<h3>ACT I</h3>
<p class="scene">SCENE: <i>Sitting-room of the Mortons' farmhouse
in the Middle West—on the rolling prairie just back from the
Mississippi. A room that has been long and comfortably lived in,
and showing that first-hand contact with materials which was
pioneer life. The hospitable table was made on the place—well
and strongly made; there are braided rugs, and the wooden chairs
have patchwork cushions. There is a corner closet—left rear.
A picture of Abraham Lincoln. On the floor a home-made toy boat. At
rise of curtain there are on the stage an old woman and a young
man.</i> GRANDMOTHER MORTON <i>is in her rocking-chair near the
open door, facing left. On both sides of door are windows, looking
out on a generous land. She has a sewing basket and is patching a
boy's pants. She is very old. Her hands tremble. Her spirit
remembers the days of her strength.</i></p>
<p>SMITH <i>has just come in and, hat in hand, is standing by the
table. This was lived in the year 1879, afternoon of Fourth of
July.</i></p>
<p>SMITH: But the celebration was over two hours ago.</p>
<p>GRANDMOTHER: Oh, celebration, that's just the beginning of it.
Might as well set down. When them boys that fought together all get
in one square—they have to swap stories all over again.
That's the worst of a war—you have to go on hearing about it
so long. Here it is—1879—and we haven't taken
Gettysburg yet. Well, it was the same way with the war of 1832.</p>
<p>SMITH: (<i>who is now seated at the table</i>) The war of
1832?</p>
<p>GRANDMOTHER: News to you that we had a war with the Indians?</p>
<p>SMITH: That's right—the Blackhawk war. I've heard of
it.</p>
<p>GRANDMOTHER: Heard of it!</p>
<p>SMITH: Were your men in that war?</p>
<p>GRANDMOTHER: I was in that war. I threw an Indian in the cellar
and stood on the door. I was heavier then.</p>
<p>SMITH: Those were stirring times.</p>
<p>GRANDMOTHER: More stirring than you'll ever see. This
war—Lincoln's war—it's all a cut and dried business
now. We used to fight with anything we could lay hands
on—dish water—whatever was handy.</p>
<p>SMITH: I guess you believe the saying that the only good Indian
is a dead Indian.</p>
<p>GRANDMOTHER: I dunno. We roiled them up considerable. They was
mostly friendly when let be. Didn't want to give up their
land—but I've noticed something of the same nature in white
folks.</p>
<p>SMITH: Your son has—something of that nature, hasn't
he?</p>
<p>GRANDMOTHER: He's not keen to sell. Why should he? It'll never
be worth less.</p>
<p>SMITH: But since he has more land than any man can use, and if
he gets his price—</p>
<p>GRANDMOTHER: That what you've come to talk to him about?</p>
<p>SMITH: I—yes.</p>
<p>GRANDMOTHER: Well, you're not the first. Many a man older than
you has come to argue it.</p>
<p>SMITH: (<i>smiling</i>) They thought they'd try a young one.</p>
<p>GRANDMOTHER: Some one that knew him thought that up. Silas'd
help a young one if he could. What is it you're set on buying?</p>
<p>SMITH: Oh, I don't know that we're set on buying anything. If we
could have the hill (<i>looking off to the right</i>) at a fair
price—</p>
<p>GRANDMOTHER: The hill above the town? Silas'd rather sell me and
the cat.</p>
<p>SMITH: But what's he going to do with it?</p>
<p>GRANDMOTHER: Maybe he's going to climb it once a week.</p>
<p>SMITH: But if the development of the town demands its
use—</p>
<p>GRANDMOTHER: (<i>smiling</i>) You the development of the
town?</p>
<p>SMITH: I represent it. This town has been growing so
fast—</p>
<p>GRANDMOTHER: This town began to grow the day I got here.</p>
<p>SMITH: You—you began it?</p>
<p>GRANDMOTHER: My husband and I began it—and our baby
Silas.</p>
<p>SMITH: When was that?</p>
<p>GRANDMOTHER: 1820, that was.</p>
<p>SMITH: And—you mean you were here all alone?</p>
<p>GRANDMOTHER: No, we weren't alone. We had the Owens ten miles
down the river.</p>
<p>SMITH: But how did you get here?</p>
<p>GRANDMOTHER: Got here in a wagon, how do you s'pose?
(<i>gaily</i>) Think we flew?</p>
<p>SMITH: But wasn't it unsafe?</p>
<p>GRANDMOTHER: Them set on safety stayed back in Ohio.</p>
<p>SMITH: But one family! I should think the Indians would have
wiped you out.</p>
<p>GRANDMOTHER: The way they wiped us out was to bring fish and
corn. We'd have starved to death that first winter hadn't been for
the Indians.</p>
<p>SMITH: But they were such good neighbours—why did you
throw dish water at them?</p>
<p>GRANDMOTHER: That was after other white folks had roiled them
up—white folks that didn't know how to treat 'em. This very
land—land you want to buy—was the land they
loved—Blackhawk and his Indians. They came here for their
games. This was where their fathers—as they called
'em—were buried. I've seen my husband and Blackhawk climb
that hill together. (<i>a backward point right</i>) He used to love
that hill—Blackhawk. He talked how the red man and the white
man could live together. But poor old Blackhawk—what he
didn't know was how many white man there was. After the
war—when he was beaten but not conquered in his
heart—they took him east—Washington, Philadelphia, New
York—and when he saw the white man's cities—it was a
different Indian came back. He just let his heart break without
ever turning a hand.</p>
<p>SMITH: But we paid them for their lands. (<i>she looks at
him</i>) Paid them something.</p>
<p>GRANDMOTHER: Something. For fifteen million acres of this
Mississippi Valley land—best on this globe, we paid two
thousand two hundred and thirty-four dollars and fifty cents, and
promised to deliver annually goods to the value of one thousand
dollars. Not a fancy price—even for them days, (<i>children's
voices are heard outside. She leans forward and looks through the
door, left</i>) Ira! Let that cat be!</p>
<p>SMITH: (<i>looking from the window</i>) These, I suppose, are
your grandchildren?</p>
<p>GRANDMOTHER: The boy's my grandson. The little girl is Madeline
Fejevary—Mr Fejevary's youngest child.</p>
<p>SMITH: The Fejevary place adjoins on this side? (<i>pointing
right, down</i>)</p>
<p>GRANDMOTHER: Yes. We've been neighbours ever since the Fejevarys
came here from Hungary after 1848. He was a count at home—and
he's a man of learning. But he was a refugee because he fought for
freedom in his country. Nothing Silas could do for him was too
good. Silas sets great store by learning—and freedom.</p>
<p>SMITH: (<i>thinking of his own project, looking off toward the
hill—the hill is not seen from the front</i>) I suppose then
Mr Fejevary has great influence with your son?</p>
<p>GRANDMOTHER: More 'an anybody. Silas thinks 'twas a great thing
for our family to have a family like theirs next place to.
