<p><i>(She fades from his side. Followed by the whining dog he walks on towards
hellsgates. In an archway a standing woman, bent forward, her feet apart,
pisses cowily. Outside a shuttered pub a bunch of loiterers listen to a tale
which their brokensnouted gaffer rasps out with raucous humour. An armless pair
of them flop wrestling, growling, in maimed sodden playfight.)</i></p>
<p>THE GAFFER: <i>(Crouches, his voice twisted in his snout.)</i> And when Cairns
came down from the scaffolding in Beaver street what was he after doing it into
only into the bucket of porter that was there waiting on the shavings for
Derwan’s plasterers.</p>
<p>THE LOITERERS: <i>(Guffaw with cleft palates.)</i> O jays!</p>
<p><i>(Their paintspeckled hats wag. Spattered with size and lime of their lodges
they frisk limblessly about him.)</i></p>
<p>BLOOM: Coincidence too. They think it funny. Anything but that. Broad daylight.
Trying to walk. Lucky no woman.</p>
<p>THE LOITERERS: Jays, that’s a good one. Glauber salts. O jays, into the men’s
porter.</p>
<p><i>(Bloom passes. Cheap whores, singly, coupled, shawled, dishevelled, call
from lanes, doors, corners.)</i></p>
<p>THE WHORES:</p>
<p>Are you going far, queer fellow?<br/>
How’s your middle leg?<br/>
Got a match on you?<br/>
Eh, come here till I stiffen it for you.</p>
<p><i>(He plodges through their sump towards the lighted street beyond. From a
bulge of window curtains a gramophone rears a battered brazen trunk. In the
shadow a shebeenkeeper haggles with the navvy and the two redcoats.)</i></p>
<p>THE NAVVY: <i>(Belching.)</i> Where’s the bloody house?</p>
<p>THE SHEBEENKEEPER: Purdon street. Shilling a bottle of stout. Respectable
woman.</p>
<p>THE NAVVY: <i>(Gripping the two redcoats, staggers forward with them.)</i> Come
on, you British army!</p>
<p>PRIVATE CARR: <i>(Behind his back.)</i> He aint half balmy.</p>
<p>PRIVATE COMPTON: <i>(Laughs.)</i> What ho!</p>
<p>PRIVATE CARR: <i>(To the navvy.)</i> Portobello barracks canteen. You ask for
Carr. Just Carr.</p>
<p>THE NAVVY: <i>(Shouts.)</i></p>
<p class="poem">
We are the boys. Of Wexford.</p>
<p>PRIVATE COMPTON: Say! What price the sergeantmajor?</p>
<p>PRIVATE CARR: Bennett? He’s my pal. I love old Bennett.</p>
<p>THE NAVVY: <i>(Shouts.)</i></p>
<p class="poem">
The galling chain.<br/>
And free our native land.</p>
<p><i>(He staggers forward, dragging them with him. Bloom stops, at fault. The dog
approaches, his tongue outlolling, panting.)</i></p>
<p>BLOOM: Wildgoose chase this. Disorderly houses. Lord knows where they are gone.
Drunks cover distance double quick. Nice mixup. Scene at Westland row. Then
jump in first class with third ticket. Then too far. Train with engine behind.
Might have taken me to Malahide or a siding for the night or collision. Second
drink does it. Once is a dose. What am I following him for? Still, he’s the
best of that lot. If I hadn’t heard about Mrs Beaufoy Purefoy I wouldn’t have
gone and wouldn’t have met. Kismet. He’ll lose that cash. Relieving office
here. Good biz for cheapjacks, organs. What do ye lack? Soon got, soon gone.
Might have lost my life too with that mangongwheeltracktrolleyglarejuggernaut
only for presence of mind. Can’t always save you, though. If I had passed
Truelock’s window that day two minutes later would have been shot. Absence of
body. Still if bullet only went through my coat get damages for shock, five
hundred pounds. What was he? Kildare street club toff. God help his gamekeeper.</p>
<p><i>(He gazes ahead, reading on the wall a scrawled chalk legend</i> Wet Dream
<i>and a phallic design.</i>) Odd! Molly drawing on the frosted carriagepane at
Kingstown. What’s that like? <i>(Gaudy dollwomen loll in the lighted doorways,
in window embrasures, smoking birdseye cigarettes. The odour of the sicksweet
weed floats towards him in slow round ovalling wreaths.)</i></p>
<p>THE WREATHS: Sweet are the sweets. Sweets of sin.</p>
<p>BLOOM: My spine’s a bit limp. Go or turn? And this food? Eat it and get all
pigsticky. Absurd I am. Waste of money. One and eightpence too much. <i>(The
retriever drives a cold snivelling muzzle against his hand, wagging his
tail.)</i> Strange how they take to me. Even that brute today. Better speak to
him first. Like women they like <i>rencontres.</i> Stinks like a polecat.
<i>Chacun son goût</i>. He might be mad. Dogdays. Uncertain in his movements.
Good fellow! Fido! Good fellow! Garryowen! <i>(The wolfdog sprawls on his back,
wriggling obscenely with begging paws, his long black tongue lolling out.)</i>
Influence of his surroundings. Give and have done with it. Provided nobody.
