<p><span class="pagenum">[Pg 257]</span><SPAN name="XVIII" id="XVIII"></SPAN></p>
<div class="centerbox1 bbox">
<br/>
<div class="centerbox bbox"><span class="chapter">No. 18</span></div>
<br/>
<div class="centerbox2 bbox"><span class="dropcap">F</span>ROM John Graham, at the
London House of Graham & Co., to his son, Pierrepont, at the Union
Stock Yards in Chicago. Mr. Pierrepont is worried over rumors that the old
man is a bear on lard, and that the longs are about to make him climb a tree.</div>
<br/></div>
<p> </p>
<h2>XVIII</h2>
<p class="date"><span class="smcap">London</span>, October 27, 189—</p>
<p><span class="pagenum">[Pg 259]</span><em>Dear Pierrepont:</em> Yours of the twenty-first inst. to hand and I note
the inclosed clippings. You needn’t pay any special attention to this
newspaper talk about the Comstock crowd having caught me short a big
line of November lard. I never sell goods without knowing where I can
find them when I want them, and if these fellows try to put their
forefeet in the trough, or start any shoving and crowding, they’re going
to find me forgetting my table manners, too. For when it comes to funny
business I’m something of a humorist myself. And while I’m too old to
run, I’m young enough to stand and fight.</p>
<p>First and last, a good many men have gone gunning for me, but they’ve
always planned the obsequies before they caught the deceased. I reckon
there hasn’t been a time in twenty years when there wasn’t a<span class="pagenum">[Pg 260]</span> nice
“Gates Ajar” piece all made up and ready for me in some office near the
Board of Trade. But the first essential of a quiet funeral is a willing
corpse. And I’m still sitting up and taking nourishment.</p>
<p>There are two things you never want to pay any attention to—abuse and
flattery. The first can’t harm you and the second can’t help you. Some
men are like yellow dogs—when you’re coming toward them they’ll jump up
and try to lick your hands; and when you’re walking away from them
they’ll sneak up behind and snap at your heels. Last year, when I was
bulling the market, the longs all said that I was a kind-hearted old
philanthropist, who was laying awake nights scheming to get the farmers
a top price for their hogs; and the shorts allowed that I was an
infamous old robber, who was stealing the pork out of the workingman’s
pot. As long as you can’t please both sides in<span class="pagenum">[Pg 261]</span> this world, there’s
nothing like pleasing your own side.</p>
<p>There are mighty few people who can see any side to a thing except their
own side. I remember once I had a vacant lot out on the Avenue, and a
lady came in to my office and in a soothing-syrupy way asked if I would
lend it to her, as she wanted to build a <em>crèche</em> on it. I hesitated a
little, because I had never heard of a <em>crèche</em> before, and someways it
sounded sort of foreign and frisky, though the woman looked like a good,
safe, reliable old heifer. But she explained that a <em>crèche</em> was a baby
farm, where old maids went to wash and feed and stick pins in other
people’s children while their mothers were off at work. Of course, there
was nothing in that to get our pastor or the police after me, so I told
her to go ahead.</p>
<p>She went off happy, but about a week later she dropped in again, looking
sort of dissatisfied, to find out if I wouldn’t build the<span class="pagenum">[Pg 262]</span> <em>crèche</em>
itself. It seemed like a worthy object, so I sent some carpenters over
to knock together a long frame pavilion. She was mighty grateful, you
bet, and I didn’t see her again for a fortnight. Then she called by to
say that so long as I was in the business and they didn’t cost me
anything special, would I mind giving her a few cows. She had a
surprised and grieved expression on her face as she talked, and the way
she put it made me feel that I ought to be ashamed of myself for not
having thought of the live stock myself. So I threw in half a dozen cows
to provide the refreshments.</p>
<p>I thought that was pretty good measure, but the carpenters hadn’t more
than finished with the pavilion before the woman telephoned a sharp
message to ask why I hadn’t had it painted.</p>
<p>I was too busy that morning to quarrel, so I sent word that I would fix
it up; and when I was driving by there next day the<span class="pagenum">[Pg 263]</span> painters were hard
at work on it. There was a sixty-foot frontage of that shed on the
Avenue, and I saw right off that it was just a natural signboard. So I
called over the boss painter and between us we cooked up a nice little
ad that ran something like this:</p>
<p class="center">Graham’s Extract:<br/>
It Makes the Weak Strong.</p>
<p>Well, sir, when she saw the ad next morning that old hen just scratched
gravel. Went all around town saying that I had given a
five-hundred-dollar shed to charity and painted a thousand-dollar ad on
