<p><SPAN name="linkC2HCH0096" id="C2HCH0096"></SPAN></p>
<h2> Chapter 96. The Contract. </h2>
<p>Three days after the scene we have just described, namely towards five
o'clock in the afternoon of the day fixed for the signature of the
contract between Mademoiselle Eugenie Danglars and Andrea Cavalcanti,—whom
the banker persisted in calling prince,—a fresh breeze was stirring
the leaves in the little garden in front of the Count of Monte Cristo's
house, and the count was preparing to go out. While his horses were
impatiently pawing the ground,—held in by the coachman, who had been
seated a quarter of an hour on his box,—the elegant phaeton with
which we are familiar rapidly turned the angle of the entrance-gate, and
cast out on the doorsteps M. Andrea Cavalcanti, as decked up and gay as if
he were going to marry a princess. He inquired after the count with his
usual familiarity, and ascending lightly to the second story met him at
the top of the stairs. The count stopped on seeing the young man. As for
Andrea, he was launched, and when he was once launched nothing stopped
him. "Ah, good morning, my dear count," said he. "Ah, M. Andrea," said the
latter, with his half-jesting tone; "how do you do."</p>
<p>"Charmingly, as you see. I am come to talk to you about a thousand things;
but, first tell me, were you going out or just returned?"</p>
<p>"I was going out, sir."</p>
<p>"Then, in order not to hinder you, I will get up with you if you please in
your carriage, and Tom shall follow with my phaeton in tow."</p>
<p>"No," said the count, with an imperceptible smile of contempt, for he had
no wish to be seen in the young man's society,—"no; I prefer
listening to you here, my dear M. Andrea; we can chat better in-doors, and
there is no coachman to overhear our conversation." The count returned to
a small drawing-room on the first floor, sat down, and crossing his legs
motioned to the young man to take a seat also. Andrea assumed his gayest
manner. "You know, my dear count," said he, "the ceremony is to take place
this evening. At nine o'clock the contract is to be signed at my
father-in-law's."</p>
<p>"Ah, indeed?" said Monte Cristo.</p>
<p>"What; is it news to you? Has not M. Danglars informed you of the
ceremony?"</p>
<p>"Oh, yes," said the count; "I received a letter from him yesterday, but I
do not think the hour was mentioned."</p>
<p>"Possibly my father-in-law trusted to its general notoriety."</p>
<p>"Well," said Monte Cristo, "you are fortunate, M. Cavalcanti; it is a most
suitable alliance you are contracting, and Mademoiselle Danglars is a
handsome girl."</p>
<p>"Yes, indeed she is," replied Cavalcanti, in a very modest tone.</p>
<p>"Above all, she is very rich,—at least, I believe so," said Monte
Cristo.</p>
<p>"Very rich, do you think?" replied the young man.</p>
<p>"Doubtless; it is said M. Danglars conceals at least half of his fortune."</p>
<p>"And he acknowledges fifteen or twenty millions," said Andrea with a look
sparkling with joy.</p>
<p>"Without reckoning," added Monte Cristo, "that he is on the eve of
entering into a sort of speculation already in vogue in the United States
and in England, but quite novel in France."</p>
<p>"Yes, yes, I know what you mean,—the railway, of which he has
obtained the grant, is it not?"</p>
<p>"Precisely; it is generally believed he will gain ten millions by that
affair."</p>
<p>"Ten millions! Do you think so? It is magnificent!" said Cavalcanti, who
was quite confounded at the metallic sound of these golden words. "Without
reckoning," replied Monte Cristo, "that all his fortune will come to you,
and justly too, since Mademoiselle Danglars is an only daughter. Besides,
your own fortune, as your father assured me, is almost equal to that of
your betrothed. But enough of money matters. Do you know, M. Andrea, I
think you have managed this affair rather skilfully?"</p>
<p>"Not badly, by any means," said the young man; "I was born for a
diplomatist."</p>
<p>"Well, you must become a diplomatist; diplomacy, you know, is something
that is not to be acquired; it is instinctive. Have you lost your heart?"</p>
<p>"Indeed, I fear it," replied Andrea, in the tone in which he had heard
Dorante or Valere reply to Alceste [*] at the Theatre Francais.</p>
<p>"Is your love returned?"</p>
<p>* In Moliere's comedy, Le Misanthrope.<br/></p>
<p>"I suppose so," said Andrea with a triumphant smile, "since I am accepted.