<i>(Calling encouraging words he shambles back with a furtive poacher’s tread,
dogged by the setter into a dark stalestunk corner. He unrolls one parcel and
goes to dump the crubeen softly but holds back and feels the trotter.)</i>
Sizeable for threepence. But then I have it in my left hand. Calls for more
effort. Why? Smaller from want of use. O, let it slide. Two and six.</p>
<p><i>(With regret he lets the unrolled crubeen and trotter slide. The mastiff
mauls the bundle clumsily and gluts himself with growling greed, crunching the
bones. Two raincaped watch approach, silent, vigilant. They murmur
together.)</i></p>
<p>THE WATCH: Bloom. Of Bloom. For Bloom. Bloom.</p>
<p><i>(Each lays hand on Bloom’s shoulder.)</i></p>
<p>FIRST WATCH: Caught in the act. Commit no nuisance.</p>
<p>BLOOM: <i>(Stammers.)</i> I am doing good to others.</p>
<p><i>(A covey of gulls, storm petrels, rises hungrily from Liffey slime with
Banbury cakes in their beaks.)</i></p>
<p>THE GULLS: Kaw kave kankury kake.</p>
<p>BLOOM: The friend of man. Trained by kindness.</p>
<p><i>(He points. Bob Doran, toppling from a high barstool, sways over the
munching spaniel.)</i></p>
<p>BOB DORAN: Towser. Give us the paw. Give the paw.</p>
<p><i>(The bulldog growls, his scruff standing, a gobbet of pig’s knuckle between
his molars through which rabid scumspittle dribbles. Bob Doran falls silently
into an area.)</i></p>
<p>SECOND WATCH: Prevention of cruelty to animals.</p>
<p>BLOOM: <i>(Enthusiastically.)</i> A noble work! I scolded that tramdriver on
Harold’s cross bridge for illusing the poor horse with his harness scab. Bad
French I got for my pains. Of course it was frosty and the last tram. All tales
of circus life are highly demoralising.</p>
<p><i>(Signor Maffei, passionpale, in liontamer’s costume with diamond studs in
his shirtfront, steps forward, holding a circus paperhoop, a curling
carriagewhip and a revolver with which he covers the gorging boarhound.)</i></p>
<p>SIGNOR MAFFEI: <i>(With a sinister smile.)</i> Ladies and gentlemen, my
educated greyhound. It was I broke in the bucking broncho Ajax with my patent
spiked saddle for carnivores. Lash under the belly with a knotted thong. Block
tackle and a strangling pulley will bring your lion to heel, no matter how
fractious, even <i>Leo ferox</i> there, the Libyan maneater. A redhot crowbar
and some liniment rubbing on the burning part produced Fritz of Amsterdam, the
thinking hyena. <i>(He glares.)</i> I possess the Indian sign. The glint of my
eye does it with these breastsparklers. <i>(With a bewitching smile.)</i> I now
introduce Mademoiselle Ruby, the pride of the ring.</p>
<p>FIRST WATCH: Come. Name and address.</p>
<p>BLOOM: I have forgotten for the moment. Ah, yes! <i>(He takes off his high
grade hat, saluting.)</i> Dr Bloom, Leopold, dental surgeon. You have heard of
von Blum Pasha. Umpteen millions. <i>Donnerwetter!</i> Owns half Austria.
Egypt. Cousin.</p>
<p>FIRST WATCH: Proof.</p>
<p><i>(A card falls from inside the leather headband of Bloom’s hat.)</i></p>
<p>BLOOM: <i>(In red fez, cadi’s dress coat with broad green sash, wearing a false
badge of the Legion of Honour, picks up the card hastily and offers it.)</i>
Allow me. My club is the Junior Army and Navy. Solicitors: Messrs John Henry
Menton, 27 Bachelor’s Walk.</p>
<p>FIRST WATCH: <i>(Reads.)</i> Henry Flower. No fixed abode. Unlawfully watching
and besetting.</p>
<p>SECOND WATCH: An alibi. You are cautioned.</p>
<p>BLOOM: <i>(Produces from his heartpocket a crumpled yellow flower.)</i> This is
the flower in question. It was given me by a man I don’t know his name.
<i>(Plausibly.)</i> You know that old joke, rose of Castile. Bloom. The change
of name. Virag. <i>(He murmurs privately and confidentially.)</i> We are
engaged you see, sergeant. Lady in the case. Love entanglement. <i>(He
shoulders the second watch gently.)</i> Dash it all. It’s a way we gallants
have in the navy. Uniform that does it. <i>(He turns gravely to the first
watch.)</i> Still, of course, you do get your Waterloo sometimes. Drop in some
evening and have a glass of old Burgundy. <i>(To the second watch gaily.)</i>
I’ll introduce you, inspector. She’s game. Do it in the shake of a lamb’s tail.</p>
<p><i>(A dark mercurialised face appears, leading a veiled figure.)</i></p>
<p>THE DARK MERCURY: The Castle is looking for him. He was drummed out of the
army.</p>
<p>MARTHA: <i>(Thickveiled, a crimson halter round her neck, a copy of the</i>
Irish Times <i>in her hand, in tone of reproach, pointing.)</i> Henry! Leopold!
