<p>IN THE HEART OF THE HIBERNIAN METROPOLIS</p>
<p>Before Nelson's pillar trams slowed, shunted, changed trolley, started for
Blackrock, Kingstown and Dalkey, Clonskea, Rathgar and Terenure,
Palmerston Park and upper Rathmines, Sandymount Green, Rathmines, Ringsend
and Sandymount Tower, Harold's Cross. The hoarse Dublin United Tramway
Company's timekeeper bawled them off:</p>
<p>—Rathgar and Terenure!</p>
<p>—Come on, Sandymount Green!</p>
<p>Right and left parallel clanging ringing a doubledecker and a singledeck
moved from their railheads, swerved to the down line, glided parallel.</p>
<p>—Start, Palmerston Park!</p>
<p>THE WEARER OF THE CROWN</p>
<p>Under the porch of the general post office shoeblacks called and polished.
Parked in North Prince's street His Majesty's vermilion mailcars, bearing
on their sides the royal initials, E. R., received loudly flung sacks of
letters, postcards, lettercards, parcels, insured and paid, for local,
provincial, British and overseas delivery.</p>
<p>GENTLEMEN OF THE PRESS</p>
<p>Grossbooted draymen rolled barrels dullthudding out of Prince's stores and
bumped them up on the brewery float. On the brewery float bumped
dullthudding barrels rolled by grossbooted draymen out of Prince's stores.</p>
<p>—There it is, Red Murray said. Alexander Keyes.</p>
<p>—Just cut it out, will you? Mr Bloom said, and I'll take it round to
the <i>Telegraph</i> office.</p>
<p>The door of Ruttledge's office creaked again. Davy Stephens, minute in a
large capecoat, a small felt hat crowning his ringlets, passed out with a
roll of papers under his cape, a king's courier.</p>
<p>Red Murray's long shears sliced out the advertisement from the newspaper
in four clean strokes. Scissors and paste.</p>
<p>—I'll go through the printingworks, Mr Bloom said, taking the cut
square.</p>
<p>—Of course, if he wants a par, Red Murray said earnestly, a pen
behind his ear, we can do him one.</p>
<p>—Right, Mr Bloom said with a nod. I'll rub that in.</p>
<p>We.</p>
<p>WILLIAM BRAYDEN, ESQUIRE, OF OAKLANDS, SANDYMOUNT</p>
<p>Red Murray touched Mr Bloom's arm with the shears and whispered:</p>
<p>—Brayden.</p>
<p>Mr Bloom turned and saw the liveried porter raise his lettered cap as a
stately figure entered between the newsboards of the <i>Weekly Freeman and
National Press</i> and the <i>Freeman's Journal and National Press</i>.
Dullthudding Guinness's barrels. It passed statelily up the staircase,
steered by an umbrella, a solemn beardframed face. The broadcloth back
ascended each step: back. All his brains are in the nape of his neck,
Simon Dedalus says. Welts of flesh behind on him. Fat folds of neck, fat,
neck, fat, neck.</p>
<p>—Don't you think his face is like Our Saviour? Red Murray whispered.</p>
<p>The door of Ruttledge's office whispered: ee: cree. They always build one
door opposite another for the wind to. Way in. Way out.</p>
<p>Our Saviour: beardframed oval face: talking in the dusk. Mary, Martha.
Steered by an umbrella sword to the footlights: Mario the tenor.</p>
<p>—Or like Mario, Mr Bloom said.</p>
<p>—Yes, Red Murray agreed. But Mario was said to be the picture of Our
Saviour.</p>
<p>Jesusmario with rougy cheeks, doublet and spindle legs. Hand on his heart.
In <i>Martha.</i></p>
<p><i>Co-ome thou lost one,<br/>
Co-ome thou dear one!</i><br/></p>
<p>THE CROZIER AND THE PEN</p>
<p>—His grace phoned down twice this morning, Red Murray said gravely.</p>
<p>They watched the knees, legs, boots vanish. Neck.</p>
<p>A telegram boy stepped in nimbly, threw an envelope on the counter and
stepped off posthaste with a word:</p>
<p><i>—Freeman!</i></p>
<p>Mr Bloom said slowly:</p>
<p>—Well, he is one of our saviours also.</p>
<p>A meek smile accompanied him as he lifted the counterflap, as he passed in
through a sidedoor and along the warm dark stairs and passage, along the
now reverberating boards. But will he save the circulation? Thumping.
Thumping.</p>
<p>He pushed in the glass swingdoor and entered, stepping over strewn packing
paper. Through a lane of clanking drums he made his way towards Nannetti's
reading closet.</p>
<p>WITH UNFEIGNED REGRET IT IS WE ANNOUNCE THE DISSOLUTION OF A MOST
RESPECTED DUBLIN BURGESS</p>
<p>Hynes here too: account of the funeral probably. Thumping. Thump. This
morning the remains of the late Mr Patrick Dignam. Machines. Smash a man
to atoms if they got him caught. Rule the world today. His machineries are
pegging away too. Like these, got out of hand: fermenting. Working away,
tearing away. And that old grey rat tearing to get in.</p>
<p>HOW A GREAT DAILY ORGAN IS TURNED OUT</p>
<p>Mr Bloom halted behind the foreman's spare body, admiring a glossy crown.</p>
<p>Strange he never saw his real country. Ireland my country. Member for
College green. He boomed that workaday worker tack for all it was worth.
It's the ads and side features sell a weekly, not the stale news in the
official gazette. Queen Anne is dead. Published by authority in the year
one thousand and. Demesne situate in the townland of Rosenallis, barony of
Tinnahinch. To all whom it may concern schedule pursuant to statute
showing return of number of mules and jennets exported from Ballina.
Nature notes. Cartoons. Phil Blake's weekly Pat and Bull story. Uncle
Toby's page for tiny tots. Country bumpkin's queries. Dear Mr Editor, what
is a good cure for flatulence? I'd like that part. Learn a lot teaching
others. The personal note. M. A. P. Mainly all pictures. Shapely bathers
on golden strand. World's biggest balloon. Double marriage of sisters
celebrated. Two bridegrooms laughing heartily at each other. Cuprani too,
printer. More Irish than the Irish.</p>
<p>The machines clanked in threefour time. Thump, thump, thump. Now if he got
paralysed there and no-one knew how to stop them they'd clank on and on
the same, print it over and over and up and back. Monkeydoodle the whole
thing. Want a cool head.</p>
<p>—Well, get it into the evening edition, councillor, Hynes said.</p>
<p>Soon be calling him my lord mayor. Long John is backing him, they say.</p>
<p>The foreman, without answering, scribbled press on a corner of the sheet
and made a sign to a typesetter. He handed the sheet silently over the
dirty glass screen.</p>
<p>—Right: thanks, Hynes said moving off.</p>
<p>Mr Bloom stood in his way.</p>
<p>—If you want to draw the cashier is just going to lunch, he said,
pointing backward with his thumb.</p>
<p>—Did you? Hynes asked.</p>
<p>—Mm, Mr Bloom said. Look sharp and you'll catch him.</p>
<p>—Thanks, old man, Hynes said. I'll tap him too.</p>
<p>He hurried on eagerly towards the <i>Freeman's Journal</i>.</p>
<p>Three bob I lent him in Meagher's. Three weeks. Third hint.</p>
<p>WE SEE THE CANVASSER AT WORK</p>
<p>Mr Bloom laid his cutting on Mr Nannetti's desk.</p>
<p>—Excuse me, councillor, he said. This ad, you see. Keyes, you
remember?</p>
<p>Mr Nannetti considered the cutting awhile and nodded.</p>
<p>—He wants it in for July, Mr Bloom said.</p>
<p>The foreman moved his pencil towards it.</p>
<p>—But wait, Mr Bloom said. He wants it changed. Keyes, you see. He
wants two keys at the top.</p>
<p>Hell of a racket they make. He doesn't hear it. Nannan. Iron nerves. Maybe
he understands what I.</p>
<p>The foreman turned round to hear patiently and, lifting an elbow, began to
scratch slowly in the armpit of his alpaca jacket.</p>
<p>—Like that, Mr Bloom said, crossing his forefingers at the top.</p>
<p>Let him take that in first.</p>
<p>Mr Bloom, glancing sideways up from the cross he had made, saw the
foreman's sallow face, think he has a touch of jaundice, and beyond the
obedient reels feeding in huge webs of paper. Clank it. Clank it. Miles of
it unreeled. What becomes of it after? O, wrap up meat, parcels: various
uses, thousand and one things.</p>
<p>Slipping his words deftly into the pauses of the clanking he drew swiftly
on the scarred woodwork.</p>
<p>HOUSE OF KEY(E)S</p>
<p>—Like that, see. Two crossed keys here. A circle. Then here the
name. Alexander Keyes, tea, wine and spirit merchant. So on.</p>
<p>Better not teach him his own business.</p>
<p>—You know yourself, councillor, just what he wants. Then round the
top in leaded: the house of keys. You see? Do you think that's a good
idea?</p>
<p>The foreman moved his scratching hand to his lower ribs and scratched
there quietly.</p>
<p>—The idea, Mr Bloom said, is the house of keys. You know,
councillor, the Manx parliament. Innuendo of home rule. Tourists, you
know, from the isle of Man. Catches the eye, you see. Can you do that?</p>
<p>I could ask him perhaps about how to pronounce that <i>voglio.</i> But
then if he didn't know only make it awkward for him. Better not.</p>
<p>—We can do that, the foreman said. Have you the design?</p>
<p>—I can get it, Mr Bloom said. It was in a Kilkenny paper. He has a
house there too. I'll just run out and ask him. Well, you can do that and
just a little par calling attention. You know the usual. Highclass
licensed premises. Longfelt want. So on.</p>
<p>The foreman thought for an instant.</p>
<p>—We can do that, he said. Let him give us a three months' renewal.</p>
<p>A typesetter brought him a limp galleypage. He began to check it silently.