But I must not forget one grand point."</p>
<p>"Which?"</p>
<p>"That I have been singularly assisted."</p>
<p>"Nonsense."</p>
<p>"I have, indeed."</p>
<p>"By circumstances?"</p>
<p>"No; by you."</p>
<p>"By me? Not at all, prince," said Monte Cristo laying a marked stress on
the title, "what have I done for you? Are not your name, your social
position, and your merit sufficient?"</p>
<p>"No," said Andrea,—"no; it is useless for you to say so, count. I
maintain that the position of a man like you has done more than my name,
my social position, and my merit."</p>
<p>"You are completely mistaken, sir," said Monte Cristo coldly, who felt the
perfidious manoeuvre of the young man, and understood the bearing of his
words; "you only acquired my protection after the influence and fortune of
your father had been ascertained; for, after all, who procured for me, who
had never seen either you or your illustrious father, the pleasure of your
acquaintance?—two of my good friends, Lord Wilmore and the Abbe
Busoni. What encouraged me not to become your surety, but to patronize
you?—your father's name, so well known in Italy and so highly
honored. Personally, I do not know you." This calm tone and perfect ease
made Andrea feel that he was, for the moment, restrained by a more
muscular hand than his own, and that the restraint could not be easily
broken through.</p>
<p>"Oh, then my father has really a very large fortune, count?"</p>
<p>"It appears so, sir," replied Monte Cristo.</p>
<p>"Do you know if the marriage settlement he promised me has come?"</p>
<p>"I have been advised of it."</p>
<p>"But the three millions?"</p>
<p>"The three millions are probably on the road."</p>
<p>"Then I shall really have them?"</p>
<p>"Oh, well," said the count, "I do not think you have yet known the want of
money." Andrea was so surprised that he pondered the matter for a moment.
Then, arousing from his revery,—"Now, sir, I have one request to
make to you, which you will understand, even if it should be disagreeable
to you."</p>
<p>"Proceed," said Monte Cristo.</p>
<p>"I have formed an acquaintance, thanks to my good fortune, with many noted
persons, and have, at least for the moment, a crowd of friends. But
marrying, as I am about to do, before all Paris, I ought to be supported
by an illustrious name, and in the absence of the paternal hand some
powerful one ought to lead me to the altar; now, my father is not coming
to Paris, is he? He is old, covered with wounds, and suffers dreadfully,
he says, in travelling."</p>
<p>"Indeed?"</p>
<p>"Well, I am come to ask a favor of you."</p>
<p>"Of me?"</p>
<p>"Yes, of you."</p>
<p>"And pray what may it be?"</p>
<p>"Well, to take his part."</p>
<p>"Ah, my dear sir! What?—after the varied relations I have had the
happiness to sustain towards you, can it be that you know me so little as
to ask such a thing? Ask me to lend you half a million and, although such
a loan is somewhat rare, on my honor, you would annoy me less! Know, then,
what I thought I had already told you, that in participation in this
world's affairs, more especially in their moral aspects, the Count of
Monte Cristo has never ceased to entertain the scruples and even the
superstitions of the East. I, who have a seraglio at Cairo, one at Smyrna,
and one at Constantinople, preside at a wedding?—never!"</p>
<p>"Then you refuse me?"</p>
<p>"Decidedly; and were you my son or my brother I would refuse you in the
same way."</p>
<p>"But what must be done?" said Andrea, disappointed.</p>
<p>"You said just now that you had a hundred friends."</p>
<p>"Very true, but you introduced me at M. Danglars'."</p>
<p>"Not at all! Let us recall the exact facts. You met him at a dinner party
at my house, and you introduced yourself at his house; that is a totally
different affair."</p>
<p>"Yes, but, by my marriage, you have forwarded that."</p>