Lionel, thou lost one! Clear my name.</p>
<p>FIRST WATCH: <i>(Sternly.)</i> Come to the station.</p>
<p>BLOOM: <i>(Scared, hats himself, steps back, then, plucking at his heart and
lifting his right forearm on the square, he gives the sign and dueguard of
fellowcraft.)</i> No, no, worshipful master, light of love. Mistaken identity.
The Lyons mail. Lesurques and Dubosc. You remember the Childs fratricide case.
We medical men. By striking him dead with a hatchet. I am wrongfully accused.
Better one guilty escape than ninetynine wrongfully condemned.</p>
<p>MARTHA: <i>(Sobbing behind her veil.)</i> Breach of promise. My real name is
Peggy Griffin. He wrote to me that he was miserable. I’ll tell my brother, the
Bective rugger fullback, on you, heartless flirt.</p>
<p>BLOOM: <i>(Behind his hand.)</i> She’s drunk. The woman is inebriated. <i>(He
murmurs vaguely the pass of Ephraim.)</i> Shitbroleeth.</p>
<p>SECOND WATCH: <i>(Tears in his eyes, to Bloom.)</i> You ought to be thoroughly
well ashamed of yourself.</p>
<p>BLOOM: Gentlemen of the jury, let me explain. A pure mare’s nest. I am a man
misunderstood. I am being made a scapegoat of. I am a respectable married man,
without a stain on my character. I live in Eccles street. My wife, I am the
daughter of a most distinguished commander, a gallant upstanding gentleman,
what do you call him, Majorgeneral Brian Tweedy, one of Britain’s fighting men
who helped to win our battles. Got his majority for the heroic defence of
Rorke’s Drift.</p>
<p>FIRST WATCH: Regiment.</p>
<p>BLOOM: <i>(Turns to the gallery.)</i> The royal Dublins, boys, the salt of the
earth, known the world over. I think I see some old comrades in arms up there
among you. The R. D. F., with our own Metropolitan police, guardians of our
homes, the pluckiest lads and the finest body of men, as physique, in the
service of our sovereign.</p>
<p>A VOICE: Turncoat! Up the Boers! Who booed Joe Chamberlain?</p>
<p>BLOOM: <i>(His hand on the shoulder of the first watch.)</i> My old dad too was
a J. P. I’m as staunch a Britisher as you are, sir. I fought with the colours
for king and country in the absentminded war under general Gough in the park
and was disabled at Spion Kop and Bloemfontein, was mentioned in dispatches. I
did all a white man could. <i>(With quiet feeling.)</i> Jim Bludso. Hold her
nozzle again the bank.</p>
<p>FIRST WATCH: Profession or trade.</p>
<p>BLOOM: Well, I follow a literary occupation, author-journalist. In fact we are
just bringing out a collection of prize stories of which I am the inventor,
something that is an entirely new departure. I am connected with the British
and Irish press. If you ring up...</p>
<p><i>(Myles Crawford strides out jerkily, a quill between his teeth. His scarlet
beak blazes within the aureole of his straw hat. He dangles a hank of Spanish
onions in one hand and holds with the other hand a telephone receiver nozzle to
his ear.)</i></p>
<p>MYLES CRAWFORD: <i>(His cock’s wattles wagging.)</i> Hello, seventyseven
eightfour. Hello. <i>Freeman’s Urinal</i> and <i>Weekly Arsewipe</i> here.
Paralyse Europe. You which? Bluebags? Who writes? Is it Bloom?</p>
<p><i>(Mr Philip Beaufoy, palefaced, stands in the witnessbox, in accurate morning
dress, outbreast pocket with peak of handkerchief showing, creased lavender
trousers and patent boots. He carries a large portfolio labelled</i> Matcham’s
Masterstrokes.)</p>
<p>BEAUFOY: <i>(Drawls.)</i> No, you aren’t. Not by a long shot if I know it. I
don’t see it, that’s all. No born gentleman, no-one with the most rudimentary
promptings of a gentleman would stoop to such particularly loathsome conduct.
One of those, my lord. A plagiarist. A soapy sneak masquerading as a
literateur. It’s perfectly obvious that with the most inherent baseness he has
cribbed some of my bestselling copy, really gorgeous stuff, a perfect gem, the
love passages in which are beneath suspicion. The Beaufoy books of love and
great possessions, with which your lordship is doubtless familiar, are a
household word throughout the kingdom.</p>
<p>BLOOM: <i>(Murmurs with hangdog meekness glum.)</i> That bit about the laughing
witch hand in hand I take exception to, if I may...</p>
<p>BEAUFOY: <i>(His lip upcurled, smiles superciliously on the court.)</i> You
funny ass, you! You’re too beastly awfully weird for words! I don’t think you
need over excessively disincommodate yourself in that regard. My literary agent
Mr J. B. Pinker is in attendance. I presume, my lord, we shall receive the
usual witnesses’ fees, shan’t we? We are considerably out of pocket over this
bally pressman johnny, this jackdaw of Rheims, who has not even been to a
university.</p>
<p>BLOOM: <i>(Indistinctly.)</i> University of life. Bad art.</p>
<p>BEAUFOY: <i>(Shouts.)</i> It’s a damnably foul lie, showing the moral
rottenness of the man! <i>(He extends his portfolio.)</i> We have here damning
evidence, the <i>corpus delicti</i>, my lord, a specimen of my maturer work
disfigured by the hallmark of the beast.</p>
<p>A VOICE FROM THE GALLERY:</p>
<p class="poem">
Moses, Moses, king of the jews,<br/>
Wiped his arse in the <i>Daily News</i>.</p>
<p>BLOOM: <i>(Bravely.)</i> Overdrawn.</p>
<p>BEAUFOY: You low cad! You ought to be ducked in the horsepond, you rotter!
