<h2><SPAN name="page29"></SPAN><span class="pagenum"></span>ON THE DISADVANTAGE OF NOT GETTING WHAT ONE WANTS</h2>
<p><span class="smcap">Long</span>, long ago, when you and I,
dear Reader, were young, when the fairies dwelt in the hearts of
the roses, when the moonbeams bent each night beneath the weight
of angels’ feet, there lived a good, wise man. Or
rather, I should say, there had lived, for at the time of which I
speak the poor old gentleman lay dying. Waiting each moment
the dread summons, he fell a-musing on the life that stretched
far back behind him. How full it seemed to him at that
moment of follies and mistakes, bringing bitter tears not to
himself alone but to others also. How much brighter a road
might it have been, had he been wiser, had he known!</p>
<p>“Ah, me!” said the good old gentleman, “if
only I could live my life again in the light of
experience.”</p>
<p>Now as he spoke these words he felt the drawing near to him of
a Presence, and thinking it was the One whom he expected, raising
himself a little from his bed, he feebly cried,</p>
<p>“I am ready.”</p>
<p>But a hand forced him gently back, a voice saying, “Not
yet; I bring life, not death. Your wish shall be
granted. You shall live your life again, and the knowledge
of the past shall be with you to guide you. See you use
it. I will come again.”</p>
<p>Then a sleep fell upon the good man, and when he awoke, he was
again a little child, lying in his mother’s arms; but,
locked within his brain was the knowledge of the life that he had
lived already.</p>
<p>So once more he lived and loved and laboured. So a
second time he lay an old, worn man with life behind him.
And the angel stood again beside his bed; and the voice said,</p>
<p>“Well, are you content now?”</p>
<p>“I am well content,” said the old gentleman.
“Let Death come.”</p>
<p>“And have you understood?” asked the angel.</p>
<p>“I think so,” was the answer; “that
experience is but as of the memory of the pathways he has trod to
a traveller journeying ever onward into an unknown land. I
have been wise only to reap the reward of folly. Knowledge
has ofttimes kept me from my good. I have avoided my old
mistakes only to fall into others that I knew not of. I
have reached the old errors by new roads. Where I have
escaped sorrow I have lost joy. Where I have grasped
happiness I have plucked pain also. Now let me go with
Death that I may learn..”</p>
<p>Which was so like the angel of that period, the giving of a
gift, bringing to a man only more trouble. Maybe I am
overrating my coolness of judgment under somewhat startling
circumstances, but I am inclined to think that, had I lived in
those days, and had a fairy or an angel come to me, wanting to
give me something—my soul’s desire, or the sum of my
ambition, or any trifle of that kind I should have been short
with him.</p>
<p>“You pack up that precious bag of tricks of
yours,” I should have said to him (it would have been rude,
but that is how I should have felt), “and get outside with
it. I’m not taking anything in your line
to-day. I don’t require any supernatural aid to get
me into trouble. All the worry I want I can get down here,
so it’s no good your calling. You take that little
joke of yours,—I don’t know what it is, but I know
enough not to want to know,—and run it off on some other
idiot. I’m not priggish. I have no objection to
an innocent game of ‘catch-questions’ in the ordinary
way, and when I get a turn myself. But if I’ve got to
pay every time, and the stakes are to be my earthly happiness
plus my future existence—why, I don’t play.
There was the case of Midas; a nice, shabby trick you fellows
played off upon him! making pretence you did not understand him,
twisting round the poor old fellow’s words, just for all
the world as though you were a pack of Old Bailey lawyers, trying
to trip up a witness; I’m ashamed of the lot of you, and I
tell you so—coming down here, fooling poor unsuspecting
mortals with your nonsense, as though we had not enough to harry
us as it was. Then there was that other case of the poor
old peasant couple to whom you promised three wishes, the whole
thing ending in a black pudding. And they never got even
that. You thought that funny, I suppose. That was
your fairy humour! A pity, I say, you have not, all of you,
something better to do with your time. As I said before,
you take that celestial ‘Joe Miller’ of yours and
work it off on somebody else. I have read my fairy lore,
and I have read my mythology, and I don’t want any of your
blessings. And what’s more, I’m not going to
have them. When I want blessings I will put up with the
usual sort we are accustomed to down here. You know the
ones I mean, the disguised brand—the blessings that no
human being would think were blessings, if he were not told; the
blessings that don’t look like blessings, that don’t
feel like blessings; that, as a matter of fact, are not
blessings, practically speaking; the blessings that other people
think are blessings for us and that we don’t.