<p>"I?—not in the least, I beg you to believe. Recollect what I told
you when you asked me to propose you. 'Oh, I never make matches, my dear
prince, it is my settled principle.'" Andrea bit his lips.</p>
<p>"But, at least, you will be there?"</p>
<p>"Will all Paris be there?"</p>
<p>"Oh, certainly."</p>
<p>"Well, like all Paris, I shall be there too," said the count.</p>
<p>"And will you sign the contract?"</p>
<p>"I see no objection to that; my scruples do not go thus far."</p>
<p>"Well, since you will grant me no more, I must be content with what you
give me. But one word more, count."</p>
<p>"What is it?"</p>
<p>"Advice."</p>
<p>"Be careful; advice is worse than a service."</p>
<p>"Oh, you can give me this without compromising yourself."</p>
<p>"Tell me what it is."</p>
<p>"Is my wife's fortune five hundred thousand livres?"</p>
<p>"That is the sum M. Danglars himself announced."</p>
<p>"Must I receive it, or leave it in the hands of the notary?"</p>
<p>"This is the way such affairs are generally arranged when it is wished to
do them stylishly: Your two solicitors appoint a meeting, when the
contract is signed, for the next or the following day; then they exchange
the two portions, for which they each give a receipt; then, when the
marriage is celebrated, they place the amount at your disposal as the
chief member of the alliance."</p>
<p>"Because," said Andrea, with a certain ill-concealed uneasiness, "I
thought I heard my father-in-law say that he intended embarking our
property in that famous railway affair of which you spoke just now."</p>
<p>"Well," replied Monte Cristo, "it will be the way, everybody says, of
trebling your fortune in twelve months. Baron Danglars is a good father,
and knows how to calculate."</p>
<p>"In that case," said Andrea, "everything is all right, excepting your
refusal, which quite grieves me."</p>
<p>"You must attribute it only to natural scruples under similar
circumstances."</p>
<p>"Well," said Andrea, "let it be as you wish. This evening, then, at nine
o'clock."</p>
<p>"Adieu till then." Notwithstanding a slight resistance on the part of
Monte Cristo, whose lips turned pale, but who preserved his ceremonious
smile, Andrea seized the count's hand, pressed it, jumped into his
phaeton, and disappeared.</p>
<p>The four or five remaining hours before nine o'clock arrived, Andrea
employed in riding, paying visits,—designed to induce those of whom
he had spoken to appear at the banker's in their gayest equipages,—dazzling
them by promises of shares in schemes which have since turned every brain,
and in which Danglars was just taking the initiative. In fact, at
half-past eight in the evening the grand salon, the gallery adjoining, and
the three other drawing-rooms on the same floor, were filled with a
perfumed crowd, who sympathized but little in the event, but who all
participated in that love of being present wherever there is anything
fresh to be seen. An Academician would say that the entertainments of the
fashionable world are collections of flowers which attract inconstant
butterflies, famished bees, and buzzing drones.</p>
<p>No one could deny that the rooms were splendidly illuminated; the light
streamed forth on the gilt mouldings and the silk hangings; and all the
bad taste of decorations, which had only their richness to boast of, shone
in its splendor. Mademoiselle Eugenie was dressed with elegant simplicity
in a figured white silk dress, and a white rose half concealed in her jet
black hair was her only ornament, unaccompanied by a single jewel. Her
eyes, however, betrayed that perfect confidence which contradicted the
girlish simplicity of this modest attire. Madame Danglars was chatting at
a short distance with Debray, Beauchamp, and Chateau-Renaud.</p>
<p>Debray was admitted to the house for this grand ceremony, but on the same
plane with every one else, and without any particular privilege. M.