<i>(To the court.)</i> Why, look at the man’s private life! Leading a quadruple
existence! Street angel and house devil. Not fit to be mentioned in mixed
society! The archconspirator of the age!</p>
<p>BLOOM: <i>(To the court.)</i> And he, a bachelor, how...</p>
<p>FIRST WATCH: The King versus Bloom. Call the woman Driscoll.</p>
<p>THE CRIER: Mary Driscoll, scullerymaid!</p>
<p><i>(Mary Driscoll, a slipshod servant girl, approaches. She has a bucket on the
crook of her arm and a scouringbrush in her hand.)</i></p>
<p>SECOND WATCH: Another! Are you of the unfortunate class?</p>
<p>MARY DRISCOLL: <i>(Indignantly.)</i> I’m not a bad one. I bear a respectable
character and was four months in my last place. I was in a situation, six
pounds a year and my chances with Fridays out and I had to leave owing to his
carryings on.</p>
<p>FIRST WATCH: What do you tax him with?</p>
<p>MARY DRISCOLL: He made a certain suggestion but I thought more of myself as
poor as I am.</p>
<p>BLOOM: <i>(In housejacket of ripplecloth, flannel trousers, heelless slippers,
unshaven, his hair rumpled: softly.)</i> I treated you white. I gave you
mementos, smart emerald garters far above your station. Incautiously I took
your part when you were accused of pilfering. There’s a medium in all things.
Play cricket.</p>
<p>MARY DRISCOLL: <i>(Excitedly.)</i> As God is looking down on me this night if
ever I laid a hand to them oylsters!</p>
<p>FIRST WATCH: The offence complained of? Did something happen?</p>
<p>MARY DRISCOLL: He surprised me in the rere of the premises, Your honour, when
the missus was out shopping one morning with a request for a safety pin. He
held me and I was discoloured in four places as a result. And he interfered
twict with my clothing.</p>
<p>BLOOM: She counterassaulted.</p>
<p>MARY DRISCOLL: <i>(Scornfully.)</i> I had more respect for the scouringbrush,
so I had. I remonstrated with him, Your lord, and he remarked: keep it quiet.</p>
<p><i>(General laughter.)</i></p>
<p>GEORGE FOTTRELL: <i>(Clerk of the crown and peace, resonantly.)</i> Order in
court! The accused will now make a bogus statement.</p>
<p><i>(Bloom, pleading not guilty and holding a fullblown waterlily, begins a long
unintelligible speech. They would hear what counsel had to say in his stirring
address to the grand jury. He was down and out but, though branded as a black
sheep, if he might say so, he meant to reform, to retrieve the memory of the
past in a purely sisterly way and return to nature as a purely domestic animal.
A sevenmonths’ child, he had been carefully brought up and nurtured by an aged
bedridden parent. There might have been lapses of an erring father but he
wanted to turn over a new leaf and now, when at long last in sight of the
whipping post, to lead a homely life in the evening of his days, permeated by
the affectionate surroundings of the heaving bosom of the family. An
acclimatised Britisher, he had seen that summer eve from the footplate of an
engine cab of the Loop line railway company while the rain refrained from
falling glimpses, as it were, through the windows of loveful households in
Dublin city and urban district of scenes truly rural of happiness of the better
land with Dockrell’s wallpaper at one and ninepence a dozen, innocent
Britishborn bairns lisping prayers to the Sacred Infant, youthful scholars
grappling with their pensums or model young ladies playing on the pianoforte or
anon all with fervour reciting the family rosary round the crackling Yulelog
while in the boreens and green lanes the colleens with their swains strolled
what times the strains of the organtoned melodeon Britannia metalbound with
four acting stops and twelvefold bellows, a sacrifice, greatest bargain
ever....</i></p>
<p><i>(Renewed laughter. He mumbles incoherently. Reporters complain that they
cannot hear.)</i></p>
<p>LONGHAND AND SHORTHAND: <i>(Without looking up from their notebooks.)</i>
Loosen his boots.</p>
<p>PROFESSOR MACHUGH: <i>(From the presstable, coughs and calls.)</i> Cough it up,
man. Get it out in bits.</p>
<p><i>(The crossexamination proceeds</i> re <i>Bloom and the bucket. A large
bucket. Bloom himself. Bowel trouble. In Beaver street. Gripe, yes. Quite bad.
