<h4><SPAN name="CHAPTER8" id="CHAPTER8">CHAPTER X.<br/>
MARY'S STEPMOTHER.</SPAN></h4>
<p></p>
<p>Perhaps there was never a quieter courtship than that which followed
Olivia's acceptance of John Marchmont's offer. There had been no pretence of
sentiment on either side; yet I doubt if John had been much more sentimental
during his early love–making days, though he had very tenderly and truly
loved his first wife. There were few sparks of the romantic or emotional fire
in his placid nature. His love for his daughter, though it absorbed his whole
being, was a silent and undemonstrative affection; a thoughtful and almost
fearful devotion, which took the form of intense but hidden anxiety for his
child's future, rather than any outward show of tenderness.</p>
<p>Had his love been of a more impulsive and demonstrative character, he would
scarcely have thought of taking such a step as that he now contemplated,
without first ascertaining whether it would be agreeable to his daughter.</p>
<p>But he never for a moment dreamt of consulting Mary's will upon this
important matter. He looked with fearful glances towards the dim future, and
saw his darling, a lonely figure upon a barren landscape, beset by enemies
eager to devour her; and he snatched at this one chance of securing her a
protectress, who would be bound to her by a legal as well as a moral tie; for
John Marchmont meant to appoint his second wife the guardian of his child. He
thought only of this; and he hurried on his suit at the Rectory, fearful lest
death should come between him and his loveless bride, and thus deprive his
darling of a second mother.</p>
<p>This was the history of John Marchmont's marriage. It was not till a week
before the day appointed for the wedding that he told his daughter what he was
about to do. Edward Arundel knew the secret, but he had been warned not to
reveal it to Mary.</p>
<p>The father and daughter sat together late one evening in the first week of
December, in the great western drawing–room. Edward had gone to a party
at Swampington, and was to sleep at the Rectory; so Mary and her father were
alone.</p>
<p>It was nearly eleven o'clock; but Miss Marchmont had insisted upon sitting
up until her father should retire to rest. She had always sat up in Oakley
Street, she had remonstrated, though she was much younger then. She sat on a
velvet–covered hassock at her father's feet, with her loose hair falling
over his knee, as her head lay there in loving abandonment. She was not talking
to him; for neither John nor Mary were great talkers; but she was with
him––that was quite enough.</p>
<p>Mr. Marchmont's thin fingers twined themselves listlessly in and out of the
fair curls upon his knee. Mary was thinking of Edward and the party at
Swampington. Would he enjoy himself very, very much? Would he be sorry that she
was not there? It was a grown–up party, and she wasn't old enough for
grown–up parties yet. Would the pretty girls in blue be there? and would
he dance with them?</p>
<p>Her father's face was clouded by a troubled expression, as he looked
absently at the red embers in the low fireplace. He spoke presently, but his
observation was a very commonplace one. The opening speeches of a tragedy are
seldom remarkable for any ominous or solemn meaning. Two gentlemen meet each
other in a street very near the footlights, and converse rather flippantly
about the aspect of affairs in general; there is no hint of bloodshed and agony
till we get deeper into the play.</p>
<p>So Mr. Marchmont, bent upon making rather an important communication to his
daughter, and for the first time feeling very fearful as to how she would take
it, began thus:</p>
<p>"You really ought to go to bed earlier, Polly dear; you've been looking very
pale lately, and I know such hours as these must be bad for you."</p>
<p>"Oh, no, papa dear," cried the young lady; "I'm always pale; that's natural
to me. Sitting up late doesn't hurt me, papa. It never did in Oakley Street,
you know."</p>
<p>John Marchmont shook his head sadly.</p>
<p>"I don't know that," he said. "My darling had to suffer many evils through
her father's poverty. If you had some one who loved you, dear, a lady, you
know,––for a man does not understand these sort of
things,––your health would be looked after more carefully,
and––and––your
education––and––in short, you would be altogether
happier; wouldn't you, Polly darling?"</p>
<p>He asked the question in an almost piteously appealing tone. A terrible fear
was beginning to take possession of him. His daughter might be grieved at this
second marriage. The very step which he had taken for her happiness might cause
her loving nature pain and sorrow. In the utter cowardice of his affection he
trembled at the thought of causing his darling any distress in the present,
even for her own welfare,––even for her future good; and he
<em>knew</em> that the step he was about to take would secure that. Mary
started from her reclining position, and looked up into her father's face.</p>
<p>"You're not going to engage a governess for me, papa?" she cried eagerly.