Well—so 'twas, for we've had no time for the things their
family was brought up on. Old Mrs Fejevary (<i>with her shrewd
smile</i>)—she weren't stuck up—but she did have an
awful ladylike way of feeding the chickens. Silas thinks—oh,
my son has all kinds of notions—though a harder worker never
found his bed at night.</p>
<p>SMITH: And Mr Fejevary—is he a veteran too?</p>
<p>GRANDMOTHER: (<i>dryly</i>) You don't seem to know these parts
well—for one that's all stirred up about the development of
the town. Yes—Felix Fejevary and Silas Morton went off
together, down that road (<i>motioning with her hand,
right</i>)—when them of their age was wanted. Fejevary came
back with one arm less than he went with. Silas brought home
everything he took—and something he didn't. Rheumatiz. So now
they set more store by each other 'an ever. Seems nothing draws men
together like killing other men. (<i>a boy's voice teasingly
imitating a cat</i>) Madeline, make Ira let that cat be. (<i>a
whoop from the girl—a boy's whoop</i>) (<i>looking</i>) There
they go, off for the creek. If they set in it—(<i>seems about
to call after them, gives this up</i>) Well, they're not the
first.</p>
<p class="dir">(<i>rather dreams over this</i>)</p>
<p>SMITH: You must feel as if you pretty near owned this
country.</p>
<p>GRANDMOTHER: We worked. A country don't make itself. When the
sun was up we were up, and when the sun went down we didn't. (<i>as
if this renews the self of those days</i>) Here—let me set
out something for you to eat. (<i>gets up with difficulty</i>)</p>
<p>SMITH: Oh, no, please—never mind. I had something in town
before I came out.</p>
<p>GRANDMOTHER: Dunno as that's any reason you shouldn't have
something here.</p>
<p class="dir">(<i>She goes off, right; he stands at the door,
looking toward the hill until she returns with a glass of milk, a
plate of cookies.</i>)</p>
<p>SMITH: Well, this looks good.</p>
<p>GRANDMOTHER: I've fed a lot of folks—take it by and large.
I didn't care how many I had to feed in the daytime—what's
ten or fifteen more when you're up and around. But to get
up—after sixteen hours on your feet—<i>I</i> was
willin', but my bones complained some.</p>
<p>SMITH: But did you—keep a tavern?</p>
<p>GRANDMOTHER: Keep a tavern? I guess we did. Every house is a
tavern when houses are sparse. You think the way to settle a
country is to go on ahead and build hotels? That's all you folks
know. Why, I never went to bed without leaving something on the
stove for the new ones that might be coming. And we never went away
from home without seein' there was a-plenty for them that might
stop.</p>
<p>SMITH: They'd come right in and take your food?</p>
<p>GRANDMOTHER: What else could they do? There was a woman I always
wanted to know. She made a kind of bread I never had
before—and left a-plenty for our supper when we got back with
the ducks and berries. And she left the kitchen handier than it had
ever been. I often wondered about her—where she came from,
and where she went, (<i>as she dreams over this there is laughing
and talking at the side of the house</i>) There come the boys.</p>
<p class="dir">(MR FEJEVARY <i>comes in, followed by</i> SILAS
MORTON. <i>They are men not far from sixty, wearing their army
uniforms, carrying the muskets they used in the parade</i>.
FEJEVARY <i>has a lean, distinguished face, his dark eyes are
penetrating and rather wistful. The left sleeve of his old uniform
is empty</i>. SILAS MORTON <i>is a strong man who has borne the
burden of the land, and not for himself alone—the pioneer.
Seeing the stranger, he sets his musket against the wall and holds
out his hand to him, as</i> MR FEJEVARY <i>goes up to</i>
GRANDMOTHER MORTON.)</p>
<p>SILAS: How do, stranger?</p>
<p>FEJEVARY: And how are you today, Mrs Morton?</p>
<p>GRANDMOTHER: I'm not abed—and don't expect to be.</p>
<p>SILAS: (<i>letting go of the balloons he has bought</i>) Where's
Ira? and Madeline?</p>
<p>GRANDMOTHER: Mr Fejevary's Delia brought them home with her.
