<h4><SPAN name="CHAPTER9" id="CHAPTER9">CHAPTER XI.<br/>
THE DAY OF DESOLATION.</SPAN></h4>
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<p>Yes; the terrible day had come. Mary Marchmont roamed hither and thither in
the big gaunt rooms, up and down the long dreary corridors, white and ghostlike
in her mute anguish, while the undertaker's men were busy in her father's
chamber, and while John's widow sat in the study below, writing business
letters, and making all necessary arrangements for the funeral.</p>
<p>In those early days no one attempted to comfort the orphan. There was
something more terrible than the loudest grief in the awful quiet of the girl's
anguish. The wan eyes, looking wearily out of a white haggard face, that seemed
drawn and contracted as if by some hideous physical torture, were tearless.
Except the one long wail of despair which had burst from her lips in the awful
moment of her father's death agony, no cry of sorrow, no utterance of pain, had
given relief to Mary Marchmont's suffering.</p>
<p>She suffered, and was still. She shrank away from all human companionship;
she seemed specially to avoid the society of her stepmother. She locked the
door of her room upon all who would have intruded on her, and flung herself
upon the bed, to lie there in a dull stupor for hour after hour. But when the
twilight was grey in the desolate corridors, the wretched girl wandered out
into the gallery on which her father's room opened, and hovered near that
solemn death–chamber; fearful to go in, fearful to encounter the watchers
of the dead, lest they should torture her by their hackneyed expressions of
sympathy, lest they should agonise her by their commonplace talk of the
lost.</p>
<p>Once during that brief interval, while the coffin still held terrible
tenancy of the death–chamber, the girl wandered in the dead of the night,
when all but the hired watchers were asleep, to the broad landing of the oaken
staircase, and into a deep recess formed by an embayed window that opened over
the great stone porch which sheltered the principal entrance to Marchmont
Towers.</p>
<p>The window had been left open; for even in the bleak autumn weather the
atmosphere of the great house seemed hot and oppressive to its living inmates,
whose spirits were weighed down by a vague sense of the Awful Presence in that
Lincolnshire mansion. Mary had wandered to this open window, scarcely knowing
whither she went, after remaining for a long time on her knees by the threshold
of her father's room, with her head resting against the oaken panel of the
door,––not praying; why should she pray now, unless her prayers
could have restored the dead? She had come out upon the wide staircase, and
past the ghostly pictured faces, that looked grimly down upon her from the
oaken wainscot against which they hung; she had wandered here in the dim grey
light––there was light somewhere in the sky, but only a shadowy and
uncertain glimmer of fading starlight or coming dawn––and she stood
now with her head resting against one of the angles of the massive stonework,
looking out of the open window.</p>
<p>The morning which was already glimmering dimly in the eastern sky behind
Marchmont Towers was to witness poor John's funeral. For nearly six days Mary
Marchmont had avoided all human companionship: for nearly six days she had
shunned all human sympathy and comfort. During all that time she had never
eaten, except when forced to do so by her stepmother; who had visited her from
time to time, and had insisted upon sitting by her bedside while she took the
food that had been brought to her. Heaven knows how often the girl had slept
during those six dreary days; but her feverish slumbers had brought her very
little rest or refreshment. They had brought her nothing but cruel dreams, in
which her father was still alive; in which she felt his thin arms clasped round
her neck, his faint and fitful breath warm upon her cheek.</p>
<p>A great clock in the stables struck five while Mary Marchmont stood looking
out of the Tudor window. The broad grey flat before the house stretched far
away, melting into the shadowy horizon. The pale stars grew paler as Mary
looked at them; the black–water pools began to glimmer faintly under the
widening patch of light in the eastern sky. The girl's senses were bewildered
by her suffering, and her head was light and dizzy.</p>
<p>Her father's death had made so sudden and terrible a break in her existence,
that she could scarcely believe the world had not come to an end, with all the
joys and sorrows of its inhabitants. Would there be anything more after
to–morrow? she thought; would the blank days and nights go monotonously
on when the story that had given them a meaning and a purpose had come to its
dismal end? Surely not; surely, after those gaunt iron gates, far away across
the swampy waste that was called a park, had closed upon her father's funeral
train, the world would come to an end, and there would be no more time or
space. I think she really believed this in the semi–delirium into which
she had fallen within the last hour. She believed that all would be over; and
that she and her despair would melt away into the emptiness that was to engulf
the universe after her father's funeral.</p>
<p>Then suddenly the full reality of her grief flashed upon her with horrible
force. She clasped her hands upon her forehead, and a low faint cry broke from
her white lips.</p>
<p>It was <em>not</em> all over. Time and space would <em>not</em> be
annihilated. The weary, monotonous, workaday world would still go on upon its
