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<h2> Chapter III. The old gentleman. </h2>
<p>After the adventure of Peter's Coal-mine, it seemed well to the children
to keep away from the station—but they did not, they could not, keep
away from the railway. They had lived all their lives in a street where
cabs and omnibuses rumbled by at all hours, and the carts of butchers and
bakers and candlestick makers (I never saw a candlestick-maker's cart; did
you?) might occur at any moment. Here in the deep silence of the sleeping
country the only things that went by were the trains. They seemed to be
all that was left to link the children to the old life that had once been
theirs. Straight down the hill in front of Three Chimneys the daily
passage of their six feet began to mark a path across the crisp, short
turf. They began to know the hours when certain trains passed, and they
gave names to them. The 9.15 up was called the Green Dragon. The 10.7 down
was the Worm of Wantley. The midnight town express, whose shrieking rush
they sometimes woke from their dreams to hear, was the Fearsome
Fly-by-night. Peter got up once, in chill starshine, and, peeping at it
through his curtains, named it on the spot.</p>
<p>It was by the Green Dragon that the old gentleman travelled. He was a very
nice-looking old gentleman, and he looked as if he were nice, too, which
is not at all the same thing. He had a fresh-coloured, clean-shaven face
and white hair, and he wore rather odd-shaped collars and a top-hat that
wasn't exactly the same kind as other people's. Of course the children
didn't see all this at first. In fact the first thing they noticed about
the old gentleman was his hand.</p>
<p>It was one morning as they sat on the fence waiting for the Green Dragon,
which was three and a quarter minutes late by Peter's Waterbury watch that
he had had given him on his last birthday.</p>
<p>"The Green Dragon's going where Father is," said Phyllis; "if it were a
really real dragon, we could stop it and ask it to take our love to
Father."</p>
<p>"Dragons don't carry people's love," said Peter; "they'd be above it."</p>
<p>"Yes, they do, if you tame them thoroughly first. They fetch and carry
like pet spaniels," said Phyllis, "and feed out of your hand. I wonder why
Father never writes to us."</p>
<p>"Mother says he's been too busy," said Bobbie; "but he'll write soon, she
says."</p>
<p>"I say," Phyllis suggested, "let's all wave to the Green Dragon as it goes
by. If it's a magic dragon, it'll understand and take our loves to Father.
And if it isn't, three waves aren't much. We shall never miss them."</p>
<p>So when the Green Dragon tore shrieking out of the mouth of its dark lair,
which was the tunnel, all three children stood on the railing and waved
their pocket-handkerchiefs without stopping to think whether they were
clean handkerchiefs or the reverse. They were, as a matter of fact, very
much the reverse.</p>
<p>And out of a first-class carriage a hand waved back. A quite clean hand.
It held a newspaper. It was the old gentleman's hand.</p>
<p>After this it became the custom for waves to be exchanged between the
children and the 9.15.</p>
<p>And the children, especially the girls, liked to think that perhaps the
old gentleman knew Father, and would meet him 'in business,' wherever that
shady retreat might be, and tell him how his three children stood on a
rail far away in the green country and waved their love to him every
morning, wet or fine.</p>
<p>For they were now able to go out in all sorts of weather such as they
would never have been allowed to go out in when they lived in their villa
house. This was Aunt Emma's doing, and the children felt more and more
that they had not been quite fair to this unattractive aunt, when they
found how useful were the long gaiters and waterproof coats that they had
laughed at her for buying for them.</p>
<p>Mother, all this time, was very busy with her writing. She used to send
off a good many long blue envelopes with stories in them—and large
envelopes of different sizes and colours used to come to her. Sometimes
she would sigh when she opened them and say:—</p>
<p>"Another story come home to roost. Oh, dear, Oh, dear!" and then the
children would be very sorry.</p>
<p>But sometimes she would wave the envelope in the air and say:—"Hooray,
hooray. Here's a sensible Editor. He's taken my story and this is the
proof of it."</p>
<p>At first the children thought 'the Proof' meant the letter the sensible
Editor had written, but they presently got to know that the proof was long
slips of paper with the story printed on them.</p>
<p>Whenever an Editor was sensible there were buns for tea.</p>
<p>One day Peter was going down to the village to get buns to celebrate the
sensibleness of the Editor of the Children's Globe, when he met the
Station Master.</p>
<p>Peter felt very uncomfortable, for he had now had time to think over the
affair of the coal-mine. He did not like to say "Good morning" to the
Station Master, as you usually do to anyone you meet on a lonely road,
because he had a hot feeling, which spread even to his ears, that the
Station Master might not care to speak to a person who had stolen coals.