A plasterer’s bucket. By walking stifflegged. Suffered untold misery. Deadly
agony. About noon. Love or burgundy. Yes, some spinach. Crucial moment. He did
not look in the bucket. Nobody. Rather a mess. Not completely. A</i> Titbits
<i>back number</i>.)</p>
<p><i>(Uproar and catcalls. Bloom in a torn frockcoat stained with whitewash,
dinged silk hat sideways on his head, a strip of stickingplaster across his
nose, talks inaudibly.)</i></p>
<p>J. J. O’MOLLOY: <i>(In barrister’s grey wig and stuffgown, speaking with a
voice of pained protest.)</i> This is no place for indecent levity at the
expense of an erring mortal disguised in liquor. We are not in a beargarden nor
at an Oxford rag nor is this a travesty of justice. My client is an infant, a
poor foreign immigrant who started scratch as a stowaway and is now trying to
turn an honest penny. The trumped up misdemeanour was due to a momentary
aberration of heredity, brought on by hallucination, such familiarities as the
alleged guilty occurrence being quite permitted in my client’s native place,
the land of the Pharaoh. <i>Prima facie</i>, I put it to you that there was no
attempt at carnally knowing. Intimacy did not occur and the offence complained
of by Driscoll, that her virtue was solicited, was not repeated. I would deal
in especial with atavism. There have been cases of shipwreck and somnambulism
in my client’s family. If the accused could speak he could a tale
unfold—one of the strangest that have ever been narrated between the
covers of a book. He himself, my lord, is a physical wreck from cobbler’s weak
chest. His submission is that he is of Mongolian extraction and irresponsible
for his actions. Not all there, in fact.</p>
<p>BLOOM: <i>(Barefoot, pigeonbreasted, in lascar’s vest and trousers, apologetic
toes turned in, opens his tiny mole’s eyes and looks about him dazedly, passing
a slow hand across his forehead. Then he hitches his belt sailor fashion and
with a shrug of oriental obeisance salutes the court, pointing one thumb
heavenward.)</i> Him makee velly muchee fine night. <i>(He begins to lilt
simply.)</i></p>
<p class="poem">
Li li poo lil chile<br/>
Blingee pigfoot evly night<br/>
Payee two shilly...</p>
<p><i>(He is howled down.)</i></p>
<p>J. J. O’MOLLOY: <i>(Hotly to the populace.)</i> This is a lonehand fight. By
Hades, I will not have any client of mine gagged and badgered in this fashion
by a pack of curs and laughing hyenas. The Mosaic code has superseded the law
of the jungle. I say it and I say it emphatically, without wishing for one
moment to defeat the ends of justice, accused was not accessory before the act
and prosecutrix has not been tampered with. The young person was treated by
defendant as if she were his very own daughter. <i>(Bloom takes J. J.
O’Molloy’s hand and raises it to his lips.)</i> I shall call rebutting evidence
to prove up to the hilt that the hidden hand is again at its old game. When in
doubt persecute Bloom. My client, an innately bashful man, would be the last
man in the world to do anything ungentlemanly which injured modesty could
object to or cast a stone at a girl who took the wrong turning when some
dastard, responsible for her condition, had worked his own sweet will on her.
He wants to go straight. I regard him as the whitest man I know. He is down on
his luck at present owing to the mortgaging of his extensive property at
Agendath Netaim in faraway Asia Minor, slides of which will now be shown.
<i>(To Bloom.)</i> I suggest that you will do the handsome thing.</p>
<p>BLOOM: A penny in the pound.</p>
<p><i>(The image of the lake of Kinnereth with blurred cattle cropping in silver
haze is projected on the wall. Moses Dlugacz, ferreteyed albino, in blue
dungarees, stands up in the gallery, holding in each hand an orange citron and
a pork kidney.)</i></p>
<p>DLUGACZ: <i>(Hoarsely.)</i> Bleibtreustrasse, Berlin, W. 13.</p>
<p><i>(J. J. O’Molloy steps on to a low plinth and holds the lapel of his coat
with solemnity. His face lengthens, grows pale and bearded, with sunken eyes,
the blotches of phthisis and hectic cheekbones of John F. Taylor. He applies
his handkerchief to his mouth and scrutinises the galloping tide of rosepink
blood.)</i></p>
<p>J. J. O’MOLLOY: <i>(Almost voicelessly.)</i> Excuse me. I am suffering from a
severe chill, have recently come from a sickbed. A few wellchosen words. <i>(He
assumes the avine head, foxy moustache and proboscidal eloquence of Seymour
Bushe.)</i> When the angel’s book comes to be opened if aught that the pensive
bosom has inaugurated of soultransfigured and of soultransfiguring deserves to
live I say accord the prisoner at the bar the sacred benefit of the doubt.</p>
<p><i>(A paper with something written on it is handed into court.</i>)</p>
<p>BLOOM: <i>(In court dress.)</i> Can give best references. Messrs Callan,
