<p><SPAN name="link2H_4_0013" id="link2H_4_0013"></SPAN></p>
<h2> BOOK THE SECOND </h2>
<h3> THE RIPENING </h3>
<p><SPAN name="link2HCH0009" id="link2HCH0009"></SPAN></p>
<h2> CHAPTER IX </h2>
<h3> ADRIAN, FOY, AND MARTIN THE RED </h3>
<p>Many years had gone by since Lysbeth found her love again upon the island
in the Haarlemer Meer. The son that she bore there was now a grown man, as
was her second son, Foy, and her own hair showed grey beneath the lappets
of her cap.</p>
<p>Fast, fast wove the loom of God during those fateful years, and the web
thereof was the story of a people's agony and its woof was dyed red with
their blood. Edict had followed edict, crime had been heaped upon crime.
Alva, like some inhuman and incarnate vengeance, had marched his army,
quiet and harmless as is the tiger when he stalks his prey, across the
fields of France. Now he was at Brussels, and already the heads of the
Counts Egmont and Hoorn had fallen; already the Blood Council was
established and at its work. In the Low Countries law had ceased to exist,
and there anything might happen however monstrous or inhuman. Indeed, with
one decree of the Holy Office, confirmed by a proclamation of Philip of
Spain, all the inhabitants of the Netherlands, three millions of them, had
been condemned to death. Men's minds were full of terror, for on every
side were burnings and hangings and torturings. Without were fightings,
within were fears, and none knew whom they could trust, since the friend
of to-day might be the informer or judge of to-morrow. All this because
they chose to worship God in their own fashion unaided by images and
priests.</p>
<p>Although so long a time had passed, as it chanced those personages with
whom we have already made acquaintance in this history were still alive.
Let us begin with two of them, one of whom we know and one of whom,
although we have heard of him before, will require some introduction—Dirk
van Goorl and his son Foy.</p>
<p>Scene—an upper room above a warehouse overlooking the market-place
of Leyden, a room with small windows and approached by two staircases;
time, a summer twilight. The faint light which penetrated into this
chamber through the unshuttered windows, for to curtain them would have
been to excite suspicion, showed that about twenty people were gathered
there, among whom were one or two women. For the most part they were men
of the better class, middle-aged burghers of sober mien, some of whom
stood about in knots, while others were seated upon stools and benches. At
the end of the room addressing them was a man well on in middle life, with
grizzled hair and beard, small and somewhat mean of stature, yet one
through whose poor exterior goodness seemed to flow like light through
some rough casement of horn. This was Jan Arentz, the famous preacher, by
trade a basket-maker, a man who showed himself steadfast to the New
Religion through all afflictions, and who was gifted with a spirit which
could remain unmoved amidst the horrors of perhaps the most terrible
persecution that Christians have suffered since the days of the Roman
Emperors. He was preaching now and these people were his congregation.</p>
<p>"I come not to bring peace but a sword," was his text, and certainly this
night it was most appropriate and one easy of illustration. For there, on
the very market-place beneath them, guarded by soldiers and surrounded
with the rabble of the city, two members of his flock, men who a fortnight
before had worshipped in that same room, at this moment were undergoing
martyrdom by fire!</p>
<p>Arentz preached patience and fortitude. He went back into recent history
and told his hearers how he himself had passed a hundred dangers; how he
had been hunted like a wolf, how he had been tried, how he had escaped
from prisons and from the swords of soldiers, even as St. Paul had done
before him, and how yet he lived to minister to them this night. He told
them that they must have no fear, that they must go on quite happy, quite
confident, taking what it pleased God to send them, feeling that it would
all be for the best; yes, that even the worst would be for the best. What
was the worst? Some hours of torment and death. And what lay beyond the
death? Ah! let them think of that. The whole world was but a brief and
varying shadow, what did it matter how or when they walked out of that
shadow into the perfect light? The sky was very black, but behind it the
sun shone. They must look forward with the eye of faith; perhaps the
sufferings of the present generation were part of the scheme of things;
perhaps from the earth which they watered with their blood would spring
the flower of freedom, that glorious freedom in whose day all men would be
able to worship their Creator responsible only to the Bible law and their