They’ve got their drawbacks, but they are better than
yours, at any rate, and they are sooner over. I don’t
want your blessings at any price. If you leave one here I
shall simply throw it out after you.”</p>
<p>I feel confident I should have answered in that strain, and I
feel it would have done good. Somebody ought to have spoken
plainly, because with fairies and angels of that sort fooling
about, no one was ever safe for a moment. Children could
hardly have been allowed outside the door. One never could
have told what silly trick some would-be funny fairy might be
waiting to play off on them. The poor child would not know,
and would think it was getting something worth having. The
wonder to me is that some of those angels didn’t get tarred
and feathered.</p>
<p>I am doubtful whether even Cinderella’s luck was quite
as satisfying as we are led to believe. After the
carpetless kitchen and the black beetles, how beautiful the
palace must have seemed—for the first year, perhaps for the
first two. And the Prince! how loving, how gallant, how
tender—for the first year, perhaps for the first two.
And after? You see he was a Prince, brought up in a Court,
the atmosphere of which is not conducive to the development of
the domestic virtues; and she—was Cinderella. And
then the marriage altogether was rather a hurried affair.
Oh yes, she is a good, loving little woman; but perhaps our Royal
Highness-ship did act too much on the impulse of the
moment. It was her dear, dainty feet that danced their way
into our heart. How they flashed and twinkled, eased in
those fairy slippers. How like a lily among tulips she
moved that night amid the over-gorgeous Court dames. She
was so sweet, so fresh, so different to all the others whom we
knew so well. How happy she looked as she put her trembling
little hand in ours. What possibilities might lie behind
those drooping lashes. And we were in amorous mood that
night, the music in our feet, the flash and glitter in our
eyes. And then, to pique us further, she disappeared as
suddenly and strangely as she had come. Who was she?
Whence came she? What was the mystery surrounding
her? Was she only a delicious dream, a haunting phantasy
that we should never look upon again, never clasp again within
our longing arms? Was our heart to be for ever hungry,
haunted by the memory of—No, by heavens, she is real, and a
woman. Here is her dear slipper, made surely to be
kissed. Of a size too that a man may well wear within the
breast of his doublet. Had any woman—nay, fairy,
angel, such dear feet! Search the whole kingdom through,
but find her, find her. The gods have heard our prayers,
and given us this clue. “Suppose she be not all she
seemed. Suppose she be not of birth fit to mate with our
noble house!” Out upon thee, for an earth-bound,
blind curmudgeon of a Lord High Chancellor. How could a
woman, whom such slipper fitted, be but of the noblest and the
best, as far above us, mere Princelet that we are, as the stars
in heaven are brighter than thy dull old eyes! Go, search
the kingdom, we tell thee, from east to west, from north to
south, and see to it that thou findest her, or it shall go hard
with thee. By Venus, be she a swineherd’s daughter,
she shall be our Queen—an she deign to accept of us, and of
our kingdom.</p>
<p>Ah well, of course, it was not a wise piece of business, that
goes without saying; but we were young, and Princes are only
human. Poor child, she could not help her education, or
rather her lack of it. Dear little thing, the wonder is
that she has contrived to be no more ignorant than she is,
dragged up as she was, neglected and overworked. Nor does
life in a kitchen, amid the companionship of peasants and
menials, tend to foster the intellect. Who can blame her
for being shy and somewhat dull of thought? not we,
generous-minded, kind-hearted Prince that we are. And she
is very affectionate. The family are trying, certainly;
father-in-law not a bad sort, though a little prosy when upon the
subject of his domestic troubles, and a little too fond of his
glass; mamma-in-law, and those two ugly, ill-mannered sisters,
decidedly a nuisance about the palace. Yet what can we do?
they are our relations now, and they do not forget to let us know
it. Well, well, we had to expect that, and things might
have been worse. Anyhow she is not jealous—thank
goodness.</p>
<p>So the day comes when poor little Cinderella sits alone of a
night in the beautiful palace. The courtiers have gone home
in their carriages. The Lord High Chancellor has bowed
himself out backwards. The Gold-Stick-in-Waiting and the
Grooms of the Chamber have gone to their beds. The Maids of
Honour have said “Good-night,” and drifted out of the
door, laughing and whispering among themselves. The clock
strikes twelve—one—two, and still no footstep creaks
upon the stair. Once it followed swiftly upon the
“good-night” of the maids, who did not laugh or
whisper then.</p>
<p>At last the door opens, and the Prince enters, none too
pleased at finding Cinderella still awake. “So sorry
I’m late, my love—detained on affairs of state.