Coleman. Mr Wisdom Hely J. P. My old chief Joe Cuffe. Mr V. B. Dillon, ex lord
mayor of Dublin. I have moved in the charmed circle of the highest... Queens of
Dublin society. <i>(Carelessly.)</i> I was just chatting this afternoon at the
viceregal lodge to my old pals, sir Robert and lady Ball, astronomer royal, at
the levee. Sir Bob, I said...</p>
<p>MRS YELVERTON BARRY: <i>(In lowcorsaged opal balldress and elbowlength ivory
gloves, wearing a sabletrimmed brickquilted dolman, a comb of brilliants and
panache of osprey in her hair.)</i> Arrest him, constable. He wrote me an
anonymous letter in prentice backhand when my husband was in the North Riding
of Tipperary on the Munster circuit, signed James Lovebirch. He said that he
had seen from the gods my peerless globes as I sat in a box of the <i>Theatre
Royal</i> at a command performance of <i>La Cigale</i>. I deeply inflamed him,
he said. He made improper overtures to me to misconduct myself at half past
four p.m. on the following Thursday, Dunsink time. He offered to send me
through the post a work of fiction by Monsieur Paul de Kock, entitled <i>The
Girl with the Three Pairs of Stays</i>.</p>
<p>MRS BELLINGHAM: <i>(In cap and seal coney mantle, wrapped up to the nose, steps
out of her brougham and scans through tortoiseshell quizzing-glasses which she
takes from inside her huge opossum muff.)</i> Also to me. Yes, I believe it is
the same objectionable person. Because he closed my carriage door outside sir
Thornley Stoker’s one sleety day during the cold snap of February ninetythree
when even the grid of the wastepipe and the ballstop in my bath cistern were
frozen. Subsequently he enclosed a bloom of edelweiss culled on the heights, as
he said, in my honour. I had it examined by a botanical expert and elicited the
information that it was a blossom of the homegrown potato plant purloined from
a forcingcase of the model farm.</p>
<p>MRS YELVERTON BARRY: Shame on him!</p>
<p><i>(A crowd of sluts and ragamuffins surges forward.)</i></p>
<p>THE SLUTS AND RAGAMUFFINS: <i>(Screaming.)</i> Stop thief! Hurrah there,
Bluebeard! Three cheers for Ikey Mo!</p>
<p>SECOND WATCH: <i>(Produces handcuffs.)</i> Here are the darbies.</p>
<p>MRS BELLINGHAM: He addressed me in several handwritings with fulsome
compliments as a Venus in furs and alleged profound pity for my frostbound
coachman Palmer while in the same breath he expressed himself as envious of his
earflaps and fleecy sheepskins and of his fortunate proximity to my person,
when standing behind my chair wearing my livery and the armorial bearings of
the Bellingham escutcheon garnished sable, a buck’s head couped or. He lauded
almost extravagantly my nether extremities, my swelling calves in silk hose
drawn up to the limit, and eulogised glowingly my other hidden treasures in
priceless lace which, he said, he could conjure up. He urged me (Stating that
he felt it his mission in life to urge me.) to defile the marriage bed, to
commit adultery at the earliest possible opportunity.</p>
<p>THE HONOURABLE MRS MERVYN TALBOYS: <i>(In amazon costume, hard hat, jackboots
cockspurred, vermilion waistcoat, fawn musketeer gauntlets with braided drums,
long train held up and hunting crop with which she strikes her welt
constantly.)</i> Also me. Because he saw me on the polo ground of the Phoenix
park at the match All Ireland versus the Rest of Ireland. My eyes, I know,
shone divinely as I watched Captain Slogger Dennehy of the Inniskillings win
the final chukkar on his darling cob <i>Centaur.</i> This plebeian Don Juan
observed me from behind a hackney car and sent me in double envelopes an
obscene photograph, such as are sold after dark on Paris boulevards, insulting
to any lady. I have it still. It represents a partially nude señorita, frail
and lovely (his wife, as he solemnly assured me, taken by him from nature),
practising illicit intercourse with a muscular torero, evidently a blackguard.
He urged me to do likewise, to misbehave, to sin with officers of the garrison.
He implored me to soil his letter in an unspeakable manner, to chastise him as
he richly deserves, to bestride and ride him, to give him a most vicious
horsewhipping.</p>
<p>MRS BELLINGHAM: Me too.</p>
<p>MRS YELVERTON BARRY: Me too.</p>
<p><i>(Several highly respectable Dublin ladies hold up improper letters received
from Bloom.)</i></p>
<p>THE HONOURABLE MRS MERVYN TALBOYS: <i>(Stamps her jingling spurs in a sudden
paroxysm of fury.)</i> I will, by the God above me. I’ll scourge the
pigeonlivered cur as long as I can stand over him. I’ll flay him alive.</p>
<p>BLOOM: <i>(His eyes closing, quails expectantly.)</i> Here? <i>(He
squirms.)</i> Again! <i>(He pants cringing.)</i> I love the danger.</p>
<p>THE HONOURABLE MRS MERVYN TALBOYS: Very much so! I’ll make it hot for you. I’ll
make you dance Jack Latten for that.</p>
<p>MRS BELLINGHAM: Tan his breech well, the upstart! Write the stars and stripes