own conscience, not to the dogmas or doctrines of other men.</p>
<p>As Arentz spoke thus, eloquently, sweetly, spoke like one inspired, the
twilight deepened and the flare of those sacrificial fires flickered on
the window pane, and the mixed murmurs of the crowd of witnesses broke
upon his listeners' ears. The preacher paused and looked down upon the
dreadful scene below, for from where he stood he could behold it all.</p>
<p>"Mark is dead," he said, "and our dear brother, Andreas Jansen, is dying;
the executioners heap the faggots round him. You think it cruel, you think
it piteous, but I say to you, No. I say that it is a holy and a glorious
sight, for we witness the passing of souls to bliss. Brethren, let us pray
for him who leaves us, and for ourselves who stay behind. Yes, and let us
pray for those who slay him that know not what they do. We watch his
sufferings, but I tell you that Christ his Lord watches also; Christ who
hung upon the Cross, the victim of such men as these. He stands with him
in the fire, His hand compasses him, His voice supports him. Brethren, let
us pray."</p>
<p>Then at his bidding every member of that little congregation knelt in
prayer for the passing spirit of Andreas Jansen.</p>
<p>Again Arentz looked through the window.</p>
<p>"He dies!" he cried; "a soldier has thrust him through with a pike in
mercy, his head falls forward. Oh! God, if it be Thy will, grant to us a
sign."</p>
<p>Some strange breath passed through that upper chamber, a cold breath which
blew upon the brows of the worshippers and stirred their hair, bringing
with it a sense of the presence of Andreas Jansen, the martyr. Then, there
upon the wall opposite to the window, at the very spot where their brother
and companion, Andreas, saint and martyr, was wont to kneel, appeared the
sign, or what they took to be a sign. Yes, there upon the whitewashed
wall, reflected, mayhap, from the fires below, and showing clearly in the
darkened room, shone the vision of a fiery cross. For a second it was
seen. Then it was gone, but to every soul in this room the vision of that
cross had brought its message; to each a separate message, an individual
inspiration, for in the light of it they read strange lessons of life and
death. The cross vanished and there was silence.</p>
<p>"Brethren," said the voice of Arentz, speaking in the darkness, "you have
seen. Through the fire and through the shadow, follow the Cross and fear
not."</p>
<p>The service was over, and below in the emptied market-place the
executioners collected the poor calcined fragments of the martyrs to cast
them with contumely and filthy jests into the darkling waters of the
river. Now, one by one and two by two, the worshippers slipped away
through some hidden door opening on an alley. Let us look at three of
their number as they crept through bye streets back to a house on the Bree
Straat with which we are acquainted, two of them walking in front and one
behind.</p>
<p>The pair were Dirk van Goorl and his son Foy—there was no mistaking
their relationship. Save that he had grown somewhat portly and thoughtful,
Dirk was the Dirk of five and twenty years ago, thickset, grey-eyed,
bearded, a handsome man according to the Dutch standard, whose massive,
kindly countenance betrayed the massive, kindly mind within. Very like him
was his son Foy, only his eyes were blue instead of grey, and his hair was
yellow. Though they seemed sad enough just now, these were merry and
pleasant eyes, and the round, the somewhat childlike face was merry also,
the face of a person who looked upon the bright side of things.</p>
<p>There was nothing remarkable or distinguished about Foy's appearance, but
from it the observer, who met him for the first time, received an
impression of energy, honesty, and good-nature. In truth, such were apt to
set him down as a sailor-man, who had just returned from a long journey,
in the course of which he had come to the conclusion that this world was a
pleasant place, and one well worth exploring. As Foy walked down the
street with his quick and nautical gait, it was evident that even the
solemn and dreadful scene which he had just experienced had not altogether
quenched his cheery and hopeful spirit. Yet of all those who listened to
the exhortation of the saint-like Arentz, none had laid its burden of
faith and carelessness for the future to heart more entirely than Foy van
Goorl.</p>
<p>But of this power of looking on the bright side of things the credit must
be given to his nature and not to his piety, for Foy could not be sad for
long. <i>Dum spiro, spero</i> would have been his motto had he known
Latin, and he did not mean to grow sorrowful—over the prospect of
being burnt, for instance—until he found himself fast to the stake.
