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<h2> Chapter 9 </h2>
<h3> TWO PLACES VACATED </h3>
<p>Set down by the omnibus at the corner of Saint Mary Axe, and trusting to
her feet and her crutch-stick within its precincts, the dolls’ dressmaker
proceeded to the place of business of Pubsey and Co. All there was sunny
and quiet externally, and shady and quiet internally. Hiding herself in
the entry outside the glass door, she could see from that post of
observation the old man in his spectacles sitting writing at his desk.</p>
<p>‘Boh!’ cried the dressmaker, popping in her head at the glass-door. ‘Mr
Wolf at home?’</p>
<p>The old man took his glasses off, and mildly laid them down beside him.
‘Ah Jenny, is it you? I thought you had given me up.’</p>
<p>‘And so I had given up the treacherous wolf of the forest,’ she replied;
‘but, godmother, it strikes me you have come back. I am not quite sure,
because the wolf and you change forms. I want to ask you a question or
two, to find out whether you are really godmother or really wolf. May I?’</p>
<p>‘Yes, Jenny, yes.’ But Riah glanced towards the door, as if he thought his
principal might appear there, unseasonably.</p>
<p>‘If you’re afraid of the fox,’ said Miss Jenny, ‘you may dismiss all
present expectations of seeing that animal. <i>He</i> won’t show himself abroad,
for many a day.’</p>
<p>‘What do you mean, my child?’</p>
<p>‘I mean, godmother,’ replied Miss Wren, sitting down beside the Jew, ‘that
the fox has caught a famous flogging, and that if his skin and bones are
not tingling, aching, and smarting at this present instant, no fox did
ever tingle, ache, and smart.’ Therewith Miss Jenny related what had come
to pass in the Albany, omitting the few grains of pepper.</p>
<p>‘Now, godmother,’ she went on, ‘I particularly wish to ask you what has
taken place here, since I left the wolf here? Because I have an idea about
the size of a marble, rolling about in my little noddle. First and
foremost, are you Pubsey and Co., or are you either? Upon your solemn word
and honour.’</p>
<p>The old man shook his head.</p>
<p>‘Secondly, isn’t Fledgeby both Pubsey and Co.?’</p>
<p>The old man answered with a reluctant nod.</p>
<p>‘My idea,’ exclaimed Miss Wren, ‘is now about the size of an orange. But
before it gets any bigger, welcome back, dear godmother!’</p>
<p>The little creature folded her arms about the old man’s neck with great
earnestness, and kissed him. ‘I humbly beg your forgiveness, godmother. I
am truly sorry. I ought to have had more faith in you. But what could I
suppose when you said nothing for yourself, you know? I don’t mean to
offer that as a justification, but what could I suppose, when you were a
silent party to all he said? It did look bad; now didn’t it?’</p>
<p>‘It looked so bad, Jenny,’ responded the old man, with gravity, ‘that I
will straightway tell you what an impression it wrought upon me. I was
hateful in mine own eyes. I was hateful to myself, in being so hateful to
the debtor and to you. But more than that, and worse than that, and to
pass out far and broad beyond myself—I reflected that evening,
sitting alone in my garden on the housetop, that I was doing dishonour to
my ancient faith and race. I reflected—clearly reflected for the
first time—that in bending my neck to the yoke I was willing to
wear, I bent the unwilling necks of the whole Jewish people. For it is
not, in Christian countries, with the Jews as with other peoples. Men say,
“This is a bad Greek, but there are good Greeks. This is a bad Turk, but
there are good Turks.” Not so with the Jews. Men find the bad among us
easily enough—among what peoples are the bad not easily found?—but
they take the worst of us as samples of the best; they take the lowest of
us as presentations of the highest; and they say “All Jews are alike.” If,
doing what I was content to do here, because I was grateful for the past
and have small need of money now, I had been a Christian, I could have
done it, compromising no one but my individual self. But doing it as a
Jew, I could not choose but compromise the Jews of all conditions and all
countries. It is a little hard upon us, but it is the truth. I would that
all our people remembered it! Though I have little right to say so, seeing
that it came home so late to me.’</p>
<p>The dolls’ dressmaker sat holding the old man by the hand, and looking
thoughtfully in his face.</p>
<p>‘Thus I reflected, I say, sitting that evening in my garden on the
housetop. And passing the painful scene of that day in review before me
many times, I always saw that the poor gentleman believed the story
readily, because I was one of the Jews—that you believed the story
readily, my child, because I was one of the Jews—that the story
itself first came into the invention of the originator thereof, because I
was one of the Jews. This was the result of my having had you three before
me, face to face, and seeing the thing visibly presented as upon a
theatre. Wherefore I perceived that the obligation was upon me to leave
this service. But Jenny, my dear,’ said Riah, breaking off, ‘I promised
that you should pursue your questions, and I obstruct them.’</p>
<p>‘On the contrary, godmother; my idea is as large now as a pumpkin—and
<i>you </i>know what a pumpkin is, don’t you? So you gave notice that you were
going? Does that come next?’ asked Miss Jenny with a look of close
attention.</p>
<p>‘I indited a letter to my master. Yes. To that effect.’</p>
<p>‘And what said Tingling-Tossing-Aching-Screaming-Scratching-Smarter?’