Foreign policy very complicated, dear. Have only just this
moment left the Council Chamber.”</p>
<p>And little Cinderella, while the Prince sleeps, lies sobbing
out her poor sad heart into the beautiful royal pillow,
embroidered with the royal arms and edged with the royal monogram
in lace. “Why did he ever marry me? I should
have been happier in the old kitchen. The black beetles did
frighten me a little, but there was always the dear old cat; and
sometimes, when mother and the girls were out, papa would call
softly down the kitchen stairs for me to come up, and we would
have such a merry evening together, and sup off sausages: dear
old dad, I hardly ever see him now. And then, when my work
was done, how pleasant it was to sit in front of the fire, and
dream of the wonderful things that would come to me some
day. I was always going to be a Princess, even in my
dreams, and live in a palace, but it was so different to
this. Oh, how I hate it, this beastly palace where
everybody sneers at me—I know they do, though they bow and
scrape, and pretend to be so polite. And I’m not
clever and smart as they are. I hate them. I hate
these bold-faced women who are always here. That is the
worst of a palace, everybody can come in. Oh, I hate
everybody and everything. Oh, god-mamma, god-mamma, come
and take me away. Take me back to my old kitchen.
Give me back my old poor frock. Let me dance again with the
fire-tongs for a partner, and be happy, dreaming.”</p>
<p>Poor little Cinderella, perhaps it would have been better had
god-mamma been less ambitious for you, dear; had you married some
good, honest yeoman, who would never have known that you were not
brilliant, who would have loved you because you were just amiable
and pretty; had your kingdom been only a farmhouse, where your
knowledge of domestic economy, gained so hardly, would have been
useful; where you would have shone instead of being overshadowed;
where Papa would have dropped in of an evening to smoke his pipe
and escape from his domestic wrangles; where you would have been
<i>real</i> Queen.</p>
<p>But then you know, dear, you would not have been
content. Ah yes, with your present experience—now you
know that Queens as well as little drudges have their troubles;
but <i>without</i> that experience? You would have looked
in the glass when you were alone; you would have looked at your
shapely hands and feet, and the shadows would have crossed your
pretty face. “Yes,” you would have said to
yourself—“John is a dear, kind fellow, and I love him
very much, and all that, but—” and the old dreams,
dreamt in the old low-ceilinged kitchen before the dying fire,
would have come back to you, and you would have been discontented
then as now, only in a different way. Oh yes, you would,
Cinderella, though you gravely shake your gold-crowned
head. And let me tell you why. It is because you are
a woman, and the fate of all us, men and women alike, is to be
for ever wanting what we have not, and to be finding, when we
have it, that it is not what we wanted. That is the law of
life, dear. Do you think as you lie upon the floor with
your head upon your arms, that you are the only woman whose tears
are soaking into the hearthrug at that moment? My dear
Princess, if you could creep unseen about your City, peeping at
will through the curtain-shielded windows, you would come to
think that all the world was little else than a big nursery full
of crying children with none to comfort them. The doll is
broken: no longer it sweetly squeaks in answer to our pressure,
“I love you, kiss me.” The drum lies silent
with the drumstick inside; no longer do we make a brave noise in
the nursery. The box of tea-things we have clumsily put our
foot upon; there will be no more merry parties around the
three-legged stool. The tin trumpet will not play the note
we want to sound; the wooden bricks keep falling down; the toy
cannon has exploded and burnt our fingers. Never mind,
little man, little woman, we will try and mend things
to-morrow.</p>
<p>And after all, Cinderella dear, you do live in a fine palace,
and you have jewels and grand dresses and—No, no, do not be
