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<h2> CHAPTER III. THE MOONLIGHT MEETING. </h2>
<p>"I WANT to speak to you," Naomi began "You don't think ill of me for
following you out here? We are not accustomed to stand much on ceremony in
America."</p>
<p>"You are quite right in America. Pray sit down."</p>
<p>She seated herself by my side, looking at me frankly and fearlessly by the
light of the moon.</p>
<p>"You are related to the family here," she resumed, "and I am related too.
I guess I may say to you what I couldn't say to a stranger. I am right
glad you have come here, Mr. Lefrank; and for a reason, sir, which you
don't suspect."</p>
<p>"Thank you for the compliment you pay me, Miss Colebrook, whatever the
reason may be."</p>
<p>She took no notice of my reply; she steadily pursued her own train of
thought.</p>
<p>"I guess you may do some good, sir, in this wretched house," the girl went
on, with her eyes still earnestly fixed on my face. "There is no love, no
trust, no peace, at Morwick Farm. They want somebody here, except Ambrose.
Don't think ill of Ambrose; he is only thoughtless. I say, the rest of
them want somebody here to make them ashamed of their hard hearts, and
their horrid, false, envious ways. You are a gentleman; you know more than
they know; they can't help themselves; they must look up to <i>you</i>.
Try, Mr. Lefrank, when you have the opportunity—pray try, sir, to
make peace among them. You heard what went on at supper-time; and you were
disgusted with it. Oh yes, you were! I saw you frown to yourself; and I
know what <i>that</i> means in you Englishmen."</p>
<p>There was no choice but to speak one's mind plainly to Naomi. I
acknowledged the impression which had been produced on me at supper-time
just as plainly as I have acknowledged it in these pages. Naomi nodded her
head in undisguised approval of my candor.</p>
<p>"That will do, that's speaking out," she said. "But—oh my! you put
it a deal too mildly, sir, when you say the men don't seem to be on
friendly terms together here. They hate each other. That's the word, Mr.
Lefrank—hate; bitter, bitter, bitter hate!" She clinched her little
fists; she shook them vehemently, by way of adding emphasis to her last
words; and then she suddenly remembered Ambrose. "Except Ambrose," she
added, opening her hand again, and laying it very earnestly on my arm.
"Don't go and misjudge Ambrose, sir. There is no harm in poor Ambrose."</p>
<p>The girl's innocent frankness was really irresistible.</p>
<p>"Should I be altogether wrong," I asked, "if I guessed that you were a
little partial to Ambrose?"</p>
<p>An Englishwoman would have felt, or would at least have assumed, some
little hesitation at replying to my question. Naomi did not hesitate for
an instant.</p>
<p>"You are quite right, sir," she said with the most perfect composure. "If
things go well, I mean to marry Ambrose."</p>
<p>"If things go well," I repeated. "What does that mean? Money?"</p>
<p>She shook her head.</p>
<p>"It means a fear that I have in my own mind," she answered—"a fear,
Mr. Lefrank, of matters taking a bad turn among the men here—the
wicked, hard-hearted, unfeeling men. I don't mean Ambrose, sir; I mean his
brother Silas, and John Jago. Did you notice Silas's hand? John Jago did
that, sir, with a knife."</p>
<p>"By accident?" I asked.</p>
<p>"On purpose," she answered. "In return for a blow."</p>
<p>This plain revelation of the state of things at Morwick Farm rather
staggered me—blows and knives under the rich and respectable
roof-tree of old Mr. Meadowcroft—blows and knives, not among the
laborers, but among the masters! My first impression was like <i>your</i>
first impression, no doubt. I could hardly believe it.</p>
<p>"Are you sure of what you say?" I inquired.</p>
<p>"I have it from Ambrose. Ambrose would never deceive me. Ambrose knows all
about it."</p>
<p>My curiosity was powerfully excited. To what sort of household had I
rashly voyaged across the ocean in search of rest and quiet?</p>
<p>"May I know all about it too?" I said.</p>
<p>"Well, I will try and tell you what Ambrose told me. But you must promise
me one thing first, sir. Promise you won't go away and leave us when you
know the whole truth. Shake hands on it, Mr. Lefrank; come, shake hands on
it."</p>
<p>There was no resisting her fearless frankness. I shook hands on it. Naomi
entered on her narrative the moment I had given her my pledge, without
wasting a word by way of preface.</p>
<p>"When you are shown over the farm here," she began, "you will see that it
is really two farms in one. On this side of it, as we look from under this
tree, they raise crops: on the other side—on much the larger half of
the land, mind—they raise cattle. When Mr. Meadowcroft got too old
and too sick to look after his farm himself, the boys (I mean Ambrose and
Silas) divided the work between them. Ambrose looked after the crops, and
Silas after the cattle. Things didn't go well, somehow, under their
management. I can't tell you why. I am only sure Ambrose was not in fault.
