<SPAN name="chap09"></SPAN>
<h3> CHAPTER IX </h3>
<h4>
DUCAL ATTENTIONS
</h4>
<p>The Duc Armand de Choleaux Lasuer opened one eye and then the other.
Then he shut them quickly and called for his <i>valet de chambre</i>, whom
he cursed roundly for not seeing that there was a gap between the
silken curtains of his bedroom window, a little space of which the
winter sun had taken full advantage.</p>
<p>His grace yawned and smothered an exclamation. Then he watched with a
lazy interest the sedate and black-garbed figure of his servant as he
went about his duties. The brows of the duke were contracted as though
in pain, which was not to be wondered at considering the time at which
his grace had gone to bed. To be precise, the duke had a shocking head.</p>
<p>"R�my."</p>
<p>"Yes, your grace."</p>
<p>"What o'clock is it?"</p>
<p>"A quarter to one, your grace."</p>
<p>"Then bring my letters and chocolate at a quarter past, R�my."</p>
<p>Left to himself, the nobleman turned his pillow over and rested his
aching head on the cool freshness and slept fitfully, until R�my woke
him and placed a little table containing a silver chocolate service by
his elbow. He then pulled up the blinds, lit the fire, and entered the
adjacent room to prepare his master's bath.</p>
<p>Duke Armand tumbled out of bed and thrust his feet into a pair of
Turkish slippers and himself into a Japanese dressing-gown, and drew up
a commodious arm-chair to the fire. R�my, hearing the movement,
followed noiselessly with the chocolate, beside which he now placed an
ivory box of cigarettes and a spirit-lamp.</p>
<p>It was one of R�my's duties, previous to brushing and folding his
master's evening clothes each night, to empty the pockets <i>en masse</i>
into a small drawer in the dressing-table. The duke was thereby
enabled to piece together, by the evidence of the articles, the hazy
threads of the previous evening's doings. He now drew out this drawer
and emptied the assorted collection in the lap of his barbaric
dressing-gown.</p>
<p>A bunch of keys, a menu from Maxim's on the margin of which were
pencilled two ladies' names—some loose gold and silver—a pair of
white kid gloves torn to ribbons, and a little gold-chain lady's bag.
This latter he held up and tried to think how it came into his
possession.</p>
<p>All the time that he was in R�my's hands he thought and thought, but to
no purpose. He had a hazy kind of recollection of having seen it
before, that was all. It contained a little lace handkerchief and a
twenty-franc gold piece, but no initial or other mark of identification
could be found.</p>
<p>When his toilet was complete, the young Duc de Choleaux Lasuer stood
before the cheval glass in his room whilst he sprinkled a suspicion of
Jockey Club upon his handkerchief.</p>
<p>He saw the reflection of a well set up, clean-limbed man of
twenty-five, with crisp hair of a dark brown, almost black, curling
back from an intellectual brow. The skin was of that olive tint that
sets off dark eyes so well.</p>
<p>The duke was dressed in a grey lounge suit with a waistcoat of some
dark material sprigged with tiny violet flowers. His cravat, tied in
the latest mode, was held in position by a pin surmounted by a large
blood-red ruby. The hands were rather large, but with tapering
fingers; the feet, in their patent leather boots with <i>su�de</i> cloth
uppers, were long and thin. An aristocrat every inch of him, and a
dandy withal, but yet with a suggested air of strength and manliness.