asked Miss Wren with an unspeakable enjoyment in the utterance of those
honourable titles and in the recollection of the pepper.</p>
<p>‘He held me to certain months of servitude, which were his lawful term of
notice. They expire to-morrow. Upon their expiration—not before—I
had meant to set myself right with my Cinderella.’</p>
<p>‘My idea is getting so immense now,’ cried Miss Wren, clasping her
temples, ‘that my head won’t hold it! Listen, godmother; I am going to
expound. Little Eyes (that’s Screaming-Scratching-Smarter) owes you a
heavy grudge for going. Little Eyes casts about how best to pay you off.
Little Eyes thinks of Lizzie. Little Eyes says to himself, “I’ll find out
where he has placed that girl, and I’ll betray his secret because it’s
dear to him.” Perhaps Little Eyes thinks, “I’ll make love to her myself
too;” but that I can’t swear—all the rest I can. So, Little Eyes
comes to me, and I go to Little Eyes. That’s the way of it. And now the
murder’s all out, I’m sorry,’ added the dolls’ dressmaker, rigid from head
to foot with energy as she shook her little fist before her eyes, ‘that I
didn’t give him Cayenne pepper and chopped pickled Capsicum!’</p>
<p>This expression of regret being but partially intelligible to Mr Riah, the
old man reverted to the injuries Fledgeby had received, and hinted at the
necessity of his at once going to tend that beaten cur.</p>
<p>‘Godmother, godmother, godmother!’ cried Miss Wren irritably, ‘I really
lose all patience with you. One would think you believed in the Good
Samaritan. How can you be so inconsistent?’</p>
<p>‘Jenny dear,’ began the old man gently, ‘it is the custom of our people to
help—’</p>
<p>‘Oh! Bother your people!’ interposed Miss Wren, with a toss of her head.
‘If your people don’t know better than to go and help Little Eyes, it’s a
pity they ever got out of Egypt. Over and above that,’ she added, ‘he
wouldn’t take your help if you offered it. Too much ashamed. Wants to keep
it close and quiet, and to keep you out of the way.’</p>
<p>They were still debating this point when a shadow darkened the entry, and
the glass door was opened by a messenger who brought a letter
unceremoniously addressed, ‘Riah.’ To which he said there was an answer
wanted.</p>
<p>The letter, which was scrawled in pencil uphill and downhill and round
crooked corners, ran thus:</p>
<p>‘<i>Old Riah,</i></p>
<p>Your accounts being all squared, go. Shut up the place, turn out directly,
and send me the key by bearer. Go. You are an unthankful dog of a Jew. Get
out.</p>
<p>F.’</p>
<p>The dolls’ dressmaker found it delicious to trace the screaming and
smarting of Little Eyes in the distorted writing of this epistle. She
laughed over it and jeered at it in a convenient corner (to the great
astonishment of the messenger) while the old man got his few goods
together in a black bag. That done, the shutters of the upper windows
closed, and the office blind pulled down, they issued forth upon the steps
with the attendant messenger. There, while Miss Jenny held the bag, the
old man locked the house door, and handed over the key to him; who at once
retired with the same.</p>
<p>‘Well, godmother,’ said Miss Wren, as they remained upon the steps
together, looking at one another. ‘And so you’re thrown upon the world!’</p>
<p>‘It would appear so, Jenny, and somewhat suddenly.’</p>