Mr Bloom stood by, hearing the loud throbs of cranks, watching the silent
typesetters at their cases.</p>
<p>ORTHOGRAPHICAL</p>
<p>Want to be sure of his spelling. Proof fever. Martin Cunningham forgot to
give us his spellingbee conundrum this morning. It is amusing to view the
unpar one ar alleled embarra two ars is it? double ess ment of a harassed
pedlar while gauging au the symmetry with a y of a peeled pear under a
cemetery wall. Silly, isn't it? Cemetery put in of course on account of
the symmetry.</p>
<p>I should have said when he clapped on his topper. Thank you. I ought to
have said something about an old hat or something. No. I could have said.
Looks as good as new now. See his phiz then.</p>
<p>Sllt. The nethermost deck of the first machine jogged forward its flyboard
with sllt the first batch of quirefolded papers. Sllt. Almost human the
way it sllt to call attention. Doing its level best to speak. That door
too sllt creaking, asking to be shut. Everything speaks in its own way.
Sllt.</p>
<p>NOTED CHURCHMAN AN OCCASIONAL CONTRIBUTOR</p>
<p>The foreman handed back the galleypage suddenly, saying:</p>
<p>—Wait. Where's the archbishop's letter? It's to be repeated in the
<i>Telegraph.</i> Where's what's his name?</p>
<p>He looked about him round his loud unanswering machines.</p>
<p>—Monks, sir? a voice asked from the castingbox.</p>
<p>—Ay. Where's Monks?</p>
<p>—Monks!</p>
<p>Mr Bloom took up his cutting. Time to get out.</p>
<p>—Then I'll get the design, Mr Nannetti, he said, and you'll give it
a good place I know.</p>
<p>—Monks!</p>
<p>—Yes, sir.</p>
<p>Three months' renewal. Want to get some wind off my chest first. Try it
anyhow. Rub in August: good idea: horseshow month. Ballsbridge. Tourists
over for the show.</p>
<p>A DAYFATHER</p>
<p>He walked on through the caseroom passing an old man, bowed, spectacled,
aproned. Old Monks, the dayfather. Queer lot of stuff he must have put
through his hands in his time: obituary notices, pubs' ads, speeches,
divorce suits, found drowned. Nearing the end of his tether now. Sober
serious man with a bit in the savingsbank I'd say. Wife a good cook and
washer. Daughter working the machine in the parlour. Plain Jane, no damn
nonsense. AND IT WAS THE FEAST OF THE PASSOVER</p>
<p>He stayed in his walk to watch a typesetter neatly distributing type.
Reads it backwards first. Quickly he does it. Must require some practice
that. mangiD kcirtaP. Poor papa with his hagadah book, reading backwards
with his finger to me. Pessach. Next year in Jerusalem. Dear, O dear! All
that long business about that brought us out of the land of Egypt and into
the house of bondage <i>Alleluia. Shema Israel Adonai Elohenu</i>. No,
that's the other. Then the twelve brothers, Jacob's sons. And then the
lamb and the cat and the dog and the stick and the water and the butcher.
And then the angel of death kills the butcher and he kills the ox and the
dog kills the cat. Sounds a bit silly till you come to look into it well.
Justice it means but it's everybody eating everyone else. That's what life
is after all. How quickly he does that job. Practice makes perfect. Seems
to see with his fingers.</p>
<p>Mr Bloom passed on out of the clanking noises through the gallery on to
the landing. Now am I going to tram it out all the way and then catch him
out perhaps. Better phone him up first. Number? Yes. Same as Citron's
house. Twentyeight. Twentyeight double four.</p>
<p>ONLY ONCE MORE THAT SOAP</p>
<p>He went down the house staircase. Who the deuce scrawled all over those
walls with matches? Looks as if they did it for a bet. Heavy greasy smell
there always is in those works. Lukewarm glue in Thom's next door when I
was there.</p>
<p>He took out his handkerchief to dab his nose. Citronlemon? Ah, the soap I
put there. Lose it out of that pocket. Putting back his handkerchief he
took out the soap and stowed it away, buttoned, into the hip pocket of his
trousers.</p>
<p>What perfume does your wife use? I could go home still: tram: something I
forgot. Just to see: before: dressing. No. Here. No.</p>
<p>A sudden screech of laughter came from the <i>Evening Telegraph</i>
office. Know who that is. What's up? Pop in a minute to phone. Ned Lambert
it is.</p>
<p>He entered softly.</p>
<p>ERIN, GREEN GEM OF THE SILVER SEA</p>
<p>—The ghost walks, professor MacHugh murmured softly, biscuitfully to
the dusty windowpane.</p>
<p>Mr Dedalus, staring from the empty fireplace at Ned Lambert's quizzing
face, asked of it sourly:</p>
<p>—Agonising Christ, wouldn't it give you a heartburn on your arse?</p>
<p>Ned Lambert, seated on the table, read on:</p>
<p>—<i>Or again, note the meanderings of some purling rill as it
babbles on its way, tho' quarrelling with the stony obstacles, to the
tumbling waters of Neptune's blue domain, 'mid mossy banks, fanned by
gentlest zephyrs, played on by the glorious sunlight or 'neath the shadows
cast o'er its pensive bosom by the overarching leafage of the giants of
the forest</i>. What about that, Simon? he asked over the fringe of his
newspaper. How's that for high?</p>
<p>—Changing his drink, Mr Dedalus said.</p>
<p>Ned Lambert, laughing, struck the newspaper on his knees, repeating:</p>
<p>—<i>The pensive bosom and the overarsing leafage</i>. O boys! O
boys!</p>
<p>—And Xenophon looked upon Marathon, Mr Dedalus said, looking again
on the fireplace and to the window, and Marathon looked on the sea.</p>
<p>—That will do, professor MacHugh cried from the window. I don't want
to hear any more of the stuff.</p>
<p>He ate off the crescent of water biscuit he had been nibbling and,
hungered, made ready to nibble the biscuit in his other hand.</p>
<p>High falutin stuff. Bladderbags. Ned Lambert is taking a day off I see.
Rather upsets a man's day, a funeral does. He has influence they say. Old
Chatterton, the vicechancellor, is his granduncle or his greatgranduncle.