It was this quality of good spirits in a depressing and melancholy age
that made of Foy so extraordinarily popular a character.</p>
<p>Behind these two followed a much more remarkable-looking personage, the
Frisian, Martin Roos, or Red Martin, so named from his hair, which was red
to the verge of flame colour, and his beard of a like hue that hung almost
to his breast. There was no other such beard in Leyden; indeed the boys,
taking advantage of his good nature, would call to him as he passed,
asking him if it was true that the storks nested in it every spring. This
strange-looking man, who was now perhaps a person of forty years of age,
for ten years or more had been the faithful servant of Dirk van Goorl,
whose house he had entered under circumstances which shall be told of in
their place.</p>
<p>Any one glancing at Martin casually would not have said that he was a
giant, and yet his height was considerable; to be accurate, when he stood
upright, something over six feet three inches. The reason why he did not
appear to be tall was that in truth his great bulk shortened him to the
eye, and also because his carried himself ill, more from a desire to
conceal his size than for any other reason. It was in girth of chest and
limb that Martin was really remarkable, so much so that a short-armed man
standing before him could not make his fingers touch behind his back. His
face was fair as a girl's, and almost as flat as a full moon, for of nose
he had little. Nature, indeed, had furnished him with one of ordinary, if
not excessive size, but certain incidents in Martin's early career, which
in our day would be designated as that of a prize-fighter, had caused it
to spread about his countenance in an interesting and curious fashion. His
eyebrows, however, remained prominent. Beneath them appeared a pair of
very large, round, and rather mild blue eyes, covered with thick white
lids absolutely devoid of lashes, which eyes had a most unholy trick of
occasionally taking fire when their owner was irritated. Then they could
burn and blaze like lamps tied to a barge on a dark night, with an effect
that was all the more alarming because the rest of his countenance
remained absolutely impassive.</p>
<p>Suddenly while this little company went homewards a sound arose in the
quiet street as of people running. Instantly all three of them pressed
themselves into the doorway of a house and crouched down. Martin lifted
his ear and listened.</p>
<p>"Three people," he whispered; "a woman who flies and two men who follow."</p>
<p>At that moment a casement was thrown open forty paces or so away, and a
hand, bearing a torch, thrust out of it. By its light they saw the pale
face of a lady speeding towards them, and after her two Spanish soldiers.</p>
<p>"The Vrouw Andreas Jansen," whispered Martin again, "flying from two of
the guard who burned her husband."</p>
<p>The torch was withdrawn and the casement shut with a snap. In those days
quiet burghers could not afford to be mixed up in street troubles,
especially if soldiers had to do with them. Once more the place was empty
and quiet, except for the sound of running feet.</p>
<p>Opposite to the doorway the lady was overtaken. "Oh! let me go," she
sobbed, "oh! let me go. Is it not enough that you have killed my husband?
