<p><SPAN name="link2HCH0014" id="link2HCH0014"></SPAN></p>
<h2> CHAPTER V. ENTER SCARAMOUCHE </h2>
<p>Dressed in the close-fitting suit of a bygone age, all black, from flat
velvet cap to rosetted shoes, his face whitened and a slight up-curled
moustache glued to his upper lip, a small-sword at his side and a guitar
slung behind him, Scaramouche surveyed himself in a mirror, and was
disposed to be sardonic—which was the proper mood for the part.</p>
<p>He reflected that his life, which until lately had been of a stagnant,
contemplative quality, had suddenly become excessively active. In the
course of one week he had been lawyer, mob-orator, outlaw, property-man,
and finally buffoon. Last Wednesday he had been engaged in moving an
audience of Rennes to anger; on this Wednesday he was to move an audience
of Guichen to mirth. Then he had been concerned to draw tears; to-day it
was his business to provoke laughter. There was a difference, and yet
there was a parallel. Then as now he had been a comedian; and the part
that he had played then was, when you came to think of it, akin to the
part he was to play this evening. For what had he been at Rennes but a
sort of Scaramouche—the little skirmisher, the astute intriguer,
spattering the seed of trouble with a sly hand? The only difference lay in
the fact that to-day he went forth under the name that properly described
his type, whereas last week he had been disguised as a respectable young
provincial attorney.</p>
<p>He bowed to his reflection in the mirror.</p>
<p>"Buffoon!" he apostrophized it. "At last you have found yourself. At last
you have come into your heritage. You should be a great success."</p>
<p>Hearing his new name called out by M. Binet, he went below to find the
company assembled, and waiting in the entrance corridor of the inn.</p>
<p>He was, of course, an object of great interest to all the company. Most
critically was he conned by M. Binet and mademoiselle; by the former with
gravely searching eyes, by the latter with a curl of scornful lip.</p>
<p>"You'll do," M. Binet commended his make-up. "At least you look the part."</p>
<p>"Unfortunately men are not always what they look," said Climene, acidly.</p>
<p>"That is a truth that does not at present apply to me," said Andre-Louis.
"For it is the first time in my life that I look what I am."</p>
<p>Mademoiselle curled her lip a little further, and turned her shoulder to
him. But the others thought him very witty—probably because he was
obscure. Columbine encouraged him with a friendly smile that displayed her
large white teeth, and M. Binet swore yet once again that he would be a
great success, since he threw himself with such spirit into the
undertaking. Then in a voice that for the moment he appeared to have
borrowed from the roaring captain, M. Binet marshalled them for the short
parade across to the market-hall.</p>
<p>The new Scaramouche fell into place beside Rhodomont. The old one,
hobbling on a crutch, had departed an hour ago to take the place of
doorkeeper, vacated of necessity by Andre-Louis. So that the exchange
between those two was a complete one.</p>
<p>Headed by Polichinelle banging his great drum and Pierrot blowing his
trumpet, they set out, and were duly passed in review by the ragamuffins
drawn up in files to enjoy so much of the spectacle as was to be obtained
for nothing.</p>
<p>Ten minutes later the three knocks sounded, and the curtains were drawn
aside to reveal a battered set that was partly garden, partly forest, in
which Climene feverishly looked for the coming of Leandre. In the wings
stood the beautiful, melancholy lover, awaiting his cue, and immediately
behind him the unfledged Scaramouche, who was anon to follow him.</p>
<p>Andre-Louis was assailed with nausea in that dread moment. He attempted to
take a lightning mental review of the first act of this scenario of which
he was himself the author-in-chief; but found his mind a complete blank.