The old man got more and more dissatisfied, especially about his beasts.
His pride is in his beasts. Without saying a word to the boys, he looked
about privately (<i>I</i> think he was wrong in that, sir; don't you?)—he
looked about privately for help; and, in an evil hour, he heard of John
Jago. Do you like John Jago, Mr. Lefrank?"</p>
<p>"So far, no. I don't like him."</p>
<p>"Just my sentiments, sir. But I don't know: it's likely we may be wrong.
There's nothing against John Jago, except that he is so odd in his ways.
They do say he wears all that nasty hair on his face (I hate hair on a
man's face) on account of a vow he made when he lost his wife. Don't you
think, Mr. Lefrank, a man must be a little mad who shows his grief at
losing his wife by vowing that he will never shave himself again? Well,
that's what they do say John Jago vowed. Perhaps it's a lie. People are
such liars here! Anyway, it's truth (the boys themselves confess <i>that</i>),
when John came to the farm, he came with a first-rate character. The old
father here isn't easy to please; and he pleased the old father. Yes,
that's so. Mr. Meadowcroft don't like my countrymen in general. He's like
his sons—English, bitter English, to the marrow of his bones.
Somehow, in spite of that, John Jago got round him; maybe because John
does certainly know his business. Oh yes! Cattle and crops, John knows his
business. Since he's been overlooker, things have prospered as they didn't
prosper in the time of the boys. Ambrose owned as much to me himself.
Still, sir, it's hard to be set aside for a stranger; isn't it? John gives
the orders now. The boys do their work; but they have no voice in it when
John and the old man put their heads together over the business of the
farm. I have been long in telling you of it, sir, but now you know how the
envy and the hatred grew among the men before my time. Since I have been
here, things seem to get worse and worse. There's hardly a day goes by
that hard words don't pass between the boys and John, or the boys and
their father. The old man has an aggravating way, Mr. Lefrank—a
nasty way, as we do call it—of taking John Jago's part. Do speak to
him about it when you get the chance. The main blame of the quarrel
between Silas and John the other day lies at his door, as I think. I don't
want to excuse Silas, either. It was brutal of him—though he <i>is</i>
Ambrose's brother—to strike John, who is the smaller and weaker man
of the two. But it was worse than brutal in John, sir, to out with his
knife and try to stab Silas. Oh, he did it! If Silas had not caught the
knife in his hand (his hand's awfully cut, I can tell you; I dressed it
myself), it might have ended, for anything I know, in murder—"</p>
<p>She stopped as the word passed her lips, looked back over her shoulder,
and started violently.</p>
<p>I looked where my companion was looking. The dark figure of a man was
standing, watching us, in the shadow of the elm-tree. I rose directly to
approach him. Naomi recovered her self-possession, and checked me before I
could interfere.</p>
<p>"Who are you?" she asked, turning sharply toward the stranger. "What do
you want there?"</p>
<p>The man stepped out from the shadow into the moonlight, and stood revealed
to us as John Jago.</p>
<p>"I hope I am not intruding?" he said, looking hard at me.</p>
<p>"What do you want?" Naomi repeated.</p>
<p>"I don't wish to disturb you, or to disturb this gentleman," he proceeded.
"When you are quite at leisure, Miss Naomi, you would be doing me a favor
if you would permit me to say a few words to you in private."</p>
<p>He spoke with the most scrupulous politeness; trying, and trying vainly,
to conceal some strong agitation which was in possession of him. His wild
brown eyes—wilder than ever in the moonlight—rested
entreatingly, with a strange underlying expression of despair, on Naomi's
face. His hands, clasped lightly in front of him, trembled incessantly.
Little as I liked the man, he did really impress me as a pitiable object
at that moment.</p>
<p>"Do you mean that you want to speak to me to-night?" Naomi asked, in
undisguised surprise.</p>
<p>"Yes, miss, if you please, at your leisure and at Mr. Lefrank's."</p>
<p>Naomi hesitated.</p>
<p>"Won't it keep till to-morrow?" she said.</p>
<p>"I shall be away on farm business to-morrow, miss, for the whole day.