'Stolen' is a nasty word, but Peter felt it was the right one. So he
looked down, and said Nothing.</p>
<p>It was the Station Master who said "Good morning" as he passed by. And
Peter answered, "Good morning." Then he thought:—</p>
<p>"Perhaps he doesn't know who I am by daylight, or he wouldn't be so
polite."</p>
<p>And he did not like the feeling which thinking this gave him. And then
before he knew what he was going to do he ran after the Station Master,
who stopped when he heard Peter's hasty boots crunching the road, and
coming up with him very breathless and with his ears now quite
magenta-coloured, he said:—</p>
<p>"I don't want you to be polite to me if you don't know me when you see
me."</p>
<p>"Eh?" said the Station Master.</p>
<p>"I thought perhaps you didn't know it was me that took the coals," Peter
went on, "when you said 'Good morning.' But it was, and I'm sorry. There."</p>
<p>"Why," said the Station Master, "I wasn't thinking anything at all about
the precious coals. Let bygones be bygones. And where were you off to in
such a hurry?"</p>
<p>"I'm going to buy buns for tea," said Peter.</p>
<p>"I thought you were all so poor," said the Station Master.</p>
<p>"So we are," said Peter, confidentially, "but we always have three
pennyworth of halfpennies for tea whenever Mother sells a story or a poem
or anything."</p>
<p>"Oh," said the Station Master, "so your Mother writes stories, does she?"</p>
<p>"The beautifulest you ever read," said Peter.</p>
<p>"You ought to be very proud to have such a clever Mother."</p>
<p>"Yes," said Peter, "but she used to play with us more before she had to be
so clever."</p>
<p>"Well," said the Station Master, "I must be getting along. You give us a
look in at the Station whenever you feel so inclined. And as to coals,
it's a word that—well—oh, no, we never mention it, eh?"</p>
<p>"Thank you," said Peter. "I'm very glad it's all straightened out between
us." And he went on across the canal bridge to the village to get the
buns, feeling more comfortable in his mind than he had felt since the hand
of the Station Master had fastened on his collar that night among the
coals.</p>
<p>Next day when they had sent the threefold wave of greeting to Father by
the Green Dragon, and the old gentleman had waved back as usual, Peter
proudly led the way to the station.</p>
<p>"But ought we?" said Bobbie.</p>
<p>"After the coals, she means," Phyllis explained.</p>
<p>"I met the Station Master yesterday," said Peter, in an offhand way, and
he pretended not to hear what Phyllis had said; "he expresspecially
invited us to go down any time we liked."</p>
<p>"After the coals?" repeated Phyllis. "Stop a minute—my bootlace is
undone again."</p>
<p>"It always IS undone again," said Peter, "and the Station Master was more
of a gentleman than you'll ever be, Phil—throwing coal at a chap's
head like that."</p>
<p>Phyllis did up her bootlace and went on in silence, but her shoulders
shook, and presently a fat tear fell off her nose and splashed on the
metal of the railway line. Bobbie saw it.</p>
<p>"Why, what's the matter, darling?" she said, stopping short and putting
her arm round the heaving shoulders.</p>
<p>"He called me un-un-ungentlemanly," sobbed Phyllis. "I didn't never call
him unladylike, not even when he tied my Clorinda to the firewood bundle
and burned her at the stake for a martyr."</p>
<p>Peter had indeed perpetrated this outrage a year or two before.</p>
<p>"Well, you began, you know," said Bobbie, honestly, "about coals and all
that. Don't you think you'd better both unsay everything since the wave,
and let honour be satisfied?"</p>
<p>"I will if Peter will," said Phyllis, sniffling.</p>
<p>"All right," said Peter; "honour is satisfied. Here, use my hankie, Phil,
for goodness' sake, if you've lost yours as usual. I wonder what you do
with them."</p>
<p>"You had my last one," said Phyllis, indignantly, "to tie up the
rabbit-hutch door with. But you're very ungrateful. It's quite right what