With the perspiration starting from his skin, he stepped back to the wall,
where above a dim lantern was pasted a sheet bearing the brief outline of
the piece. He was still studying it, when his arm was clutched, and he was
pulled violently towards the wings. He had a glimpse of Pantaloon's
grotesque face, its eyes blazing, and he caught a raucous growl:</p>
<p>"Climene has spoken your cue three times already."</p>
<p>Before he realized it, he had been bundled on to the stage, and stood
there foolishly, blinking in the glare of the footlights, with their tin
reflectors. So utterly foolish and bewildered did he look that volley upon
volley of laughter welcomed him from the audience, which this evening
packed the hall from end to end. Trembling a little, his bewilderment at
first increasing, he stood there to receive that rolling tribute to his
absurdity. Climene was eyeing him with expectant mockery, savouring in
advance his humiliation; Leandre regarded him in consternation, whilst
behind the scenes, M. Binet was dancing in fury.</p>
<p>"Name of a name," he groaned to the rather scared members of the company
assembled there, "what will happen when they discover that he isn't
acting?"</p>
<p>But they never did discover it. Scaramouche's bewildered paralysis lasted
but a few seconds. He realized that he was being laughed at, and
remembered that his Scaramouche was a creature to be laughed with, and not
at. He must save the situation; twist it to his own advantage as best he
could. And now his real bewilderment and terror was succeeded by acted
bewilderment and terror far more marked, but not quite so funny. He
contrived to make it clearly appear that his terror was of some one off
the stage. He took cover behind a painted shrub, and thence, the laughter
at last beginning to subside, he addressed himself to Climene and Leandre.</p>
<p>"Forgive me, beautiful lady, if the abrupt manner of my entrance startled
you. The truth is that I have never been the same since that last affair
of mine with Almaviva. My heart is not what it used to be. Down there at
the end of the lane I came face to face with an elderly gentleman carrying
a heavy cudgel, and the horrible thought entered my mind that it might be
your father, and that our little stratagem to get you safely married might
already have been betrayed to him. I think it was the cudgel put such
notion in my head. Not that I am afraid. I am not really afraid of
anything. But I could not help reflecting that, if it should really have
been your father, and he had broken my head with his cudgel, your hopes
would have perished with me. For without me, what should you have done, my
poor children?"</p>
<p>A ripple of laughter from the audience had been steadily enheartening him,
and helping him to recover his natural impudence. It was clear they found
him comical. They were to find him far more comical than ever he had
intended, and this was largely due to a fortuitous circumstance upon which
he had insufficiently reckoned. The fear of recognition by some one from
Gavrillac or Rennes had been strong upon him. His face was sufficiently
made up to baffle recognition; but there remained his voice. To dissemble
this he had availed himself of the fact that Figaro was a Spaniard. He had
known a Spaniard at Louis le Grand who spoke a fluent but most
extraordinary French, with a grotesque excess of sibilant sounds. It was
an accent that he had often imitated, as youths will imitate
characteristics that excite their mirth. Opportunely he had bethought him
of that Spanish student, and it was upon his speech that to-night he
modelled his own. The audience of Guichen found it as laughable on his
lips as he and his fellows had found it formerly on the lips of that
derided Spaniard.</p>
<p>Meanwhile, behind the scenes, Binet—listening to that glib impromptu
of which the scenario gave no indication—had recovered from his
fears.</p>
<p>"Dieu de Dieu!" he whispered, grinning. "Did he do it, then, on purpose?"</p>
<p>It seemed to him impossible that a man who had been so terror-stricken as
he had fancied Andre-Louis, could have recovered his wits so quickly and
completely. Yet the doubt remained.</p>
<p>To resolve it after the curtain had fallen upon a first act that had gone
with a verve unrivalled until this hour in the annals of the company,
borne almost entirely upon the slim shoulders of the new Scaramouche, M.
Binet bluntly questioned him.</p>
<p>They were standing in the space that did duty as green-room, the company
all assembled there, showering congratulations upon their new recruit.
