<p><SPAN name="linkC2HCH0088" id="C2HCH0088"></SPAN></p>
<h2> Chapter 88. The Insult. </h2>
<p>At the banker's door Beauchamp stopped Morcerf. "Listen," said he; "just
now I told you it was of M. de Monte Cristo you must demand an
explanation."</p>
<p>"Yes; and we are going to his house."</p>
<p>"Reflect, Morcerf, one moment before you go."</p>
<p>"On what shall I reflect?"</p>
<p>"On the importance of the step you are taking."</p>
<p>"Is it more serious than going to M. Danglars?"</p>
<p>"Yes; M. Danglars is a money-lover, and those who love money, you know,
think too much of what they risk to be easily induced to fight a duel. The
other is, on the contrary, to all appearance a true nobleman; but do you
not fear to find him a bully?"</p>
<p>"I only fear one thing; namely, to find a man who will not fight."</p>
<p>"Do not be alarmed," said Beauchamp; "he will meet you. My only fear is
that he will be too strong for you."</p>
<p>"My friend," said Morcerf, with a sweet smile, "that is what I wish. The
happiest thing that could occur to me, would be to die in my father's
stead; that would save us all."</p>
<p>"Your mother would die of grief."</p>
<p>"My poor mother!" said Albert, passing his hand across his eyes, "I know
she would; but better so than die of shame."</p>
<p>"Are you quite decided, Albert?"</p>
<p>"Yes; let us go."</p>
<p>"But do you think we shall find the count at home?"</p>
<p>"He intended returning some hours after me, and doubtless he is now at
home." They ordered the driver to take them to No. 30 Champs-Elysees.
Beauchamp wished to go in alone, but Albert observed that as this was an
unusual circumstance he might be allowed to deviate from the usual
etiquette in affairs of honor. The cause which the young man espoused was
one so sacred that Beauchamp had only to comply with all his wishes; he
yielded and contented himself with following Morcerf. Albert sprang from
the porter's lodge to the steps. He was received by Baptistin. The count
had, indeed, just arrived, but he was in his bath, and had forbidden that
any one should be admitted. "But after his bath?" asked Morcerf.</p>
<p>"My master will go to dinner."</p>
<p>"And after dinner?"</p>
<p>"He will sleep an hour."</p>
<p>"Then?"</p>
<p>"He is going to the opera."</p>
<p>"Are you sure of it?" asked Albert.</p>
<p>"Quite, sir; my master has ordered his horses at eight o'clock precisely."</p>
<p>"Very good," replied Albert; "that is all I wished to know." Then, turning
towards Beauchamp, "If you have anything to attend to, Beauchamp, do it
directly; if you have any appointment for this evening, defer it till
tomorrow. I depend on you to accompany me to the opera; and if you can,
bring Chateau-Renaud with you."</p>
<p>Beauchamp availed himself of Albert's permission, and left him, promising
to call for him at a quarter before eight. On his return home, Albert
expressed his wish to Franz Debray, and Morrel, to see them at the opera
that evening. Then he went to see his mother, who since the events of the
day before had refused to see any one, and had kept her room. He found her
in bed, overwhelmed with grief at this public humiliation. The sight of
Albert produced the effect which might naturally be expected on Mercedes;
she pressed her son's hand and sobbed aloud, but her tears relieved her.
Albert stood one moment speechless by the side of his mother's bed. It was
evident from his pale face and knit brows that his resolution to revenge
himself was growing weaker. "My dear mother," said he, "do you know if M.