Danglars, surrounded by deputies and men connected with the revenue, was
explaining a new theory of taxation which he intended to adopt when the
course of events had compelled the government to call him into the
ministry. Andrea, on whose arm hung one of the most consummate dandies of
the opera, was explaining to him rather cleverly, since he was obliged to
be bold to appear at ease, his future projects, and the new luxuries he
meant to introduce to Parisian fashions with his hundred and seventy-five
thousand livres per annum.</p>
<p>The crowd moved to and fro in the rooms like an ebb and flow of
turquoises, rubies, emeralds, opals, and diamonds. As usual, the oldest
women were the most decorated, and the ugliest the most conspicuous. If
there was a beautiful lily, or a sweet rose, you had to search for it,
concealed in some corner behind a mother with a turban, or an aunt with a
bird of paradise.</p>
<p>At each moment, in the midst of the crowd, the buzzing, and the laughter,
the door-keeper's voice was heard announcing some name well known in the
financial department, respected in the army, or illustrious in the
literary world, and which was acknowledged by a slight movement in the
different groups. But for one whose privilege it was to agitate that ocean
of human waves, how many were received with a look of indifference or a
sneer of disdain! At the moment when the hand of the massive time-piece,
representing Endymion asleep, pointed to nine on its golden face, and the
hammer, the faithful type of mechanical thought, struck nine times, the
name of the Count of Monte Cristo resounded in its turn, and as if by an
electric shock all the assembly turned towards the door.</p>
<p>The count was dressed in black and with his habitual simplicity; his white
waistcoat displayed his expansive noble chest and his black stock was
singularly noticeable because of its contrast with the deadly paleness of
his face. His only jewellery was a chain, so fine that the slender gold
thread was scarcely perceptible on his white waistcoat. A circle was
immediately formed around the door. The count perceived at one glance
Madame Danglars at one end of the drawing-room, M. Danglars at the other,
and Eugenie in front of him. He first advanced towards the baroness, who
was chatting with Madame de Villefort, who had come alone, Valentine being
still an invalid; and without turning aside, so clear was the road left
for him, he passed from the baroness to Eugenie, whom he complimented in
such rapid and measured terms, that the proud artist was quite struck.
Near her was Mademoiselle Louise d'Armilly, who thanked the count for the
letters of introduction he had so kindly given her for Italy, which she
intended immediately to make use of. On leaving these ladies he found
himself with Danglars, who had advanced to meet him.</p>
<p>Having accomplished these three social duties, Monte Cristo stopped,
looking around him with that expression peculiar to a certain class, which
seems to say, "I have done my duty, now let others do theirs." Andrea, who
was in an adjoining room, had shared in the sensation caused by the
arrival of Monte Cristo, and now came forward to pay his respects to the
count. He found him completely surrounded; all were eager to speak to him,
as is always the case with those whose words are few and weighty. The
solicitors arrived at this moment and arranged their scrawled papers on
the velvet cloth embroidered with gold which covered the table prepared
for the signature; it was a gilt table supported on lions' claws. One of
the notaries sat down, the other remained standing. They were about to
proceed to the reading of the contract, which half Paris assembled was to
sign. All took their places, or rather the ladies formed a circle, while
the gentlemen (more indifferent to the restraints of what Boileau calls
the "energetic style") commented on the feverish agitation of Andrea, on
M. Danglars' riveted attention, Eugenie's composure, and the light and
sprightly manner in which the baroness treated this important affair.</p>
<p>The contract was read during a profound silence. But as soon as it was
finished, the buzz was redoubled through all the drawing-rooms; the
brilliant sums, the rolling millions which were to be at the command of
the two young people, and which crowned the display of the wedding
presents and the young lady's diamonds, which had been made in a room
entirely appropriated for that purpose, had exercised to the full their
delusions over the envious assembly. Mademoiselle Danglars' charms were
heightened in the opinion of the young men, and for the moment seemed to
outvie the sun in splendor. As for the ladies, it is needless to say that
while they coveted the millions, they thought they did not need them for
themselves, as they were beautiful enough without them. Andrea, surrounded
by his friends, complimented, flattered, beginning to believe in the
reality of his dream, was almost bewildered. The notary solemnly took the
pen, flourished it above his head, and said, "Gentlemen, we are about to
sign the contract."</p>
<p>The baron was to sign first, then the representative of M. Cavalcanti,
senior, then the baroness, afterwards the "future couple," as they are
styled in the abominable phraseology of legal documents. The baron took
the pen and signed, then the representative. The baroness approached,
leaning on Madame de Villefort's arm. "My dear," said she, as she took the
pen, "is it not vexatious? An unexpected incident, in the affair of murder
and theft at the Count of Monte Cristo's, in which he nearly fell a
victim, deprives us of the pleasure of seeing M. de Villefort."</p>
<p>"Indeed?" said M. Danglars, in the same tone in which he would have said,
"Oh, well, what do I care?"</p>
<p>"As a matter of fact," said Monte Cristo, approaching, "I am much afraid
that I am the involuntary cause of his absence."</p>
<p>"What, you, count?" said Madame Danglars, signing; "if you are, take care,
for I shall never forgive you." Andrea pricked up his ears.</p>
<p>"But it is not my fault, as I shall endeavor to prove." Every one listened
eagerly; Monte Cristo who so rarely opened his lips, was about to speak.