"Oh, please don't. We are so much better as it is. A governess would keep me
away from you, papa; I know she would. The Miss Llandels, at Impley Grange,
have a governess; and they only come down to dessert for half an hour, or go
out for a drive sometimes, so that they very seldom see their papa. Lucy told
me so; and they said they'd give the world to be always with their papa, as I
am with you. Oh, pray, pray, papa darling, don't let me have a governess."</p>
<p>The tears were in her eyes as she pleaded to him. The sight of those tears
made him terribly nervous.</p>
<p>"My own dear Polly," he said, "I'm not going to engage a governess.
I––; Polly, Polly dear, you must be reasonable. You mustn't grieve
your poor father. You are old enough to understand these things now, dear. You
know what the doctors have said. I may die, Polly, and leave you alone in the
world."</p>
<p>She clung closely to her father, and looked up, pale and trembling, as she
answered him.</p>
<p>"When you die, papa, I shall die too. I could never, never live without
you."</p>
<p>"Yes, yes, my darling, you would. You will live to lead a happy life, please
God, and a safe one; but if I die, and leave you very young, very
inexperienced, and innocent, as I may do, my dear, you must not be without a
friend to watch over you, to advise, to protect you. I have thought of this
long and earnestly, Polly; and I believe that what I am going to do is
right."</p>
<p>"What you are going to do!" Mary cried, repeating her father's words, and
looking at him in sudden terror. "What do you mean, papa? What are you going to
do? Nothing that will part us! O papa, papa, you will never do anything to part
us!"</p>
<p>"No, Polly darling," answered Mr. Marchmont. "Whatever I do, I do for your
sake, and for that alone. I'm going to be married, my dear."</p>
<p>Mary burst into a low wail, more pitiful than any ordinary weeping.</p>
<p>"O papa, papa," she cried, "you never will, you never will!"</p>
<p>The sound of that piteous voice for a few moments quite unmanned John
Marchmont; but he armed himself with a desperate courage. He determined not to
be influenced by this child to relinquish the purpose which he believed was to
achieve her future welfare.</p>
<p>"Mary, Mary dear," he said reproachfully, "this is very cruel of you. Do you
think I haven't consulted your happiness before my own? Do you think I shall
love you less because I take this step for your sake? You are very cruel to me,
Mary."</p>
<p>The little girl rose from her kneeling attitude, and stood before her
father, with the tears streaming down her white cheeks, but with a certain air
of resolution about her. She had been a child for a few moments; a child, with
no power to look beyond the sudden pang of that new sorrow which had come to
her. She was a woman now, able to rise superior to her sorrow in the strength
of her womanhood.</p>
<p>"I won't be cruel, papa," she said; "I was selfish and wicked to talk like
that. If it will make you happy to have another wife, papa, I'll not be sorry.