Why must I be hunted from my house thus?"</p>
<p>"Because you are so pretty, my dear," answered one of the brutes, "also
you are rich. Catch hold of her, friend. Lord! how she kicks!"</p>
<p>Foy made a motion as though to start out of the doorway, but Martin
pressed him back with the flat of his hand, without apparent effort, and
yet so strongly that the young man could not move.</p>
<p>"My business, masters," he muttered; "you would make a noise," and they
heard his breath come thick.</p>
<p>Now, moving with curious stealthiness for one of so great a bulk, Martin
was out of the porch. By the summer starlight the watchers could see that,
before they had caught sight of, or even heard, him, he gripped the two
soldiers, small men, like most Spaniards, by the napes of their necks, one
in either hand, and was grinding their faces together. This, indeed, was
evident, for his great shoulders worked visibly and their breastplates
clicked as they touched. But the men themselves made no sound at all. Then
Martin seemed to catch them round the middle, and behold! in another
second the pair of them had gone headlong into the canal, which ran down
the centre of the street.</p>
<p>"My God! he has killed them," muttered Dirk.</p>
<p>"And a good job, too, father," said Foy, "only I wish that I had shared in
it."</p>
<p>Martin's great form loomed in the doorway. "The Vrouw Jansen has fled
away," he said, "and the street is quite quiet now, so I think that we had
better be moving before any see us, my masters."</p>
<p>Some days later the bodies of these Spanish soldiers were found with their
faces smashed flat. It was suggested in explanation of this plight, that
they had got drunk and while fighting together had fallen from the bridge
on to the stonework of a pier. This version of their end found a ready
acceptance, as it consorted well with the reputations of the men. So there
was no search or inquiry.</p>
<p>"I had to finish the dogs," Martin explained apologetically—"may the
Lord Jesus forgive me—because I was afraid that they might know me
again by my beard."</p>
<p>"Alas! alas!" groaned Dirk, "what times are these. Say nothing of this
dreadful matter to your mother, son, or to Adrian either." But Foy nudged
Martin in the ribs and muttered, "Well done, old fellow, well done!"</p>
<p>After this experience, which the reader must remember was nothing
extraordinary in those dark and dreadful days when neither the lives of
men nor the safety of women—especially Protestant men and women—were
things of much account, the three of them reached home without further
incident, and quite unobserved. Arriving at the house, they entered it
near the Watergate by a back door that led into the stableyard. It was
opened by a woman whom they followed into a little room where a light
burned. Here she turned and kissed two of them, Dirk first and then Foy.</p>
<p>"Thank God that I see you safe," she said. "Whenever you go to the
Meeting-place I tremble until I hear your footsteps at the door."</p>
<p>"What's the use of that, mother?" said Foy. "Your fretting yourself won't
make things better or worse."</p>
<p>"Ah! dear, how can I help it?" she replied softly; "we cannot all be young
and cheerful, you know."</p>
<p>"True, wife, true," broke in Dirk, "though I wish we could; we should be
lighter-hearted so," and he looked at her and sighed.</p>
<p>Lysbeth van Goorl could no longer boast the beauty which was hers when
first we met her, but she was still a sweet and graceful woman, her figure
remaining almost as slim as it had been in girlhood. The grey eyes also
retained their depth and fire, only the face was worn, though more by care
and the burden of memories than with years. The lot of the loving wife and
mother was hard indeed when Philip the King ruled in Spain and Alva was
his prophet in the Netherlands.</p>
<p>"Is it done?" she asked.</p>
<p>"Yes, wife, our brethren are now saints in Paradise, therefore rejoice."</p>
<p>"It is very wrong," she answered with a sob, "but I cannot. Oh!" she added
with a sudden blaze of indignation, "if He is just and good, why does God
suffer His servants to be killed thus?"</p>
<p>"Perhaps our grandchildren will be able to answer that question," replied
Dirk.</p>
<p>"That poor Vrouw Jansen," broke in Lysbeth, "just married, and so young
and pretty. I wonder what will become of her."</p>
<p>Dirk and Foy looked at each other, and Martin, who was hovering about near
the door, slunk back guiltily into the passage as though <i>he</i> had
attempted to injure the Vrouw Jansen.</p>
<p>"To-morrow we will look to it, wife. And now let us eat, for we are faint
with hunger."</p>
<p>Ten minutes later they were seated at their meal. The reader may remember
the room; it was that wherein Montalvo, ex-count and captain, made the
speech which charmed all hearers on the night when he had lost the race at
the ice-carnival. The same chandelier hung above them, some portion of the
same plate, even, repurchased by Dirk, was on the table, but how different
were the company and the feast! Aunt Clara, the fatuous, was long dead,
and with her many of the companions of that occasion, some naturally, some
