<SPAN name="II">
</SPAN>
<p class="chapter">
CHAPTER II.</p>
<p class="head">
POLLY'S NARRATIVE.</p>
<p>I am the plainest woman in England, bar none.<sup>6
</sup>
Even in youth I was not, strictly speaking, voluptuously lovely. Short, stumpy, with a fringe like the thatch of a newly evicted cottage, such was my appearance at twenty, and such it remains. Like Cain, I was branded.<sub>7
</sub>
But enough of personalities. I had in youth but one friend, a lady of kingly descent (the kings, to be sure, were Irish), and of bewitching loveliness. When she rushed into my lonely rooms, one wild winter night, with a cradle in her arms and a baby in the cradle; when she besought me to teach that infant Hittite, Hebrew, and the Differential Calculus, and to bring it up in college, on commons (where the air is salubrious), what could I do but acquiesce? It is unusual, I know, for a student of my sex, however learned, to educate an infant in college and bring her up on commons. But for once the uncompromising nature of my charms strangled the breath of scandal in the bud, and little Leonora O'Dolite became the darling of the university. The old Keeper of the Bodleian was a crusty bachelor, who liked nothing young but calf, and preferred morocco to
<i>
that</i>. But even
<i>
he
</i>
loved Leonora. One night the little girl was lost, and only after looking for her in the Hebdomadal Boardroom, in the Sheldonian, the Pusaeum, and all the barges, did we find that unprincipled old man amusing her by letting off crackers and Roman-candles among the Mexican MSS. in the Bodleian!</p>
<p class="ref">
<sup>
6</sup>
<br/></p>
<p class="note">
I may as well say at once that I
<i>
will not
</i>
be responsible for Polly's style. Sometimes it is flat, they tell me, and sometimes it is flamboyant, whatever they may mean. It is never the least like what one would expect an elderly lady don (or Donna), to write.—<span class="sc">Ed.
</span></p>
<p class="ref">
<sup>
7</sup>
<br/></p>
<p class="note">
See
<i>
The Mark of Cain
</i>
[Arrowsmith], an excellent shillingsworth.—<span class="sc">Ed.
</span></p>
<p class="note">
Is this not 'log rolling'?—<span class="sc">Publisher.
</span></p>
<p>These were halcyon hours, happier as Leonora grew up and received the education prescribed for her by her parent. Her Hebrew was fair, and her Hittite up to a first class, but, to my distress, she mainly devoted herself to Celtic studies.</p>
<p>I should tell you that Leonora's chief interest in life was the decipherment of the inscriptions on her cradle—the mummy case which had rocked her ancestors since Abraham's time, and which is now in your possession. Of itself it is a sufficient proof of the accuracy of this narrative. The mummy case is not the ordinary coffin of Egyptian commerce. The hieroglyphics have baffled Dr. Isaac Taylor, and have been variously construed as Chinese, Etruscan, and Basque, by the various professors of these learned lingoes.<sup>8
</sup></p>
<p class="ref">
<sup>
8</sup>
<br/></p>
<p class="note">
Don't you think this bit is a little dull? The public don't care about dead languages.—<span class="sc">Publisher.
</span></p>
<p class="note">
Story can't possibly get on without it, as you'll see. You
<i>
must
</i>
have something of this sort in a romance. Look at Poe's cypher in the
<i>
Gold Beetle</i>, and the chart in
<i>
Treasure Island</i>, and the Portuguee's scroll in
<i>
King Solomon's Mines</i>.—<span class="sc">Ed.
</span></p>
<p>Now about this mummy case: you must know that it had been in Leonora's family ever since her ancestress, Theodolitê, Pharaoh's daughter, left Egypt, not knowing when she was well off, and settled in Ireland, of all places, where she founded the national prosperity.<sup>9
</sup></p>
<p class="ref">
<sup>
9</sup>
<br/></p>
<p class="note">
Is not
<i>
this
</i>
a little steep?—<span class="sc">Publisher.
</span></p>
<p class="note">
No; it is in all the Irish histories. See Lady Wilde's
<i>
Ancient Legends of Ireland</i>, if you don't believe me.—<span class="sc">Ed.
</span></p>
<p>The mummy case and a queer ring (see cover) inscribed with a duck, a duck's egg, and an umbrella, were about all that the O'Dolites kept of their ancient property. The older Leonora grew the more deeply she studied the inscriptions on the mummy case. She tried it as Zend, she tried it as Sanskrit, and Japanese, and the American language, and finally she tried it as Irish.</p>
<p>We had a very rainy season that winter even for Oxford, and the more it rained the more Leonora pored over that mummy case. I kept telling her there was nothing in it, but she would not listen to me.</p>
<div style="break-after:column;"></div><br />