on it!</p>
<p>MRS YELVERTON BARRY: Disgraceful! There’s no excuse for him! A married man!</p>
<p>BLOOM: All these people. I meant only the spanking idea. A warm tingling glow
without effusion. Refined birching to stimulate the circulation.</p>
<p>THE HONOURABLE MRS MERVYN TALBOYS: <i>(Laughs derisively.)</i> O, did you, my
fine fellow? Well, by the living God, you’ll get the surprise of your life now,
believe me, the most unmerciful hiding a man ever bargained for. You have
lashed the dormant tigress in my nature into fury.</p>
<p>MRS BELLINGHAM: <i>(Shakes her muff and quizzing-glasses vindictively.)</i>
Make him smart, Hanna dear. Give him ginger. Thrash the mongrel within an inch
of his life. The cat-o’-nine-tails. Geld him. Vivisect him.</p>
<p>BLOOM: <i>(Shuddering, shrinking, joins his hands: with hangdog mien.)</i> O
cold! O shivery! It was your ambrosial beauty. Forget, forgive. Kismet. Let me
off this once. <i>(He offers the other cheek.)</i></p>
<p>MRS YELVERTON BARRY: <i>(Severely.)</i> Don’t do so on any account, Mrs
Talboys! He should be soundly trounced!</p>
<p>THE HONOURABLE MRS MERVYN TALBOYS: <i>(Unbuttoning her gauntlet violently.)</i>
I’ll do no such thing. Pigdog and always was ever since he was pupped! To dare
address me! I’ll flog him black and blue in the public streets. I’ll dig my
spurs in him up to the rowel. He is a wellknown cuckold. <i>(She swishes her
huntingcrop savagely in the air.)</i> Take down his trousers without loss of
time. Come here, sir! Quick! Ready?</p>
<p>BLOOM: <i>(Trembling, beginning to obey.)</i> The weather has been so warm.</p>
<p><i>(Davy Stephens, ringletted, passes with a bevy of barefoot newsboys.)</i></p>
<p>DAVY STEPHENS: <i>Messenger of the Sacred Heart</i> and <i>Evening
Telegraph</i> with Saint Patrick’s Day supplement. Containing the new addresses
of all the cuckolds in Dublin.</p>
<p><i>(The very reverend Canon O’Hanlon in cloth of gold cope elevates and exposes
a marble timepiece. Before him Father Conroy and the reverend John Hughes S. J.
bend low.)</i></p>
<p>THE TIMEPIECE: <i>(Unportalling.)</i></p>
<p class="poem">
Cuckoo.<br/>
Cuckoo.<br/>
Cuckoo.</p>
<p><i>(The brass quoits of a bed are heard to jingle.)</i></p>
<p>THE QUOITS: Jigjag. Jigajiga. Jigjag.</p>
<p><i>(A panel of fog rolls back rapidly, revealing rapidly in the jurybox the
faces of Martin Cunningham, foreman, silkhatted, Jack Power, Simon Dedalus, Tom
Kernan, Ned Lambert, John Henry Menton, Myles Crawford, Lenehan, Paddy Leonard,
Nosey Flynn, M’Coy and the featureless face of a Nameless One.)</i></p>
<p>THE NAMELESS ONE: Bareback riding. Weight for age. Gob, he organised her.</p>
<p>THE JURORS: <i>(All their heads turned to his voice.)</i> Really?</p>
<p>THE NAMELESS ONE: <i>(Snarls.)</i> Arse over tip. Hundred shillings to five.</p>
<p>THE JURORS: <i>(All their heads lowered in assent.)</i> Most of us thought as
much.</p>
<p>FIRST WATCH: He is a marked man. Another girl’s plait cut. Wanted: Jack the
Ripper. A thousand pounds reward.</p>
<p>SECOND WATCH: <i>(Awed, whispers.)</i> And in black. A mormon. Anarchist.</p>
<p>THE CRIER: <i>(Loudly.)</i> Whereas Leopold Bloom of no fixed abode is a
wellknown dynamitard, forger, bigamist, bawd and cuckold and a public nuisance
to the citizens of Dublin and whereas at this commission of assizes the most
honourable...</p>
<p><i>(His Honour, sir Frederick Falkiner, recorder of Dublin, in judicial garb of
grey stone rises from the bench, stonebearded. He bears in his arms an umbrella
sceptre. From his forehead arise starkly the Mosaic ramshorns.)</i></p>
<p>THE RECORDER: I will put an end to this white slave traffic and rid Dublin of
this odious pest. Scandalous! <i>(He dons the black cap.)</i> Let him be taken,
Mr Subsheriff, from the dock where he now stands and detained in custody in
Mountjoy prison during His Majesty’s pleasure and there be hanged by the neck
until he is dead and therein fail not at your peril or may the Lord have mercy
on your soul. Remove him. <i>(A black skullcap descends upon his head.)</i></p>
<p><i>(The subsheriff Long John Fanning appears, smoking a pungent Henry
Clay.)</i></p>
<p>LONG JOHN FANNING: <i>(Scowls and calls with rich rolling utterance.)</i>
Who’ll hang Judas Iscariot?</p>
<p><i>(H. Rumbold, master barber, in a bloodcoloured jerkin and tanner’s apron, a
rope coiled over his shoulder, mounts the block. A life preserver and a
nailstudded bludgeon are stuck in his belt. He rubs grimly his grappling hands,
knobbed with knuckledusters.)</i></p>
<p>RUMBOLD: <i>(To the recorder with sinister familiarity.)</i> Hanging Harry,
your Majesty, the Mersey terror. Five guineas a jugular. Neck or nothing.</p>
<p><i>(The bells of George’s church toll slowly, loud dark iron.)</i></p>
<p>THE BELLS: Heigho! Heigho!</p>
<p>BLOOM: <i>(Desperately.)</i> Wait. Stop. Gulls. Good heart. I saw. Innocence.