No, I won't be sorry, even if your new wife separates us––a
little."</p>
<p>"But, my darling," John remonstrated, "I don't mean that she should separate
us at all. I wish you to have a second friend, Polly; some one who can
understand you better than I do, who may love you perhaps almost as well." Mary
Marchmont shook her head; she could not realise this possibility. "Do you
understand me, my dear?" her father continued earnestly. "I want you to have
some one who will be a mother to you; and I hope––I am sure that
Olivia––"</p>
<p>Mary interrupted him by a sudden exclamation, that was almost like a cry of
pain.</p>
<p>"Not Miss Arundel!" she said. "O papa, it is not Miss Arundel you're going
to marry!"</p>
<p>Her father bent his head in assent.</p>
<p>"What is the matter with you, Mary?" he said, almost fretfully, as he saw
the look of mingled grief and terror in his daughter's face. "You are really
quite unreasonable to–night. If I am to marry at all, who should I choose
for a wife? Who could be better than Olivia Arundel? Everybody knows how good
she is. Everybody talks of her goodness."</p>
<p>In these two sentences Mr. Marchmont made confession of a fact he had never
himself considered. It was not his own impulse, it was no instinctive belief in
her goodness, that had led him to choose Olivia Arundel for his wife. He had
been influenced solely by the reiterated opinions of other people.</p>
<p>"I know she is very good, papa," Mary cried; "but, oh, why, why do you marry
her? Do you love her so very, very much?"</p>
<p>"Love her!" exclaimed Mr. Marchmont na�vely; "no, Polly dear; you know I
never loved any one but you."</p>
<p>"Why do you marry her then?"</p>
<p>"For your sake, Polly; for your sake."</p>
<p>"But don't then, papa; oh, pray, pray don't. I don't want her. I don't like
her. I could never be happy with her."</p>
<p>"Mary! Mary!"</p>
<p>"Yes, I know it's very wicked to say so, but it's true, papa; I never,
never, never could be happy with her. I know she is good, but I don't like her.
If I did anything wrong, I should never expect her to forgive me for it; I
should never expect her to have mercy upon me. Don't marry her, papa; pray,
pray don't marry her."</p>
<p>"Mary," said Mr. Marchmont resolutely, "this is very wrong of you. I have
given my word, my dear, and I cannot recall it. I believe that I am acting for
the best. You must not be childish now, Mary. You have been my comfort ever
since you were a baby; you mustn't make me unhappy now."</p>
<p>Her father's appeal went straight to her heart. Yes, she had been his help
and comfort since her earliest infancy, and she was not unused to
self–sacrifice: why should she fail him now? She had read of martyrs,
patient and holy creatures, to whom suffering was glory; she would be a martyr,
if need were, for his sake. She would stand steadfast amid the blazing fagots,
or walk unflinchingly across the white–hot ploughshare, for his sake, for
his sake.</p>
<p>"Papa, papa," she cried, flinging herself upon her father's neck, "I will
not make you sorry. I will be good and obedient to Miss Arundel, if you wish
it."</p>
<p>Mr. Marchmont carried his little girl up to her comfortable bedchamber,
close at hand to his own. She was very calm when she bade him good night, and
she kissed him with a smile upon her face; but all through the long hours
before the late winter morning Mary Marchmont lay awake, weeping silently and
incessantly in her new sorrow; and all through the same weary hours the master
of that noble Lincolnshire mansion slept a fitful and troubled slumber,
rendered hideous by confused and horrible dreams, in which the black shadow
that came between him and his child, and the cruel hand that thrust him for
ever from his darling, were Olivia Arundel's.</p>
<p>But the morning light brought relief to John Marchmont and his child. Mary
arose with the determination to submit patiently to her father's choice, and to
conceal from him all traces of her foolish and unreasoning sorrow. John awoke
from troubled dreams to believe in the wisdom of the step he had taken, and to
take comfort from the thought that in the far–away future his daughter
would have reason to thank and bless him for the choice he had made.</p>
<p>So the few days before the marriage passed away––miserably short
days, that flitted by with terrible speed; and the last day of all was made
still more dismal by the departure of Edward Arundel, who left Marchmont Towers
to go to Dangerfield Park, whence he was most likely to start once more for
India.</p>
<p>Mary felt that her narrow world of love was indeed crumbling away from her.
Edward was lost, and to–morrow her father would belong to another. Mr.
