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<h1>THE DIARY OF A GOOSE GIRL</h1>
<p style="text-align: center"><span class="smcap">by</span><br/>
KATE DOUGLAS WIGGIN</p>
<p style="text-align: center"><span class="smcap">with
illustrations by</span><br/>
CLAUDE A. SHEPPERSON</p>
<p style="text-align: center">GAY AND BIRD<br/>
<span class="smcap">22 bedford street</span>, <span class="smcap">strand</span><br/>
LONDON<br/>
1902</p>
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<ANTIMG alt="I looked about me with what Stevenson calls a ‘fine dizzy, muddle-headed job’" src="images/p01s.jpg" /></SPAN></p>
<p style="text-align: center">TO THE HENS, DUCKS, AND GEESE<br/>
WHO SO KINDLY GAVE ME<br/>
SITTINGS FOR THESE<br/>
SKETCHES THE BOOK<br/>
IS GRATEFULLY<br/>
INSCRIBED</p>
<h2>CHAPTER I.</h2>
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<ANTIMG alt="Thornycroft House" src="images/p1as.jpg" /></SPAN></p>
<p style="text-align: right"><span class="smcap">Thornycroft
Farm</span>, near Barbury Green, July 1, 190-.</p>
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<ANTIMG alt="Picture of woman and goose" src="images/p1b.jpg" /></SPAN></p>
<p>In alluding to myself as a Goose Girl, I am using only the
most modest of my titles; for I am also a poultry-maid, a tender
of Belgian hares and rabbits, and a shepherdess; but I
particularly fancy the rôle of Goose Girl, because it
recalls the German fairy tales of my early youth, when I always
yearned, but never hoped, to be precisely what I now am.</p>
<p>As I was jolting along these charming Sussex roads the other
day, a fat buff pony and a tippy cart being my manner of
progression, I chanced upon the village of Barbury Green.</p>
<p>One glance was enough for any woman, who, having eyes to see,
could see with them; but I made assurance doubly sure by driving
about a little, struggling to conceal my new-born passion from
the stable-boy who was my escort. Then, it being high noon
of a cloudless day, I descended from the trap and said to the
astonished yokel: “You may go back to the Hydropathic; I am
spending a month or two here. Wait a
moment—I’ll send a message, please!”</p>
<p>I then scribbled a word or two to those having me in
custody.</p>
<p>“I am very tired of people,” the note ran,
“and want to rest myself by living a while with
things. Address me (if you must) at Barbury Green
post-office, or at all events send me a box of simple clothing
there—nothing but shirts and skirts, please. I cannot
forget that I am only twenty miles from Oxenbridge (though it
might be one hundred and twenty, which is the reason I adore it),
but I rely upon you to keep an honourable distance yourselves,
and not to divulge my place of retreat to others, especially
to—you know whom! Do not pursue me. I will
never be taken alive!”</p>
<p>Having cut, thus, the cable that bound me to civilisation, and
having seen the buff pony and the dazed yokel disappear in a
cloud of dust, I looked about me with what Stevenson calls a
“fine, dizzy, muddle-headed joy,” the joy of a
successful rebel or a liberated serf. Plenty of money in my
purse—that was unromantic, of course, but it simplified
matters—and nine hours of daylight remaining in which to
find a lodging.</p>
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<ANTIMG alt="Life converges there, just at the public duck-pond" src="images/p3s.jpg" /></SPAN></p>
<p>The village is one of the oldest, and I am sure it must be one
of the quaintest, in England. It is too small to be printed
on the map (an honour that has spoiled more than one Arcadia), so
pray do not look there, but just believe in it, and some day you
may be rewarded by driving into it by chance, as I did, and feel
the same Columbus thrill running, like an electric current,
through your veins. I withhold specific geographical
information in order that you may not miss that Columbus thrill,
which comes too seldom in a world of railroads.</p>
<p>The Green is in the very centre of Barbury village, and all
civic, political, family, and social life converges there, just
at the public duck-pond—a wee, sleepy lake with a slope of
grass-covered stones by which the ducks descend for their
swim.</p>
<p>The houses are set about the Green like those in a toy
village. They are of old brick, with crumpled, up-and-down
roofs of deep-toned red, and tufts of stonecrop growing from the
eaves. Diamond-paned windows, half open, admit the sweet
summer air; and as for the gardens in front, it would seem as if
the inhabitants had nothing to do but work in them, there is such
a riotous profusion of colour and bloom. To add to the
effect, there are always pots of flowers hanging from the trees,
blue flax and yellow myrtle; and cages of Java sparrows and
canaries singing joyously, as well they may in such a
paradise.</p>
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<ANTIMG alt="The houses are set about the Green" src="images/p5s.jpg" /></SPAN></p>
<p>The shops are idyllic, too, as if Nature had seized even the
man of trade and made him subservient to her designs. The
general draper’s, where I fitted myself out for a day or
two quite easily, is set back in a tangle of poppies and sweet
peas, Madonna lilies and Canterbury bells. The shop itself
has a gay awning, and what do you think the draper has suspended
from it, just as a picturesque suggestion to the passer-by?