it says in the poetry book about sharper than a serpent it is to have a
toothless child—but it means ungrateful when it says toothless. Miss
Lowe told me so."</p>
<p>"All right," said Peter, impatiently, "I'm sorry. THERE! Now will you come
on?"</p>
<p>They reached the station and spent a joyous two hours with the Porter. He
was a worthy man and seemed never tired of answering the questions that
begin with "Why—" which many people in higher ranks of life often
seem weary of.</p>
<p>He told them many things that they had not known before—as, for
instance, that the things that hook carriages together are called
couplings, and that the pipes like great serpents that hang over the
couplings are meant to stop the train with.</p>
<p>"If you could get a holt of one o' them when the train is going and pull
'em apart," said he, "she'd stop dead off with a jerk."</p>
<p>"Who's she?" said Phyllis.</p>
<p>"The train, of course," said the Porter. After that the train was never
again 'It' to the children.</p>
<p>"And you know the thing in the carriages where it says on it, 'Five
pounds' fine for improper use.' If you was to improperly use that, the
train 'ud stop."</p>
<p>"And if you used it properly?" said Roberta.</p>
<p>"It 'ud stop just the same, I suppose," said he, "but it isn't proper use
unless you're being murdered. There was an old lady once—someone
kidded her on it was a refreshment-room bell, and she used it improper,
not being in danger of her life, though hungry, and when the train stopped
and the guard came along expecting to find someone weltering in their last
moments, she says, 'Oh, please, Mister, I'll take a glass of stout and a
bath bun,' she says. And the train was seven minutes behind her time as it
was."</p>
<p>"What did the guard say to the old lady?"</p>
<p>"<i>I</i> dunno," replied the Porter, "but I lay she didn't forget it in a
hurry, whatever it was."</p>
<p>In such delightful conversation the time went by all too quickly.</p>
<p>The Station Master came out once or twice from that sacred inner temple
behind the place where the hole is that they sell you tickets through, and
was most jolly with them all.</p>
<p>"Just as if coal had never been discovered," Phyllis whispered to her
sister.</p>
<p>He gave them each an orange, and promised to take them up into the
signal-box one of these days, when he wasn't so busy.</p>
<p>Several trains went through the station, and Peter noticed for the first
time that engines have numbers on them, like cabs.</p>
<p>"Yes," said the Porter, "I knowed a young gent as used to take down the
numbers of every single one he seed; in a green note-book with silver
corners it was, owing to his father being very well-to-do in the wholesale
stationery."</p>
<p>Peter felt that he could take down numbers, too, even if he was not the
son of a wholesale stationer. As he did not happen to have a green leather
note-book with silver corners, the Porter gave him a yellow envelope and
on it he noted:—</p>
<p>379<br/>
663<br/></p>
<p>and felt that this was the beginning of what would be a most interesting
collection.</p>
<p>That night at tea he asked Mother if she had a green leather note-book
with silver corners. She had not; but when she heard what he wanted it for
she gave him a little black one.</p>
<p>"It has a few pages torn out," said she; "but it will hold quite a lot of
numbers, and when it's full I'll give you another. I'm so glad you like
the railway. Only, please, you mustn't walk on the line."</p>
<p>"Not if we face the way the train's coming?" asked Peter, after a gloomy
pause, in which glances of despair were exchanged.</p>
<p>"No—really not," said Mother.</p>
<p>Then Phyllis said, "Mother, didn't YOU ever walk on the railway lines when
you were little?"</p>
<p>Mother was an honest and honourable Mother, so she had to say, "Yes."</p>
<p>"Well, then," said Phyllis.</p>
<p>"But, darlings, you don't know how fond I am of you. What should I do if
you got hurt?"</p>
<p>"Are you fonder of us than Granny was of you when you were little?"