Marchmont dined at the Rectory upon that last evening; for there were
settlements to be signed, and other matters to be arranged; and Mary was
alone––quite alone––weeping over her lost happiness.</p>
<p>"This would never have happened," she thought, "if we hadn't come to
Marchmont Towers. I wish papa had never had the fortune; we were so happy in
Oakley Street,––so very happy. I wouldn't mind a bit being poor
again, if I could be always with papa."</p>
<p>Mr. Marchmont had not been able to make himself quite comfortable in his
mind, after that unpleasant interview with his daughter in which he had broken
to her the news of his approaching marriage. Argue with himself as he might
upon the advisability of the step he was about to take, he could not argue away
the fact that he had grieved the child he loved so intensely. He could not blot
away from his memory the pitiful aspect of her terror–stricken face as
she had turned it towards him when he uttered the name of Olivia Arundel.</p>
<p>No; he had grieved and distressed her. The future might reconcile her to
that grief, perhaps, as a bygone sorrow which she had been allowed to suffer
for her own ultimate advantage. But the future was a long way off: and in the
meantime there was Mary's altered face, calm and resigned, but bearing upon it
a settled look of sorrow, very close at hand; and John Marchmont could not be
otherwise than unhappy in the knowledge of his darling's grief.</p>
<p>I do not believe that any man or woman is ever suffered to take a fatal step
upon the roadway of life without receiving ample warning by the way. The
stumbling–blocks are placed in the fatal path by a merciful hand; but we
insist upon clambering over them, and surmounting them in our blind obstinacy,
to reach that shadowy something beyond, which we have in our ignorance
appointed to be our goal. A thousand ominous whispers in his own breast warned
John Marchmont that the step he considered so wise was not a wise one: and yet,
in spite of all these subtle warnings, in spite of the ever–present
reproach of his daughter's altered face, this man, who was too weak to trust
blindly in his God, went on persistently upon his way, trusting, with a
thousand times more fatal blindness, in his own wisdom.</p>
<p>He could not be content to confide his darling and her altered fortunes to
the Providence which had watched over her in her poverty, and sheltered her
from every harm. He could not trust his child to the mercy of God; but he cast
her upon the love of Olivia Arundel.</p>
<p>A new life began for Mary Marchmont after the quiet wedding at Swampington
Church. The bride and bridegroom went upon a brief honeymoon excursion far away
amongst snow–clad Scottish mountains and frozen streams, upon whose
bloomless margins poor John shivered dismally. I fear that Mr. Marchmont,
having been, by the hard pressure of poverty, compelled to lead a Cockney life
for the better half of his existence, had but slight relish for the grand and
sublime in nature. I do not think he looked at the ruined walls which had once
sheltered Macbeth and his strong–minded partner with all the enthusiasm
which might have been expected of him. He had but one idea about Macbeth, and
he was rather glad to get out of the neighbourhood associated with the warlike
Thane; for his memories of the past presented King Duncan's murderer as a very
stern and uncompromising gentleman, who was utterly intolerant of banners held
awry, or turned with the blank and ignoble side towards the audience, and who
objected vehemently to a violent fit of coughing on the part of any one of his
guests during the blank barmecide feast of pasteboard and Dutch metal with
which he was wont to entertain them. No; John Marchmont had had quite enough of
Macbeth, and rather wondered at the hot enthusiasm of other red–nosed
tourists, apparently indifferent to the frosty weather.</p>
<p>I fear that the master of Marchmont Towers would have preferred Oakley
Street, Lambeth, to Princes Street, Edinburgh; for the nipping and eager airs
of the Modern Athens nearly blew him across the gulf between the new town and
the old. A visit to the Calton Hill produced an attack of that chronic cough
which had so severely tormented the weak–kneed supernumerary in the
draughty corridors of Drury Lane. Melrose and Abbotsford fatigued this poor
feeble tourist; he tried to be interested in the stereotyped round of
associations beloved by other travellers, but he had a weary craving for rest,
which was stronger than any hero–worship; and he discovered, before long,
that he had done a very foolish thing in coming to Scotland in December and
January, without having consulted his physician as to the propriety of such a
step.</p>
<p>But above all personal inconvenience, above all personal suffering, there
was one feeling ever present in his heart––a sick yearning for the
little girl he had left behind him; a mournful longing to be back with his
child. Already Mary's sad forebodings had been in some way realised; already
his new wife had separated him, unintentionally of course, from his daughter.
