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<h2> XVIII. </h2>
<p>Mrs. Munger's guests kept on talking and laughing. With the coffee and the
punch there began to be a little more freedom. Some prohibitionists among
the working people went away when they found that the lemonade was punch;
but Mrs. Munger did not know it, and she saw the ideal of a Social Union
figuratively accomplished in her own house. She stirred about among her
guests till she produced a fleeting, empty good-fellowship among them. One
of the shoe-shop hands, with an inextinguishable scent of leather and the
character of a droll, seconded her efforts with noisy jokes. He proposed
games, and would not be snubbed by the refusal of his boss to countenance
him, he had the applause of so many others. Mrs. Munger approved of the
idea.</p>
<p>“Don't you think it would be great fun, Mrs. Gerrish?” she asked.</p>
<p>“Well, now, if Squire Putney would lead off,” said the joker, looking
round.</p>
<p>Putney could not be found, nor Dr. Morrell.</p>
<p>“They're off somewhere for a smoke,” said Mrs. Munger. “Well, that's
right. I want everybody to feel that my house is their own to-night, and
to come and go just as they like. Do you suppose Mr. Peck is offended?”
she asked, under her breath, as she passed Annie. “He <i>couldn't</i> feel
that this is the same thing; but I can't see him anywhere. He wouldn't go
without taking leave, you don't suppose?”</p>
<p>Annie joined Mrs. Putney. They talked at first with those who came to ask
where Putney and the doctor were; but finally they withdrew into a little
alcove from the parlour, where Mrs. Munger approved of their being when
she discovered them; they must be very tired, and ought to rest on the
lounge there. Her theory of the exhaustion of those who had taken part in
the play embraced their families.</p>
<p>The time wore on toward midnight, and her guests got themselves away with
more or less difficulty as they attempted the formality of leave-taking or
not. Some of the hands who thought this necessary found it a serious
affair; but most of them slipped off without saying good night to Mrs.
Munger or expressing that rapture with the whole evening from beginning to
end which the ladies of South Hatboro' professed. The ladies of South
Hatboro' and Old Hatboro' had met in a general intimacy not approached
before, and they parted with a flow of mutual esteem. The Gerrish children
had dropped asleep in nooks and corners, from which Mr. Gerrish hunted
them up and put them together for departure, while his wife remained with
Mrs. Munger, unable to stop talking, and no longer amenable to the looks
with which he governed her in public.</p>
<p>Lyra came downstairs, hooded and wrapped for departure, with Jack
Wilmington by her side. “Why, <i>Ellen</i>!” she said, looking into the
little alcove from the hall. “Are you here yet? And Annie! Where in the
world is Ralph?” At the pleading look with which Mrs. Putney replied, she
exclaimed: “Oh, it's what I was afraid of! I don't see what the woman
could have been about! But of course she didn't think of poor Ralph.
Ellen, let me take you and Winthrop home! Dr. Morrell will be sure to
bring Ralph.”</p>
<p>“Well,” said Mrs. Putney passively, but without rising.</p>
<p>“Annie can come too. There's plenty of room. Jack can walk.”</p>
<p>Jack Wilmington joined Lyra in urging Annie to take his place. He said to
her, apart, “Young Munger has been telling me that Putney got at the
sideboard and carried off the rum. I'll stay and help look after him.”</p>
<p>A crazy laugh came into the parlour from the piazza outside, and the group
in the alcove started forward. Putney stood at a window, resting one arm
on the bar of the long lower sash, which was raised to its full height,
and looking ironically in upon Mrs. Munger and her remaining guests. He
was still in his Mercutio dress, but he had lost his plumed cap, and was
bareheaded. A pace or two behind him stood Mr. Peck, regarding the effect
of this apparition upon the company with the same dreamy, indrawn presence
he had in the pulpit.</p>
<p>“Well, Mrs. Munger, I'm glad I got back in time to tell you how much I've
enjoyed it. Brother Peck wanted me to go home, but I told him, Not till
I've thanked Mrs. Munger, Brother Peck; not till I've drunk her health in
her own old particular Jamaica.” He put to his lips the black bottle which
he had been holding in his right hand behind him; then he took it away,
looked at it, and flung it rolling-along the piazza floor. “Didn't get
hold of the inexhaustible bottle that time; never do. But it's a good
article; a better article than you used to sell on the sly, Bill Gerrish.