They've gone down to dam the creek, I guess. This young man's been
waiting to see you, Silas.</p>
<p>SMITH: Yes, I wanted to have a little talk with you.</p>
<p>SILAS: Well, why not? (<i>he is tying the gay balloons to his
gun, then as he talks, hangs his hat in the corner closet</i>)
We've been having a little talk ourselves. Mother, Nat Rice was
there. I've not seen Nat Rice since the day we had to leave him on
the road with his torn leg—him cursing like a pirate. I
wanted to bring him home, but he had to go back to Chicago. His
wife's dead, mother.</p>
<p>GRANDMOTHER: Well, I guess she's not sorry.</p>
<p>SILAS: Why, mother.</p>
<p>GRANDMOTHER: 'Why, mother.' Nat Rice is a mean, stingy,
complaining man—his leg notwithstanding. Where'd you leave
the folks?</p>
<p>SILAS: Oh—scattered around. Everybody visitin' with
anybody that'll visit with them. Wish you could have gone.</p>
<p>GRANDMOTHER: I've heard it all. (<i>to</i> FEJEVARY) Your folks
well?</p>
<p>FEJEVARY: All well, Mrs Morton. And my boy Felix is home. He'll
stop in here to see you by and by.</p>
<p>SILAS: Oh, he's a fine-looking boy, mother. And think of what he
knows! (<i>cordially including the young man</i>) Mr Fejevary's son
has been to Harvard College.</p>
<p>SMITH: Well, well—quite a trip. Well, Mr Morton, I hope
this is not a bad time for me to—present a little matter to
you?</p>
<p>SILAS: (<i>genially</i>) That depends, of course, on what you're
going to present. (<i>attracted by a sound outside</i>) Mind if I
present a little matter to your horse? Like to uncheck him so's he
can geta a bit o'grass.</p>
<p>SMITH: Why—yes. I suppose he would like that.</p>
<p>SILAS: (<i>going out</i>) You bet he'd like it. Wouldn't you,
old boy?</p>
<p>SMITH: Your son is fond of animals.</p>
<p>GRANDMOTHER: Lots of people's fond of 'em—and good to 'em.
Silas—I dunno, it's as if he was that animal.</p>
<p>FEJEVARY: He has imagination.</p>
<p>GRANDMOTHER: (<i>with surprise</i>) Think so?</p>
<p>SILAS: (<i>returning and sitting down at the table by the young
man</i>) Now, what's in your mind, my boy?</p>
<p>SMITH: This town is growing very fast, Mr Morton.</p>
<p>SILAS: Yes. (<i>slyly—with humour</i>) I know that.</p>
<p>SMITH: I presume you, as one of the early settlers—as in
fact a son of the earliest settler, feel a certain responsibility
about the welfare of—</p>
<p>SILAS: I haven't got in mind to do the town a bit of harm.
So—what's your point?</p>
<p>SMITH: More people—more homes. And homes must be in the
healthiest places—the—the most beautiful places. Isn't
it true, Mr Fejevary, that it means a great deal to people to have
a beautiful outlook from their homes? A—well, an expanse.</p>
<p>SILAS: What is it they want to buy—these fellows that are
figuring on making something out of—expanse? (<i>a gesture
for expanse, then a reassuring gesture</i>) It's all right,
but—just what is it?</p>
<p>SMITH: I am prepared to make you an offer—a gilt-edged
offer for that (<i>pointing toward it</i>) hill above the town.</p>
<p>SILAS: (<i>shaking his head—with the smile of the strong
man who is a dreamer</i>) The hill is not for sale.</p>
<p>SMITH: But wouldn't you consider a—particularly good
offer, Mr Morton?</p>
<p class="dir">(SILAS, <i>who has turned so he can look out at the
hill, slowly shakes his head</i>.)</p>
<p>SMITH: Do you feel you have the right—the moral right to
hold it?</p>
<p>SILAS: It's not for myself I'm holding it.</p>
<p>SMITH: Oh,—for the children?</p>
<p>SILAS: Yes, the children.</p>
<p>SMITH: But—if you'll excuse me—there are other
investments might do the children even more good.</p>
<p>SILAS: This seems to me—the best investment.</p>
<p>SMITH: But after all there are other people's children to
consider.</p>
<p>SILAS: Yes, I know. That's it.</p>
<p>SMITH: I wonder if I understand you, Mr Morton?</p>
<p>SILAS: (<i>kindly</i>) I don't believe you do. I don't see how
you could. And I can't explain myself just now. So—the hill
is not for sale. I'm not making anybody homeless. There's land
enough for all—all sides round. But the hill—</p>
<p>SMITH: (<i>rising</i>) Is yours.</p>
<p>SILAS: You'll see.</p>
<p>SMITH: I am prepared to offer you—</p>
<p>SILAS: You're not prepared to offer me anything I'd consider
alongside what I am considering. So—I wish you good luck in
your business undertakings.</p>
<p>SMITH: Sorry—you won't let us try to help the town.</p>
<p>SILAS: Don't sit up nights worrying about my chokin' the
town.</p>
<p>SMITH: We could make you a rich man, Mr Morton. Do you think
what you have in mind will make you so much richer?</p>
<p>SILAS: Much richer.</p>
<p>SMITH: Well, good-bye. Good day, sir. Good day, ma'am.</p>
<p>SILAS: (<i>following him to the door</i>) Nice horse you've
got.</p>
<p>SMITH: Yes, seems all right.</p>
<p class="dir">(SILAS <i>stands in the doorway and looks off at the
hill</i>.)</p>
<p>GRANDMOTHER: What are you going to do with the hill, Silas?</p>
<p>SILAS: After I get a little glass of wine—to celebrate
Felix and me being here instead of farther south—I'd like to
tell you what I want for the hill. (<i>to</i> FEJEVARY <i>rather
bashfully</i>) I've been wanting to tell you.</p>
<p>FEJEVARY: I want to know.</p>
<p>SILAS: (<i>getting the wine from the closet</i>) Just a little
something to show our gratitude with.</p>
<p class="dir">(<i>Goes off right for glasses</i>.)</p>
<p>GRANDMOTHER: I dunno. Maybe it'd be better to sell the
hill—while they're anxious.</p>
<p>FEJEVARY: He seems to have another plan for it.</p>
<p>GRANDMOTHER: Yes. Well, I hope the other plan does bring him
something. Silas has worked—all the days of his life.</p>
<p>FEJEVARY: I know.</p>
<p>GRANDMOTHER: You don't know the hull of it. But I know.