<p>‘Where are you going to seek your fortune?’ asked Miss Wren.</p>
<p>The old man smiled, but looked about him with a look of having lost his
way in life, which did not escape the dolls’ dressmaker.</p>
<p>‘Verily, Jenny,’ said he, ‘the question is to the purpose, and more easily
asked than answered. But as I have experience of the ready goodwill and
good help of those who have given occupation to Lizzie, I think I will
seek them out for myself.’</p>
<p>‘On foot?’ asked Miss Wren, with a chop.</p>
<p>‘Ay!’ said the old man. ‘Have I not my staff?’</p>
<p>It was exactly because he had his staff, and presented so quaint an
aspect, that she mistrusted his making the journey.</p>
<p>‘The best thing you can do,’ said Jenny, ‘for the time being, at all
events, is to come home with me, godmother. Nobody’s there but my bad
child, and Lizzie’s lodging stands empty.’ The old man when satisfied that
no inconvenience could be entailed on any one by his compliance, readily
complied; and the singularly-assorted couple once more went through the
streets together.</p>
<p>Now, the bad child having been strictly charged by his parent to remain at
home in her absence, of course went out; and, being in the very last stage
of mental decrepitude, went out with two objects; firstly, to establish a
claim he conceived himself to have upon any licensed victualler living, to
be supplied with threepennyworth of rum for nothing; and secondly, to
bestow some maudlin remorse on Mr Eugene Wrayburn, and see what profit
came of it. Stumblingly pursuing these two designs—they both meant
rum, the only meaning of which he was capable—the degraded creature
staggered into Covent Garden Market and there bivouacked, to have an
attack of the trembles succeeded by an attack of the horrors, in a
doorway.</p>
<p>This market of Covent Garden was quite out of the creature’s line of road,
but it had the attraction for him which it has for the worst of the
solitary members of the drunken tribe. It may be the companionship of the
nightly stir, or it may be the companionship of the gin and beer that slop
about among carters and hucksters, or it may be the companionship of the
trodden vegetable refuse which is so like their own dress that perhaps
they take the Market for a great wardrobe; but be it what it may, you
shall see no such individual drunkards on doorsteps anywhere, as there. Of
dozing women-drunkards especially, you shall come upon such specimens
there, in the morning sunlight, as you might seek out of doors in vain
through London. Such stale vapid rejected cabbage-leaf and cabbage-stalk
dress, such damaged-orange countenance, such squashed pulp of humanity,
are open to the day nowhere else. So, the attraction of the Market drew Mr
Dolls to it, and he had out his two fits of trembles and horrors in a
doorway on which a woman had had out her sodden nap a few hours before.</p>
<p>There is a swarm of young savages always flitting about this same place,
creeping off with fragments of orange-chests, and mouldy litter—Heaven
knows into what holes they can convey them, having no home!—whose
bare feet fall with a blunt dull softness on the pavement as the policeman
hunts them, and who are (perhaps for that reason) little heard by the
Powers that be, whereas in top-boots they would make a deafening clatter.