The aches and pains he endured in the bleak Scottish atmosphere reminded him
only too forcibly of the warnings he had received from his physicians. He was
seized with a panic, almost, when he remembered his own imprudence. What if he
had needlessly curtailed the short span of his life? What if he were to die
soon––before Olivia had learned to love her stepdaughter; before
Mary had grown affectionately familiar with her new guardian? Again and again
he appealed to his wife, imploring her to be tender to the orphan child, if he
should be snatched away suddenly.</p>
<p>"I know you will love her by–and–by, Olivia," he said; "as much
as I do, perhaps; for you will discover how good she is, how patient and
unselfish. But just at first, and before you know her very well, you will be
kind to her, won't you, Olivia? She has been used to great indulgence; she has
been spoiled, perhaps; but you'll remember all that, and be very kind to
her?"</p>
<p>"I will try and do my duty," Mrs. Marchmont answered. "I pray that I never
may do less."</p>
<p>There was no tender yearning in Olivia Marchmont's heart towards the
motherless girl. She herself felt that such a sentiment was wanting, and
comprehended that it should have been there. She would have loved her
stepdaughter in those early days, if she could have done so; but <em>she could
not</em>––she could not. All that was tender or womanly in her
nature had been wasted upon her hopeless love for Edward Arundel. The utter
wreck of that small freight of affection had left her nature warped and
stunted, soured, disappointed, unwomanly.</p>
<p>How was she to love this child, this hazel–haired, dove–eyed
girl, before whom woman's life, with all its natural wealth of affection,
stretched far away, a bright and fairy vista? How was <em>she</em> to love
her,––she, whose black future was unchequered by one ray of light;
who stood, dissevered from the past, alone in the dismal, dreamless monotony of
the present?</p>
<p>"No" she thought; "beggars and princes can never love one another. When this
girl and I are equals,––when she, like me, stands alone upon a
barren rock, far out amid the waste of waters, with not one memory to hold her
to the past, with not one hope to lure her onward to the future, with nothing
but the black sky above and the black waters around,––<em>then</em>
we may grow fond of each other."</p>
<p>But always more or less steadfast to the standard she had set up for
herself, Olivia Marchmont intended to do her duty to her stepdaughter. She had
not failed in other duties, though no glimmer of love had brightened them, no
natural affection had made them pleasant. Why should she fail in this?</p>
<p>If this belief in her own power should appear to be somewhat arrogant, let
it be remembered that she had set herself hard tasks before now, and had
performed them. Would the new furnace through which she was to pass be more
terrible than the old fires? She had gone to God's altar with a man for whom
she had no more love than she felt for the lowest or most insignificant of the
miserable sinners in her father's flock. She had sworn to honour and obey him,
meaning at least faithfully to perform that portion of her vow; and on the
night before her loveless bridal she had grovelled, white, writhing, mad, and
desperate, upon the ground, and had plucked out of her lacerated heart her
hopeless love for another man.</p>
<p>Yes; she had done this. Another woman might have spent that bridal eve in
vain tears and lamentations, in feeble prayers, and such weak struggles as
might have been evidenced by the destruction of a few letters, a tress of hair,
some fragile foolish tokens of a wasted love. She would have burnt five out of
six letters, perhaps, that helpless, ordinary sinner, and would have kept the