(<i>rather to herself</i>) Know too well to think about it.</p>
<p>GRANDMOTHER: (<i>as</i> SILAS <i>returns</i>) I'll get more
cookies.</p>
<p>SILAS: I'll get them, mother.</p>
<p>GRANDMOTHER: Get 'em myself. Pity if a woman can't get out her
own cookies.</p>
<p>SILAS: (<i>seeing how hard it is for her</i>) I wish mother
would let us do things for her.</p>
<p>FEJEVARY: That strength is a flame frailness can't put out. It's
a great thing for us to have her,—this touch with the life
behind us.</p>
<p>SILAS: Yes. And it's a great thing for us to have you—who
can see those things and say them. What a lot I'd 'a' missed if I
hadn't had what you've seen.</p>
<p>FEJEVARY: Oh, you only think that because you've got to be
generous.</p>
<p>SILAS: I'm not generous. <i>I'm</i> seeing something now.
Something about you. I've been thinking of it a good deal
lately—it's got something to do with—with the hill.
I've been thinkin' what it's meant all these years to have a family
like yours next place to. They did something pretty nice for the
corn belt when they drove you out of Hungary. Funny—how
things don't end the way they begin. I mean, what begins don't end.
It's another thing ends. Set out to do something for your own
country—and maybe you don't quite do the thing you set out to
do—</p>
<p>FEJEVARY: No.</p>
<p>SILAS: But do something for a country a long way off.</p>
<p>FEJEVARY: I'm afraid I've not done much for any country.</p>
<p>SILAS: (<i>brusquely</i>) Where's your left arm—may I be
so bold as to inquire? Though your left arm's nothing
alongside—what can't be measured.</p>
<p>FEJEVARY: When I think of what I dreamed as a young man—it
seems to me my life has failed.</p>
<p>SILAS: (<i>raising his glass</i>) Well, if your life's
failed—I like failure.</p>
<p class="dir">(GRANDMOTHER MORTON <i>returns with her
cookies</i>.)</p>
<p>GRANDMOTHER: There's two kinds—Mr Fejevary. These have
seeds in 'em.</p>
<p>FEJEVARY: Thank you. I'll try a seed cookie first.</p>
<p>SILAS: Mother, you'll have a glass of wine?</p>
<p>GRANDMOTHER: I don't need wine.</p>
<p>SILAS: Well, I don't know as we need it.</p>
<p>GRANDMOTHER: No, I don't know as you do. But I didn't go to
war.</p>
<p>FEJEVARY: Then have a little wine to celebrate that.</p>
<p>GRANDMOTHER: Well, just a mite to warm me up. Not that it's
cold. (FEJEVARY <i>brings it to her, and the cookies</i>) The
Indians used to like cookies. I was talking to that young
whippersnapper about the Indians. One time I saw an Indian watching
me from a bush, (<i>points</i>) Right out there. I was never afraid
of Indians when you could see the whole of 'em—but when you
could see nothin' but their bright eyes—movin' through
leaves—I declare they made me nervous. After he'd been there
an hour I couldn't seem to put my mind on my work. So I thought,
Red or White, a man's a man—I'll take him some cookies.</p>
<p>FEJEVARY: It succeeded?</p>
<p>GRANDMOTHER: So well that those leaves had eyes next day. But he
brought me a fish to trade. He was a nice boy.</p>
<p>SILAS: Probably we killed him.</p>
<p>GRANDMOTHER: I dunno. Maybe he killed us. Will Owens' family was
massacred just after this. Like as not my cookie Indian helped out
there. Something kind of uncertain about the Indians.</p>
<p>SILAS: I guess they found something kind of uncertain about
us.</p>
<p>GRANDMOTHER: Six o' one and half a dozen of another. Usually
is.</p>
<p>SILAS: (<i>to</i> FEJEVARY) I wonder if I'm wrong. You see, I
never went to school—</p>
<p>GRANDMOTHER: I don't know why you say that, Silas. There was two
winters you went to school.</p>
<p>SILAS: Yes, mother, and I'm glad I did, for I learned to read
there, and liked the geography globe. It made the earth so nice to
think about. And one day the teacher told us all about the stars,
and I had that to think of when I was driving at night. The other
boys didn't believe it was so. But I knew it was so! But I mean
school—the way Mr Fejevary went to school. He went to
universities. In his own countries—in other countries. All
the things men have found out, the wisest and finest things men
have thought since first they began to think—all that was put
before them.</p>
<p>FEJEVARY: (<i>with a gentle smile</i>) I fear I left a good deal
of it untouched.</p>
<p>SILAS: You took a plenty. Tell in your eyes you've thought lots
about what's been thought. And that's what I was setting out to
say. It makes something of men—learning. A house that's full
of books makes a different kind of people. Oh, of course, if the
books aren't there just to show off.</p>
<p>GRANDMOTHER: Like in Mary Baldwin's new house.</p>
<p>SILAS: (<i>trying hard to see it</i>) It's not the learning
itself—it's the life that grows up from learning. Learning's
like soil. Like—like fertilizer. Get richer. See more. Feel
more. You believe that?</p>
<p>FEJEVARY: Culture should do it.</p>
<p>SILAS: Does in your house. You somehow know how it is for the
other fellow more'n we do.</p>
<p>GRANDMOTHER: Well, Silas Morton, when you've your wood to chop
an' your water to carry, when you kill your own cattle and hogs,
tend your own horses and hens, make your butter, soap, and cook for
whoever the Lord sends—there's none too many hours of the day
left to be polite in.</p>
<p>SILAS: You're right, mother. It had to be that way. But now that
we buy our soap—we don't want to say what soap-making made
us.</p>
<p>GRANDMOTHER: We're honest.</p>
<p>SILAS: Yes. In a way. But there's another kind o' honesty, seems
to me, goes with that more seein' kind of kindness. Our honesty
with the Indians was little to brag on.</p>
<p>GRANDMOTHER: You fret more about the Indians than anybody else
does.</p>
<p>SILAS: To look out at that hill sometimes makes me ashamed.</p>
<p>GRANDMOTHER: Land sakes, you didn't do it. It was the
government. And what a government does is nothing for a person to
be ashamed of.</p>
<p>SILAS: I don't know about that. Why is <i>he</i> here? Why is
Felix Fejevary not rich and grand in Hungary to-day? 'Cause he was
ashamed of what his government was.</p>
<p>GRANDMOTHER: Well, that was a foreign government.</p>
<p>SILAS: A seeing how 'tis for the other person—<i>a
bein'</i> that other person, kind of honesty. Joke of it, 'twould
do something for <i>you</i>. 'Twould 'a' done something for us to
have <i>been</i> Indians a little more. My father used to talk
about Blackhawk—they was friends. I saw Blackhawk
once—when I was a boy. (<i>to</i> FEJEVARY) Guess I told you.