Phyllis asked. Bobbie made signs to her to stop, but Phyllis never did see
signs, no matter how plain they might be.</p>
<p>Mother did not answer for a minute. She got up to put more water in the
teapot.</p>
<p>"No one," she said at last, "ever loved anyone more than my mother loved
me."</p>
<p>Then she was quiet again, and Bobbie kicked Phyllis hard under the table,
because Bobbie understood a little bit the thoughts that were making
Mother so quiet—the thoughts of the time when Mother was a little
girl and was all the world to HER mother. It seems so easy and natural to
run to Mother when one is in trouble. Bobbie understood a little how
people do not leave off running to their mothers when they are in trouble
even when they are grown up, and she thought she knew a little what it
must be to be sad, and have no mother to run to any more.</p>
<p>So she kicked Phyllis, who said:—</p>
<p>"What are you kicking me like that for, Bob?"</p>
<p>And then Mother laughed a little and sighed and said:—</p>
<p>"Very well, then. Only let me be sure you do know which way the trains
come—and don't walk on the line near the tunnel or near corners."</p>
<p>"Trains keep to the left like carriages," said Peter, "so if we keep to
the right, we're bound to see them coming."</p>
<p>"Very well," said Mother, and I dare say you think that she ought not to
have said it. But she remembered about when she was a little girl herself,
and she did say it—and neither her own children nor you nor any
other children in the world could ever understand exactly what it cost her
to do it. Only some few of you, like Bobbie, may understand a very little
bit.</p>
<p>It was the very next day that Mother had to stay in bed because her head
ached so. Her hands were burning hot, and she would not eat anything, and
her throat was very sore.</p>
<p>"If I was you, Mum," said Mrs. Viney, "I should take and send for the
doctor. There's a lot of catchy complaints a-going about just now. My
sister's eldest—she took a chill and it went to her inside, two
years ago come Christmas, and she's never been the same gell since."</p>
<p>Mother wouldn't at first, but in the evening she felt so much worse that
Peter was sent to the house in the village that had three laburnum trees
by the gate, and on the gate a brass plate with W. W. Forrest, M.D., on
it.</p>
<p>W. W. Forrest, M.D., came at once. He talked to Peter on the way back. He
seemed a most charming and sensible man, interested in railways, and
rabbits, and really important things.</p>
<p>When he had seen Mother, he said it was influenza.</p>
<p>"Now, Lady Grave-airs," he said in the hall to Bobbie, "I suppose you'll
want to be head-nurse."</p>
<p>"Of course," said she.</p>
<p>"Well, then, I'll send down some medicine. Keep up a good fire. Have some
strong beef tea made ready to give her as soon as the fever goes down. She
can have grapes now, and beef essence—and soda-water and milk, and
you'd better get in a bottle of brandy. The best brandy. Cheap brandy is
worse than poison."</p>
<p>She asked him to write it all down, and he did.</p>
<p>When Bobbie showed Mother the list he had written, Mother laughed. It WAS
a laugh, Bobbie decided, though it was rather odd and feeble.</p>
<p>"Nonsense," said Mother, laying in bed with eyes as bright as beads. "I
can't afford all that rubbish. Tell Mrs. Viney to boil two pounds of
scrag-end of the neck for your dinners to-morrow, and I can have some of
the broth. Yes, I should like some more water now, love. And will you get
a basin and sponge my hands?"</p>
<p>Roberta obeyed. When she had done everything she could to make Mother less
uncomfortable, she went down to the others. Her cheeks were very red, her
lips set tight, and her eyes almost as bright as Mother's.</p>
<p>She told them what the Doctor had said, and what Mother had said.</p>
<p>"And now," said she, when she had told all, "there's no one but us to do
anything, and we've got to do it. I've got the shilling for the mutton."</p>
<p>"We can do without the beastly mutton," said Peter; "bread and butter will
support life. People have lived on less on desert islands many a time."</p>
<p>"Of course," said his sister. And Mrs. Viney was sent to the village to