"You remember," said the count, during the most profound silence, "that
the unhappy wretch who came to rob me died at my house; the supposition is
that he was stabbed by his accomplice, on attempting to leave it."</p>
<p>"Yes," said Danglars.</p>
<p>"In order that his wounds might be examined he was undressed, and his
clothes were thrown into a corner, where the police picked them up, with
the exception of the waistcoat, which they overlooked." Andrea turned
pale, and drew towards the door; he saw a cloud rising in the horizon,
which appeared to forebode a coming storm.</p>
<p>"Well, this waistcoat was discovered to-day, covered with blood, and with
a hole over the heart." The ladies screamed, and two or three prepared to
faint. "It was brought to me. No one could guess what the dirty rag could
be; I alone suspected that it was the waistcoat of the murdered man. My
valet, in examining this mournful relic, felt a paper in the pocket and
drew it out; it was a letter addressed to you, baron."</p>
<p>"To me?" cried Danglars.</p>
<p>"Yes, indeed, to you; I succeeded in deciphering your name under the blood
with which the letter was stained," replied Monte Cristo, amid the general
outburst of amazement.</p>
<p>"But," asked Madame Danglars, looking at her husband with uneasiness, "how
could that prevent M. de Villefort"—</p>
<p>"In this simple way, madame," replied Monte Cristo; "the waistcoat and the
letter were both what is termed circumstantial evidence; I therefore sent
them to the king's attorney. You understand, my dear baron, that legal
methods are the safest in criminal cases; it was, perhaps, some plot
against you." Andrea looked steadily at Monte Cristo and disappeared in
the second drawing-room.</p>
<p>"Possibly," said Danglars; "was not this murdered man an old
galley-slave?"</p>
<p>"Yes," replied the count; "a felon named Caderousse." Danglars turned
slightly pale; Andrea reached the anteroom beyond the little drawing-room.</p>
<p>"But go on signing," said Monte Cristo; "I perceive that my story has
caused a general emotion, and I beg to apologize to you, baroness, and to
Mademoiselle Danglars." The baroness, who had signed, returned the pen to
the notary. "Prince Cavalcanti," said the latter; "Prince Cavalcanti,
where are you?"</p>
<p>"Andrea, Andrea," repeated several young people, who were already on
sufficiently intimate terms with him to call him by his Christian name.</p>
<p>"Call the prince; inform him that it is his turn to sign," cried Danglars
to one of the floorkeepers.</p>
<p>But at the same instant the crowd of guests rushed in alarm into the
principal salon as if some frightful monster had entered the apartments,
quaerens quem devoret. There was, indeed, reason to retreat, to be
alarmed, and to scream. An officer was placing two soldiers at the door of
each drawing-room, and was advancing towards Danglars, preceded by a
commissary of police, girded with his scarf. Madame Danglars uttered a
scream and fainted. Danglars, who thought himself threatened (certain
consciences are never calm),—Danglars even before his guests showed
a countenance of abject terror.</p>
<p>"What is the matter, sir?" asked Monte Cristo, advancing to meet the
commissioner.</p>
<p>"Which of you gentlemen," asked the magistrate, without replying to the
count, "answers to the name of Andrea Cavalcanti?" A cry of astonishment
was heard from all parts of the room. They searched; they questioned. "But
who then is Andrea Cavalcanti?" asked Danglars in amazement.</p>
<p>"A galley-slave, escaped from confinement at Toulon."</p>
<p>"And what crime has he committed?"</p>
<p>"He is accused," said the commissary with his inflexible voice, "of having
assassinated the man named Caderousse, his former companion in prison, at
the moment he was making his escape from the house of the Count of Monte
Cristo." Monte Cristo cast a rapid glance around him. Andrea was gone.</p>
<div style="break-after:column;"></div><br />