Girl in the monkeyhouse. Zoo. Lewd chimpanzee. <i>(Breathlessly.)</i> Pelvic
basin. Her artless blush unmanned me. <i>(Overcome with emotion.)</i> I left
the precincts. (He turns to a figure in the crowd, appealing.) Hynes, may I
speak to you? You know me. That three shillings you can keep. If you want a
little more...</p>
<p>HYNES: <i>(Coldly.)</i> You are a perfect stranger.</p>
<p>SECOND WATCH: <i>(Points to the corner.)</i> The bomb is here.</p>
<p>FIRST WATCH: Infernal machine with a time fuse.</p>
<p>BLOOM: No, no. Pig’s feet. I was at a funeral.</p>
<p>FIRST WATCH: <i>(Draws his truncheon.)</i> Liar!</p>
<p><i>(The beagle lifts his snout, showing the grey scorbutic face of Paddy
Dignam. He has gnawed all. He exhales a putrid carcasefed breath. He grows to
human size and shape. His dachshund coat becomes a brown mortuary habit. His
green eye flashes bloodshot. Half of one ear, all the nose and both thumbs are
ghouleaten.)</i></p>
<p>PADDY DIGNAM: <i>(In a hollow voice.)</i> It is true. It was my funeral. Doctor
Finucane pronounced life extinct when I succumbed to the disease from natural
causes.</p>
<p><i>(He lifts his mutilated ashen face moonwards and bays lugubriously.)</i></p>
<p>BLOOM: <i>(In triumph.)</i> You hear?</p>
<p>PADDY DIGNAM: Bloom, I am Paddy Dignam’s spirit. List, list, O list!</p>
<p>BLOOM: The voice is the voice of Esau.</p>
<p>SECOND WATCH: <i>(Blesses himself.)</i> How is that possible?</p>
<p>FIRST WATCH: It is not in the penny catechism.</p>
<p>PADDY DIGNAM: By metempsychosis. Spooks.</p>
<p>A VOICE: O rocks.</p>
<p>PADDY DIGNAM: <i>(Earnestly.)</i> Once I was in the employ of Mr J. H. Menton,
solicitor, commissioner for oaths and affidavits, of 27 Bachelor’s Walk. Now I
am defunct, the wall of the heart hypertrophied. Hard lines. The poor wife was
awfully cut up. How is she bearing it? Keep her off that bottle of sherry.
<i>(He looks round him.)</i> A lamp. I must satisfy an animal need. That
buttermilk didn’t agree with me.</p>
<p><i>(The portly figure of John O’Connell, caretaker, stands forth, holding a
bunch of keys tied with crape. Beside him stands Father Coffey, chaplain,
toadbellied, wrynecked, in a surplice and bandanna nightcap, holding sleepily a
staff of twisted poppies.)</i></p>
<p>FATHER COFFEY: <i>(Yawns, then chants with a hoarse croak.)</i> Namine. Jacobs.
Vobiscuits. Amen.</p>
<p>JOHN O’CONNELL: <i>(Foghorns stormily through his megaphone.)</i> Dignam,
Patrick T, deceased.</p>
<p>PADDY DIGNAM: <i>(With pricked up ears, winces.)</i> Overtones. <i>(He wriggles
forward and places an ear to the ground.)</i> My master’s voice!</p>
<p>JOHN O’CONNELL: Burial docket letter number U. P. eightyfive thousand. Field
seventeen. House of Keys. Plot, one hundred and one.</p>
<p><i>(Paddy Dignam listens with visible effort, thinking, his tail stiffpointed,
his ears cocked.)</i></p>
<p>PADDY DIGNAM: Pray for the repose of his soul.</p>
<p><i>(He worms down through a coalhole, his brown habit trailing its tether over
rattling pebbles. After him toddles an obese grandfather rat on fungus turtle
paws under a grey carapace. Dignam’s voice, muffled, is heard baying under
ground:</i> Dignam’s dead and gone below. <i>Tom Rochford, robinredbreasted, in
cap and breeches, jumps from his twocolumned machine.)</i></p>
<p>TOM ROCHFORD: <i>(A hand to his breastbone, bows.)</i> Reuben J. A florin I
find him. <i>(He fixes the manhole with a resolute stare.)</i> My turn now on.
Follow me up to Carlow.</p>
<p><i>(He executes a daredevil salmon leap in the air and is engulfed in the
coalhole. Two discs on the columns wobble, eyes of nought. All recedes. Bloom
plodges forward again through the sump. Kisses chirp amid the rifts of fog. A
piano sounds. He stands before a lighted house, listening. The kisses, winging
from their bowers, fly about him, twittering, warbling, cooing.)</i></p>
<p>THE KISSES: <i>(Warbling.)</i> Leo! <i>(Twittering.)</i> Icky licky micky
sticky for Leo! <i>(Cooing.)</i> Coo coocoo! Yummyyum, Womwom!
<i>(Warbling.)</i> Big comebig! Pirouette! Leopopold! <i>(Twittering.)</i>
Leeolee! <i>(Warbling.)</i> O Leo!</p>
<p><i>(They rustle, flutter upon his garments, alight, bright giddy flecks,
silvery sequins.)</i></p>
<p>BLOOM: A man’s touch. Sad music. Church music. Perhaps here.</p>
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