by the hand of the executioner, while others had fled the land. Pieter van
de Werff still lived, however, and though regarded with suspicion by the
authorities, was a man of weight and honour in the town, but to-night he
was not present there. The food, too, if ample was plain, not on account
of the poverty of the household, for Dirk had prospered in his worldly
affairs, being hard-working and skilful, and the head of the brass foundry
to which in those early days he was apprenticed, but because in such times
people thought little of the refinements of eating. When life itself is so
doubtful, its pleasures and amusements become of small importance. The
ample waiting service of the maid Greta, who long ago had vanished none
knew where, and her fellow domestics was now carried on by the man,
Martin, and one old woman, since, as every menial might be a spy, even the
richest employed few of them. In short all the lighter and more cheerful
parts of life were in abeyance.</p>
<p>"Where is Adrian?" asked Dirk.</p>
<p>"I do not know," answered Lysbeth. "I thought that perhaps——"</p>
<p>"No," replied her husband hastily; "he did not accompany us; he rarely
does."</p>
<p>"Brother Adrian likes to look underneath the spoon before he licks it,"
said Foy with his mouth full.</p>
<p>The remark was enigmatic, but his parents seemed to understand what Foy
meant; at least it was followed by an uncomfortable and acquiescent
silence. Just then Adrian came in, and as we have not seen him since, some
four and twenty years ago, he made his entry into the world on the secret
island in the Haarlemer Meer, here it may be as well to describe his
appearance.</p>
<p>He was a handsome young man, but of quite a different stamp from his
half-brother, Foy, being tall, slight, and very graceful in figure;
advantages which he had inherited from his mother Lysbeth. In countenance,
however, he differed from her so much that none would have guessed him to
be her son. Indeed, Adrian's face was pure Spanish, there was nothing of a
Netherlander about his dark beauty. Spanish were the eyes of velvet black,
set rather close together, Spanish also the finely chiselled features and
the thin, spreading nostrils, Spanish the cold, yet somewhat sensual
mouth, more apt to sneer than smile; the straight, black hair, the clear,
olive skin, and that indifferent, half-wearied mien which became its
wearer well enough, but in a man of his years of Northern blood would have
seemed unnatural or affected.</p>
<p>He took his seat without speaking, nor did the others speak to him till
his stepfather Dirk said:</p>
<p>"You were not at the works to-day, Adrian, although we should have been
glad of your help in founding the culverin."</p>
<p>"No, father"—he called him father—answered the young man in a
measured and rather melodious voice. "You see we don't quite know who is
going to pay for that piece. Or at any rate I don't quite know, as nobody
seems to take me into confidence, and if it should chance to be the losing
side, well, it might be enough to hang me."</p>
<p>Dirk flushed up, but made no answer, only Foy remarked:</p>
<p>"That's right, Adrian, look after your own skin."</p>
<p>"Just now I find it more interesting," went on Adrian loftily and
disregardful of his brother, "to study those whom the cannon may shoot
than to make the cannon which is to shoot them."</p>
<p>"Hope you won't be one of them," interrupted Foy again.</p>
<p>"Where have you been this evening, son?" asked Lysbeth hastily, fearing a
quarrel.</p>
<p>"I have been mixing with the people, mother, at the scene on the
market-place yonder."</p>
<p>"Not the martyrdom of our good friend, Jansen, surely?"</p>
<p>"Yes, mother, why not? It is terrible, it is a crime, no doubt, but the
observer of life should study these things. There is nothing more
fascinating to the philosopher than the play of human passions. The
emotions of the brutal crowd, the stolid indifference of the guard, the
grief of the sympathisers, the stoical endurance of the victims animated
by religious exaltation——"</p>
<p>"And the beautiful logic of the philosopher, with his nose in the air,
while he watches his friend and brother in the Faith being slowly burnt to
death," broke out Foy with passion.</p>
<p>"Hush! hush!" said Dirk, striking his fist upon the table with a blow that
caused the glasses to ring, "this is no subject for word-chopping. Adrian,
you would have been better with us than down below at that butchery, even
though you were less safe," he added, with meaning. "But I wish to run
none into danger, and you are of an age to judge for yourself. I beg you,
however, to spare us your light talk about scenes that we think dreadful,
however interesting you may have found them."</p>
<p>Adrian shrugged his shoulders and called to Martin to bring him some more
meat. As the great man approached him he spread out his fine-drawn
nostrils and sniffed.</p>
<p>"You smell, Martin," he said, "and no wonder. Look, there is blood upon
your jerkin. Have you been killing pigs and forgotten to change it?"</p>
<p>Martin's round blue eyes flashed, then went pale and dead again.</p>
<p>"Yes, master," he answered, in his thick voice, "I have been killing pigs.
