<hr style="width: 65%;" /><p><span class='pagenum'><SPAN name="Page_14" id="Page_14"></SPAN></span></p>
<h2>II</h2>
<h3>HOW THEY BLEW OFF THE TOP OF A STEEPLE WITH DYNAMITE</h3>
<div class='cap'>KNOWN over all Connecticut was the Congregational
Church in Hartford, that stood for years
on Pearl Street, and was famous alike for the burning
words spoken beneath its roof, and the tall, straight
spire that reached above it; two hundred and thirty-eight
feet measured the drop from cross to pavement.
But churches pass like other things, and near the century-end
came the decision by landowners and lease interpreters
that this graceful length of brownstone and
the pile beneath it must move off the premises, which
meant, of course, that the steeple must come down, the
time appointed for this demolition being August, 1899.</div>
<p>Now, the taking down of a steeple two hundred and
thirty-eight feet high, that rises on a closely built city
street, is not so simple a proceeding as might at first
appear. If you suggest pulling the steeple over, all
the neighbors cry out. They wish to know where it is
going to strike. Are you sure it won't smash down
on their housetops? Can you make a steeple fall this
way or that way, as woodmen make trees fall? How
do you know you can? Besides, how are you going
to hitch fast the rope that will pull it over? And who
will climb with such a rope to the steeple-top? It must
be said that there is usually some young man at hand,
some dare-devil character of the vicinity, who is ready<span class='pagenum'><SPAN name="Page_15" id="Page_15"></SPAN></span>
to try the thing and is positive he can succeed at it.
But, luckily, he seldom gets a chance to try.</p>
<p>"It's queer," said Merrill, telling me the story, "how
people ever built a steeple like this one without a window
in it, or an air-passage, or anything for ventilation.
Between the bell-deck and the cross there wasn't a
single opening from the inside out, so I had to break
my way through up near the top. What a place for
a man to work, squeezed in the point of a stifling funnel,
with no swing for his hammer, and no air to
breathe, and the scorch of an August sun! After fifteen
minutes of it, my wrists and temples would be
pounding so I'd have to come down and rest.</p>
<p>"Of course the purpose of this hole that I knocked
through the steeple-top was to make fast ropes and
pulleys, so my partner and I could hoist ourselves along
the outside, and not have to climb up the inside cross-beams,
which, I can tell you, is a lively bit of athletics.
Well, we got our ropes fixed all right, about twenty-five
feet below the top, and the 'bosun's saddle' swung
below for us to travel up and down in, and then we
made fast another set of ropes and pulleys about fifteen
feet higher up; this was for hoisting timber and stuff
that we needed."</p>
<p>"How did you get up that fifteen feet?" I inquired.</p>
<p>"Worked up on the stirrups—that is, two nooses
around the steeple, each ending in a loop, one for the
right foot, one for the left. You stand in the right
stirrup and work the left loop up, then you stand in
the left stirrup and work the right loop up. Sometimes
in hard places you have to throw your nooses around
the shaft as a cowboy casts a rope. Come down some
day and watch us work; you'll see the whole thing."</p>
<p>To this invitation I gave glad acceptance; I certainly
wished to see this stirrup-climbing process.<span class='pagenum'><SPAN name="Page_16" id="Page_16"></SPAN></span></p>
<div class="figleft"> <ANTIMG src="images/illus05.jpg" width-obs="326" height-obs="600" alt=""SOMETIMES IN HARD PLACES YOU HAVE TO THROW YOUR NOOSES AROUND THE SHAFT."" title="" /> <span class="caption">"SOMETIMES IN HARD PLACES YOU HAVE TO THROW YOUR NOOSES AROUND THE SHAFT."</span></div>
<p>"The next thing," continued Merrill, "was to make
another hole in the steeple through a keystone a little
below our
first hole.
In this hole
we set a
block of
Norway pine
resting on an
iron jack. The
block was about
a foot square
and twenty-two
inches high, a big
tough piece, you
see, and by screwing
up the jack
we could make
that part as solid
as the keystone
was. We made
this hole on the
east side of the steeple,
which was the side we
wanted her to fall on,
the only side she could
fall on without injuring
something; and we had it figured
out so close that we dug a trench
on that side straight out from the
steeple's base, ten feet wide and
four feet deep, and told people
we intended to have the whole
top of that steeple, say a length
of thirty-five feet and a weight of<span class='pagenum'><SPAN name="Page_17" id="Page_17"></SPAN></span>
thirty-five tons, come off at one time and land right
square in that trench and nowhere else. That's what
we intended to do.</p>
<p>"Now began the hoisting of materials; first a lot of
half-inch wire cable, enough for four turns around the
steeple, then eight sixteen-foot timbers, two inches
thick and a foot wide, then a lot of maple wedges.
We bandaged the steeple with the cable and drew it
tight with tackle. Then we lowered the timbers lengthwise
inside the cable, which we could do because the
steeple was an octagon with ornamented corners, and
these left spaces where the wire rope was stretched
around. Then we wedged fast the eight timbers so that
they formed a sixteen-foot half-collar on the west side
of the steeple just opposite our hole where the jack was.
In other words, we had the steeple shored in so that
when we let her go no loose stones could fall on the
west side; everything must fall to the east.</p>
<p>"Last of all, we widened our hole on the east side,
stripping away stones until that whole side lay open in
a half-circular mouth about four feet high. And in
this mouth were two teeth, one might say, that held the
stone jaws apart, the iron jack biting into the block
of Norway pine. On those two now came the steeple's
weight, or, anyhow, one half of it. To knock
out one of these teeth would be to leave the east side
of the steeple unsupported, with the result that it must
topple over in that direction and fall to the ground.