These, delighting in the trembles and the horrors of Mr Dolls, as in a
gratuitous drama, flocked about him in his doorway, butted at him, leaped
at him, and pelted him. Hence, when he came out of his invalid retirement
and shook off that ragged train, he was much bespattered, and in worse
case than ever. But, not yet at his worst; for, going into a public-house,
and being supplied in stress of business with his rum, and seeking to
vanish without payment, he was collared, searched, found penniless, and
admonished not to try that again, by having a pail of dirty water cast
over him. This application superinduced another fit of the trembles; after
which Mr Dolls, as finding himself in good cue for making a call on a
professional friend, addressed himself to the Temple.</p>
<p>There was nobody at the chambers but Young Blight. That discreet youth,
sensible of a certain incongruity in the association of such a client with
the business that might be coming some day, with the best intentions
temporized with Dolls, and offered a shilling for coach-hire home. Mr
Dolls, accepting the shilling, promptly laid it out in two
threepennyworths of conspiracy against his life, and two threepennyworths
of raging repentance. Returning to the Chambers with which burden, he was
descried coming round into the court, by the wary young Blight watching
from the window: who instantly closed the outer door, and left the
miserable object to expend his fury on the panels.</p>
<p>The more the door resisted him, the more dangerous and imminent became
that bloody conspiracy against his life. Force of police arriving, he
recognized in them the conspirators, and laid about him hoarsely,
fiercely, staringly, convulsively, foamingly. A humble machine, familiar
to the conspirators and called by the expressive name of Stretcher, being
unavoidably sent for, he was rendered a harmless bundle of torn rags by
being strapped down upon it, with voice and consciousness gone out of him,
and life fast going. As this machine was borne out at the Temple gate by
four men, the poor little dolls’ dressmaker and her Jewish friend were
coming up the street.</p>
<p>‘Let us see what it is,’ cried the dressmaker. ‘Let us make haste and
look, godmother.’</p>
<p>The brisk little crutch-stick was but too brisk. ‘O gentlemen, gentlemen,
he belongs to me!’</p>
<p>‘Belongs to you?’ said the head of the party, stopping it.</p>
<p>‘O yes, dear gentlemen, he’s my child, out without leave. My poor bad, bad
boy! and he don’t know me, he don’t know me! O what shall I do,’ cried the
little creature, wildly beating her hands together, ‘when my own child
don’t know me!’</p>
<p>The head of the party looked (as well he might) to the old man for
explanation. He whispered, as the dolls’ dressmaker bent over the
exhausted form and vainly tried to extract some sign of recognition from
it: ‘It’s her drunken father.’</p>
<p>As the load was put down in the street, Riah drew the head of the party
aside, and whispered that he thought the man was dying. ‘No, surely not?’
returned the other. But he became less confident, on looking, and directed
the bearers to ‘bring him to the nearest doctor’s shop.’</p>
<p>Thither he was brought; the window becoming from within, a wall of faces,
deformed into all kinds of shapes through the agency of globular red
bottles, green bottles, blue bottles, and other coloured bottles. A
ghastly light shining upon him that he didn’t need, the beast so furious
but a few minutes gone, was quiet enough now, with a strange mysterious
writing on his face, reflected from one of the great bottles, as if Death
had marked him: ‘Mine.’</p>
<p>The medical testimony was more precise and more to the purpose than it
sometimes is in a Court of Justice. ‘You had better send for something to
cover it. All’s over.’</p>
<p>Therefore, the police sent for something to cover it, and it was covered
and borne through the streets, the people falling away. After it, went the
dolls’ dressmaker, hiding her face in the Jewish skirts, and clinging to
them with one hand, while with the other she plied her stick. It was
carried home, and, by reason that the staircase was very narrow, it was
put down in the parlour—the little working-bench being set aside to
make room for it—and there, in the midst of the dolls with no
speculation in their eyes, lay Mr Dolls with no speculation in his.</p>
<p>Many flaunting dolls had to be gaily dressed, before the money was in the
dressmaker’s pocket to get mourning for Mr Dolls. As the old man, Riah,
sat by, helping her in such small ways as he could, he found it difficult
to make out whether she really did realize that the deceased had been her
father.</p>
<p>‘If my poor boy,’ she would say, ‘had been brought up better, he might
have done better. Not that I reproach myself. I hope I have no cause for
that.’</p>
<p>‘None indeed, Jenny, I am very certain.’</p>
<p>‘Thank you, godmother. It cheers me to hear you say so. But you see it is
so hard to bring up a child well, when you work, work, work, all day. When
he was out of employment, I couldn’t always keep him near me. He got
fractious and nervous, and I was obliged to let him go into the streets.
And he never did well in the streets, he never did well out of sight. How
often it happens with children!’</p>
<p>‘Too often, even in this sad sense!’ thought the old man.</p>
<p>‘How can I say what I might have turned out myself, but for my back having
been so bad and my legs so queer, when I was young!’ the dressmaker would
go on. ‘I had nothing to do but work, and so I worked. I couldn’t play.