But your dress also smells of blood and fire; perhaps you went too near
the stake." At that moment, to put an end to the conversation, Dirk rose
and said grace. Then he went out of the room accompanied by his wife and
Foy, leaving Adrian to finish his meal alone, which he did reflectively
and at leisure.</p>
<p>When he left the eating chamber Foy followed Martin across the courtyard
to the walled-in stables, and up a ladder to the room where the serving
man slept. It was a queer place, and filled with an extraordinary
collection of odds and ends; the skins of birds, otters, and wolves;
weapons of different makes, notably a very large two-handed sword, plain
and old-fashioned, but of excellent steel; bits of harness and other
things.</p>
<p>There was no bed in this room for the reason that Martin disdained a bed,
a few skins upon the floor being all that he needed to lie on. Nor did he
ask for much covering, since so hardy was he by nature, that except in the
very bitterest weather his woollen vest was enough for him. Indeed, he had
been known to sleep out in it when the frost was so sharp that he rose
with his hair and beard covered with icicles.</p>
<p>Martin shut the door and lit three lanterns, which he hung to hooks upon
the wall.</p>
<p>"Are you ready for a turn, master?" he asked.</p>
<p>Foy nodded as he answered, "I want to get the taste of it all out of my
mouth, so don't spare me. Lay on till I get angry, it will make me
forget," and taking a leathern jerkin off a peg he pulled it over his
head.</p>
<p>"Forget what, master?"</p>
<p>"Oh! the prayings and the burnings and Vrouw Jansen, and Adrian's
sea-lawyer sort of talk."</p>
<p>"Ah, yes, that's the worst of them all for us," and the big man leapt
forward and whispered. "Keep an eye on him, Master Foy."</p>
<p>"What do you mean?" asked Foy sharply and flushing.</p>
<p>"What I say."</p>
<p>"You forget; you are talking of my brother, my own mother's son. I will
hear no harm of Adrian; his ways are different to ours, but he is
good-hearted at bottom. Do you understand me, Martin?"</p>
<p>"But not your father's son, master. It's the sire sets the strain; I have
bred horses, and I know."</p>
<p>Foy looked at him and hesitated.</p>
<p>"No," said Martin, answering the question in his eyes. "I have nothing
against him, but he always sees the other side, and that's bad. Also he is
Spanish——"</p>
<p>"And you don't like Spaniards," broke in Foy. "Martin, you are a
pig-headed, prejudiced, unjust jackass."</p>
<p>Martin smiled. "No, master, I don't like Spaniards, nor will you before
you have done with them. But then it is only fair as they don't like me."</p>
<p>"I say, Martin," said Foy, following a new line of thought, "how did you
manage that business so quietly, and why didn't you let me do my share?"</p>
<p>"Because you'd have made a noise, master, and we didn't want the watch on
us; also, being fulled armed, they might have bettered you."</p>
<p>"Good reasons, Martin. How did you do it? I couldn't see much."</p>
<p>"It is a trick I learned up there in Friesland. Some of the Northmen
sailors taught it me. There is a place in a man's neck, here at the back,
and if he is squeezed there he loses his senses in a second. Thus, master—"
and putting out his great hand he gripped Foy's neck in a fashion that
caused him the intensest agony.</p>
<p>"Drop it," said Foy, kicking at his shins.</p>
<p>"I didn't squeeze; I was only showing you," answered Martin, opening his
eyes. "Well, when their wits were gone of course it was easy to knock
their heads together, so that they mightn't find them again. You see," he
added, "if I had left them alive—well, they are dead anyway, and
getting a hot supper by now, I expect. Which shall it be, master? Dutch
stick or Spanish point?"</p>
<p>"Stick first, then point," answered Foy.</p>
<p>"Good. We need 'em both nowadays," and Martin reached down a pair of ash