You'll excuse my helping myself, Mrs. Munger; I knew you'd want me to.
Well, it's been a great occasion, Mrs. Munger.” He winked at the hostess.
“You've had your little invited supper, after all. You're a manager, Mrs.
Munger. You've made even the wrath of Brother Peck to praise you.”</p>
<p>The ladies involuntarily shrank backward as Putney suddenly entered
through the window and gained the corner of the piano at a dash. He stayed
himself against it, slightly swaying, and turned his flaming eyes from one
to another, as if questioning whom he should attack next.</p>
<p>Except for the wild look in them, which was not so much wilder than they
wore in all times of excitement, and an occasional halt at a difficult
word, he gave no sign of being drunk. The liquor had as yet merely
intensified him.</p>
<p>Mrs. Munger had the inspiration to treat him as one caresses a dangerous
lunatic. “I'm sure you're very kind, Mr. Putney, to come back. Do sit
down!”</p>
<p>“Why?” demanded Putney. “Everybody else standing.”</p>
<p>“That's true,” said Mrs. Munger. “I'm sure I don't know why—”</p>
<p>“Oh yes, you do, Mrs. Munger. It's because they want to have a good view
of a man who's made a fool of himself—”</p>
<p>“Oh, now, Mr. <i>Putney</i>!” said Mrs. Munger, with hospitable
deprecation. “I'm sure no one wants to do anything of the kind.” She
looked round at the company for corroboration, but no one cared to attract
Putney's attention by any sound or sign.</p>
<p>“But I'll tell you what,” said Putney, with a savage burst, “that a woman
who puts hell-fire before a poor devil who can't keep out of it when he
sees it, is better worth looking at.”</p>
<p>“Mr. Putney, I assure you,” said Mrs. Munger, “that it was the <i>mildest</i>
punch! And I really didn't think—I didn't remember—”</p>
<p>She turned toward Mrs. Putney with her explanation, but Putney seemed to
have forgotten her, and he turned upon Mr. Gerrish, “How's that drunkard's
grave getting along that you've dug for your porter?” Gerrish remained
prudently silent. “I know you, Billy. You're all right. You've got the
pull on your conscience; we all have, one way or another. Here's Annie
Kilburn, come back from Rome, where she couldn't seem to fix it up with
hers to suit her, and she's trying to get round it in Hatboro' with good
works. Why, there isn't any occasion for good works in Hatboro'. I could
have told you that before you came,” he said, addressing Annie directly.
“What we want is faith, and lots of it. The church is going to pieces
because we haven't got any faith.”</p>
<p>His hand slipped from the piano, and he dropped heavily back upon a chair
that stood near. The concussion seemed to complete in his brain the
transition from his normal dispositions to their opposite, which had
already begun. “Bill Gerrish has done more for Hatboro' than any other man
in the place. He's the only man that holds the church together, because he
knows the value of <i>faith</i>.” He said this without a trace of irony,
glaring at Annie with fierce defiance. “You come back here, and try to set
up for a saint in a town where William B. Gerrish has done—has done
more to establish the dry-goods business on a metro-me-tro-politan basis
than any other man out of New York or Boston.”</p>
<p>He stopped and looked round, mystified, as if this were not the point
which he had been aiming at.</p>
<p>Lyra broke into a spluttering laugh, and suddenly checked herself. Putney
smiled slightly. “Pretty good, eh? Say, where was I?” he asked slyly. Lyra
hid her face behind Annie's shoulder. “What's that dress you got on?
What's all this about, anyway? Oh yes, I know. <i>Romeo and Juliet</i>—Social
Union. Well,” he resumed, with a frown, “there's too much <i>Romeo and
Juliet</i>, too much Social Union, in this town already.” He stopped, and
seemed preparing to launch some deadly phrase at Mrs. Wilmington, but he
only said, “You're all right, Lyra.”</p>
<p>“Mrs. Munger,” said Mr. Gerrish, “we must be going. Good night, ma'am.