it. Allowed I ought to send my check for that amount to the <em>crèche</em>
fund. Kept at it till I began to think there might be something in it,
after all, and sent her the money. Then I found a fellow who wanted to
build in that neighborhood, sold him the lot cheap, and got out of the
<em>crèche</em> industry.</p>
<p>I’ve put a good deal more than work into my business, and I’ve drawn a
good deal<span class="pagenum">[Pg 264]</span> more than money out of it; but the only thing I’ve ever put
into it which didn’t draw dividends in fun or dollars was worry. That is
a branch of the trade which you want to leave to our competitors.</p>
<p>I’ve always found worrying a blamed sight more uncertain than
horse-racing—it’s harder to pick a winner at it. You go home worrying
because you’re afraid that your fool new clerk forgot to lock the safe
after you, and during the night the lard refinery burns down; you spend
a year fretting because you think Bill Jones is going to cut you out
with your best girl, and then you spend ten worrying because he didn’t;
you worry over Charlie at college because he’s a little wild, and he
writes you that he’s been elected president of the Y.M.C.A.; and you
worry over William because he’s so pious that you’re afraid he’s going
to throw up everything and go to China as a missionary, and he draws on
you for a hundred; you worry because you’re<span class="pagenum">[Pg 265]</span> afraid your business is
going to smash, and your health busts up instead. Worrying is the one
game in which, if you guess right, you don’t get any satisfaction out of
your smartness. A busy man has no time to bother with it. He can always
find plenty of old women in skirts or trousers to spend their days
worrying over their own troubles and to sit up nights waking his.</p>
<p>Speaking of handing over your worries to others naturally calls to mind
the Widow Williams and her son Bud, who was a playmate of mine when I
was a boy. Bud was the youngest of the Widow’s troubles, and she was a
woman whose troubles seldom came singly. Had fourteen altogether, and
four pair of ’em were twins. Used to turn ’em loose in the morning, when
she let out her cows and pigs to browse along the street, and then she’d
shed all worry over them for the rest of the day. Allowed that if they
got hurt the neighbors would bring them home; and that if they got
hungry<span class="pagenum">[Pg 266]</span> they’d come home. And someways, the whole drove always showed up
safe and dirty about meal time.</p>
<p>I’ve no doubt she thought a lot of Bud, but when a woman has fourteen it
sort of unsettles her mind so that she can’t focus her affections or
play any favorites. And so when Bud’s clothes were found at the swimming
hole one day, and no Bud inside them, she didn’t take on up to the
expectations of the neighbors who had brought the news, and who were
standing around waiting for her to go off into something special in the
way of high-strikes.</p>
<p>She allowed that they were Bud’s clothes, all right, but she wanted to
know where the remains were. Hinted that there’d be no funeral, or such
like expensive goings-on, until some one produced the deceased. Take her
by and large, she was a pretty cool, calm cucumber.</p>
<p>But if she showed a little too much Christian resignation, the rest of
the town was<span class="pagenum">[Pg 267]</span> mightily stirred up over Bud’s death, and every one just
quit work to tell each other what a noble little fellow he was; and how
his mother hadn’t deserved to have such a bright little sunbeam in her
home; and to drag the river between talks. But they couldn’t get a rise.</p>
<p>Through all the worry and excitement the Widow was the only one who
didn’t show any special interest, except to ask for results. But
finally, at the end of a week, when they’d strained the whole river
through their drags and hadn’t anything to show for it but a collection
of tin cans and dead catfish, she threw a shawl over her head and went
down the street to the cabin of Louisiana Clytemnestra, an old yellow
woman, who would go into a trance for four bits and find a fortune for
you for a dollar. I reckon she’d have called herself a clairvoyant
nowadays, but then she was just a voodoo woman.</p>
<p>Well, the Widow said she reckoned that<span class="pagenum">[Pg 268]</span> boys ought to be let out as well
as in for half price, and so she laid down two bits, allowing that she
wanted a few minutes’ private conversation with her Bud. Clytie said
she’d do her best, but that spirits were mighty snifty and high-toned,
even when they’d only been poor white trash on earth, and it might make
them mad to be called away from their high jinks if they were taking a
little recreation, or from their high-priced New York customers if they
were working, to tend to cut-rate business. Still, she’d have a try, and
she did. But after having convulsions for half an hour, she gave it up.