Close on ninety they say. Subleader for his death written this long time
perhaps. Living to spite them. Might go first himself. Johnny, make room
for your uncle. The right honourable Hedges Eyre Chatterton. Daresay he
writes him an odd shaky cheque or two on gale days. Windfall when he kicks
out. Alleluia.</p>
<p>—Just another spasm, Ned Lambert said.</p>
<p>—What is it? Mr Bloom asked.</p>
<p>—A recently discovered fragment of Cicero, professor MacHugh
answered with pomp of tone. <i>Our lovely land</i>. SHORT BUT TO THE POINT</p>
<p>—Whose land? Mr Bloom said simply.</p>
<p>—Most pertinent question, the professor said between his chews. With
an accent on the whose.</p>
<p>—Dan Dawson's land Mr Dedalus said.</p>
<p>—Is it his speech last night? Mr Bloom asked.</p>
<p>Ned Lambert nodded.</p>
<p>—But listen to this, he said.</p>
<p>The doorknob hit Mr Bloom in the small of the back as the door was pushed
in.</p>
<p>—Excuse me, J. J. O'Molloy said, entering.</p>
<p>Mr Bloom moved nimbly aside.</p>
<p>—I beg yours, he said.</p>
<p>—Good day, Jack.</p>
<p>—Come in. Come in.</p>
<p>—Good day.</p>
<p>—How are you, Dedalus?</p>
<p>—Well. And yourself?</p>
<p>J. J. O'Molloy shook his head.</p>
<p>SAD</p>
<p>Cleverest fellow at the junior bar he used to be. Decline, poor chap. That
hectic flush spells finis for a man. Touch and go with him. What's in the
wind, I wonder. Money worry.</p>
<p>—<i>Or again if we but climb the serried mountain peaks.</i></p>
<p>—You're looking extra.</p>
<p>—Is the editor to be seen? J. J. O'Molloy asked, looking towards the
inner door.</p>
<p>—Very much so, professor MacHugh said. To be seen and heard. He's in
his sanctum with Lenehan.</p>
<p>J. J. O'Molloy strolled to the sloping desk and began to turn back the
pink pages of the file.</p>
<p>Practice dwindling. A mighthavebeen. Losing heart. Gambling. Debts of
honour. Reaping the whirlwind. Used to get good retainers from D. and T.
Fitzgerald. Their wigs to show the grey matter. Brains on their sleeve
like the statue in Glasnevin. Believe he does some literary work for the
<i>Express</i> with Gabriel Conroy. Wellread fellow. Myles Crawford began
on the <i>Independent.</i> Funny the way those newspaper men veer about
when they get wind of a new opening. Weathercocks. Hot and cold in the
same breath. Wouldn't know which to believe. One story good till you hear
the next. Go for one another baldheaded in the papers and then all blows
over. Hail fellow well met the next moment.</p>
<p>—Ah, listen to this for God' sake, Ned Lambert pleaded. <i>Or again
if we but climb the serried mountain peaks...</i></p>
<p>—Bombast! the professor broke in testily. Enough of the inflated
windbag!</p>
<p>—<i>Peaks</i>, Ned Lambert went on, <i>towering high on high, to
bathe our souls, as it were...</i></p>
<p>—Bathe his lips, Mr Dedalus said. Blessed and eternal God! Yes? Is
he taking anything for it?</p>
<p><i>—As 'twere, in the peerless panorama of Ireland's portfolio,
unmatched, despite their wellpraised prototypes in other vaunted prize
regions, for very beauty, of bosky grove and undulating plain and luscious
pastureland of vernal green, steeped in the transcendent translucent glow
of our mild mysterious Irish twilight...</i></p>
<p>HIS NATIVE DORIC</p>
<p>—The moon, professor MacHugh said. He forgot Hamlet.</p>
<p><i>—That mantles the vista far and wide and wait till the glowing
orb of the moon shine forth to irradiate her silver effulgence...</i></p>
<p>—O! Mr Dedalus cried, giving vent to a hopeless groan. Shite and
onions! That'll do, Ned. Life is too short.</p>
<p>He took off his silk hat and, blowing out impatiently his bushy moustache,
welshcombed his hair with raking fingers.</p>
<p>Ned Lambert tossed the newspaper aside, chuckling with delight. An instant
after a hoarse bark of laughter burst over professor MacHugh's unshaven
blackspectacled face.</p>
<p>—Doughy Daw! he cried.</p>
<p>WHAT WETHERUP SAID</p>
<p>All very fine to jeer at it now in cold print but it goes down like hot
cake that stuff. He was in the bakery line too, wasn't he? Why they call
him Doughy Daw. Feathered his nest well anyhow. Daughter engaged to that
chap in the inland revenue office with the motor. Hooked that nicely.
Entertainments. Open house. Big blowout. Wetherup always said that. Get a
grip of them by the stomach.</p>
<p>The inner door was opened violently and a scarlet beaked face, crested by
a comb of feathery hair, thrust itself in. The bold blue eyes stared about
them and the harsh voice asked:</p>
<p>—What is it?</p>
<p>—And here comes the sham squire himself! professor MacHugh said
grandly.</p>
<p>—Getonouthat, you bloody old pedagogue! the editor said in
recognition.</p>
<p>—Come, Ned, Mr Dedalus said, putting on his hat. I must get a drink
after that.</p>
<p>—Drink! the editor cried. No drinks served before mass.</p>
<p>—Quite right too, Mr Dedalus said, going out. Come on, Ned.</p>
<p>Ned Lambert sidled down from the table. The editor's blue eyes roved
towards Mr Bloom's face, shadowed by a smile.</p>
<p>—Will you join us, Myles? Ned Lambert asked.</p>
<p>MEMORABLE BATTLES RECALLED</p>
<p>—North Cork militia! the editor cried, striding to the mantelpiece.
We won every time! North Cork and Spanish officers!</p>
<p>—Where was that, Myles? Ned Lambert asked with a reflective glance
at his toecaps.</p>
<p>—In Ohio! the editor shouted.</p>
<p>—So it was, begad, Ned Lambert agreed.</p>
<p>Passing out he whispered to J. J. O'Molloy:</p>
<p>—Incipient jigs. Sad case.</p>
<p>—Ohio! the editor crowed in high treble from his uplifted scarlet
face. My Ohio!</p>
<p>—A perfect cretic! the professor said. Long, short and long.</p>
<p>O, HARP EOLIAN!</p>
<p>He took a reel of dental floss from his waistcoat pocket and, breaking off
a piece, twanged it smartly between two and two of his resonant unwashed
teeth.</p>
<p>—Bingbang, bangbang.</p>
<p>Mr Bloom, seeing the coast clear, made for the inner door.</p>
<p>—Just a moment, Mr Crawford, he said. I just want to phone about an
ad.</p>
<p>He went in.</p>
<p>—What about that leader this evening? professor MacHugh asked,
coming to the editor and laying a firm hand on his shoulder.</p>
<p>—That'll be all right, Myles Crawford said more calmly. Never you
fret. Hello, Jack. That's all right.</p>
<p>—Good day, Myles, J. J. O'Molloy said, letting the pages he held
slip limply back on the file. Is that Canada swindle case on today?</p>
<p>The telephone whirred inside.</p>
<p>—Twentyeight... No, twenty... Double four... Yes.</p>
<p>SPOT THE WINNER</p>
<p>Lenehan came out of the inner office with SPORT'S tissues.</p>
<p>—Who wants a dead cert for the Gold cup? he asked. Sceptre with O.