sixth, to hoard away hidden among her matrimonial trousseau; she would have
thrown away fifteen–sixteenths of that tress of hair, and would have kept
the sixteenth portion,––one delicate curl of gold, slender as the
thread by which her shattered hopes had hung,––to be wept over and
kissed in the days that were to come. An ordinary woman would have played fast
and loose with love and duty; and so would have been true to neither.</p>
<p>But Olivia Arundel did none of these things. She battled with her weakness
as St George battled with the fiery dragon. She plucked the rooted serpent from
her heart, reckless as to how much of that desperate heart was to be wrenched
away with its roots. A cowardly woman would have killed herself, perhaps,
rather than endure this mortal agony. Olivia Arundel killed more than herself;
she killed the passion that had become stronger than herself.</p>
<p>"Alone she did it;" unaided by any human sympathy or compassion, unsupported
by any human counsel, not upheld by her God; for the religion she had made for
herself was a hard creed, and the many words of tender comfort which must have
been familiar to her were unremembered in that long night of anguish.</p>
<p>It was the Roman's stern endurance, rather than the meek faithfulness of the
Christian, which upheld this unhappy girl under her torture. She did not do
this thing because it pleased her to be obedient to her God. She did not do it
because she believed in the mercy of Him who inflicted the suffering, and
looked forward hopefully, even amid her passionate grief, to the day when she
should better comprehend that which she now saw so darkly. No; she fought the
terrible fight, and she came forth out of it a conqueror, by reason of her own
indomitable power of suffering, by reason of her own extraordinary strength of
will.</p>
<p>But she did conquer. If her weapon was the classic sword and not the
Christian cross, she was nevertheless a conqueror. When she stood before the
altar and gave her hand to John Marchmont, Edward Arundel was dead to her. The
fatal habit of looking at him as the one centre of her narrow life was cured.
In all her Scottish wanderings, her thoughts never once went back to him;
though a hundred chance words and associations tempted her, though a thousand
memories assailed her, though some trick of his face in the faces of other
people, though some tone of his voice in the voices of strangers, perpetually
offered to entrap her. No; she was steadfast.</p>
<p>Dutiful as a wife as she had been dutiful as a daughter, she bore with her
husband when his feeble health made him a wearisome companion. She waited upon
him when pain made him fretful, and her duties became little less arduous than
those of a hospital nurse. When, at the bidding of the Scotch physician who had
been called in at Edinburgh, John Marchmont turned homewards, travelling slowly
and resting often on the way, his wife was more devoted to him than his
experienced servant, more watchful than the best–trained
sick–nurse. She recoiled from nothing, she neglected nothing; she gave
him full measure of the honour and obedience which she had promised upon her
wedding–day. And when she reached Marchmont Towers upon a dreary evening
in January, she passed beneath the solemn portal of the western front, carrying
in her heart the full determination to hold as steadfastly to the other half of
her bargain, and to do her duty to her stepchild.</p>
<p>Mary ran out of the western drawing–room to welcome her father and his
wife. She had cast off her black dresses in honour of Mr. Marchmont's marriage,
and she wore some soft, silken fabric, of a pale shimmering blue, which
contrasted exquisitely with her soft, brown hair, and her fair, tender face.