de Morcerf has any enemy?" Mercedes started; she noticed that the young
man did not say "my father." "My son," she said, "persons in the count's
situation have many secret enemies. Those who are known are not the most
dangerous."</p>
<p>"I know it, and appeal to your penetration. You are of so superior a mind,
nothing escapes you."</p>
<p>"Why do you say so?"</p>
<p>"Because, for instance, you noticed on the evening of the ball we gave,
that M. de Monte Cristo would eat nothing in our house." Mercedes raised
herself on her feverish arm. "M. de Monte Cristo!" she exclaimed; "and how
is he connected with the question you asked me?"</p>
<p>"You know, mother, M. de Monte Cristo is almost an Oriental, and it is
customary with the Orientals to secure full liberty for revenge by not
eating or drinking in the houses of their enemies."</p>
<p>"Do you say M. de Monte Cristo is our enemy?" replied Mercedes, becoming
paler than the sheet which covered her. "Who told you so? Why, you are
mad, Albert! M. de Monte Cristo has only shown us kindness. M. de Monte
Cristo saved your life; you yourself presented him to us. Oh, I entreat
you, my son, if you had entertained such an idea, dispel it; and my
counsel to you—nay, my prayer—is to retain his friendship."</p>
<p>"Mother," replied the young man, "you have especial reasons for telling me
to conciliate that man."</p>
<p>"I?" said Mercedes, blushing as rapidly as she had turned pale, and again
becoming paler than ever.</p>
<p>"Yes, doubtless; and is it not that he may never do us any harm?" Mercedes
shuddered, and, fixing on her son a scrutinizing gaze, "You speak
strangely," said she to Albert, "and you appear to have some singular
prejudices. What has the count done? Three days since you were with him in
Normandy; only three days since we looked on him as our best friend."</p>
<p>An ironical smile passed over Albert's lips. Mercedes saw it and with the
double instinct of woman and mother guessed all; but as she was prudent
and strong-minded she concealed both her sorrows and her fears. Albert was
silent; an instant after, the countess resumed: "You came to inquire after
my health; I will candidly acknowledge that I am not well. You should
install yourself here, and cheer my solitude. I do not wish to be left
alone."</p>
<p>"Mother," said the young man, "you know how gladly I would obey your wish,
but an urgent and important affair obliges me to leave you for the whole
evening."</p>
<p>"Well," replied Mercedes, sighing, "go, Albert; I will not make you a
slave to your filial piety." Albert pretended he did not hear, bowed to
his mother, and quitted her. Scarcely had he shut her door, when Mercedes
called a confidential servant, and ordered him to follow Albert wherever
he should go that evening, and to come and tell her immediately what he
observed. Then she rang for her lady's maid, and, weak as she was, she
dressed, in order to be ready for whatever might happen. The footman's
mission was an easy one. Albert went to his room, and dressed with unusual
care. At ten minutes to eight Beauchamp arrived; he had seen
Chateau-Renaud, who had promised to be in the orchestra before the curtain
was raised. Both got into Albert's coupe; and, as the young man had no
reason to conceal where he was going, he called aloud, "To the opera." In
his impatience he arrived before the beginning of the performance.</p>
<p>Chateau-Renaud was at his post; apprised by Beauchamp of the
circumstances, he required no explanation from Albert. The conduct of the
son in seeking to avenge his father was so natural that Chateau-Renaud did
not seek to dissuade him, and was content with renewing his assurances of
devotion. Debray was not yet come, but Albert knew that he seldom lost a
scene at the opera. Albert wandered about the theatre until the curtain
was drawn up. He hoped to meet with M. de Monte Cristo either in the lobby
or on the stairs. The bell summoned him to his seat, and he entered the
orchestra with Chateau-Renaud and Beauchamp. But his eyes scarcely quitted
the box between the columns, which remained obstinately closed during the
whole of the first act. At last, as Albert was looking at his watch for
about the hundredth time, at the beginning of the second act the door
opened, and Monte Cristo entered, dressed in black, and, leaning over the
front of the box, looked around the pit. Morrel followed him, and looked
also for his sister and brother in-law; he soon discovered them in another
box, and kissed his hand to them.</p>
<p>The count, in his survey of the pit, encountered a pale face and
threatening eyes, which evidently sought to gain his attention. He
recognized Albert, but thought it better not to notice him, as he looked
so angry and discomposed. Without communicating his thoughts to his
companion, he sat down, drew out his opera-glass, and looked another way.
Although apparently not noticing Albert, he did not, however, lose sight
of him, and when the curtain fell at the end of the second act, he saw him
leave the orchestra with his two friends. Then his head was seen passing
at the back of the boxes, and the count knew that the approaching storm
was intended to fall on him. He was at the moment conversing cheerfully
with Morrel, but he was well prepared for what might happen. The door
opened, and Monte Cristo, turning round, saw Albert, pale and trembling,
followed by Beauchamp and Chateau-Renaud.</p>
<p>"Well," cried he, with that benevolent politeness which distinguished his
salutation from the common civilities of the world, "my cavalier has
attained his object. Good-evening, M. de Morcerf." The countenance of this
man, who possessed such extraordinary control over his feelings, expressed
the most perfect cordiality. Morrel only then recollected the letter he
had received from the viscount, in which, without assigning any reason, he
begged him to go to the opera, but he understood that something terrible
was brooding.</p>
<p>"We are not come here, sir, to exchange hypocritical expressions of
politeness, or false professions of friendship," said Albert, "but to
demand an explanation." The young man's trembling voice was scarcely
audible. "An explanation at the opera?" said the count, with that calm
tone and penetrating eye which characterize the man who knows his cause is
good. "Little acquainted as I am with the habits of Parisians, I should
not have thought this the place for such a demand."</p>
<p>"Still, if people will shut themselves up," said Albert, "and cannot be
seen because they are bathing, dining, or asleep, we must avail ourselves
of the opportunity whenever they are to be seen."</p>
<p>"I am not difficult of access, sir; for yesterday, if my memory does not
deceive me, you were at my house."</p>
<p>"Yesterday I was at your house, sir," said the young man; "because then I
knew not who you were." In pronouncing these words Albert had raised his
voice so as to be heard by those in the adjoining boxes and in the lobby.