But my poor unfortunate child could play, and it turned out the worse for
him.’</p>
<p>‘And not for him alone, Jenny.’</p>
<p>‘Well! I don’t know, godmother. He suffered heavily, did my unfortunate
boy. He was very, very ill sometimes. And I called him a quantity of
names;’ shaking her head over her work, and dropping tears. ‘I don’t know
that his going wrong was much the worse for me. If it ever was, let us
forget it.’</p>
<p>‘You are a good girl, you are a patient girl.’</p>
<p>‘As for patience,’ she would reply with a shrug, ‘not much of that,
godmother. If I had been patient, I should never have called him names.
But I hope I did it for his good. And besides, I felt my responsibility as
a mother, so much. I tried reasoning, and reasoning failed. I tried
coaxing, and coaxing failed. I tried scolding and scolding failed. But I
was bound to try everything, you know, with such a charge upon my hands.
Where would have been my duty to my poor lost boy, if I had not tried
everything!’</p>
<p>With such talk, mostly in a cheerful tone on the part of the industrious
little creature, the day-work and the night-work were beguiled until
enough of smart dolls had gone forth to bring into the kitchen, where the
working-bench now stood, the sombre stuff that the occasion required, and
to bring into the house the other sombre preparations. ‘And now,’ said
Miss Jenny, ‘having knocked off my rosy-cheeked young friends, I’ll knock
off my white-cheeked self.’ This referred to her making her own dress,
which at last was done. ‘The disadvantage of making for yourself,’ said
Miss Jenny, as she stood upon a chair to look at the result in the glass,
‘is, that you can’t charge anybody else for the job, and the advantage is,
that you haven’t to go out to try on. Humph! Very fair indeed! If He could
see me now (whoever he is) I hope he wouldn’t repent of his bargain!’</p>
<p>The simple arrangements were of her own making, and were stated to Riah
thus:</p>
<p>‘I mean to go alone, godmother, in my usual carriage, and you’ll be so
kind as keep house while I am gone. It’s not far off. And when I return,
we’ll have a cup of tea, and a chat over future arrangements. It’s a very
plain last house that I have been able to give my poor unfortunate boy;
but he’ll accept the will for the deed if he knows anything about it; and
if he doesn’t know anything about it,’ with a sob, and wiping her eyes,
‘why, it won’t matter to him. I see the service in the Prayer-book says,
that we brought nothing into this world and it is certain we can take
nothing out. It comforts me for not being able to hire a lot of stupid
undertaker’s things for my poor child, and seeming as if I was trying to
smuggle ‘em out of this world with him, when of course I must break down
in the attempt, and bring ‘em all back again. As it is, there’ll be
nothing to bring back but me, and that’s quite consistent, for I shan’t be
brought back, some day!’</p>
<p>After that previous carrying of him in the streets, the wretched old
fellow seemed to be twice buried. He was taken on the shoulders of half a
dozen blossom-faced men, who shuffled with him to the churchyard, and who
were preceded by another blossom-faced man, affecting a stately stalk, as
if he were a Policeman of the D(eath) Division, and ceremoniously
pretending not to know his intimate acquaintances, as he led the pageant.
Yet, the spectacle of only one little mourner hobbling after, caused many
people to turn their heads with a look of interest.</p>
<p>At last the troublesome deceased was got into the ground, to be buried no
more, and the stately stalker stalked back before the solitary dressmaker,
as if she were bound in honour to have no notion of the way home. Those
Furies, the conventionalities, being thus appeased, he left her.</p>
<p>‘I must have a very short cry, godmother, before I cheer up for good,’
said the little creature, coming in. ‘Because after all a child is a
child, you know.’</p>
<p>It was a longer cry than might have been expected. Howbeit, it wore itself
out in a shadowy corner, and then the dressmaker came forth, and washed
her face, and made the tea. ‘You wouldn’t mind my cutting out something
while we are at tea, would you?’ she asked her Jewish friend, with a
coaxing air.</p>
<p>‘Cinderella, dear child,’ the old man expostulated, ‘will you never rest?’</p>
<p>‘Oh! It’s not work, cutting out a pattern isn’t,’ said Miss Jenny, with
her busy little scissors already snipping at some paper. ‘The truth is,
godmother, I want to fix it while I have it correct in my mind.’</p>
<p>‘Have you seen it to-day then?’ asked Riah.</p>
<p>‘Yes, godmother. Saw it just now. It’s a surplice, that’s what it is.