Madden up.</p>
<p>He tossed the tissues on to the table.</p>
<p>Screams of newsboys barefoot in the hall rushed near and the door was
flung open.</p>
<p>—Hush, Lenehan said. I hear feetstoops.</p>
<p>Professor MacHugh strode across the room and seized the cringing urchin by
the collar as the others scampered out of the hall and down the steps. The
tissues rustled up in the draught, floated softly in the air blue scrawls
and under the table came to earth.</p>
<p>—It wasn't me, sir. It was the big fellow shoved me, sir.</p>
<p>—Throw him out and shut the door, the editor said. There's a
hurricane blowing.</p>
<p>Lenehan began to paw the tissues up from the floor, grunting as he stooped
twice.</p>
<p>—Waiting for the racing special, sir, the newsboy said. It was Pat
Farrell shoved me, sir.</p>
<p>He pointed to two faces peering in round the doorframe.</p>
<p>—Him, sir.</p>
<p>—Out of this with you, professor MacHugh said gruffly.</p>
<p>He hustled the boy out and banged the door to.</p>
<p>J. J. O'Molloy turned the files crackingly over, murmuring, seeking:</p>
<p>—Continued on page six, column four.</p>
<p>—Yes, <i>Evening Telegraph</i> here, Mr Bloom phoned from the inner
office. Is the boss...? Yes, <i>Telegraph</i>... To where? Aha! Which
auction rooms ?... Aha! I see... Right. I'll catch him.</p>
<p>A COLLISION ENSUES</p>
<p>The bell whirred again as he rang off. He came in quickly and bumped
against Lenehan who was struggling up with the second tissue.</p>
<p>—<i>Pardon, monsieur</i>, Lenehan said, clutching him for an instant
and making a grimace.</p>
<p>—My fault, Mr Bloom said, suffering his grip. Are you hurt? I'm in a
hurry.</p>
<p>—Knee, Lenehan said.</p>
<p>He made a comic face and whined, rubbing his knee:</p>
<p>—The accumulation of the <i>anno Domini</i>.</p>
<p>—Sorry, Mr Bloom said.</p>
<p>He went to the door and, holding it ajar, paused. J. J. O'Molloy slapped
the heavy pages over. The noise of two shrill voices, a mouthorgan, echoed
in the bare hallway from the newsboys squatted on the doorsteps:</p>
<p><i>—We are the boys of Wexford<br/>
Who fought with heart and hand.</i><br/></p>
<p>EXIT BLOOM</p>
<p>—I'm just running round to Bachelor's walk, Mr Bloom said, about
this ad of Keyes's. Want to fix it up. They tell me he's round there in
Dillon's.</p>
<p>He looked indecisively for a moment at their faces. The editor who,
leaning against the mantelshelf, had propped his head on his hand,
suddenly stretched forth an arm amply.</p>
<p>—Begone! he said. The world is before you.</p>
<p>—Back in no time, Mr Bloom said, hurrying out.</p>
<p>J. J. O'Molloy took the tissues from Lenehan's hand and read them, blowing
them apart gently, without comment.</p>
<p>—He'll get that advertisement, the professor said, staring through
his blackrimmed spectacles over the crossblind. Look at the young scamps
after him.</p>
<p>—Show. Where? Lenehan cried, running to the window.</p>
<p>A STREET CORTEGE</p>
<p>Both smiled over the crossblind at the file of capering newsboys in Mr
Bloom's wake, the last zigzagging white on the breeze a mocking kite, a
tail of white bowknots.</p>
<p>—Look at the young guttersnipe behind him hue and cry, Lenehan said,
and you'll kick. O, my rib risible! Taking off his flat spaugs and the
walk. Small nines. Steal upon larks.</p>
<p>He began to mazurka in swift caricature across the floor on sliding feet
past the fireplace to J. J. O'Molloy who placed the tissues in his
receiving hands.</p>
<p>—What's that? Myles Crawford said with a start. Where are the other
two gone?</p>
<p>—Who? the professor said, turning. They're gone round to the Oval
for a drink. Paddy Hooper is there with Jack Hall. Came over last night.</p>
<p>—Come on then, Myles Crawford said. Where's my hat?</p>
<p>He walked jerkily into the office behind, parting the vent of his jacket,
jingling his keys in his back pocket. They jingled then in the air and
against the wood as he locked his desk drawer.</p>
<p>—He's pretty well on, professor MacHugh said in a low voice.</p>
<p>—Seems to be, J. J. O'Molloy said, taking out a cigarettecase in
murmuring meditation, but it is not always as it seems. Who has the most
matches?</p>
<p>THE CALUMET OF PEACE</p>
<p>He offered a cigarette to the professor and took one himself. Lenehan
promptly struck a match for them and lit their cigarettes in turn. J. J.
O'Molloy opened his case again and offered it.</p>
<p>—<i>Thanky vous</i>, Lenehan said, helping himself.</p>
<p>The editor came from the inner office, a straw hat awry on his brow. He
declaimed in song, pointing sternly at professor MacHugh:</p>
<p><i>—'Twas rank and fame that tempted thee, 'Twas empire charmed thy
heart.</i></p>
<p>The professor grinned, locking his long lips.</p>
<p>—Eh? You bloody old Roman empire? Myles Crawford said.</p>
<p>He took a cigarette from the open case. Lenehan, lighting it for him with
quick grace, said:</p>
<p>—Silence for my brandnew riddle!</p>
<p>—<i>Imperium romanum</i>, J. J. O'Molloy said gently. It sounds
nobler than British or Brixton. The word reminds one somehow of fat in the
fire.</p>
<p>Myles Crawford blew his first puff violently towards the ceiling.</p>
<p>—That's it, he said. We are the fat. You and I are the fat in the
fire. We haven't got the chance of a snowball in hell.</p>
<p>THE GRANDEUR THAT WAS ROME</p>
<p>—Wait a moment, professor MacHugh said, raising two quiet claws. We
mustn't be led away by words, by sounds of words. We think of Rome,
imperial, imperious, imperative.</p>
<p>He extended elocutionary arms from frayed stained shirtcuffs, pausing:</p>
<p>—What was their civilisation? Vast, I allow: but vile. Cloacae:
sewers. The Jews in the wilderness and on the mountaintop said: <i>It is
meet to be here. Let us build an altar to Jehovah</i>. The Roman, like the
Englishman who follows in his footsteps, brought to every new shore on
which he set his foot (on our shore he never set it) only his cloacal
obsession. He gazed about him in his toga and he said: <i>It is meet to be
here. Let us construct a watercloset.</i></p>
<p>—Which they accordingly did do, Lenehan said. Our old ancient
ancestors, as we read in the first chapter of Guinness's, were partial to
the running stream.</p>
<p>—They were nature's gentlemen, J. J. O'Molloy murmured. But we have
also Roman law.</p>
<p>—And Pontius Pilate is its prophet, professor MacHugh responded.</p>
<p>—Do you know that story about chief baron Palles? J. J. O'Molloy
asked. It was at the royal university dinner. Everything was going
swimmingly ...</p>
<p>—First my riddle, Lenehan said. Are you ready?</p>
<p>Mr O'Madden Burke, tall in copious grey of Donegal tweed, came in from the
hallway. Stephen Dedalus, behind him, uncovered as he entered.</p>
<p>—<i>Entrez, mes enfants!</i> Lenehan cried.</p>
<p>—I escort a suppliant, Mr O'Madden Burke said melodiously. Youth led
by Experience visits Notoriety.</p>
<p>—How do you do? the editor said, holding out a hand. Come in. Your
governor is just gone.???</p>
<p>Lenehan said to all:</p>
<p>—Silence! What opera resembles a railwayline? Reflect, ponder,
excogitate, reply.</p>
<p>Stephen handed over the typed sheets, pointing to the title and signature.</p>
<p>—Who? the editor asked.</p>
<p>Bit torn off.</p>
<p>—Mr Garrett Deasy, Stephen said.</p>
<p>—That old pelters, the editor said. Who tore it? Was he short taken?</p>
<p><i>On swift sail flaming<br/>
From storm and south<br/>
He comes, pale vampire,<br/>
Mouth to my mouth.</i><br/></p>
<p>—Good day, Stephen, the professor said, coming to peer over their
shoulders. Foot and mouth? Are you turned...?</p>
<p>Bullockbefriending bard.</p>
<p>SHINDY IN WELLKNOWN RESTAURANT</p>
<p>—Good day, sir, Stephen answered blushing. The letter is not mine.