Thus the attention of many was attracted by this altercation. "Where are
you come from, sir? You do not appear to be in the possession of your
senses."</p>
<p>"Provided I understand your perfidy, sir, and succeed in making you
understand that I will be revenged, I shall be reasonable enough," said
Albert furiously.</p>
<p>"I do not understand you, sir," replied Monte Cristo; "and if I did, your
tone is too high. I am at home here, and I alone have a right to raise my
voice above another's. Leave the box, sir!" Monte Cristo pointed towards
the door with the most commanding dignity. "Ah, I shall know how to make
you leave your home!" replied Albert, clasping in his convulsed grasp the
glove, which Monte Cristo did not lose sight of.</p>
<p>"Well, well," said Monte Cristo quietly, "I see you wish to quarrel with
me; but I would give you one piece of advice, which you will do well to
keep in mind. It is in poor taste to make a display of a challenge.
Display is not becoming to every one, M. de Morcerf."</p>
<p>At this name a murmur of astonishment passed around the group of
spectators of this scene. They had talked of no one but Morcerf the whole
day. Albert understood the allusion in a moment, and was about to throw
his glove at the count, when Morrel seized his hand, while Beauchamp and
Chateau-Renaud, fearing the scene would surpass the limits of a challenge,
held him back. But Monte Cristo, without rising, and leaning forward in
his chair, merely stretched out his arm and, taking the damp, crushed
glove from the clinched hand of the young man, "Sir," said he in a solemn
tone, "I consider your glove thrown, and will return it to you wrapped
around a bullet. Now leave me or I will summon my servants to throw you
out at the door."</p>
<p>Wild, almost unconscious, and with eyes inflamed, Albert stepped back, and
Morrel closed the door. Monte Cristo took up his glass again as if nothing
had happened; his face was like marble, and his heart was like bronze.
Morrel whispered, "What have you done to him?"</p>
<p>"I? Nothing—at least personally," said Monte Cristo.</p>
<p>"But there must be some cause for this strange scene."</p>
<p>"The Count of Morcerf's adventure exasperates the young man."</p>
<p>"Have you anything to do with it?"</p>
<p>"It was through Haidee that the Chamber was informed of his father's
treason."</p>
<p>"Indeed?" said Morrel. "I had been told, but would not credit it, that the
Grecian slave I have seen with you here in this very box was the daughter
of Ali Pasha."</p>
<p>"It is true, nevertheless."</p>
<p>"Then," said Morrel, "I understand it all, and this scene was
premeditated."</p>
<p>"How so?"</p>
<p>"Yes. Albert wrote to request me to come to the opera, doubtless that I
might be a witness to the insult he meant to offer you."</p>
<p>"Probably," said Monte Cristo with his imperturbable tranquillity.</p>
<p>"But what shall you do with him?"</p>
<p>"With whom?"</p>
<p>"With Albert."</p>
<p>"What shall I do with Albert? As certainly, Maximilian, as I now press
your hand, I shall kill him before ten o'clock to-morrow morning." Morrel,
in his turn, took Monte Cristo's hand in both of his, and he shuddered to
feel how cold and steady it was.</p>
<p>"Ah, Count," said he, "his father loves him so much!"</p>
<p>"Do not speak to me of that," said Monte Cristo, with the first movement
of anger he had betrayed; "I will make him suffer." Morrel, amazed, let
fall Monte Cristo's hand. "Count, count!" said he.</p>
<p>"Dear Maximilian," interrupted the count, "listen how adorably Duprez is
singing that line,—</p>
<p>'O Mathilde! idole de mon ame!'<br/></p>
<p>"I was the first to discover Duprez at Naples, and the first to applaud
him. Bravo, bravo!" Morrel saw it was useless to say more, and refrained.