Suggestion I call it, because I should blush to use the word
advertisement in describing anything so dainty and
decorative. Well, then, garlands of shoes, if you
please! Baby bootlets of bronze; tiny ankle-ties in yellow,
blue, and scarlet kid; glossy patent-leather pumps shining in the
sun, with festoons of slippers at the corners, flowery slippers
in imitation Berlin wool-work. If you make this picture in
your mind’s-eye, just add a window above the awning, and
over the fringe of marigolds in the window-box put the
draper’s wife dancing a rosy-cheeked baby. Alas! my
words are only black and white, I fear, and this picture needs a
palette drenched in primary colours.</p>
<p>Along the street, a short distance, is the old
watchmaker’s. Set in the hedge at the gate is a glass
case with <i>Multum in Parvo</i> painted on the woodwork.
Within, a little stand of trinkets revolves slowly; as slowly, I
imagine, as the current of business in that quiet street.
The house stands a trifle back and is covered thickly with ivy,
while over the entrance-door of the shop is a great round clock
set in a green frame of clustering vine. The hands pointed
to one when I passed the watchmaker’s garden with its
thicket of fragrant lavender and its murmuring bees; so I went in
to the sign of the “Strong i’ the Arm” for some
cold luncheon, determining to patronise “The Running
Footman” at the very next opportunity. Neither of
these inns is starred by Baedeker, and this fact adds the last
touch of enchantment to the picture.</p>
<p>The landlady at the “Strong i’ the Arm”
stabbed me in the heart by telling me that there were no
apartments to let in the village, and that she had no private
sitting-room in the inn; but she speedily healed the wound by
saying that I might be accommodated at one of the farm-houses in
the vicinity. Did I object to a farm-’ouse?
Then she could cheerfully recommend the Evan’s farm, only
’alf a mile away. She ’ad understood from Miss
Phœbe Evan, who sold her poultry, that they would take one
lady lodger if she didn’t wish much waiting upon.</p>
<p>In my present mood I was in search of the strenuous life, and
eager to wait, rather than to be waited upon; so I walked along
the edge of the Green, wishing that some mentally unbalanced
householder would take a sudden fancy to me and ask me to come in
and lodge awhile. I suppose these families live under their
roofs of peach-blow tiles, in the midst of their blooming
gardens, for a guinea a week or thereabouts; yet if they
“undertook” me (to use their own phrase), the bill
for my humble meals and bed would be at least double that.
I don’t know that I blame them; one should have proper
compensation for admitting a world-stained lodger into such an
Eden.</p>
<p>When I was searching for rooms a week ago, I chanced upon a
pretty cottage where the woman had sometimes let
apartments. She showed me the premises and asked me if I
would mind taking my meals in her own dining-room, where I could
be served privately at certain hours: and, since she had but the
one sitting-room, would I allow her to go on using it
occasionally? also, if I had no special preference, would I take
the second-sized bedroom and leave her in possession of the
largest one, which permitted her to have the baby’s crib by
her bedside? She thought I should be quite as comfortable,
and it was her opinion that in making arrangements with lodgers,
it was a good plan not to “bryke up the ’ome any more
than was necessary.”</p>
<p>“Bryke up the ’ome!” That is seemingly
the malignant purpose with which I entered Barbury Green.</p>
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