Reckoned that Bud was up to some cussedness off somewhere, and that he
wouldn’t answer for any two-bits.</p>
<p><span class="pagenum">[<SPAN name="illus017" id="illus017"></SPAN>illus017]</span></p>
<div class="figcenter"> <ANTIMG src="images/illus17.png" width-obs="412" height-obs="600" alt="Elder Hoover was accounted a powerful exhorter in our parts." title="" /> <span class="caption">“<em>Elder Hoover was accounted a<br/>powerful exhorter in our parts.</em>”</span></div>
<p>The Widow was badly disappointed, but she allowed that that was just
like Bud. He’d always been a boy that never could be found when any one
wanted him. So she went off, saying that she’d had her money’s worth in
seeing Clytie throw those fancy <span class="pagenum">[Pg 269]</span>fits. But next day she came again and
paid down four bits, and Clytie reckoned that that ought to fetch Bud
sure. Someways though, she didn’t have any luck, and finally the Widow
suggested that she call up Bud’s father—Buck Williams had been dead a
matter of ten years—and the old man responded promptly.</p>
<p>“Where’s Bud?” asked the Widow.</p>
<p>Hadn’t laid eyes on him. Didn’t know he’d come across. Had he joined the
church before he started?</p>
<p>“No.”</p>
<p>Then he’d have to look downstairs for him.</p>
<p>Clytie told the Widow to call again and they’d get him sure. So she came
back next day and laid down a dollar. That fetched old Buck Williams’
ghost on the jump, you bet, but he said he hadn’t laid eyes on Bud yet.
They hauled the Sweet By and By with a drag net, but they couldn’t get a
rap from him. Clytie trotted out George Washington,<span class="pagenum">[Pg 270]</span> and Napoleon, and
Billy Patterson, and Ben Franklin, and Captain Kidd, just to show that
there was no deception, but they couldn’t get a whisper even from Bud.</p>
<p>I reckon Clytie had been stringing the old lady along, intending to
produce Bud’s spook as a sort of red-fire, calcium-light,
grand-march-of-the-Amazons climax, but she didn’t get a chance. For
right there the old lady got up with a mighty set expression around her
lips and marched out, muttering that it was just as she had thought all
along—Bud wasn’t there. And when the neighbors dropped in that
afternoon to plan out a memorial service for her “lost lamb,” she chased
them off the lot with a broom. Said that they had looked in the river
for him and that she had looked beyond the river for him, and that they
would just stand pat now and wait for him to make the next move. Allowed
that if she could once get her hands in “that lost lamb’s” wool there
might be an opening for a funeral when she<span class="pagenum">[Pg 271]</span> got through with him, but
there wouldn’t be till then. Altogether, it looked as if there was a
heap of trouble coming to Bud if he had made any mistake and was still
alive.</p>
<p>The Widow found her “lost lamb” hiding behind a rain-barrel when she
opened up the house next morning, and there was a mighty touching and
affecting scene. In fact, the Widow must have touched him at least a
hundred times and every time he was affected to tears, for she was using
a bed slat, which is a powerfully strong moral agent for making a boy
see the error of his ways. And it was a month after that before Bud
could go down Main Street without some man who had called him a noble
little fellow, or a bright, manly little chap, while he was drowned,
reaching out and fetching him a clip on the ear for having come back and
put the laugh on him.</p>
<p>No one except the Widow ever really got at the straight of Bud’s
conduct, but it <span class="pagenum">[Pg 272]</span>appeared that he left home to get a few Indian scalps,
and that he came back for a little bacon and corn pone.</p>
<p>I simply mention the Widow in passing as an example of the fact that the
time to do your worrying is when a thing is all over, and that the way
to do it is to leave it to the neighbors. I sail for home to-morrow.</p>
<p><span style="margin-left: 22em;">Your affectionate father,</span><br/>
<span style="margin-left: 27em;"><span class="smcap">John Graham.</span></span></p>
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