Mr Garrett Deasy asked me to...</p>
<p>—O, I know him, Myles Crawford said, and I knew his wife too. The
bloodiest old tartar God ever made. By Jesus, she had the foot and mouth
disease and no mistake! The night she threw the soup in the waiter's face
in the Star and Garter. Oho!</p>
<p>A woman brought sin into the world. For Helen, the runaway wife of
Menelaus, ten years the Greeks. O'Rourke, prince of Breffni.</p>
<p>—Is he a widower? Stephen asked.</p>
<p>—Ay, a grass one, Myles Crawford said, his eye running down the
typescript. Emperor's horses. Habsburg. An Irishman saved his life on the
ramparts of Vienna. Don't you forget! Maximilian Karl O'Donnell, graf von
Tirconnell in Ireland. Sent his heir over to make the king an Austrian
fieldmarshal now. Going to be trouble there one day. Wild geese. O yes,
every time. Don't you forget that!</p>
<p>—The moot point is did he forget it, J. J. O'Molloy said quietly,
turning a horseshoe paperweight. Saving princes is a thank you job.</p>
<p>Professor MacHugh turned on him.</p>
<p>—And if not? he said.</p>
<p>—I'll tell you how it was, Myles Crawford began. A Hungarian it was
one day... LOST CAUSES</p>
<p>NOBLE MARQUESS MENTIONED</p>
<p>—We were always loyal to lost causes, the professor said. Success
for us is the death of the intellect and of the imagination. We were never
loyal to the successful. We serve them. I teach the blatant Latin
language. I speak the tongue of a race the acme of whose mentality is the
maxim: time is money. Material domination. <i>Dominus!</i> Lord! Where is
the spirituality? Lord Jesus? Lord Salisbury? A sofa in a westend club.
But the Greek!</p>
<p>KYRIE ELEISON!</p>
<p>A smile of light brightened his darkrimmed eyes, lengthened his long lips.</p>
<p>—The Greek! he said again. <i>Kyrios!</i> Shining word! The vowels
the Semite and the Saxon know not. <i>Kyrie!</i> The radiance of the
intellect. I ought to profess Greek, the language of the mind. <i>Kyrie
eleison!</i> The closetmaker and the cloacamaker will never be lords of
our spirit. We are liege subjects of the catholic chivalry of Europe that
foundered at Trafalgar and of the empire of the spirit, not an <i>imperium,</i>
that went under with the Athenian fleets at Aegospotami. Yes, yes. They
went under. Pyrrhus, misled by an oracle, made a last attempt to retrieve
the fortunes of Greece. Loyal to a lost cause.</p>
<p>He strode away from them towards the window.</p>
<p>—They went forth to battle, Mr O'Madden Burke said greyly, but they
always fell.</p>
<p>—Boohoo! Lenehan wept with a little noise. Owing to a brick received
in the latter half of the <i>matin�e</i>. Poor, poor, poor Pyrrhus!</p>
<p>He whispered then near Stephen's ear:</p>
<p>LENEHAN'S LIMERICK</p>
<p><i>There's a ponderous pundit MacHugh<br/>
Who wears goggles of ebony hue.<br/>
As he mostly sees double<br/>
To wear them why trouble?<br/>
I can't see the Joe Miller. Can you?</i><br/></p>
<p>In mourning for Sallust, Mulligan says. Whose mother is beastly dead.</p>
<p>Myles Crawford crammed the sheets into a sidepocket.</p>
<p>—That'll be all right, he said. I'll read the rest after. That'll be
all right.</p>
<p>Lenehan extended his hands in protest.</p>
<p>—But my riddle! he said. What opera is like a railwayline?</p>
<p>—Opera? Mr O'Madden Burke's sphinx face reriddled.</p>
<p>Lenehan announced gladly:</p>
<p>—<i>The Rose of Castile</i>. See the wheeze? Rows of cast steel.
Gee!</p>
<p>He poked Mr O'Madden Burke mildly in the spleen. Mr O'Madden Burke fell
back with grace on his umbrella, feigning a gasp.</p>
<p>—Help! he sighed. I feel a strong weakness.</p>
<p>Lenehan, rising to tiptoe, fanned his face rapidly with the rustling
tissues.</p>
<p>The professor, returning by way of the files, swept his hand across
Stephen's and Mr O'Madden Burke's loose ties.</p>
<p>—Paris, past and present, he said. You look like communards.</p>
<p>—Like fellows who had blown up the Bastile, J. J. O'Molloy said in
quiet mockery. Or was it you shot the lord lieutenant of Finland between
you? You look as though you had done the deed. General Bobrikoff.</p>
<p>OMNIUM GATHERUM</p>
<p>—We were only thinking about it, Stephen said.</p>
<p>—All the talents, Myles Crawford said. Law, the classics...</p>
<p>—The turf, Lenehan put in.</p>
<p>—Literature, the press.</p>
<p>—If Bloom were here, the professor said. The gentle art of
advertisement.</p>
<p>—And Madam Bloom, Mr O'Madden Burke added. The vocal muse. Dublin's
prime favourite.</p>
<p>Lenehan gave a loud cough.</p>
<p>—Ahem! he said very softly. O, for a fresh of breath air! I caught a
cold in the park. The gate was open.</p>
<p>YOU CAN DO IT!</p>
<p>The editor laid a nervous hand on Stephen's shoulder.</p>
<p>—I want you to write something for me, he said. Something with a
bite in it. You can do it. I see it in your face. <i>In the lexicon of
youth</i> ...</p>
<p>See it in your face. See it in your eye. Lazy idle little schemer.</p>
<p>—Foot and mouth disease! the editor cried in scornful invective.
Great nationalist meeting in Borris-in-Ossory. All balls! Bulldosing the
public! Give them something with a bite in it. Put us all into it, damn
its soul. Father, Son and Holy Ghost and Jakes M'Carthy.</p>
<p>—We can all supply mental pabulum, Mr O'Madden Burke said.</p>
<p>Stephen raised his eyes to the bold unheeding stare.</p>
<p>—He wants you for the pressgang, J. J. O'Molloy said.</p>
<p>THE GREAT GALLAHER</p>
<p>—You can do it, Myles Crawford repeated, clenching his hand in
emphasis. Wait a minute. We'll paralyse Europe as Ignatius Gallaher used
to say when he was on the shaughraun, doing billiardmarking in the
Clarence. Gallaher, that was a pressman for you. That was a pen. You know
how he made his mark? I'll tell you. That was the smartest piece of
journalism ever known. That was in eightyone, sixth of May, time of the
invincibles, murder in the Phoenix park, before you were born, I suppose.
I'll show you.</p>
<p>He pushed past them to the files.</p>
<p>—Look at here, he said turning. The <i>New York World</i> cabled for
a special. Remember that time?</p>
<p>Professor MacHugh nodded.</p>
<p>—<i>New York World</i>, the editor said, excitedly pushing back his
straw hat. Where it took place. Tim Kelly, or Kavanagh I mean. Joe Brady
and the rest of them. Where Skin-the-Goat drove the car. Whole route, see?</p>
<p>—Skin-the-Goat, Mr O'Madden Burke said. Fitzharris. He has that
cabman's shelter, they say, down there at Butt bridge. Holohan told me.
You know Holohan?</p>
<p>—Hop and carry one, is it? Myles Crawford said.</p>
<p>—And poor Gumley is down there too, so he told me, minding stones
for the corporation. A night watchman.</p>
<p>Stephen turned in surprise.</p>
<p>—Gumley? he said. You don't say so? A friend of my father's, is it?</p>
<p>—Never mind Gumley, Myles Crawford cried angrily. Let Gumley mind
the stones, see they don't run away. Look at here. What did Ignatius
Gallaher do? I'll tell you. Inspiration of genius. Cabled right away. Have
you <i>Weekly Freeman</i> of 17 March? Right. Have you got that?</p>
<p>He flung back pages of the files and stuck his finger on a point.</p>
<p>—Take page four, advertisement for Bransome's coffee, let us say.
Have you got that? Right.</p>
<p>The telephone whirred.</p>
<p>A DISTANT VOICE</p>
<p>—I'll answer it, the professor said, going.</p>
<p>—B is parkgate. Good.</p>
<p>His finger leaped and struck point after point, vibrating.</p>
<p>—T is viceregal lodge. C is where murder took place. K is
Knockmaroon gate.</p>
<p>The loose flesh of his neck shook like a cock's wattles. An illstarched
dicky jutted up and with a rude gesture he thrust it back into his
waistcoat.</p>
<p>—Hello? <i>Evening Telegraph</i> here... Hello?... Who's there?...
Yes... Yes... Yes.</p>
<p>—F to P is the route Skin-the-Goat drove the car for an alibi,
Inchicore, Roundtown, Windy Arbour, Palmerston Park, Ranelagh. F.A.B.P.