You know what he looked like? He looked like the great of the
earth. Noble. Noble like the forests—and the
Mississippi—and the stars. His face was long and thin and you
could see the bones, and the bones were beautiful. Looked like
something that's never been caught. He was something many nights in
his canoe had made him. Sometimes I feel that the land itself has
got a mind that the land would rather have had the Indians.</p>
<p>GRANDMOTHER: Well, don't let folks hear you say it. They'd think
you was plum crazy.</p>
<p>SILAS: I s'pose they would, (<i>turning to</i> FEJEVARY) But
after you've walked a long time over the earth—and you all
alone, didn't you ever feel something coming up from it that's like
thought?</p>
<p>FEJEVARY: I'm afraid I never did. But—I wish I had.</p>
<p>SILAS: I love land—this land. I suppose that's why I never
have the feeling that I own it.</p>
<p>GRANDMOTHER: If you don't own it—I want to know! What do
you think we come here for—your father and me? What do you
think we left our folks for—left the world of white
folks—schools and stores and doctors, and set out in a
covered wagon for we didn't know what? We lost a horse. Lost our
way—weeks longer than we thought 'twould be. You were born in
that covered wagon. You know that. But what you don't know is what
<i>that's</i> like—without your own roof—or
fire—without—</p>
<p class="dir">(<i>She turns her face away.</i>)</p>
<p>SILAS: No. No, mother, of course not. Now—now isn't this
too bad? I don't say things right. It's because I never went to
school.</p>
<p>GRANDMOTHER: (<i>her face shielded</i>) You went to school two
winters.</p>
<p>SILAS: Yes. Yes, mother. So I did. And I'm glad I did.</p>
<p>GRANDMOTHER: (<i>with the determination of one who will not have
her own pain looked at</i>) Mrs Fejevary's pansy bed doing well
this summer?</p>
<p>FEJEVARY: It's beautiful this summer. She was so pleased with
the new purple kind you gave her. I do wish you could get over to
see them.</p>
<p>GRANDMOTHER: Yes. Well, I've seen lots of pansies. Suppose it
was pretty fine-sounding speeches they had in town?</p>
<p>FEJEVARY: Too fine-sounding to seem much like the war.</p>
<p>SILAS: I'd like to go to a war celebration where they never
mentioned war. There'd be a way to celebrate victory, (<i>hearing a
step, looking out</i>) Mother, here's Felix.</p>
<p class="dir">(FELIX, <i>a well-dressed young man, comes
in</i>.)</p>
<p>GRANDMOTHER: How do, Felix?</p>
<p>FELIX: And how do you do, Grandmother Morton?</p>
<p>GRANDMOTHER: Well, I'm still here.</p>
<p>FELIX: Of course you are. It wouldn't be coming home if you
weren't.</p>
<p>GRANDMOTHER: I've got some cookies for you, Felix. I set 'em
out, so you wouldn't have to steal them. John and Felix was hard on
the cookie jar.</p>
<p>FELIX: Where is John?</p>
<p>SILAS: (<i>who is pouring a glass of wine for</i> FELIX) You've
not seen John yet? He was in town for the exercises. I bet those
young devils ran off to the race-track. I heard whisperin' goin'
round. But everybody'll be home some time. Mary and the
girls—don't ask me where they are. They'll drive old Bess all
over the country before they drive her to the bam. Your father and
I come on home 'cause I wanted to have a talk with him.</p>
<p>FELIX: Getting into the old uniforms makes you want to talk it
all over again?</p>
<p>SILAS: The war? Well, we did do that. But all that makes me want
to talk about what's to come, about—what 'twas all for. Great
things are to come, Felix. And before you are through.</p>
<p>FELIX: I've been thinking about them myself—walking around
the town to-day. It's grown so much this year, and in a way that
means more growing—that big glucose plant going up down the
river, the new lumber mill—all that means many more
people.</p>
<p>FEJEVARY: And they've even bought ground for a steel works.</p>
<p>SILAS: Yes, a city will rise from these cornfields—a big
rich place—that's bound to be. It's written in the lay o' the
land and the way the river flows. But first tell us about Harvard
College, Felix. Ain't it a fine thing for us all to have Felix
coming home from that wonderful place!</p>
<p>FELIX: You make it seem wonderful.</p>
<p>SILAS: Ah, you know it's wonderful—know it so well you
don't have to say it. It's something you've got. But to me it's
wonderful the way the stars are wonderful—this place where
all that the world has learned is to be drawn from me—like a
spring.</p>
<p>FELIX: You almost say what Matthew Arnold says—a
distinguished new English writer who speaks of: 'The best that has
been thought and said in the world'.</p>
<p>SILAS: 'The best that has been thought and said in the world!'