The curtain, which had risen at the close of the scene with Albert, again
fell, and a rap was heard at the door.</p>
<p>"Come in," said Monte Cristo with a voice that betrayed not the least
emotion; and immediately Beauchamp appeared. "Good-evening, M. Beauchamp,"
said Monte Cristo, as if this was the first time he had seen the
journalist that evening; "be seated."</p>
<p>Beauchamp bowed, and, sitting down, "Sir," said he, "I just now
accompanied M. de Morcerf, as you saw."</p>
<p>"And that means," replied Monte Cristo, laughing, "that you had, probably,
just dined together. I am happy to see, M. Beauchamp, that you are more
sober than he was."</p>
<p>"Sir," said M. Beauchamp, "Albert was wrong, I acknowledge, to betray so
much anger, and I come, on my own account, to apologize for him. And
having done so, entirely on my own account, be it understood, I would add
that I believe you too gentlemanly to refuse giving him some explanation
concerning your connection with Yanina. Then I will add two words about
the young Greek girl." Monte Cristo motioned him to be silent. "Come,"
said he, laughing, "there are all my hopes about to be destroyed."</p>
<p>"How so?" asked Beauchamp.</p>
<p>"Doubtless you wish to make me appear a very eccentric character. I am, in
your opinion, a Lara, a Manfred, a Lord Ruthven; then, just as I am
arriving at the climax, you defeat your own end, and seek to make an
ordinary man of me. You bring me down to your own level, and demand
explanations! Indeed, M. Beauchamp, it is quite laughable."</p>
<p>"Yet," replied Beauchamp haughtily, "there are occasions when probity
commands"—</p>
<p>"M. Beauchamp," interposed this strange man, "the Count of Monte Cristo
bows to none but the Count of Monte Cristo himself. Say no more, I entreat
you. I do what I please, M. Beauchamp, and it is always well done."</p>
<p>"Sir," replied the young man, "honest men are not to be paid with such
coin. I require honorable guaranties."</p>
<p>"I am, sir, a living guaranty," replied Monte Cristo, motionless, but with
a threatening look; "we have both blood in our veins which we wish to shed—that
is our mutual guaranty. Tell the viscount so, and that to-morrow, before
ten o'clock, I shall see what color his is."</p>
<p>"Then I have only to make arrangements for the duel," said Beauchamp.</p>
<p>"It is quite immaterial to me," said Monte Cristo, "and it was very
unnecessary to disturb me at the opera for such a trifle. In France people
fight with the sword or pistol, in the colonies with the carbine, in
Arabia with the dagger. Tell your client that, although I am the insulted
party, in order to carry out my eccentricity, I leave him the choice of
arms, and will accept without discussion, without dispute, anything, even
combat by drawing lots, which is always stupid, but with me different from
other people, as I am sure to gain."</p>
<p>"Sure to gain!" repeated Beauchamp, looking with amazement at the count.</p>
<p>"Certainly," said Monte Cristo, slightly shrugging his shoulders;
"otherwise I would not fight with M. de Morcerf. I shall kill him—I
cannot help it. Only by a single line this evening at my house let me know
the arms and the hour; I do not like to be kept waiting."</p>
<p>"Pistols, then, at eight o'clock, in the Bois de Vincennes," said
Beauchamp, quite disconcerted, not knowing if he was dealing with an
arrogant braggadocio or a supernatural being.</p>
<p>"Very well, sir," said Monte Cristo. "Now all that is settled, do let me
see the performance, and tell your friend Albert not to come any more this
evening; he will hurt himself with all his ill-chosen barbarisms: let him
go home and go to sleep." Beauchamp left the box, perfectly amazed. "Now,"
said Monte Cristo, turning towards Morrel, "I may depend upon you, may I
not?"</p>
<p>"Certainly," said Morrel, "I am at your service, count; still"—</p>
<p>"What?"</p>
<p>"It is desirable I should know the real cause."</p>
<p>"That is to say, you would rather not?"</p>
<p>"No."</p>
<p>"The young man himself is acting blindfolded, and knows not the true
cause, which is known only to God and to me; but I give you my word,
Morrel, that God, who does know it, will be on our side."</p>
<p>"Enough," said Morrel; "who is your second witness?"</p>
<p>"I know no one in Paris, Morrel, on whom I could confer that honor besides
you and your brother Emmanuel. Do you think Emmanuel would oblige me?"</p>
<p>"I will answer for him, count."</p>
<p>"Well? that is all I require. To-morrow morning, at seven o'clock, you
will be with me, will you not?"</p>
<p>"We will."</p>
<p>"Hush, the curtain is rising. Listen! I never lose a note of this opera if
I can avoid it; the music of William Tell is so sweet."</p>
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