She uttered a cry of mingled alarm and sorrow when she saw her father, and
perceived the change that had been made in his looks by the northern journey;
but she checked herself at a warning glance from her stepmother, and bade that
dear father welcome, clinging about him with an almost desperate fondness. She
greeted Olivia gently and respectfully.</p>
<p>"I will try to be very good, mamma," she said, as she took the passive hand
of the lady who had come to rule at Marchmont Towers.</p>
<p>"I believe you will, my dear," Olivia answered, kindly.</p>
<p>She had been startled a little as Mary addressed her by that endearing
corruption of the holy word mother. The child had been so long motherless, that
she felt little of that acute anguish which some orphans suffer when they have
to look up in a strange face and say "mamma." She had taught herself the lesson
of resignation, and she was prepared to accept this stranger as her new mother,
and to look up to her and obey her henceforward. No thought of her own future
position, as sole owner of that great house and all appertaining to it, ever
crossed Mary Marchmont's mind, womanly as that mind had become in the sharp
experiences of poverty. If her father had told her that he had cut off the
entail, and settled Marchmont Towers upon his new wife, I think she would have
submitted meekly to his will, and would have seen no injustice in the act. She
loved him blindly and confidingly. Indeed, she could only love after one
fashion. The organ of veneration must have been abnormally developed in Mary
Marchmont's head. To believe that any one she loved was otherwise than perfect,
would have been, in her creed, an infidelity against love. Had any one told her
that Edward Arundel was not eminently qualified for the post of
General–in–Chief of the Army of the Indus; or that her father could
by any possible chance be guilty of a fault or folly: she would have recoiled
in horror from the treasonous slanderer.</p>
<p>A dangerous quality, perhaps, this quality of guilelessness which thinketh
no evil, which cannot be induced to see the evil under its very nose. But
surely, of all the beautiful and pure things upon this earth, such blind
confidence is the purest and most beautiful. I knew a lady, dead and
gone,––alas for this world, which could ill afford to lose so good
a Christian!––who carried this trustfulness of spirit, this utter
incapacity to believe in wrong, through all the strife and turmoil of a
troubled life, unsullied and unlessened, to her grave. She was cheated and
imposed upon, robbed and lied to, by people who loved her, perhaps, while they
wronged her,––for to know her was to love her. She was robbed
systematically by a confidential servant for years, and for years refused to
believe those who told her of his delinquencies. She <em>could</em> not believe
that people were wicked. To the day of her death she had faith in the
scoundrels and scamps who had profited by her sweet compassion and untiring
benevolence; and indignantly defended them against those who dared to say that
they were anything more than "unfortunate." To go to her was to go to a
never–failing fountain of love and tenderness. To know her goodness was
to understand the goodness of God; for her love approached the Infinite, and
might have taught a sceptic the possibility of Divinity. Three–score
years and ten of worldly experience left her an accomplished lady, a delightful
companion; but in guilelessness a child.</p>
<p>So Mary Marchmont, trusting implicitly in those she loved, submitted to her
father's will, and prepared to obey her stepmother. The new life at the Towers
began very peacefully; a perfect harmony reigned in the quiet household. Olivia
took the reins of management with so little parade, that the old housekeeper,
who had long been paramount in the Lincolnshire mansion, found herself
superseded before she knew where she was. It was Olivia's nature to govern. Her
strength of will asserted itself almost unconsciously. She took possession of
Mary Marchmont as she had taken possession of her school–children at
Swampington, making her own laws for the government of their narrow intellects.