(<i>slowly rising, and as if the dream of years is bringing him to
his feet</i>) That's what that hill is for! (<i>pointing</i>) Don't
you see it? End of our trail, we climb a hill and plant a college.
Plant a college, so's after we are gone that college says for us,
says in people learning has made more: 'That is why we took this
land.'</p>
<p>GRANDMOTHER: (<i>incredulous</i>) You mean, Silas, you're going
to <i>give the hill away</i>?</p>
<p>SILAS: The hill at the end of our trail—how could we keep
that?</p>
<p>GRANDMOTHER: Well, I want to know why not! Hill or
level—land's land and not a thing you give away.</p>
<p>SILAS: Well, don't scold <i>me</i>. I'm not giving it away. It's
giving itself away, get down to it.</p>
<p>GRANDMOTHER: Don't talk to me as if I was feeble-minded.</p>
<p>SILAS: I'm talking with all the mind I've got. If there's not
mind in what I say, it's because I've got no mind. But I have got a
mind, (<i>to</i> FEJEVARY, <i>humorously</i>) Haven't I? You ought
to know. Seeing as you gave it to me.</p>
<p>FEJEVARY: Ah, no—I didn't give it to you.</p>
<p>SILAS: Well, you made me know 'twas there. You said things that
woke things in me and I thought about them as I ploughed. And that
made me know there had to be a college there—wake things in
minds—so ploughing's more than ploughing. What do you say,
Felix?</p>
<p>FELIX: It—it's a big idea, Uncle Silas. I love the way you
put it. It's only that I'm wondering—</p>
<p>SILAS: Wondering how it can ever be a Harvard College? Well, it
can't. And it needn't be (<i>stubbornly</i>) It's a college in the
cornfields—where the Indian maize once grew. And it's for the
boys of the cornfields—and the girls. There's few can go to
Harvard College—but more can climb that hill, (<i>turn of the
head from the hill to</i> FELIX) Harvard on a hill? (<i>As</i>
FELIX <i>smiles no</i>, SILAS <i>turns back to the hill</i>) A
college should be on a hill. They can see it then from far around.
See it as they go out to the barn in the morning; see it when
they're shutting up at night. 'Twill make a difference—even
to them that never go.</p>
<p>GRANDMOTHER: Now, Silas—don't be hasty.</p>
<p>SILAS: Hasty? It's been company to me for years. Came to me one
night—must 'a' been ten years ago—middle of a starry
night as I was comin' home from your place (<i>to</i> FEJEVARY) I'd
gone over to lend a hand with a sick horse an'—</p>
<p>FEJEVARY: (<i>with a grateful smile</i>) That was nothing
new.</p>
<p>SILAS: Well, say, I'd sit up with a sick horse that belonged to
the meanest man unhung. But—there were stars that night had
never been there before. Leastways I'd not seen 'em. And the
hill—Felix, in all your travels east, did you ever see
anything more beautiful than that hill?</p>
<p>FELIX: It's like sculpture.</p>
<p>SILAS: Hm. (<i>the wistfulness with which he speaks of that
outside his knowledge</i>) I s'pose 'tis. It's the way it
rises—somehow—as if it knew it rose from wide and
fertile lands. I climbed the hill that night, (<i>to</i> FEJEVARY)
You'd been talkin'. As we waited between medicines you told me
about your life as a young man. All you'd lived through seemed
to—open up to you that night—way things do at times.
Guess it was 'cause you thought you was goin' to lose your horse.
See, that was Colonel, the sorrel, wasn't it?</p>
<p>FEJEVARY: Yes. Good old Colonel.</p>
<p>SILAS: You'd had a long run o' off luck. Hadn't got things back
in shape since the war. But say, you didn't lose him, did you?</p>
<p>FEJEVARY: Thanks to you.</p>
<p>SILAS: Thanks to the medicine I keep in the back kitchen.</p>
<p>FEJEVARY: You encouraged him.</p>
<p>GRANDMOTHER: Silas has a way with all the beasts.</p>
<p>SILAS: We've got the same kind of minds—the beasts and
me.</p>
<p>GRANDMOTHER: Silas, I wish you wouldn't talk like that—and
with Felix just home from Harvard College.</p>
<p>SILAS: Same kind of minds—except that mine goes on a
little farther.</p>
<p>GRANDMOTHER: Well I'm glad to hear you say that.</p>
<p>SILAS: Well, there we sat—you an' me—middle of a
starry night, out beside your barn. And I guess it came over you
kind of funny you should be there with me—way off the
Mississippi, tryin' to save a sick horse. Seemed to—bring
your life to life again. You told me what you studied in that fine
old university you loved—the Vienna,—and why you became
a revolutionist. The old dreams took hold o' you and you
talked—way you used to, I suppose. The years, o' course, had
rubbed some of it off. Your face as you went on about the
vision—you called it, vision of what life could be. I knew
that night there was things I never got wind of. When I went
away—knew I ought to go home to bed—hayin' at daybreak.
'Go to bed?' I said to myself. 'Strike this dead when you've never
had it before, may never have it again?' I climbed the hill.
Blackhawk was there.</p>
<p>GRANDMOTHER: Why, he was <i>dead</i>.</p>
<p>SILAS: He was there—on his own old hill, with me and the
stars. And I said to him—</p>
<p>GRANDMOTHER: Silas!</p>
<p>SILAS: Says I to him, 'Yes—that's true; it's more yours
than mine, you had it first and loved it best. But it's neither
yours nor mine,—though both yours and mine. Not my hill, not
your hill, but—hill of vision', said I to him. 'Here shall
come visions of a better world than was ever seen by you or me, old
Indian chief.' Oh, I was drunk, plum drunk.</p>
<p>GRANDMOTHER: I should think you was. And what about the next
day's hay?</p>
<p>SILAS: A day in the hayfield is a day's hayin'—but a night
on the hill—</p>
<p>FELIX: We don't have them often, do we, Uncle Silas?</p>
<p>SILAS: I wouldn't 'a' had that one but for your father, Felix.