course. <em>Nothing</em> would be changed. The great gaunt stone mansion would
still stand, and the dull machinery of its interior would still go on: the same
hours; the same customs; the same inflexible routine. John Marchmont would be
carried out of the house that had owned him master, to lie in the dismal vault
under Kemberling Church; and the world in which he had made so little stir
would go on without him. The easy–chair in which he had been wont to sit
would be wheeled away from its corner by the fireplace in the western
drawing–room. The papers in his study would be sorted and put away, or
taken possession of by strange hands. Cromwells and Napoleons die, and the
earth reels for a moment, only to be "alive and bold" again in the next
instant, to the astonishment of poets, and the calm satisfaction of
philosophers; and ordinary people eat their breakfasts while the telegram lies
beside them upon the table, and while the ink in which Mr. Reuter's message is
recorded is still wet from the machine in Printing–house Square.</p>
<p>Anguish and despair more terrible than any of the tortures she had felt yet
took possession of Mary Marchmont's breast. For the first time she looked out
at her own future. Until now she had thought only of her father's death. She
had despaired because he was gone; but she had never contemplated the horror of
her future life,––a life in which she was to exist without him. A
sudden agony, that was near akin to madness, seized upon this girl, in whose
sensitive nature affection had always had a morbid intensity. She shuddered
with a wild dread at the prospect of that blank future; and as she looked out
at the wide stone steps below the window from which she was leaning, for the
first time in her young life the idea of self–destruction flashed across
her mind.</p>
<p>She uttered a cry, a shrill, almost unearthly cry, that was notwithstanding
low and feeble, and clambered suddenly upon the broad stone sill of the Tudor
casement. She wanted to fling herself down and dash her brains out upon the
stone steps below; but in the utter prostration of her state she was too feeble
to do this, and she fell backwards and dropped in a heap upon the polished
oaken flooring of the recess, striking her forehead as she fell. She lay there
unconscious until nearly seven o'clock, when one of the women–servants
found her, and carried her off to her own room, where she suffered herself to
be undressed and put to bed.</p>
<p>Mary Marchmont did not speak until the good–hearted Lincolnshire
housemaid had laid her in her bed, and was going away to tell Olivia of the
state in which she had found the orphan girl.</p>
<p>"Don't tell my stepmother anything about me, Susan," she said; "I think I
was mad last night."</p>
<p>This speech frightened the housemaid, and she went straight to the widow's
room. Mrs. Marchmont, always an early riser, had been up and dressed for some
time, and went at once to look at her stepdaughter.</p>
<p>She found Mary very calm and reasonable. There was no trace of bewilderment
or delirium now in her manner; and when the principal doctor of Swampington
came a couple of hours afterwards to look at the young heiress, he declared
that there was no cause for any alarm. The young lady was sensitive, morbidly
sensitive, he said, and must be kept very quiet for a few days, and watched by
some one whose presence would not annoy her. If there was any girl of her own
age whom she had ever shown a predilection for, that girl would be the fittest
companion for her just now. After a few days, it would be advisable that she
should have change of air and change of scene. She must not be allowed to brood
continuously on her father's death. The doctor repeated this last injunction
more than once. It was most important that she should not give way too
perpetually to her grief.</p>
<p>So Mary Marchmont lay in her darkened room while her father's funeral train
was moving slowly away from the western entrance. It happened that the orphan
girl's apartments looked out into the quadrangle; so she heard none of the
subdued sounds which attended the departure of that solemn procession. In her
weakness she had grown submissive to the will of others. She thought this
feebleness and exhaustion gave warning of approaching death. Her prayers would
be granted, after all. This anguish and despair would be but of brief duration,
and she would ere long be carried to the vault under Kemberling Church, to lie
beside her father in the black stillness of that solemn place.</p>
<p>Mrs. Marchmont strictly obeyed the doctor's injunctions. A girl of
seventeen, the daughter of a small tenant farmer near the Towers, had been a
special favourite with Mary, who was not apt to make friends amongst strangers.
This girl, Hester Pollard, was sent for, and came willingly and gladly to watch
her young patroness. She brought her needlework with her, and sat near the
window busily employed, while Mary lay shrouded by the curtains of the bed. All
active services necessary for the comfort of the invalid were performed by
Olivia or her own special attendant––an old servant who had lived
with the Rector ever since his daughter's birth, and had only left him to
follow that daughter to Marchmont Towers after her marriage. So Hester Pollard
had nothing to do but to keep very quiet, and patiently await the time when
Mary might be disposed to talk to her. The farmer's daughter was a gentle,
unobtrusive creature, very well fitted for the duty imposed upon her.</p>
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