Mrs. Gerrish, it's time the children were at home.”</p>
<p>“Of course it is,” said Putney, watching the Gerrishes getting their
children together. He waved his hand after them, and called out, “William
Gerrish, you're a man; I honour you.”</p>
<p>He laid hold of the piano and pulled himself to his feet, and seemed to
become aware, for the first time, of his wife, where she stood with their
boy beside her.</p>
<p>“What you doing here with that child at this time of night?” he shouted at
her, all that was left of the man in his eyes changing into the glare of a
pitiless brute. “Why don't you go home? You want to show people what I did
to him? You want to publish my shame, do you? Is that it? Look here!”</p>
<p>He began to work himself along toward her by help of the piano. A step was
heard on the piazza without, and Dr. Morrell entered through the open
window.</p>
<p>“Come now, Putney,” he said gently. The other men closed round them.</p>
<p>Putney stopped. “What's this? Interfering in family matters? You better go
home and look after your own wives, if you got any. Get out the way, 'n'
you mind your own business, Doc. Morrell. You meddle too much.” His speech
was thickening and breaking. “You think science going do everything—evolution!
Talk me about evolution! What's evolution done for Hatboro'? 'Volved
Gerrish's store. One day of Christianity—real Christianity—Where's
that boy? If I get hold of him—”</p>
<p>He lunged forward, and Jack Wilmington and young Munger stepped before
him.</p>
<p>Mrs. Putney had not moved, nor lost the look of sad, passive vigilance
which she had worn since her husband reappeared.</p>
<p>She pushed the men aside.</p>
<p>“Ralph, behave yourself! <i>Here's</i> Winthrop, and we want you to take
us home. Come now!” She passed her arm through his, and the boy took his
other hand. The action, so full of fearless custom and wonted affection
from them both, seemed with her words to operate another total change in
his mood.</p>
<p>“All right; I'm going, Ellen. Got to say good night Mrs. Munger, that's
all.” He managed to get to her, with his wife on his arm and his boy at
his side. “Want to thank you for a pleasant evening, Mrs. Munger—want
to thank you—”</p>
<p>“And <i>I</i> want to thank you <i>too</i>, Mrs. Munger,” said Mrs.
Putney, with an intensity of bitterness no repetition of the words could
give, “It's been a pleasant evening for <i>me</i>!”</p>
<p>Putney wished to stop and explain, but his wife pulled him away.</p>
<p>Dr. Morrell and Annie followed to get them safely into the carriage; he
went with them, and when she came back Mrs. Munger was saying: “I will
leave it to Mr. Wilmington, or any one, if I'm to blame. It had quite gone
out of my head about Mr. Putney. There was plenty of coffee, besides, and
if everything that could harm particular persons had to be kept out of the
way, society couldn't go on. We ought to consider the greatest good of the
greatest number.” She looked round from one to another for support. No one
said anything, and Mrs. Munger, trembling on the verge of a collapse, made
a direct appeal: “Don't you think so, Mr. Peck?”</p>
<p>The minister broke his silence with reluctance. “It's sometimes best to
have the effect of error unmistakable. Then we are sure it's error.”</p>
<p>Mrs. Munger gave a sob of relief into her handkerchief. “Yes, that's just
what I say.”</p>
<p>Lyra bent her face on her arm, and Jack Wilmington put his head out of the
window where he stood.</p>
<p>Mr. Peck remained staring at Mrs. Munger, as if doubtful what to do. Then
he said: “You seem not to have understood me, ma'am. I should be to blame
if I left you in doubt. You have been guilty of forgetting your brother's
weakness, and if the consequence has promptly followed in his shame, it is
for you to realise it. I wish you a good evening.”</p>
<p>He went out with a dignity that thrilled Annie. Lyra leaned toward her and
said, choking with laughter, “He's left Idella asleep upstairs. We haven't
<i>any</i> of us got <i>perfect</i> memories, have we?”</p>
<p>“Run after him!” Annie said to Jack Wilmington, in undertone, “and get him
into my carriage. I'll get the little girl. Lyra, <i>don't</i> speak of
it.”</p>
<p>“Never!” said Mrs. Wilmington, with delight. “I'm solid for Mr. Peck every
time.”</p>
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