Thing our clergymen wear, you know,’ explained Miss Jenny, in
consideration of his professing another faith.</p>
<p>‘And what have you to do with that, Jenny?’</p>
<p>‘Why, godmother,’ replied the dressmaker, ‘you must know that we
Professors who live upon our taste and invention, are obliged to keep our
eyes always open. And you know already that I have many extra expenses to
meet just now. So, it came into my head while I was weeping at my poor
boy’s grave, that something in my way might be done with a clergyman.’</p>
<p>‘What can be done?’ asked the old man.</p>
<div class="fig"> <ANTIMG src="images/0693m.jpg" style="width:100%;" alt="0693m " /><br/></div>
<h5>
<SPAN href="images/0693.jpg" style="width:100%;" ><i>Original</i></SPAN>
</h5>
<p>‘Not a funeral, never fear!’ returned Miss Jenny, anticipating his
objection with a nod. ‘The public don’t like to be made melancholy, I know
very well. I am seldom called upon to put my young friends into mourning;
not into real mourning, that is; Court mourning they are rather proud of.
But a doll clergyman, my dear,—glossy black curls and whiskers—uniting
two of my young friends in matrimony,’ said Miss Jenny, shaking her
forefinger, ‘is quite another affair. If you don’t see those three at the
altar in Bond Street, in a jiffy, my name’s Jack Robinson!’</p>
<p>With her expert little ways in sharp action, she had got a doll into
whitey-brown paper orders, before the meal was over, and was displaying it
for the edification of the Jewish mind, when a knock was heard at the
street-door. Riah went to open it, and presently came back, ushering in,
with the grave and courteous air that sat so well upon him, a gentleman.</p>
<p>The gentleman was a stranger to the dressmaker; but even in the moment of
his casting his eyes upon her, there was something in his manner which
brought to her remembrance Mr Eugene Wrayburn.</p>
<p>‘Pardon me,’ said the gentleman. ‘You are the dolls’ dressmaker?’</p>
<p>‘I am the dolls’ dressmaker, sir.’</p>
<p>‘Lizzie Hexam’s friend?’</p>
<p>‘Yes, sir,’ replied Miss Jenny, instantly on the defensive. ‘And Lizzie
Hexam’s friend.’</p>
<p>‘Here is a note from her, entreating you to accede to the request of Mr
Mortimer Lightwood, the bearer. Mr Riah chances to know that I am Mr
Mortimer Lightwood, and will tell you so.’</p>
<p>Riah bent his head in corroboration.</p>
<p>‘Will you read the note?’</p>
<p>‘It’s very short,’ said Jenny, with a look of wonder, when she had read
it.</p>
<p>‘There was no time to make it longer. Time was so very precious. My dear
friend Mr Eugene Wrayburn is dying.’</p>
<p>The dressmaker clasped her hands, and uttered a little piteous cry.</p>
<p>‘Is dying,’ repeated Lightwood, with emotion, ‘at some distance from here.
He is sinking under injuries received at the hands of a villain who
attacked him in the dark. I come straight from his bedside. He is almost
always insensible. In a short restless interval of sensibility, or partial
sensibility, I made out that he asked for you to be brought to sit by him.
Hardly relying on my own interpretation of the indistinct sounds he made,
I caused Lizzie to hear them. We were both sure that he asked for you.’</p>
<p>The dressmaker, with her hands still clasped, looked affrightedly from the
one to the other of her two companions.</p>
<p>‘If you delay, he may die with his request ungratified, with his last wish—intrusted
to me—we have long been much more than brothers—unfulfilled. I
shall break down, if I try to say more.’</p>
<p>In a few moments the black bonnet and the crutch-stick were on duty, the
good Jew was left in possession of the house, and the dolls’ dressmaker,
side by side in a chaise with Mortimer Lightwood, was posting out of town.</p>
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