indignant with <i>me</i>. Did not you dream of these things
<i>as well as</i> of love? Come now, be honest. It
was always a prince, was it not, or, at the least, an exceedingly
well-to-do party, that handsome young gentleman who bowed to you
so gallantly from the red embers? He was never a virtuous
young commercial traveller, or cultured clerk, earning a salary
of three pounds a week, was he, Cinderella? Yet there are
many charming commercial travellers, many delightful clerks with
limited incomes, quite sufficient, however, to a sensible man and
woman desiring but each other’s love. Why was it
always a prince, Cinderella? Had the palace and the
liveried servants, and the carriages and horses, and the jewels
and the dresses, <i>nothing</i> to do with the dream?</p>
<p>No, Cinderella, you were human, that is all. The artist,
shivering in his conventional attic, dreaming of Fame!—do
you think he is not hoping she will come to his loving arms in
the form Jove came to Danae? Do you think he is not
reckoning also upon the good dinners and the big cigars, the fur
coat and the diamond studs, that her visits will enable him to
purchase?</p>
<p>There is a certain picture very popular just now. You
may see it, Cinderella, in many of the shop-windows of the
town. It is called “The Dream of Love,” and it
represents a beautiful young girl, sleeping in a very beautiful
but somewhat disarranged bed. Indeed, one hopes, for the
sleeper’s sake, that the night is warm, and that the room
is fairly free from draughts. A ladder of light streams
down from the sky into the room, and upon this ladder crowd and
jostle one another a small army of plump Cupids, each one laden
with some pledge of love. Two of the Imps are emptying a
sack of jewels upon the floor. Four others are bearing,
well displayed, a magnificent dress (a “confection,”
I believe, is the proper term) cut somewhat low, but making up in
train what is lacking elsewhere. Others bear bonnet boxes
from which peep stylish toques and bewitching hoods. Some,
representing evidently wholesale houses, stagger under silks and
satins in the piece. Cupids are there from the shoemakers
with the daintiest of <i>bottines</i>. Stockings, garters,
and even less mentionable articles, are not forgotten.
Caskets, mirrors, twelve-buttoned gloves, scent-bottles and
handkerchiefs, hair-pins, and the gayest of parasols, has the God
of Love piled into the arms of his messengers. Really a
most practical, up-to-date God of Love, moving with the
times! One feels that the modern Temple of Love must be a
sort of Swan and Edgar’s; the god himself a kind of
celestial shop-walker; while his mother, Venus, no doubt
superintends the costume department. Quite an Olympian
Whiteley, this latter-day Eros; he has forgotten nothing, for, at
the back of the picture, I notice one Cupid carrying a rather fat
heart at the end of a string.</p>
<p>You, Cinderella, could give good counsel to that sleeping
child. You would say to her—“Awake from such
dreams. The contents of a pawnbroker’s store-room
will not bring you happiness. Dream of love if you will;
that is a wise dream, even if it remain ever a dream. But
these coloured beads, these Manchester goods! are you
then—you, heiress of all the ages—still at heart only
as some poor savage maiden but little removed above the monkeys
that share the primeval forest with her? Will you sell your
gold to the first trader that brings you <i>this</i>
barter? These things, child, will only dazzle your eyes for
a few days. Do you think the Burlington Arcade is the gate
of Heaven?”</p>
<p>Ah, yes, I too could talk like that—I, writer of books,
to the young lad, sick of his office stool, dreaming of a
literary career leading to fame and fortune. “And do
you think, lad, that by that road you will reach Happiness sooner
than by another? Do you think interviews with yourself in
penny weeklies will bring you any satisfaction after the first
halfdozen? Do you think the gushing female who has read all
your books, and who wonders what it must feel like to be so
clever, will be welcome to you the tenth time you meet her?