Got that? X is Davy's publichouse in upper Leeson street.</p>
<p>The professor came to the inner door.</p>
<p>—Bloom is at the telephone, he said.</p>
<p>—Tell him go to hell, the editor said promptly. X is Davy's
publichouse, see? CLEVER, VERY</p>
<p>—Clever, Lenehan said. Very.</p>
<p>—Gave it to them on a hot plate, Myles Crawford said, the whole
bloody history.</p>
<p>Nightmare from which you will never awake.</p>
<p>—I saw it, the editor said proudly. I was present. Dick Adams, the
besthearted bloody Corkman the Lord ever put the breath of life in, and
myself.</p>
<p>Lenehan bowed to a shape of air, announcing:</p>
<p>—Madam, I'm Adam. And Able was I ere I saw Elba.</p>
<p>—History! Myles Crawford cried. The Old Woman of Prince's street was
there first. There was weeping and gnashing of teeth over that. Out of an
advertisement. Gregor Grey made the design for it. That gave him the leg
up. Then Paddy Hooper worked Tay Pay who took him on to the <i>Star.</i>
Now he's got in with Blumenfeld. That's press. That's talent. Pyatt! He
was all their daddies!</p>
<p>—The father of scare journalism, Lenehan confirmed, and the
brother-in-law of Chris Callinan.</p>
<p>—Hello?... Are you there?... Yes, he's here still. Come across
yourself.</p>
<p>—Where do you find a pressman like that now, eh? the editor cried.
He flung the pages down.</p>
<p>—Clamn dever, Lenehan said to Mr O'Madden Burke.</p>
<p>—Very smart, Mr O'Madden Burke said.</p>
<p>Professor MacHugh came from the inner office.</p>
<p>—Talking about the invincibles, he said, did you see that some
hawkers were up before the recorder?</p>
<p>—O yes, J. J. O'Molloy said eagerly. Lady Dudley was walking home
through the park to see all the trees that were blown down by that cyclone
last year and thought she'd buy a view of Dublin. And it turned out to be
a commemoration postcard of Joe Brady or Number One or Skin-the-Goat.
Right outside the viceregal lodge, imagine!</p>
<p>—They're only in the hook and eye department, Myles Crawford said.
Psha! Press and the bar! Where have you a man now at the bar like those
fellows, like Whiteside, like Isaac Butt, like silvertongued O'Hagan. Eh?
Ah, bloody nonsense. Psha! Only in the halfpenny place.</p>
<p>His mouth continued to twitch unspeaking in nervous curls of disdain.</p>
<p>Would anyone wish that mouth for her kiss? How do you know? Why did you
write it then?</p>
<p>RHYMES AND REASONS</p>
<p>Mouth, south. Is the mouth south someway? Or the south a mouth? Must be
some. South, pout, out, shout, drouth. Rhymes: two men dressed the same,
looking the same, two by two.</p>
<p><i>........................ la tua pace<br/>
.................. che parlar ti piace<br/>
.... mentrech� il vento, come fa, si tace.</i><br/></p>
<p>He saw them three by three, approaching girls, in green, in rose, in
russet, entwining, <i>per l'aer perso</i>, in mauve, in purple, <i>quella
pacifica oriafiamma</i>, gold of oriflamme, <i>di rimirar fe piu ardenti.</i>
But I old men, penitent, leadenfooted, underdarkneath the night: mouth
south: tomb womb.</p>
<p>—Speak up for yourself, Mr O'Madden Burke said.</p>
<p>SUFFICIENT FOR THE DAY...</p>
<p>J. J. O'Molloy, smiling palely, took up the gage.</p>
<p>—My dear Myles, he said, flinging his cigarette aside, you put a
false construction on my words. I hold no brief, as at present advised,
for the third profession qua profession but your Cork legs are running
away with you. Why not bring in Henry Grattan and Flood and Demosthenes
and Edmund Burke? Ignatius Gallaher we all know and his Chapelizod boss,
Harmsworth of the farthing press, and his American cousin of the Bowery
guttersheet not to mention <i>Paddy Kelly's Budget, Pue's Occurrences</i>
and our watchful friend <i>The Skibbereen Eagle</i>. Why bring in a master
of forensic eloquence like Whiteside? Sufficient for the day is the
newspaper thereof. LINKS WITH BYGONE DAYS OF YORE</p>
<p>—Grattan and Flood wrote for this very paper, the editor cried in
his face. Irish volunteers. Where are you now? Established 1763. Dr Lucas.
Who have you now like John Philpot Curran? Psha!</p>
<p>—Well, J. J. O'Molloy said, Bushe K.C., for example.</p>
<p>—Bushe? the editor said. Well, yes: Bushe, yes. He has a strain of
it in his blood. Kendal Bushe or I mean Seymour Bushe.</p>
<p>—He would have been on the bench long ago, the professor said, only
for ... But no matter.</p>
<p>J. J. O'Molloy turned to Stephen and said quietly and slowly:</p>
<p>—One of the most polished periods I think I ever listened to in my
life fell from the lips of Seymour Bushe. It was in that case of
fratricide, the Childs murder case. Bushe defended him. <i>And in the
porches of mine ear did pour.</i></p>
<p>By the way how did he find that out? He died in his sleep. Or the other
story, beast with two backs?</p>
<p>—What was that? the professor asked.</p>
<p>ITALIA, MAGISTRA ARTIUM</p>
<p>—He spoke on the law of evidence, J. J. O'Molloy said, of Roman
justice as contrasted with the earlier Mosaic code, the <i>lex talionis</i>.
And he cited the Moses of Michelangelo in the vatican.</p>
<p>—Ha.</p>
<p>—A few wellchosen words, Lenehan prefaced. Silence!</p>
<p>Pause. J. J. O'Molloy took out his cigarettecase.</p>
<p>False lull. Something quite ordinary.</p>
<p>Messenger took out his matchbox thoughtfully and lit his cigar.</p>
<p>I have often thought since on looking back over that strange time that it
was that small act, trivial in itself, that striking of that match, that
determined the whole aftercourse of both our lives. A POLISHED PERIOD</p>
<p>J. J. O'Molloy resumed, moulding his words:</p>
<p>—He said of it: <i>that stony effigy in frozen music, horned and
terrible, of the human form divine, that eternal symbol of wisdom and of
prophecy which, if aught that the imagination or the hand of sculptor has
wrought in marble of soultransfigured and of soultransfiguring deserves to
live, deserves to live.</i></p>
<p>His slim hand with a wave graced echo and fall.</p>
<p>—Fine! Myles Crawford said at once.</p>
<p>—The divine afflatus, Mr O'Madden Burke said.</p>
<p>—You like it? J. J. O'Molloy asked Stephen.</p>
<p>Stephen, his blood wooed by grace of language and gesture, blushed. He
took a cigarette from the case. J. J. O'Molloy offered his case to Myles
Crawford. Lenehan lit their cigarettes as before and took his trophy,
saying:</p>
<p>—Muchibus thankibus.</p>
<p>A MAN OF HIGH MORALE</p>
<p>—Professor Magennis was speaking to me about you, J. J. O'Molloy
said to Stephen. What do you think really of that hermetic crowd, the opal
hush poets: A. E. the mastermystic? That Blavatsky woman started it. She
was a nice old bag of tricks. A. E. has been telling some yankee
interviewer that you came to him in the small hours of the morning to ask
him about planes of consciousness. Magennis thinks you must have been
pulling A. E.'s leg. He is a man of the very highest morale, Magennis.</p>
<p>Speaking about me. What did he say? What did he say? What did he say about
me? Don't ask.</p>
<p>—No, thanks, professor MacHugh said, waving the cigarettecase aside.