Scaramouche, a little exalted at the moment by his success, however
trivial he might consider it to-morrow, took then a full revenge upon
Climene for the malicious satisfaction with which she had regarded his
momentary blank terror.</p>
<p>"I do not wonder that you ask," said he. "Faith, I should have warned you
that I intended to do my best from the start to put the audience in a good
humour with me. Mademoiselle very nearly ruined everything by refusing to
reflect any of my terror. She was not even startled. Another time,
mademoiselle, I shall give you full warning of my every intention."</p>
<p>She crimsoned under her grease-paint. But before she could find an answer
of sufficient venom, her father was rating her soundly for her stupidity—the
more soundly because himself he had been deceived by Scaramouche's supreme
acting.</p>
<p>Scaramouche's success in the first act was more than confirmed as the
performance proceeded. Completely master of himself by now, and stimulated
as only success can stimulate, he warmed to his work. Impudent, alert,
sly, graceful, he incarnated the very ideal of Scaramouche, and he helped
out his own native wit by many a remembered line from Beaumarchais,
thereby persuading the better informed among the audience that here indeed
was something of the real Figaro, and bringing them, as it were, into
touch with the great world of the capital.</p>
<p>When at last the curtain fell for the last time, it was Scaramouche who
shared with Climene the honours of the evening, his name that was coupled
with hers in the calls that summoned them before the curtains.</p>
<p>As they stepped back, and the curtains screened them again from the
departing audience, M. Binet approached them, rubbing his fat hands softly
together. This runagate young lawyer, whom chance had blown into his
company, had evidently been sent by Fate to make his fortune for him. The
sudden success at Guichen, hitherto unrivalled, should be repeated and
augmented elsewhere. There would be no more sleeping under hedges and
tightening of belts. Adversity was behind him. He placed a hand upon
Scaramouche's shoulder, and surveyed him with a smile whose oiliness not
even his red paint and colossal false nose could dissemble.</p>
<p>"And what have you to say to me now?" he asked him. "Was I wrong when I
assured you that you would succeed? Do you think I have followed my
fortunes in the theatre for a lifetime without knowing a born actor when I
see one? You are my discovery, Scaramouche. I have discovered you to
yourself. I have set your feet upon the road to fame and fortune. I await
your thanks."</p>
<p>Scaramouche laughed at him, and his laugh was not altogether pleasant.</p>
<p>"Always Pantaloon!" said he.</p>
<p>The great countenance became overcast. "I see that you do not yet forgive
me the little stratagem by which I forced you to do justice to yourself.
Ungrateful dog! As if I could have had any purpose but to make you; and I
have done so. Continue as you have begun, and you will end in Paris. You
may yet tread the stage of the Comedie Francaise, the rival of Talma,
Fleury, and Dugazon. When that happens to you perhaps you will feel the
gratitude that is due to old Binet, for you will owe it all to this
soft-hearted old fool."</p>
<p>"If you were as good an actor on the stage as you are in private," said
Scaramouche, "you would yourself have won to the Comedie Francaise long
since. But I bear no rancour, M. Binet." He laughed, and put out his hand.</p>
<p>Binet fell upon it and wrung it heartily.</p>
<p>"That, at least, is something," he declared. "My boy, I have great plans
for you—for us. To-morrow we go to Maure; there is a fair there to
the end of this week. Then on Monday we take our chances at Pipriac, and
after that we must consider. It may be that I am about to realize the
dream of my life. There must have been upwards of fifteen louis taken
to-night. Where the devil is that rascal Cordemais?"</p>
<p>Cordemais was the name of the original Scaramouche, who had so
unfortunately twisted his ankle. That Binet should refer to him by his
secular designation was a sign that in the Binet company at least he had
fallen for ever from the lofty eminence of Scaramouche.</p>
<p>"Let us go and find him, and then we'll away to the inn and crack a bottle
of the best Burgundy, perhaps two bottles."</p>
<p>But Cordemais was not readily to be found. None of the company had seen
him since the close of the performance. M. Binet went round to the
entrance. Cordemais was not there. At first he was annoyed; then as he
continued in vain to bawl the fellow's name, he began to grow uneasy;
lastly, when Polichinelle, who was with them, discovered Cordemais' crutch
standing discarded behind the door, M. Binet became alarmed. A dreadful
suspicion entered his mind. He grew visibly pale under his paint.</p>
<p>"But this evening he couldn't walk without the crutch!" he exclaimed. "How
then does he come to leave it there and take himself off?"</p>
<p>"Perhaps he has gone on to the inn," suggested some one.</p>
<p>"But he couldn't walk without his crutch," M. Binet insisted.</p>
<p>Nevertheless, since clearly he was not anywhere about the market-hall, to
the inn they all trooped, and deafened the landlady with their inquiries.</p>
<p>"Oh, yes, M. Cordemais came in some time ago."</p>
<p>"Where is he now?"</p>
<p>"He went away again at once. He just came for his bag."</p>
<p>"For his bag!" Binet was on the point of an apoplexy. "How long ago was
that?"</p>
<p>She glanced at the timepiece on the overmantel. "It would be about half an
hour ago. It was a few minutes before the Rennes diligence passed
through."</p>
<p>"The Rennes diligence!" M. Binet was almost inarticulate. "Could he...