In short, his Grace the Duc de Choleaux Lasuer was a very presentable
person indeed. So had thought the Princess Galva when she had caught
sight of him in the corridors or in the Palm Court of their hotel.</p>
<p>The duke slowly made his way down the wide carpeted staircase, pausing
in the foyer to light a cigarette. Then he crossed to the board
containing letters and telegrams and glanced idly over them. It was
here that he read a notice that any one finding a small gold chain-bag
should communicate with the office clerk of the hotel.</p>
<p>In a flash it came to him that he had picked up the dainty little
trifle as he went to his room the night before. His friend, the
Viscount Mersac, had been with him. What a night it had been, to be
sure! The duke smiled at the recollections.</p>
<p>As he approached the office a little man in a dark grey suit and with
gold-rimmed spectacles was interviewing the clerk in charge. He turned
as the duke approached, and caught sight of the bag in his hand.</p>
<p>"Ah!" he said. "You have found it?"</p>
<p>The clerk looked up. "Your Grace," he said, "this is the gentleman who
has advertised. It is his ward who has lost it—the little purse."</p>
<p>It was a trivial incident in itself, yet it was the means of an
acquaintance of sorts springing up between the duke and Mr. Edward
Sydney, an acquaintance which permitted a whisky and soda together in
the buffet and a word or two when they met in the foyer.</p>
<p>The introduction to Galva took place after dinner one night, when
Edward was leaving the hotel with the ladies for the opera. The duke's
large white motor-car had refused to budge from in front of the
entrance, and the girl and her foster-mother had had to walk round it
to their waiting fiacre. The duke had apologized very prettily, and
Galva's already favourable impression of him suffered nothing from the
meeting—rather the reverse.</p>
<p>From that time the young people seemed to be always crossing the foyer
at the same time, and once Galva and Edward had accepted the duke's
invitation to join him in a spin in the lovely car to Barbizon. It was
when he was driving his engine that the duke showed to his best
advantage and told clearly that under the dandified exterior was a
nerve of iron. To see his capable hands grip the steering-wheel was in
itself enough to inspire the utmost confidence.</p>
<p>Galva never forgot that ride and the other rides that followed hard
upon it. During her stay in England she had hardly seen a car—the
roads round Tremoor were not ideal for the sport, and the novelty of it
all was, to her, wonderful. The long, straight, white roads fringed
with tall poplars, and the absence of speed-limit, showed her motoring
at its best, and she would return to the hotel with cheeks aglow and
with fascinating tendrils of hair escaping from the dainty motor-bonnet
she had bought in the Magasin du Louvre.</p>
<p>It seemed nearly every day that the great white car sped away from the
hotel with the duke at the wheel and the little fur-clad figure of Miss
Baxendale tucked up cosily by his side. Edward, who invariably sat
with the chauffeur in the tonneau, enjoyed these exhilarating spins as
much as any one, but he began to wonder where it would all end, and to
ask himself whether he was doing his duty in the sphere to which he had
called himself.</p>
<p>He indirectly tackled the girl on the subject one day as they sat after
tea in their private drawing-room. Anna was writing in her own room,
and the opportunity was too good to be missed. Edward cleared his
throat, and started the subject by saying—</p>
<p>"I have been looking out the trains, Galva. We will go through to
Madrid, I think. It is a little out of our way, but it will be
interesting."</p>
<p>"Why, guardy, you don't want to leave Paris, surely. It's grand here,
and old Spain can wait. When I get to San Pietro there'll be a lot of
horrid things to think about and to worry us. I love Paris."</p>
<p>"Is it only Paris you are so loath to leave, Galva?"</p>
<p>The princess blushed a delicious pink that did not pass unnoticed by
her self-appointed guardian. He rose and straightened himself
importantly, pulling down his waistcoat with a tug.</p>
<p>"You seem to take a great delight in the company of the duke," he began.</p>
<p>For a moment a look of resentment came into the girl's eyes, but she
rose and put a warm arm round Edward's shoulders.</p>
<p>"Surely you can have no objection to him, guardy. I—I—<i>do</i> like him;
but I like you, too, and I wouldn't care to do anything you would not
wish me to do."</p>
<p>"My dear child"—Edward was quite paternal—"I think it would be best
to see how things are in your country. A duke is a good match for Miss
Baxendale—but perhaps not so suitable for the Queen of San Pietro."</p>
<p>Galva made no answer, but stood looking out from one of the long
windows at the twilight settling down over the gardens of the Louvre.