Wait a moment. Let me say one thing. The finest display of oratory I ever
heard was a speech made by John F Taylor at the college historical
society. Mr Justice Fitzgibbon, the present lord justice of appeal, had
spoken and the paper under debate was an essay (new for those days),
advocating the revival of the Irish tongue.</p>
<p>He turned towards Myles Crawford and said:</p>
<p>—You know Gerald Fitzgibbon. Then you can imagine the style of his
discourse.</p>
<p>—He is sitting with Tim Healy, J. J. O'Molloy said, rumour has it,
on the Trinity college estates commission.</p>
<p>—He is sitting with a sweet thing, Myles Crawford said, in a child's
frock. Go on. Well?</p>
<p>—It was the speech, mark you, the professor said, of a finished
orator, full of courteous haughtiness and pouring in chastened diction I
will not say the vials of his wrath but pouring the proud man's contumely
upon the new movement. It was then a new movement. We were weak, therefore
worthless.</p>
<p>He closed his long thin lips an instant but, eager to be on, raised an
outspanned hand to his spectacles and, with trembling thumb and ringfinger
touching lightly the black rims, steadied them to a new focus.</p>
<p>IMPROMPTU</p>
<p>In ferial tone he addressed J. J. O'Molloy:</p>
<p>—Taylor had come there, you must know, from a sickbed. That he had
prepared his speech I do not believe for there was not even one
shorthandwriter in the hall. His dark lean face had a growth of shaggy
beard round it. He wore a loose white silk neckcloth and altogether he
looked (though he was not) a dying man.</p>
<p>His gaze turned at once but slowly from J. J. O'Molloy's towards Stephen's
face and then bent at once to the ground, seeking. His unglazed linen
collar appeared behind his bent head, soiled by his withering hair. Still
seeking, he said:</p>
<p>—When Fitzgibbon's speech had ended John F Taylor rose to reply.
Briefly, as well as I can bring them to mind, his words were these.</p>
<p>He raised his head firmly. His eyes bethought themselves once more.
Witless shellfish swam in the gross lenses to and fro, seeking outlet.</p>
<p>He began:</p>
<p><i>—Mr Chairman, ladies and gentlemen: Great was my admiration in
listening to the remarks addressed to the youth of Ireland a moment since
by my learned friend. It seemed to me that I had been transported into a
country far away from this country, into an age remote from this age, that
I stood in ancient Egypt and that I was listening to the speech of some
highpriest of that land addressed to the youthful Moses.</i></p>
<p>His listeners held their cigarettes poised to hear, their smokes ascending
in frail stalks that flowered with his speech. <i>And let our crooked
smokes.</i> Noble words coming. Look out. Could you try your hand at it
yourself?</p>
<p><i>—And it seemed to me that I heard the voice of that Egyptian
highpriest raised in a tone of like haughtiness and like pride. I heard
his words and their meaning was revealed to me.</i></p>
<p>FROM THE FATHERS</p>
<p>It was revealed to me that those things are good which yet are corrupted
which neither if they were supremely good nor unless they were good could
be corrupted. Ah, curse you! That's saint Augustine.</p>
<p><i>—Why will you jews not accept our culture, our religion and our
language? You are a tribe of nomad herdsmen: we are a mighty people. You
have no cities nor no wealth: our cities are hives of humanity and our
galleys, trireme and quadrireme, laden with all manner merchandise furrow
the waters of the known globe. You have but emerged from primitive
conditions: we have a literature, a priesthood, an agelong history and a
polity.</i></p>
<p>Nile.</p>
<p>Child, man, effigy.</p>
<p>By the Nilebank the babemaries kneel, cradle of bulrushes: a man supple in
combat: stonehorned, stonebearded, heart of stone.</p>
<p><i>—You pray to a local and obscure idol: our temples, majestic and
mysterious, are the abodes of Isis and Osiris, of Horus and Ammon Ra.
Yours serfdom, awe and humbleness: ours thunder and the seas. Israel is
weak and few are her children: Egypt is an host and terrible are her arms.
Vagrants and daylabourers are you called: the world trembles at our name.</i></p>
<p>A dumb belch of hunger cleft his speech. He lifted his voice above it
boldly:</p>
<p><i>—But, ladies and gentlemen, had the youthful Moses listened to
and accepted that view of life, had he bowed his head and bowed his will
and bowed his spirit before that arrogant admonition he would never have
brought the chosen people out of their house of bondage, nor followed the
pillar of the cloud by day. He would never have spoken with the Eternal
amid lightnings on Sinai's mountaintop nor ever have come down with the
light of inspiration shining in his countenance and bearing in his arms
the tables of the law, graven in the language of the outlaw.</i></p>
<p>He ceased and looked at them, enjoying a silence.</p>
<p>OMINOUS—FOR HIM!</p>
<p>J. J. O'Molloy said not without regret:</p>
<p>—And yet he died without having entered the land of promise.</p>
<p>—A sudden—at—the—moment—though—from—lingering—illness—often—
previously—expectorated—demise, Lenehan added. And with a
great future behind him.</p>
<p>The troop of bare feet was heard rushing along the hallway and pattering
up the staircase.</p>
<p>—That is oratory, the professor said uncontradicted. Gone with the
wind. Hosts at Mullaghmast and Tara of the kings. Miles of ears of
porches. The tribune's words, howled and scattered to the four winds. A
people sheltered within his voice. Dead noise. Akasic records of all that
ever anywhere wherever was. Love and laud him: me no more.</p>
<p>I have money.</p>
<p>—Gentlemen, Stephen said. As the next motion on the agenda paper may
I suggest that the house do now adjourn?</p>
<p>—You take my breath away. It is not perchance a French compliment?
Mr O'Madden Burke asked. 'Tis the hour, methinks, when the winejug,
metaphorically speaking, is most grateful in Ye ancient hostelry.</p>
<p>—That it be and hereby is resolutely resolved. All that are in
favour say ay, Lenehan announced. The contrary no. I declare it carried.
To which particular boosing shed?... My casting vote is: Mooney's!</p>
<p>He led the way, admonishing:</p>
<p>—We will sternly refuse to partake of strong waters, will we not?
Yes, we will not. By no manner of means.</p>
<p>Mr O'Madden Burke, following close, said with an ally's lunge of his
umbrella:</p>
<p>—Lay on, Macduff!</p>
<p>—Chip of the old block! the editor cried, clapping Stephen on the
shoulder. Let us go. Where are those blasted keys?</p>
<p>He fumbled in his pocket pulling out the crushed typesheets.</p>
<p>—Foot and mouth. I know. That'll be all right. That'll go in. Where
are they? That's all right.</p>
<p>He thrust the sheets back and went into the inner office. LET US HOPE</p>
<p>J. J. O'Molloy, about to follow him in, said quietly to Stephen:</p>
<p>—I hope you will live to see it published. Myles, one moment.</p>
<p>He went into the inner office, closing the door behind him.</p>
<p>—Come along, Stephen, the professor said. That is fine, isn't it? It
has the prophetic vision. <i>Fuit Ilium!</i> The sack of windy Troy.
Kingdoms of this world. The masters of the Mediterranean are fellaheen
today.</p>
<p>The first newsboy came pattering down the stairs at their heels and rushed
out into the street, yelling:</p>
<p>—Racing special!</p>
<p>Dublin. I have much, much to learn.</p>
<p>They turned to the left along Abbey street.</p>
<p>—I have a vision too, Stephen said.</p>
<p>—Yes? the professor said, skipping to get into step. Crawford will
follow.</p>
<p>Another newsboy shot past them, yelling as he ran:</p>
<p>—Racing special!</p>
<p>DEAR DIRTY DUBLIN</p>
<p>Dubliners.</p>
<p>—Two Dublin vestals, Stephen said, elderly and pious, have lived
fifty and fiftythree years in Fumbally's lane.</p>
<p>—Where is that? the professor asked.</p>
<p>—Off Blackpitts, Stephen said.</p>
<p>Damp night reeking of hungry dough. Against the wall. Face glistering
tallow under her fustian shawl. Frantic hearts. Akasic records. Quicker,
darlint!</p>
<p>On now. Dare it. Let there be life.</p>
<p>—They want to see the views of Dublin from the top of Nelson's
pillar. They save up three and tenpence in a red tin letterbox moneybox.
They shake out the threepenny bits and sixpences and coax out the pennies
with the blade of a knife. Two and three in silver and one and seven in
coppers. They put on their bonnets and best clothes and take their
umbrellas for fear it may come on to rain.</p>
<p>—Wise virgins, professor MacHugh said.</p>
<p>LIFE ON THE RAW</p>
<p>—They buy one and fourpenceworth of brawn and four slices of panloaf
at the north city diningrooms in Marlborough street from Miss Kate
Collins, proprietress... They purchase four and twenty ripe plums from a
girl at the foot of Nelson's pillar to take off the thirst of the brawn.