plants fitted into old sword hilts to protect the hands of the players.</p>
<p>They stood up to each other on guard, and then against the light of the
lanterns it could be seen how huge a man was Martin. Foy, although
well-built and sturdy, and like all his race of a stout habit, looked but
a child beside the bulk of this great fellow. As for their stick game,
which was in fact sword exercise, it is unnecessary to follow its details,
for the end of it was what might almost have been expected. Foy sprang to
and fro slashing and cutting, while Martin the solid scarcely moved his
weapon. Then suddenly there would be a parry and a reach, and the stick
would fall with a thud all down the length of Foy's back, causing the dust
to start from his leathern jerkin.</p>
<p>"It's no good," said Foy at last, rubbing himself ruefully. "What's the
use of guarding against you, you great brute, when you simply crash
through my guard and hit me all the same? That isn't science."</p>
<p>"No, master," answered Martin, "but it is business. If we had been using
swords you would have been in pieces by now. No blame to you and no credit
to me; my reach is longer and my arm heavier, that is all."</p>
<p>"At any rate I am beaten," said Foy; "now take the rapiers and give me a
chance."</p>
<p>Then they went at it with the thrusting-swords, rendered harmless by a
disc of lead upon their points, and at this game the luck turned. Foy was
active as a cat in the eye of a hawk, and twice he managed to get in under
Martin's guard.</p>
<p>"You're dead, old fellow," he said at the second thrust.</p>
<p>"Yes, young master," answered Martin, "but remember that I killed you long
ago, so that you are only a ghost and of no account. Although I have tried
to learn its use to please you, I don't mean to fight with a toasting
fork. This is my weapon," and, seizing the great sword which stood in the
corner, he made it hiss through the air.</p>
<p>Foy took it from his hand and looked at it. It was a long straight blade
with a plain iron guard, or cage, for the hands, and on it, in old
letters, was engraved one Latin word, <i>Silentium</i>, "Silence."</p>
<p>"Why is it called 'Silence,' Martin?"</p>
<p>"Because it makes people silent, I suppose, master."</p>
<p>"What is its history, and how did you come by it?" asked Foy in a
malicious voice. He knew that the subject was a sore one with the huge
Frisian.</p>
<p>Martin turned red as his own beard and looked uncomfortable. "I believe,"
he answered, staring upwards, "that it was the ancient Sword of Justice of
a little place up in Friesland. As to how I came by it, well, I forget."</p>
<p>"And you call yourself a good Christian," said Foy reproachfully. "Now I
have heard that your head was going to be chopped off with this sword, but
that somehow you managed to steal it first and got away."</p>
<p>"There was something of the sort," mumbled Martin, "but it is so long ago
that it slips my mind. I was so often in broils and drunk in those days—may
the dear Lord forgive me—that I can't quite remember things. And
now, by your leave, I want to go to sleep."</p>
<p>"You old liar," said Foy shaking his head at him, "you killed that poor
executioner and made off with his sword. You know you did, and now you are
ashamed to own the truth."</p>
<p>"May be, may be," answered Martin vacuously; "so many things happen in the
world that a fool man cannot remember them all. I want to go to sleep."</p>
<p>"Martin," said Foy, sitting down upon a stool and dragging off his leather
jerkin, "what used you to do before you turned holy? You have never told
me all the story. Come now, speak up. I won't tell Adrian."</p>
<p>"Nothing worth mentioning, Master Foy."</p>
<p>"Out with it, Martin."</p>
<p>"Well, if you wish to know, I am the son of a Friesland boor."</p>
<p>"—And an Englishwoman from Yarmouth: I know all that."</p>
<p>"Yes," repeated Martin, "an Englishwoman from Yarmouth. She was very