get as much brandy and soda-water and beef tea as she could buy for a
shilling.</p>
<p>"But even if we never have anything to eat at all," said Phyllis, "you
can't get all those other things with our dinner money."</p>
<p>"No," said Bobbie, frowning, "we must find out some other way. Now THINK,
everybody, just as hard as ever you can."</p>
<p>They did think. And presently they talked. And later, when Bobbie had gone
up to sit with Mother in case she wanted anything, the other two were very
busy with scissors and a white sheet, and a paint brush, and the pot of
Brunswick black that Mrs. Viney used for grates and fenders. They did not
manage to do what they wished, exactly, with the first sheet, so they took
another out of the linen cupboard. It did not occur to them that they were
spoiling good sheets which cost good money. They only knew that they were
making a good—but what they were making comes later.</p>
<p>Bobbie's bed had been moved into Mother's room, and several times in the
night she got up to mend the fire, and to give her mother milk and
soda-water. Mother talked to herself a good deal, but it did not seem to
mean anything. And once she woke up suddenly and called out: "Mamma,
mamma!" and Bobbie knew she was calling for Granny, and that she had
forgotten that it was no use calling, because Granny was dead.</p>
<p>In the early morning Bobbie heard her name and jumped out of bed and ran
to Mother's bedside.</p>
<p>"Oh—ah, yes—I think I was asleep," said Mother. "My poor
little duck, how tired you'll be—I do hate to give you all this
trouble."</p>
<p>"Trouble!" said Bobbie.</p>
<p>"Ah, don't cry, sweet," Mother said; "I shall be all right in a day or
two."</p>
<p>And Bobbie said, "Yes," and tried to smile.</p>
<p>When you are used to ten hours of solid sleep, to get up three or four
times in your sleep-time makes you feel as though you had been up all
night. Bobbie felt quite stupid and her eyes were sore and stiff, but she
tidied the room, and arranged everything neatly before the Doctor came.</p>
<p>This was at half-past eight.</p>
<p>"Everything going on all right, little Nurse?" he said at the front door.
"Did you get the brandy?"</p>
<p>"I've got the brandy," said Bobbie, "in a little flat bottle."</p>
<p>"I didn't see the grapes or the beef tea, though," said he.</p>
<p>"No," said Bobbie, firmly, "but you will to-morrow. And there's some beef
stewing in the oven for beef tea."</p>
<p>"Who told you to do that?" he asked.</p>
<p>"I noticed what Mother did when Phil had mumps."</p>
<p>"Right," said the Doctor. "Now you get your old woman to sit with your
mother, and then you eat a good breakfast, and go straight to bed and
sleep till dinner-time. We can't afford to have the head-nurse ill."</p>
<p>He was really quite a nice doctor.</p>
<p>When the 9.15 came out of the tunnel that morning the old gentleman in the
first-class carriage put down his newspaper, and got ready to wave his
hand to the three children on the fence. But this morning there were not
three. There was only one. And that was Peter.</p>
<p>Peter was not on the railings either, as usual. He was standing in front
of them in an attitude like that of a show-man showing off the animals in
a menagerie, or of the kind clergyman when he points with a wand at the
'Scenes from Palestine,' when there is a magic-lantern and he is
explaining it.</p>
<p>Peter was pointing, too. And what he was pointing at was a large white
sheet nailed against the fence. On the sheet there were thick black
letters more than a foot long.</p>
<p>Some of them had run a little, because of Phyllis having put the Brunswick
black on too eagerly, but the words were quite easy to read.</p>
<p>And this what the old gentleman and several other people in the train read
in the large black letters on the white sheet:—</p>
<p>LOOK OUT AT THE STATION.<br/></p>
<p>A good many people did look out at the station and were disappointed, for
they saw nothing unusual. The old gentleman looked out, too, and at first
he too saw nothing more unusual than the gravelled platform and the
sunshine and the wallflowers and forget-me-nots in the station borders. It
was only just as the train was beginning to puff and pull itself together