She planned a routine of study that was actually terrible to the little girl,
whose education had hitherto been conducted in a somewhat slip–slop
manner by a weakly–indulgent father. She came between Mary and her one
amusement,––the reading of novels. The half–bound romances
were snatched ruthlessly from this young devourer of light literature, and sent
back to the shabby circulating library at Swampington. Even the gloomy old oak
book–cases in the library at the Towers, and the Abbotsford edition of
the Waverley Novels, were forbidden to poor Mary; for, though Sir Walter
Scott's morality is irreproachable, it will not do for a young lady to be
weeping over Lucy Ashton or Amy Robsart when she should be consulting her
terrestrial globe, and informing herself as to the latitude and longitude of
the Fiji Islands.</p>
<p>So a round of dry and dreary lessons began for poor Miss Marchmont, and her
brain grew almost dazed under that continuous and pelting shower of hard facts
which many worthy people consider the one sovereign method of education. I have
said that her mind was far in advance of her years; Olivia perceived this, and
set her tasks in advance of her mind: in order that the perfection attained by
a sort of steeple–chase of instruction might not be lost to her. If Mary
learned difficult lessons with surprising rapidity, Mrs. Marchmont plied her
with even yet more difficult lessons, thus keeping the spur perpetually in the
side of this heavily–weighted racer on the road to learning. But it must
not be thought that Olivia wilfully tormented or oppressed her stepdaughter. It
was not so. In all this, John Marchmont's second wife implicitly believed that
she was doing her duty to the child committed to her care. She fully believed
that this dreary routine of education was wise and right, and would be for
Mary's ultimate advantage. If she caused Miss Marchmont to get up at abnormal
hours on bleak wintry mornings, for the purpose of wrestling with a difficult
variation by Hertz or Schubert, she herself rose also, and sat shivering by the
piano, counting the time of the music which her stepdaughter played.</p>
<p>Whatever pains and trouble she inflicted on Mary, she most unshrinkingly
endured herself. She waded through the dismal slough of learning side by side
with the younger sufferer: Roman emperors, medieval schisms, early British
manufactures, Philippa of Hainault, Flemish woollen stuffs, Magna Charta, the
sidereal heavens, Luther, Newton, Huss, Galileo, Calvin, Loyola, Sir Robert
Walpole, Cardinal Wolsey, conchology, Arianism in the Early Church, trial by
jury, Habeas Corpus, zoology, Mr. Pitt, the American war, Copernicus,
Confucius, Mahomet, Harvey, Jenner, Lycurgus, and Catherine of Arragon; through
a very diabolical dance of history, science, theology, philosophy, and
instruction of all kinds, did this devoted priestess lead her hapless victim,
struggling onward towards that distant altar at which Pallas Athen� waited,
pale and inscrutable, to receive a new disciple.</p>
<p>But Olivia Marchmont did not mean to be unmerciful; she meant to be good to
her stepdaughter. She did not love her; but, on the other hand, she did not
dislike her. Her feelings were simply negative. Mary understood this, and the
submissive obedience she rendered to her stepmother was untempered by
affection. So for nearly two years these two people led a monotonous life,
unbroken by any more important event than a dinner party at Marchmont Towers,
or a brief visit to Harrowgate or Scarborough.</p>
<p>This monotonous existence was not to go on for ever. The fatal day, so
horribly feared by John Marchmont, was creeping closer and closer. The sorrow
which had been shadowed in every childish dream, in every childish prayer, came
at last; and Mary Marchmont was left an orphan.</p>
<p>Poor John had never quite recovered the effects of his winter excursion to
Scotland; neither his wife's devoted nursing, nor his physician's care, could
avail for ever; and, late in the autumn of the second year of his marriage, he
sank, slowly and peacefully enough as regards physical suffering, but not
without bitter grief of mind.</p>
<p>In vain Hubert Arundel talked to him; in vain did he himself pray for faith
and comfort in this dark hour of trial. He <em>could</em> not bear to leave his
child alone in the world. In the foolishness of his love, he would have trusted
in the strength of his own arm to shield her in the battle; yet he could not
trust her hopefully to the arm of God. He prayed for her night and day during
the last week of his illness; while she was praying passionately, almost madly,
that he might be spared to her, or that she might die with him. Better for her,
according to all mortal reasoning, if she had. Happier for her, a thousand
times, if she could have died as she wished to die, clinging to her father's
breast.</p>
<p>The blow fell at last upon those two loving hearts. These were the awful
shadows of death that shut his child's face from John Marchmont's fading sight.
His feeble arms groped here and there for her in that dim and awful
obscurity.</p>
<p>Yes, this was death. The narrow tract of yellow sand had little by little
grown narrower and narrower. The dark and cruel waters were closing in; the
feeble boat went down into the darkness: and Mary stood alone, with her dead
father's hand clasped in hers,––the last feeble link which bound
her to the Past,––looking blankly forward to an unknown Future.</p>
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