Thank God they drove you out o' Hungary! And it's all so dog-gone
<i>queer</i>. Ain't it queer how things blow from mind to
mind—like seeds. Lord A'mighty—you don't know where
they'll take hold.</p>
<p class="dir">(<i>Children's voices off</i>.)</p>
<p>GRANDMOTHER: There come those children up from the
creek—soppin' wet, I warrant. Well, I don't know how children
ever get raised. But we raise more of 'em than we used to. I buried
three—first ten years I was here. Needn't 'a'
happened—if we'd known what we know now, and if we hadn't
been alone. (<i>With all her strength</i>.) I don't know what you
mean—the hill's not yours!</p>
<p>SILAS: It's the future's, mother—so's we can know more
than we know now.</p>
<p>GRANDMOTHER: We know it now. 'Twas then we didn't know it. I
worked for that hill! And I tell you to leave it to your own
children.</p>
<p>SILAS: There's other land for my own children. This is for all
the children.</p>
<p>GRANDMOTHER: What's all the children to you?</p>
<p>SILAS: (<i>derisively</i>) Oh, mother—what a thing for you
to say! You who were never too tired to give up your own bed so the
stranger could have a better bed.</p>
<p>GRANDMOTHER: That was different. They was folks on their
way.</p>
<p>FEJEVARY: So are we.</p>
<p class="dir">(SILAS <i>turns to him with quick
appreciation</i>.)</p>
<p>GRANDMOTHER: That's just talk. We're settled now. Children of
other old settlers are getting rich. I should think you'd want
yours to.</p>
<p>SILAS: I want other things more. I want to pay my debts 'fore
I'm too old to know they're debts.</p>
<p>GRANDMOTHER: (<i>momentarily startled</i>) Debts? Huh! More
talk. You don't owe any man.</p>
<p>SILAS: I owe him (<i>nodding to</i> FEJEVARY). And the red boys
here before me.</p>
<p>GRANDMOTHER: Fiddlesticks.</p>
<p>FELIX: You haven't read Darwin, have you, Uncle Silas?</p>
<p>SILAS: Who?</p>
<p>FELIX: Darwin, the great new man—and his theory of the
survival of the fittest?</p>
<p>SILAS: No. No, I don't know things like that, Felix.</p>
<p>FELIX: I think he might make you feel better about the Indians.
In the struggle for existence many must go down. The fittest
survive. This—had to be.</p>
<p>SILAS: Us and the Indians? Guess I don't know what you
mean—fittest.</p>
<p>FELIX: He calls it that. Best fitted to the place in which one
finds one's self, having the qualities that can best cope with
conditions—do things. From the beginning of life it's been
like that. He shows the growth of life from forms that were hardly
alive, the lowest animal forms—jellyfish—up to man.</p>
<p>SILAS: Oh, yes, that's the thing the churches are so upset
about—that we come from monkeys.</p>
<p>FELIX: Yes. One family of ape is the direct ancestor of man.</p>
<p>GRANDMOTHER: You'd better read your Bible, Felix.</p>
<p>SILAS: Do people believe this?</p>
<p>FELIX: The whole intellectual world is at war about it. The best
scientists accept it. Teachers are losing their positions for
believing it. Of course, ministers can't believe it.</p>
<p>GRANDMOTHER: I should think not. Anyway, what's the use
believing a thing that's so discouraging?</p>
<p>FEJEVARY: (<i>gently</i>) But is it that? It almost seems to me
we have to accept it because it is so encouraging. (<i>holding out
his hand</i>) Why have we hands?</p>
<p>GRANDMOTHER: Cause God gave them to us, I s'pose.</p>
<p>FEJEVARY: But that's rather general, and there isn't much in it
to give us self-confidence. But when you think we have hands
because ages back—before life had taken form as man, there
was an impulse to do what had never been done—when you think
that we have hands today because from the first of life there have
been adventurers—those of best brain and courage who wanted
to be more than life had been, and that from aspiration has come
doing, and doing has shaped the thing with which to do—it
gives our hand a history which should make us want to use it
well.</p>
<p>SILAS: (<i>breathed from deep</i>) Well, by God! And you've
known this all this while! Dog-gone you—why didn't you tell
me?</p>
<p>FEJEVARY: I've been thinking about it. I haven't known what to
believe. This hurts—beliefs of earlier years.</p>
<p>FELIX: The things it hurts will have to go.</p>
<p>FEJEVARY: I don't know about that, Felix. Perhaps in time we'll
find truth in them.</p>
<p>FELIX: Oh, if you feel that way, father.</p>
<p>FEJEVARY: Don't be kind to me, my boy, I'm not that old.</p>
<p>SILAS: But think what it is you've said! If it's true that we
made ourselves—made ourselves out of the wanting to be
more—created ourselves you might say, by our own
courage—our—what is it?—aspiration. Why, I can't
take it in. I haven't got the mind to take it in. And what mind I
have got says no. It's too—</p>
<p>FEJEVARY: It fights with what's there.</p>
<p>SILAS: (<i>nodding</i>) But it's like I got this (<i>very
slowly</i>) other way around. From underneath. As if I'd known it
all along—but have just found out I know it! Yes. The earth
told me. The beasts told me.</p>
<p>GRANDMOTHER: Fine place to learn things from.</p>
<p>SILAS: Anyhow, haven't I seen it? (<i>to</i> FEJEVARY) In your
face haven't I seen thinking make a finer face? How long has this
taken, Felix, to—well, you might say, bring us where we are
now?</p>
<p>FELIX: Oh, we don't know how many millions of years since earth
first stirred.</p>
<p>SILAS: Then we are what we are because through all that time