Do you think press cuttings will always consist of wondering
admiration of your genius, of paragraphs about your charming
personal appearance under the heading, ‘Our
Celebrities’? Have you thought of the Uncomplimentary
criticisms, of the spiteful paragraphs, of the everlasting fear
of slipping a few inches down the greasy pole called
‘popular taste,’ to which you are condemned to cling
for life, as some lesser criminal to his weary tread-mill,
struggling with no hope but not to fall! Make a home, lad,
for the woman who loves you; gather one or two friends about you;
work, think, and play, that will bring you happiness. Shun
this roaring gingerbread fair that calls itself, forsooth, the
‘World of art and letters.’ Let its clowns and
its contortionists fight among themselves for the plaudits and
the halfpence of the mob. Let it be with its shouting and
its surging, its blare and its cheap flare. Come away, the
summer’s night is just the other side of the hedge, with
its silence and its stars.”</p>
<p>You and I, Cinderella, are experienced people, and can
therefore offer good advice, but do you think we should be
listened to?</p>
<p>“Ah, no, my Prince is not as yours. Mine will love
me always, and I am peculiarly fitted for the life of a
palace. I have the instinct and the ability for it. I
am sure I was made for a princess. Thank you, Cinderella,
for your well-meant counsel, but there is much difference between
you and me.”</p>
<p>That is the answer you would receive, Cinderella; and my young
friend would say to me, “Yes, I can understand <i>your</i>
finding disappointment in the literary career; but then, you see,
our cases are not quite similar. <i>I</i> am not likely to
find much trouble in keeping my position. <i>I</i> shall
not fear reading what the critics say of <i>me</i>. No
doubt there are disadvantages, when you are among the ruck, but
there is always plenty of room at the top. So thank you,
and goodbye.”</p>
<p>Besides, Cinderella dear, we should not quite mean
it—this excellent advice. We have grown accustomed to
these gew-gaws, and we should miss them in spite of our knowledge
of their trashiness: you, your palace and your little gold crown;
I, my mountebank’s cap, and the answering laugh that goes
up from the crowd when I shake my bells. We want
everything. All the happiness that earth and heaven are
capable of bestowing. Creature comforts, and heart and soul
comforts also; and, proud-spirited beings that we are, we will
not be put off with a part. Give us only everything, and we
will be content. And, after all, Cinderella, you have had
your day. Some little dogs never get theirs. You must
not be greedy. You have <i>known</i> happiness. The
palace was Paradise for those few months, and the Prince’s
arms were about you, Cinderella, the Prince’s kisses on
your lips; the gods themselves cannot take <i>that</i> from
you.</p>
<p>The cake cannot last for ever if we will eat of it so
greedily. There must come the day when we have picked
hungrily the last crumb—when we sit staring at the empty
board, nothing left of the feast, Cinderella, but the pain that
comes of feasting.</p>
<p>It is a naïve confession, poor Human Nature has made to
itself, in choosing, as it has, this story of Cinderella for its
leading moral:—Be good, little girl. Be meek under
your many trials. Be gentle and kind, in spite of your hard
lot, and one day—you shall marry a prince and ride in your
own carriage. Be brave and true, little boy. Work
hard and wait with patience, and in the end, with God’s
blessing, you shall earn riches enough to come back to London
town and marry your master’s daughter.</p>
<p>You and I, gentle Reader, could teach these young folks a
truer lesson, an we would. We know, alas! that the road of
all the virtues does not lead to wealth, rather the contrary;
else how explain our limited incomes? But would it be well,
think you, to tell them bluntly the truth—that honesty is
the most expensive luxury a man can indulge in; that virtue, if
persisted in, leads, generally speaking, to a six-roomed house in
an outlying suburb? Maybe the world is wise: the fiction
has its uses.</p>
<p>I am acquainted with a fairly intelligent young lady.
She can read and write, knows her tables up to six times, and can
argue. I regard her as representative of average Humanity
in its attitude towards Fate; and this is a dialogue I lately
overheard between her and an older lady who is good enough to
occasionally impart to her the wisdom of the world—</p>
<p>“I’ve been good this morning, haven’t
I?”</p>
<p>“Yes—oh yes, fairly good, for you.”</p>
<p>“You think Papa <i>will</i> take me to the circus
to-night?”</p>
<p>“Yes, if you keep good. If you don’t get
naughty this afternoon.”</p>
<p>A pause.</p>
<p>“I was good on Monday, you may remember,
nurse.”</p>
<p>“Tolerably good.”</p>
<p>“<i>Very</i> good, you said, nurse.”</p>
<p>“Well, yes, you weren’t bad.”</p>
<p>“And I was to have gone to the pantomime, and I
didn’t.”</p>
<p>“Well, that was because your aunt came up suddenly, and
your Papa couldn’t get another seat. Poor auntie
wouldn’t have gone at all if she hadn’t gone
then.”</p>
<p>“Oh, wouldn’t she?”</p>
<p>“No.”</p>
<p>Another pause.</p>
<p>“Do you think she’ll come up suddenly
to-day?”</p>
<p>“Oh no, I don’t think so.”</p>
<p>“No, I hope she doesn’t. I want to go to the
circus to-night. Because, you see, nurse, if I don’t
it will discourage me.”</p>
<div class="gapspace"> </div>
<p>So, perhaps the world is wise in promising us the
circus. We believe her at first. But after a while, I
fear, we grow discouraged.</p>
<div style="break-after:column;"></div><br />