peacefully
to sleep:</p>
<blockquote><p>"As I left this place, and entered into the next
field, a second pleasure entertained me; 'twas a
handsome milkmaid, that had not yet attained so
much age and wisdom as to load her mind with any
fears of many things that will never be, as too many
men too often do; but she cast away all care, and
sang like a nightingale; her voice was good, and the
ditty fitted for it; it was the smooth song that was
made by <i>Kit Marlow</i> now at least fifty years ago.
And the milkmaid's mother sung an answer to it,
which was made by <i>Sir Walter Raleigh</i> in his
younger days. They were old-fashioned poetry, but
choicely good; I think much better than the strong
lines that are now in fashion in this critical age."<span class="pagenum"><SPAN name="Page_46" id="Page_46"></SPAN></span></p>
</blockquote>
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