there've been them that wanted to be more than life had been.</p>
<p>FELIX: That's it, Uncle Silas.</p>
<p>SILAS: But—why, then we aren't <i>finished</i> yet!</p>
<p>FEJEVARY: No. We take it on from here.</p>
<p>SILAS: (<i>slowly</i>) Then if we don't be—the most we can
be, if we don't be more than life has been, we go back on all that
life behind us; go back on—the—</p>
<p class="dir">(<i>Unable to formulate it, he looks to</i>
FEJEVARY.)</p>
<p>FEJEVARY: Go back on the dreaming and the daring of a million
years.</p>
<p class="dir">(<i>After a moment's pause</i> SILAS <i>gets up,
opens the closet door</i>.)</p>
<p>GRANDMOTHER: Silas, what you doing?</p>
<p>SILAS: (<i>who has taken out a box</i>) I'm lookin' for the deed
to the hill.</p>
<p>GRANDMOTHER: What you going to do with it?</p>
<p>SILAS: I'm going to get it out of my hands.</p>
<p>GRANDMOTHER: Get it out of your hands? (<i>he has it now</i>)
Deed your father got from the government the very year the
government got it from the Indians?</p>
<p class="dir">(<i>rising</i>) Give me that! (<i>she turns to</i>
FEJEVARY) Tell him he's crazy. We got the best land 'cause we was
first here. We got a right to keep it.</p>
<p>FEJEVARY: (<i>going soothingly to her</i>) It's true, Silas, it
is a serious thing to give away one's land.</p>
<p>SILAS: You ought to know. You did it. Are you sorry you did
it?</p>
<p>FEJEVARY: No. But wasn't that different?</p>
<p>SILAS: How was it different? Yours was a fight to make life
more, wasn't it? Well, let this be our way.</p>
<p>GRANDMOTHER: What's all that got to do with giving up the land
that should provide for our own children?</p>
<p>SILAS: Isn't it providing for them to give them a better world
to live in? Felix—you're young, I ask you, ain't it providing
for them to give them a chance to be more than we are?</p>
<p>FELIX: I think you're entirely right, Uncle Silas. But it's the
practical question that—</p>
<p>SILAS: If you're right, the practical question is just a thing
to fix up.</p>
<p>FEJEVARY: I fear you don't realize the immense amount of money
required to finance a college. The land would be a start. You would
have to interest rich men; you'd have to have a community in
sympathy with the thing you wanted to do.</p>
<p>GRANDMOTHER: Can't you see, Silas, that we're all against
you?</p>
<p>SILAS: All against me? (<i>to</i> FEJEVARY) But how can you be?
Look at the land we walked in and took! Was there ever such a
chance to make life more? Why, the buffalo here before us was more
than we if we do nothing but prosper! God damn us if we sit here
rich and fat and forget man's in the makin'. (<i>affirming against
this</i>) There will one day be a college in these cornfields by
the Mississippi because long ago a great dream was fought for in
Hungary. And I say to that old dream, Wake up, old dream! Wake up
and fight! You say rich men. (<i>holding it out, but it is not
taken</i>) I give you this deed to take to rich men to show them
one man believes enough in this to give the best land he's got.
That ought to make rich men stop and think.</p>
<p>GRANDMOTHER: Stop and think he's a fool.</p>
<p>SILAS: (<i>to</i> FEJEVARY) It's you can make them know he's not
a fool. When you tell this way you can tell it, they'll feel in you
what's more than them. They'll listen.</p>
<p>GRANDMOTHER: I tell you, Silas, folks are too busy.</p>
<p>SILAS: Too busy!' Too busy bein' nothin'? If it's true that we
created ourselves out of the thoughts that came, then thought is
not something <i>outside</i> the business of life.
Thought—(<i>with his gift for wonder</i>) why, thought's our
chance. I know now. Why I can't forget the Indians. We killed their
joy before we killed them. We made them less, (<i>to</i> FEJEVARY,
<i>and as if sure he is now making it clear</i>) I got to give it
back—their hill. I give it back to joy—a better
joy—joy o'aspiration.</p>
<p>FEJEVARY: (<i>moved but unconvinced</i>) But, my friend, there
are men who have no aspiration. That's why, to me, this is as a
light shining from too far.</p>
<p>GRANDMOTHER: (<i>old things waked in her</i>) Light shining from
far. We used to do that. We never pulled the curtain. I used to
want to—you like to be to yourself when night
conies—but we always left a lighted window for the traveller
who'd lost his way.</p>
<p>FELIX: I should think that would have exposed you to the
Indians.</p>
<p>GRANDMOTHER: Yes. (<i>impatiently</i>) Well, you can't put out a
light just because it may light the wrong person.</p>
<p>FEJEVARY: No. (<i>and this is as a light to him. He turns to the
hill</i>) No.</p>
<p>SILAS: (<i>with gentleness, and profoundly</i>) That's it. Look
again. Maybe your eyes are stronger now. Don't you see it? I see
that college rising as from the soil itself, as if it was what come
at the last of that thinking that breathes from the earth. I see
it—but I want to know it's real before I stop knowing. Then
maybe I can lie under the same sod with the red boys and not be
ashamed. We're not old! Let's fight! Wake in other men what you
woke in me!</p>
<p>FEJEVARY: And so could I pay my debt to America. (<i>His hand
goes out</i>.)</p>
<p>SILAS: (<i>giving him the deed</i>) And to the dreams of a
million years! (<i>Standing near the open door, their hands are
gripped in compact</i>.)</p>
<p class="center">(CURTAIN)</p>
<div style="break-after:column;"></div><br />