could he walk?" he asked, on a note of terrible anxiety.</p>
<p>"Walk? He ran like a hare when he left the inn. I thought, myself, that
his agility was suspicious, seeing how lame he had been since he fell
downstairs yesterday. Is anything wrong?"</p>
<p>M. Binet had collapsed into a chair. He took his head in his hands, and
groaned.</p>
<p>"The scoundrel was shamming all the time!" exclaimed Climene. "His fall
downstairs was a trick. He was playing for this. He has swindled us."</p>
<p>"Fifteen louis at least—perhaps sixteen!" said M. Binet. "Oh, the
heartless blackguard! To swindle me who have been as a father to him—and
to swindle me in such a moment."</p>
<p>From the ranks of the silent, awe-stricken company, each member of which
was wondering by how much of the loss his own meagre pay would be mulcted,
there came a splutter of laughter.</p>
<p>M. Binet glared with blood-injected eyes.</p>
<p>"Who laughs?" he roared. "What heartless wretch has the audacity to laugh
at my misfortune?"</p>
<p>Andre-Louis, still in the sable glories of Scaramouche, stood forward. He
was laughing still.</p>
<p>"It is you, is it? You may laugh on another note, my friend, if I choose a
way to recoup myself that I know of."</p>
<p>"Dullard!" Scaramouche scorned him. "Rabbit-brained elephant! What if
Cordemais has gone with fifteen louis? Hasn't he left you something worth
twenty times as much?"</p>
<p>M. Binet gaped uncomprehending.</p>
<p>"You are between two wines, I think. You've been drinking," he concluded.</p>
<p>"So I have—at the fountain of Thalia. Oh, don't you see? Don't you
see the treasure that Cordemais has left behind him?"</p>
<p>"What has he left?"</p>
<p>"A unique idea for the groundwork of a scenario. It unfolds itself all
before me. I'll borrow part of the title from Moliere. We'll call it 'Les
Fourberies de Scaramouche,' and if we don't leave the audiences of Maure
and Pipriac with sides aching from laughter I'll play the dullard
Pantaloon in future."</p>
<p>Polichinelle smacked fist into palm. "Superb!" he said, fiercely. "To cull
fortune from misfortune, to turn loss into profit, that is to have
genius."</p>
<p>Scaramouche made a leg. "Polichinelle, you are a fellow after my own
heart. I love a man who can discern my merit. If Pantaloon had half your
wit, we should have Burgundy to-night in spite of the flight of
Cordemais."</p>
<p>"Burgundy?" roared M. Binet, and before he could get farther Harlequin had
clapped his hands together.</p>
<p>"That is the spirit, M. Binet. You heard him, landlady. He called for
Burgundy."</p>
<p>"I called for nothing of the kind."</p>
<p>"But you heard him, dear madame. We all heard him."</p>
<p>The others made chorus, whilst Scaramouche smiled at him, and patted his
shoulder.</p>
<p>"Up, man, a little courage. Did you not say that fortune awaits us? And
have we not now the wherewithal to constrain fortune? Burgundy, then,
to... to toast 'Les Fourberies de Scaramouche.'"</p>
<p>And M. Binet, who was not blind to the force of the idea, yielded, took
courage, and got drunk with the rest.</p>
<div style="break-after:column;"></div><br />