Edward went on—</p>
<p>"Besides, we know nothing of the duke. Titles on the continent are
hardly the same as in England. I don't want to hurt your feelings,
Galva, but the young man keeps shocking hours. I saw him come in at
three this morning. I don't think he was quite sober; he insisted on
giving champagne to all the hall porters and taking two huge motor
lamps to light his way up-stairs."</p>
<p>"Why, guardy! weren't <i>you</i> in bed at three?"</p>
<p>Edward gave a little cough.</p>
<p>"Well—it may have been earlier. I—I—had been sitting up reading. I
don't sleep very well, Galva. I think it's the change of scene."</p>
<p>The princess turned away so that he should not see her smile.</p>
<p>"I don't expect he's a saint, guardy, but he's most attentive, polite
and—nice."</p>
<p>"That's not every thing in a husband, Galva, let alone a consort for a
queen. You see, I have to look after your destiny—it's my
mission—and I feel we ought to be on our way."</p>
<p>"At once?"</p>
<p>"Well—say the day after to-morrow. Tell the duke if he wants to know
your movements that you will be here at this hotel at the same time
next year. We ought to be able to manage it by that time, whatever
happens. I must ask you not to tell him where we are going. We don't
know how the land lies over there at San Pietro, and we don't want any
love-sick dukes monkeying round and getting in the way. You don't mind
doing as I ask you, do you?"</p>
<p>"My dear guardy, I am in your hands entirely. I wouldn't like to think
that I will never see Armand—I mean the Duc de Choleaux Lasuer again,
but I'll do as you say, I know you are right, but I—I think he likes
me."</p>
<p>"So I think, Galva. Really I have been afraid to be left alone with
him for a week past. It would be a nice way to carry out my duty to
Mr. Baxendale to give you to the first man we meet, even if he is a
duke. Besides, if he means anything, he'll wait a year,—don't forget
we're dining early, Galva, as we're going to the Porte Saint Martin."</p>
<p>Edward held the door open for her to pass out, then he turned and
walked to the fireplace. For some moments he stood, his legs well
apart and his back to the fire, communing with himself on his
importance.</p>
<p>Then a half smile spread itself over his features as he took his mind
back a few weeks to a dejected little bowed figure shuffling its way
over London Bridge, and as he glanced round the sumptuous furnishings
of the room he now found himself in and compared it to Belitha Villas,
the smile broadened out and he rolled on the brocaded sofa in
uncontrollable mirth. Then he sat up and drove his fist into a cushion
of yellow satin.</p>
<p>"How <i>dare</i> I!" he cried to himself, "how <i>dare</i> I!—Edward Povey,
you've made strides with a vengeance from the time when you were a poor
little clerk at forty-five bob a week, when you can forbid a queen to
marry a duke! Oh, what <i>would</i> Charlotte say?"</p>
<p>And the little man composed himself and went to his room to dress for
dinner.</p>
<P CLASS="noindent" ALIGN="center">
<SPAN STYLE="letter-spacing: 4em">*****</SPAN><br/></p>
<p>In a somewhat secluded corner of the Palm Court two young people were
sitting. One of them, a young man of twenty-five was moodily stirring
his spoon round and round in a tiny cup of tea. In his other hand he
held the fingers of Miss Galva Baxendale.</p>
<p>"A year's a long time," he was saying.</p>
<p>"But you've only known me a few days, and——"</p>
<p>The Duc de Choleaux Lasuer turned to her.</p>
<p>"Nearly a fortnight, Galva, and in knowing you I have known myself.
I've been a bit of a 'rotter' as you English call it, but things are
going to be different now. I'll turn teetotaler—and learn a trade."</p>
<p>"And get to bed without the aid of two Bleriot lamps?"</p>
<p>The duke drove the spoon through the bottom of the dainty cup.</p>
<p>"Now come, Galva, that's hardly fair; they told me about it in the
morning. I didn't know it was the talk of the hotel. You know when it
happened?"</p>
<p>"No—why?"</p>
<p>"It was after you had refused to come to the Opera with me, that's
when, how, and why it happened."</p>
<p>"In that case I suppose I am an accessory before the fact or
something—look, there's Mr. Sydney dressed; we're dining early."</p>
<p>Galva rose.</p>
<p>"You'll not forget to-morrow?"</p>
<p>"No, of course I'll not forget to-morrow, duke—it's our last spin."</p>
<p>R�my could never understand why it was that the duke was so
bad-tempered that night as he dressed him for dinner. But then R�my
was not paid to understand the moods of so exalted a personage as the
Duc de Choleaux Lasuer.</p>
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