Anyway, that was our reasoning, and it seemed sound
enough; the only question was how we were going to
knock out that block of Norway pine.</p>
<p>"Well the day of the test came, and I guess five thousand
people were there to see what would happen.
Everybody was discussing it, and farmers had driven
in for miles just as they do for a hanging. You understand<span class='pagenum'><SPAN name="Page_18" id="Page_18"></SPAN></span>
I was under the orders of the contractor, and he
had his own plan about getting the block out. He
proposed to hitch a rope to it, drop this rope to a
donkey-engine in the yard, and set the engine winding
up the rope. He said the block would have to come
out then and the steeple fall. I agreed that the block
might come out, but was afraid it would tip up through
the strain coming at an angle, and throw the steeple
over to the west, just the way we didn't want it to go.
And if that steeple ever fell to the west, there was no
telling how many people it would kill in the crowd,
without counting damage to houses.</p>
<p>"However, the contractor was boss, and he stuck to
it his way was right, so we hitched the engine to the
block and set her going. She puffed and tugged a
little, and then snapped the rope. We got another
rope, and she broke that too. Then we got a stronger
rope, and the engine just kicked herself around the
yard and had lots of fun, but the block never budged.
All that morning we tried one scheme after another to
make that engine pull the block out, but we might as
well have hitched a rope to the church; the steeple's
weight was too much for us. And all the time the
crowd was getting bigger and bigger, until the police
could hardly manage it.</p>
<p>"Finally the contractor, being very mad and quite
anxious, said he'd be hanged if he could get the block
out, and for me to try my scheme, and do it quick, for
some men were going about saying the thing was dangerous
and ought to be stopped. He didn't have
to speak twice before I was on my way up that steeple
carrying an inch auger, a fifty-foot fuse, and a stick
of dynamite—I'd had them ready for hours. It's
queer how people get wind of a thing; the crowd
seemed to know in a minute that I was going to use
dynamite, and before I was twenty feet up the ladder<span class='pagenum'><SPAN name="Page_19" id="Page_19"></SPAN></span>
a police officer was after me, ordering me down. I
went right ahead, pretending not to hear, and when
I got to the bell-deck he was puffing along ten yards
below me. I swung into my 'bosun's saddle' and
began pulling myself up outside the steeple, and I guess
the whole five thousand people around the church bent
back their heads to watch me.</p>
<p>"As soon as I began to rise in the saddle I knew I
was all right, for I coiled up the hauling-line on my
arm so the officer couldn't follow me. All he could
do was stand on the bell-deck and gape after me like
the rest and growl.</p>
<p>"When I reached the block I bored a six-inch hole
into her at a downward slant, and in this I put some
crumbs of dynamite,—not much, only about half a teaspoonful,—and
then I stuck in the fuse and tamped
her solid with sand. Then I lit the other end, dropped
it down inside the steeple, and slid down the rope as
fast as I could, yelling to the officer that I'd touched
her off. You ought to have seen him get out of that
steeple! He never waited to arrest me or anything;
he had pressing business on the ground!</p>
<p>"By the time I got down you could see a little trail
of bluish smoke drifting away from the hole, and
there was a hush over the crowd, except for the police
trying to make them stand back behind the ropes. I
don't know as I ever saw a bigger crowd; the street
was jammed for blocks either way. Well, sir, that was
a queer acting fuse. It smoked and smoked for about
ten minutes, and then the smoke stopped. The people
began to laugh—they said it had gone out; and the
contractor was nearly crazy: he was sure I had made
another failure. I didn't know what to think; I just
waited. We waited ten minutes, twelve minutes; it
seemed like an hour, but nobody dared go up to see
what the matter was. Then suddenly the explosion<span class='pagenum'><SPAN name="Page_20" id="Page_20"></SPAN></span>
came—no louder than a pistol-crack, for dynamite
isn't noisy, but it stirred me more than a cannon.</p>
<p>"'Start your engine!' I shouted, and the little
dummy had just time to wind up half a turn of the
hitch-line when the old steeple-top swayed and broke
clean in two, right where the block was, and the whole
upper length fell like one piece, fell to the east just as
we had planned it, and landed in the trench, every
stone of it; there wasn't a piece as big as your fingernail,
sir, outside that trench. And while she was falling
I don't know how many kodaks were snapped in
the hope of getting a picture; men and women with
cameras had been waiting for hours on the roofs of
high buildings, and two or three of them actually
caught a picture of the steeple-top as it hung in the air
for a fraction of a second at right angles to the base."</p>
<div class="figcenter"> <ANTIMG src="images/illus06.jpg" width-obs="357" height-obs="350" alt="PICTURE OF THE FALLING STEEPLE, PHOTOGRAPHED JUST AFTER THE DYNAMITE EXPLODED. THE FALLING SECTION WAS 35 FEET IN LENGTH AND WEIGHED 35 TONS." title="" /> <span class="caption">PICTURE OF THE FALLING STEEPLE, PHOTOGRAPHED JUST AFTER THE DYNAMITE EXPLODED. THE FALLING SECTION WAS 35 FEET IN LENGTH AND WEIGHED 35 TONS.</span></div>
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