strong, my mother; she could hold up a cart on her shoulders while my
father greased the wheels, that is for a bet; otherwise she used to make
my father hold the cart up while <i>she</i> greased the wheels. Folk would
come to see her do the trick. When I grew up I held the cart and they both
greased the wheels. But at last they died of the plague, the pair of them,
God rest their souls! So I inherited the farm——"</p>
<p>"And—" said Foy, fixing him with his eye.</p>
<p>"And," jerked out Martin in an unwilling fashion, "fell into bad habits."</p>
<p>"Drink?" suggested the merciless Foy.</p>
<p>Martin sighed and hung his great head. He had a tender conscience.</p>
<p>"Then you took to prize-fighting," went on his tormentor; "you can't deny
it; look at your nose."</p>
<p>"I did, master, for the Lord hadn't touched my heart in those days, and,"
he added, brisking up, "it wasn't such a bad trade, for nobody ever beat
me except a Brussels man once when I was drunk. He broke my nose, but
afterwards, when I was sober—" and he stopped.</p>
<p>"You killed the Spanish boxer here in Leyden," said Foy sternly.</p>
<p>"Yes," echoed Martin, "I killed him sure enough, but—oh! it was a
pretty fight, and he brought it on himself. He was a fine man, that
Spaniard, but the devil wouldn't play fair, so I just had to kill him. I
hope that they bear in mind up above that I <i>had</i> to kill him."</p>
<p>"Tell me about it, Martin, for I was at The Hague at the time, and can't
remember. Of course I don't approve of such things"—and the young
rascal clasped his hands and looked pious—"but as it is all done
with, one may as well hear the story of the fight. To spin it won't make
you more wicked than you are."</p>
<p>Then suddenly Martin the unreminiscent developed a marvellous memory, and
with much wealth of detail set out the exact circumstances of that
historic encounter.</p>
<p>"And after he had kicked me in the stomach," he ended, "which, master, you
will know he had no right to do, I lost my temper and hit out with all my
strength, having first feinted and knocked up his guard with my left arm——"</p>
<p>"And then," said Foy, growing excited, for Martin really told the story
very well, "what happened?"</p>
<p>"Oh, his head went back between his shoulders, and when they picked him
up, his neck was broken. I was sorry, but I couldn't help it, the Lord
knows I couldn't help it; he shouldn't have called me 'a dirty Frisian ox'
and kicked me in the stomach."</p>
<p>"No, that was very wrong of him. But they arrested you, didn't they,
Martin?"</p>
<p>"Yes, for the second time they condemned me to death as a brawler and a
manslayer. You see, the other Friesland business came up against me, and
the magistrates here had money on the Spaniard. Then your dear father
saved me. He was burgomaster of that year, and he paid the death fine for
me—a large sum—afterwards, too, he taught me to be sober and
think of my soul. So you know why Red Martin will serve him and his while
there is a drop of blood left in his worthless carcase. And now, Master
Foy, I'm going to sleep, and God grant that those dirty Spanish dogs
mayn't haunt me."</p>
<p>"Don't you fear for that, Martin," said Foy as he took his departure, "<i>absolvo
te</i> for those Spaniards. Through your strength God smote them who were
not ashamed to rob and insult a poor new widowed woman after helping to
murder her husband. Yes, Martin, you may enter that on the right side of
the ledger—for a change—for they won't haunt you at night. I'm
more afraid lest the business should be traced home to us, but I don't
think it likely since the street was quite empty."</p>
<p>"Quite empty," echoed Martin nodding his head. "Nobody saw me except the
two soldiers and Vrouw Jansen. They can't tell, and I'm sure that she
won't. Good-night, my young master."</p>
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