Please to give me a few minutes this evening." He advanced a step toward
her; his voice faltered, and dropped timidly to a whisper. "I really have
something to say to you, Miss Naomi. It would be a kindness on your part—a
very, very great kindness—if you will let me say it before I rest
to-night."</p>
<p>I rose again to resign my place to him. Once more Naomi checked me.</p>
<p>"No," she said. "Don't stir." She addressed John Jago very reluctantly:
"If you are so much in earnest about it, Mr. John, I suppose it must be. I
can't guess what <i>you</i> can possibly have to say to me which cannot be
said before a third person. However, it wouldn't be civil, I suppose, to
say 'No' in my place. You know it's my business to wind up the hall-clock
at ten every night. If you choose to come and help me, the chances are
that we shall have the hall to ourselves. Will that do?"</p>
<p>"Not in the hall, miss, if you will excuse me."</p>
<p>"Not in the hall!"</p>
<p>"And not in the house either, if I may make so bold."</p>
<p>"What do you mean?" She turned impatiently, and appealed to me. "Do <i>you</i>
understand him?"</p>
<p>John Jago signed to me imploringly to let him answer for himself.</p>
<p>"Bear with me, Miss Naomi," he said. "I think I can make you understand
me. There are eyes on the watch, and ears on the watch, in the house; and
there are some footsteps—I won't say whose—so soft, that no
person can hear them."</p>
<p>The last allusion evidently made itself understood. Naomi stopped him
before he could say more.</p>
<p>"Well, where is it to be?" she asked, resignedly. "Will the garden do, Mr.
John?"</p>
<p>"Thank you kindly, miss; the garden will do." He pointed to a gravel-walk
beyond us, bathed in the full flood of the moonlight. "There," he said,
"where we can see all round us, and be sure that nobody is listening. At
ten o'clock." He paused, and addressed himself to me. "I beg to apologize,
sir, for intruding myself on your conversation. Please to excuse me."</p>
<p>His eyes rested with a last anxious, pleading look on Naomi's face. He
bowed to us, and melted away into the shadow of the tree. The distant
sound of a door closed softly came to us through the stillness of the
night. John Jago had re-entered the house.</p>
<p>Now that he was out of hearing, Naomi spoke to me very earnestly:</p>
<p>"Don't suppose, sir, I have any secrets with <i>him</i>," she said. "I
know no more than you do what he wants with me. I have half a mind not to
keep the appointment when ten o'clock comes. What would you do in my
place?"</p>
<p>"Having made the appointment," I answered, "it seems to be due to yourself
to keep it. If you feel the slightest alarm, I will wait in another part
of the garden, so that I can hear if you call me."</p>
<p>She received my proposal with a saucy toss of the head, and a smile of
pity for my ignorance.</p>
<p>"You are a stranger, Mr. Lefrank, or you would never talk to me in that
way. In America, we don't do the men the honor of letting them alarm us.
In America, the women take care of themselves. He has got my promise to
meet him, as you say; and I must keep my promise. Only think," she added,
speaking more to herself than to me, "of John Jago finding out Miss
Meadowcroft's nasty, sly, underhand ways in the house! Most men would
never have noticed her."</p>
<p>I was completely taken by surprise. Sad and severe Miss Meadowcroft a
listener and a spy! What next at Morwick Farm?</p>
<p>"Was that hint at the watchful eyes and ears, and the soft footsteps,
really an allusion to Mr. Meadowcroft's daughter?" I asked.</p>
<p>"Of course it was. Ah! she has imposed on you as she imposes on everybody
else. The false wretch! She is secretly at the bottom of half the bad
feeling among the men. I am certain of it—she keeps Mr.
Meadowcroft's mind bitter toward the boys. Old as she is, Mr. Lefrank, and
ugly as she is, she wouldn't object (if she could only make him ask her)
to be John Jago's second wife. No, sir; and she wouldn't break her heart
if the boys were not left a stick or a stone on the farm when the father
dies. I have watched her, and I know it. Ah! I could tell you such things!
But there's no time now—it's close on ten o'clock; we must say
good-night. I am right glad I have spoken to you, sir. I say again, at
parting, what I have said already: Use your influence, pray use your
influence, to soften them, and to make them ashamed of themselves, in this
wicked house. We will have more talk about what you can do to-morrow, when
you are shown over the farm. Say good-by now. Hark! there is ten striking!
And look! here is John Jago stealing out again in the shadow of the tree!
Good-night, friend Lefrank; and pleasant dreams."</p>
<p>With one hand she took mine, and pressed it cordially; with the other she
pushed me away without ceremony in the direction of the house. A charming
girl—an irresistible girl! I was nearly as bad as the boys. I
declare, <i>I</i> almost hated John Jago, too, as we crossed each other in
the shadow of the tree.</p>
<p>Arrived at the glass door, I stopped and looked back at the gravel-walk.</p>
<p>They had met. I saw the two shadowy figures slowly pacing backward and
forward in the moonlight, the woman a little in advance of the man. What
was he saying to her? Why was he so anxious that not a word of it should
be heard? Our presentiments are sometimes, in certain rare cases, the
faithful prophecy of the future. A vague distrust of that moonlight
meeting stealthily took a hold on my mind. "Will mischief come of it?" I
asked myself as I closed the door and entered the house.</p>
<p>Mischief <i>did</i> come of it. You shall hear how.</p>
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