They give two threepenny bits to the gentleman at the turnstile and begin
to waddle slowly up the winding staircase, grunting, encouraging each
other, afraid of the dark, panting, one asking the other have you the
brawn, praising God and the Blessed Virgin, threatening to come down,
peeping at the airslits. Glory be to God. They had no idea it was that
high.</p>
<p>Their names are Anne Kearns and Florence MacCabe. Anne Kearns has the
lumbago for which she rubs on Lourdes water, given her by a lady who got a
bottleful from a passionist father. Florence MacCabe takes a crubeen and a
bottle of double X for supper every Saturday.</p>
<p>—Antithesis, the professor said nodding twice. Vestal virgins. I can
see them. What's keeping our friend?</p>
<p>He turned.</p>
<p>A bevy of scampering newsboys rushed down the steps, scattering in all
directions, yelling, their white papers fluttering. Hard after them Myles
Crawford appeared on the steps, his hat aureoling his scarlet face,
talking with J. J. O'Molloy.</p>
<p>—Come along, the professor cried, waving his arm.</p>
<p>He set off again to walk by Stephen's side. RETURN OF BLOOM</p>
<p>—Yes, he said. I see them.</p>
<p>Mr Bloom, breathless, caught in a whirl of wild newsboys near the offices
of the <i>Irish Catholic and Dublin Penny Journal</i>, called:</p>
<p>—Mr Crawford! A moment!</p>
<p>—<i>Telegraph</i>! Racing special!</p>
<p>—What is it? Myles Crawford said, falling back a pace.</p>
<p>A newsboy cried in Mr Bloom's face:</p>
<p>—Terrible tragedy in Rathmines! A child bit by a bellows!</p>
<p>INTERVIEW WITH THE EDITOR</p>
<p>—Just this ad, Mr Bloom said, pushing through towards the steps,
puffing, and taking the cutting from his pocket. I spoke with Mr Keyes
just now. He'll give a renewal for two months, he says. After he'll see.
But he wants a par to call attention in the <i>Telegraph</i> too, the
Saturday pink. And he wants it copied if it's not too late I told
councillor Nannetti from the <i>Kilkenny People</i>. I can have access to
it in the national library. House of keys, don't you see? His name is
Keyes. It's a play on the name. But he practically promised he'd give the
renewal. But he wants just a little puff. What will I tell him, Mr
Crawford? K.M.A.</p>
<p>—Will you tell him he can kiss my arse? Myles Crawford said throwing
out his arm for emphasis. Tell him that straight from the stable.</p>
<p>A bit nervy. Look out for squalls. All off for a drink. Arm in arm.
Lenehan's yachting cap on the cadge beyond. Usual blarney. Wonder is that
young Dedalus the moving spirit. Has a good pair of boots on him today.
Last time I saw him he had his heels on view. Been walking in muck
somewhere. Careless chap. What was he doing in Irishtown?</p>
<p>—Well, Mr Bloom said, his eyes returning, if I can get the design I
suppose it's worth a short par. He'd give the ad, I think. I'll tell him
... K.M.R.I.A.</p>
<p>—He can kiss my royal Irish arse, Myles Crawford cried loudly over
his shoulder. Any time he likes, tell him.</p>
<p>While Mr Bloom stood weighing the point and about to smile he strode on
jerkily.</p>
<p>RAISING THE WIND</p>
<p>—<i>Nulla bona</i>, Jack, he said, raising his hand to his chin. I'm
up to here. I've been through the hoop myself. I was looking for a fellow
to back a bill for me no later than last week. Sorry, Jack. You must take
the will for the deed. With a heart and a half if I could raise the wind
anyhow.</p>
<p>J. J. O'Molloy pulled a long face and walked on silently. They caught up
on the others and walked abreast.</p>
<p>—When they have eaten the brawn and the bread and wiped their twenty
fingers in the paper the bread was wrapped in they go nearer to the
railings.</p>
<p>—Something for you, the professor explained to Myles Crawford. Two
old Dublin women on the top of Nelson's pillar.</p>
<p>SOME COLUMN!—THAT'S WHAT WADDLER ONE SAID</p>
<p>—That's new, Myles Crawford said. That's copy. Out for the waxies
Dargle. Two old trickies, what?</p>
<p>—But they are afraid the pillar will fall, Stephen went on. They see
the roofs and argue about where the different churches are: Rathmines'
blue dome, Adam and Eve's, saint Laurence O'Toole's. But it makes them
giddy to look so they pull up their skirts...</p>
<p>THOSE SLIGHTLY RAMBUNCTIOUS FEMALES</p>
<p>—Easy all, Myles Crawford said. No poetic licence. We're in the
archdiocese here.</p>
<p>—And settle down on their striped petticoats, peering up at the
statue of the onehandled adulterer.</p>
<p>—Onehandled adulterer! the professor cried. I like that. I see the
idea. I see what you mean.</p>
<p>DAMES DONATE DUBLIN'S CITS SPEEDPILLS VELOCITOUS AEROLITHS, BELIEF</p>
<p>—It gives them a crick in their necks, Stephen said, and they are
too tired to look up or down or to speak. They put the bag of plums
between them and eat the plums out of it, one after another, wiping off
with their handkerchiefs the plumjuice that dribbles out of their mouths
and spitting the plumstones slowly out between the railings.</p>
<p>He gave a sudden loud young laugh as a close. Lenehan and Mr O'Madden
Burke, hearing, turned, beckoned and led on across towards Mooney's.</p>
<p>—Finished? Myles Crawford said. So long as they do no worse.</p>
<p>SOPHIST WALLOPS HAUGHTY HELEN SQUARE ON PROBOSCIS. SPARTANS GNASH MOLARS.
ITHACANS VOW PEN IS CHAMP.</p>
<p>—You remind me of Antisthenes, the professor said, a disciple of
Gorgias, the sophist. It is said of him that none could tell if he were
bitterer against others or against himself. He was the son of a noble and
a bondwoman. And he wrote a book in which he took away the palm of beauty
from Argive Helen and handed it to poor Penelope.</p>
<p>Poor Penelope. Penelope Rich.</p>
<p>They made ready to cross O'Connell street.</p>
<p>HELLO THERE, CENTRAL!</p>
<p>At various points along the eight lines tramcars with motionless trolleys
stood in their tracks, bound for or from Rathmines, Rathfarnham,
Blackrock, Kingstown and Dalkey, Sandymount Green, Ringsend and Sandymount
Tower, Donnybrook, Palmerston Park and Upper Rathmines, all still,
becalmed in short circuit. Hackney cars, cabs, delivery waggons, mailvans,
private broughams, aerated mineral water floats with rattling crates of
bottles, rattled, rolled, horsedrawn, rapidly.</p>
<p>WHAT?—AND LIKEWISE—WHERE?</p>
<p>—But what do you call it? Myles Crawford asked. Where did they get
the plums?</p>
<p>VIRGILIAN, SAYS PEDAGOGUE. SOPHOMORE PLUMPS FOR OLD MAN MOSES.</p>
<p>—Call it, wait, the professor said, opening his long lips wide to
reflect. Call it, let me see. Call it: <i>deus nobis haec otia fecit.</i></p>
<p>—No, Stephen said. I call it <i>A Pisgah Sight of Palestine or the
Parable of The Plums.</i></p>
<p>—I see, the professor said.</p>
<p>He laughed richly.</p>
<p>—I see, he said again with new pleasure. Moses and the promised
land. We gave him that idea, he added to J. J. O'Molloy.</p>
<p>HORATIO IS CYNOSURE THIS FAIR JUNE DAY</p>
<p>J. J. O'Molloy sent a weary sidelong glance towards the statue and held
his peace.</p>
<p>—I see, the professor said.</p>
<p>He halted on sir John Gray's pavement island and peered aloft at Nelson
through the meshes of his wry smile.</p>
<p>DIMINISHED DIGITS PROVE TOO TITILLATING FOR FRISKY FRUMPS. ANNE WIMBLES,
FLO WANGLES—YET CAN YOU BLAME THEM?</p>
<p>—Onehandled adulterer, he said smiling grimly. That tickles me, I
must say.</p>
<p>—Tickled the old ones too, Myles Crawford said, if the God
Almighty's truth was known.</p>
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