to start again that he saw Phyllis. She was quite out of breath with
running.</p>
<p>"Oh," she said, "I thought I'd missed you. My bootlaces would keep coming
down and I fell over them twice. Here, take it."</p>
<p>She thrust a warm, dampish letter into his hand as the train moved.</p>
<p>He leaned back in his corner and opened the letter. This is what he read:—</p>
<p>"Dear Mr. We do not know your name.</p>
<p>Mother is ill and the doctor says to give her the things at the end of the
letter, but she says she can't aford it, and to get mutton for us and she
will have the broth. We do not know anybody here but you, because Father
is away and we do not know the address. Father will pay you, or if he has
lost all his money, or anything, Peter will pay you when he is a man. We
promise it on our honer. I.O.U. for all the things Mother wants.</p>
<p>"sined Peter.<br/></p>
<p>"Will you give the parsel to the Station Master, because of us not knowing
what train you come down by? Say it is for Peter that was sorry about the
coals and he will know all right.</p>
<p>"Roberta.<br/>
"Phyllis.<br/>
"Peter."<br/></p>
<p>Then came the list of things the Doctor had ordered.</p>
<p>The old gentleman read it through once, and his eyebrows went up. He read
it twice and smiled a little. When he had read it thrice, he put it in his
pocket and went on reading The Times.</p>
<p>At about six that evening there was a knock at the back door. The three
children rushed to open it, and there stood the friendly Porter, who had
told them so many interesting things about railways. He dumped down a big
hamper on the kitchen flags.</p>
<p>"Old gent," he said; "he asked me to fetch it up straight away."</p>
<p>"Thank you very much," said Peter, and then, as the Porter lingered, he
added:—</p>
<p>"I'm most awfully sorry I haven't got twopence to give you like Father
does, but—"</p>
<p>"You drop it if you please," said the Porter, indignantly. "I wasn't
thinking about no tuppences. I only wanted to say I was sorry your Mamma
wasn't so well, and to ask how she finds herself this evening—and
I've fetched her along a bit of sweetbrier, very sweet to smell it is.
Twopence indeed," said he, and produced a bunch of sweetbrier from his
hat, "just like a conjurer," as Phyllis remarked afterwards.</p>
<p>"Thank you very much," said Peter, "and I beg your pardon about the
twopence."</p>
<p>"No offence," said the Porter, untruly but politely, and went.</p>
<p>Then the children undid the hamper. First there was straw, and then there
were fine shavings, and then came all the things they had asked for, and
plenty of them, and then a good many things they had not asked for; among
others peaches and port wine and two chickens, a cardboard box of big red
roses with long stalks, and a tall thin green bottle of lavender water,
and three smaller fatter bottles of eau-de-Cologne. There was a letter,
too.</p>
<p>"Dear Roberta and Phyllis and Peter," it said; "here are the things you
want. Your mother will want to know where they came from. Tell her they
were sent by a friend who heard she was ill. When she is well again you
must tell her all about it, of course. And if she says you ought not to
have asked for the things, tell her that I say you were quite right, and
that I hope she will forgive me for taking the liberty of allowing myself
a very great pleasure."</p>
<p>The letter was signed G. P. something that the children couldn't read.</p>
<p>"I think we WERE right," said Phyllis.</p>
<p>"Right? Of course we were right," said Bobbie.</p>
<p>"All the same," said Peter, with his hands in his pockets, "I don't
exactly look forward to telling Mother the whole truth about it."</p>
<p>"We're not to do it till she's well," said Bobbie, "and when she's well we
shall be so happy we shan't mind a little fuss like that. Oh, just look at
the roses! I must take them up to her."</p>
<p>"And the sweetbrier," said Phyllis, sniffing it loudly; "don't forget the
sweetbrier."</p>
<p>"As if I should!" said Roberta. "Mother told me the other day there was a
thick hedge of it at her mother's house when she was a little girl."</p>
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